There are certain artworks found in the College of Home Economics
that are very much noticeable when one enters the college. These are namely the Joya painting by the late Dean of the College of Fine Arts, Jose Joya, and the wooden sculpture wall installation by Ansel Day-ag. Both of the paintings depict and represent the College of Home Economics and its commitment to the development of skills and practices for the upholding of the Filipino family. The Joya Painting is an art work in the form of abstract expressionism which show the various aspects tackled by the programs in the College of Home Economics in the 1960s. Certain tools, objects, and figures can be made out of the seemingly abstract painting when a closer look is taken. The images of the fork, spoon, ruler, scissors, child, each represent a field of knowledge that is offered by the College. The wall installation by Ansel Day-ag is in the form of a wooden sculpture that depicts the encompassing fields of the College of Home Economics. The home, workplace, and the community is shown to be interconnected with the family which is known to be the basic unit of society. This is shown by the visible image of the family and the dwellings that go with this image. For the family has been and will be the focus of the College, the art work shows the focus of the Colleges mission and vision to be always for the improvement of the lives of the Filipino families. 3
These artworks indeed are a representation of the College of Home
Economics and the college has been existing for and with the University of the Philippines, and most especially for the homes and families that the college has always been committed to serve.