——_—_—_—_—_—_—S—S—S—_—_—_—_—EEE7———————————————
Theres remedy fo ths extreme ston,
and wa coin not chon, set merely
ofr raf he pt, with sane dela
> fre, bg norman, sco REQUIEM FOR THE
armen, motive and etl ngs och TWIN TOWERS
nol depayment an rain. Lik the
Gulf Wars a aon-event, an event that dacs not
relly ake pa.
And this indod i it an de: to subst,
fora veal and formidable, unique and unforesce
: able event, a repetitive, rehashed paewdo-event
“The terrorist stack corresponded toa precedence
ofthe event oer all interpretative model; where
a this mindle
mllay, tecnologia war co:
responds, conversely, to the model's preceden
over the even, and hence to a conflit ove phoney
stakes, toa stuation of ‘no contest’, War a8 con:
‘ination of ths absence of polis by other meansSie
‘Aversion of thi paper was Boudrild’s cont
bution to a debs on the events of September
1 200, the Rercontrespisophiques ute
Atlantique’ organized jointly by Mew York
University and France Culture in Washington
Square, Manhatan The formal contributions
were broadest on France Gite on the afte
noon of February 232002. The debate, which
‘was egy conducted in French, was calted by
om Bebop: ater participants were Jacques
ance, Charles Larmore ond Mark Ul. The
footnote, which refer to slight variatons
Letween the wen tet andthe version deli
rein Mew Yoo, ae my ov an)
“The September 11 attacks ao concern architee-
ture, since what was destroyed was one of the
most prestigious of buildings, together with 2
hol (Western) valc-rystm anda word oder!
1 tte New York debt, Raid yc te
si te ing omaha ae
Bey ping oon se vn hat
Irvin mnt citi
{Soccer yc oy oer Dot
nis pa maa ch igh poly
fin tmacepabeas te eet are let
tyme mgtn rmoreo e ea
Ie may, then, be seul to begin with store
and architect analysis of the Tin Towers, in
onder to grasp the symbolic significance of thelr
destruction,
First ofall, why the Tria Towers? Why eno
towers tthe Word Trade Center?
All Manttan’s all buildings had bees con
tent to conont eachother ina competitive ver.
sical, and de product of this was an architec
tural panorima reflecting the capitalist,
4 pyramidal jungle, whose famous
mage stretched out before you at you arrived
from the sea. That image changed after 1973,
withthe buldng of the World Trade Center. The
sflgy of de sytem was no longer the obelisk and
the pyramid, but the punch card and the statist
cal graph, This architectoral graphlsm isthe
bodiment ofa system that no longer com
petitive, but digital and countable, and from
which competition has disappeared in favour of
etworks and monopoly.
Perfect parallelepiped, standing oer 1,300
{ect tall, on a square base. Perfectly balanced,
‘ind communicating vessels (they say terrorism is
“Win, bat the towers were blind too monoliths
to longer opening on to the outside world, but
smbject to artical conditioning’). The fact that
there were two of them signs the end of any
original reference. If there had heen only one,
monopoly would not have been perfectly
‘embodied. Only the doubling of the sig waly
putsan end to what designates,
There i particule fascination in this red
plcation. However tall they may have been, the
2a New York, Bil aes “A id
ing bt met cml.to towers sgifed, none the les, a hal overt
cally, They were not of the same breed atthe
‘other buildings, They culminated in the exact
reflection of sach other: The glass and steel
facades of the Rockefeller Center buildings stil
smironed each ther in an ees spculrty. But
the Twin Towers no longer ad any fades, any
faces, With the rhetori of verily disappears
also the thetorc ofthe mirror. There remains
‘only a kind of Hack box, a series closed om the fg
sre to, a thoggh arctecture, lke the system,
‘was now merely a product of cloning, and of 2
hangelese gente code
[New Yorkie the only ety in the wor that
dns, throughost it story, tracked the present
form ofthe sytem and alls many developments
then
with such prodigious Adelity, We mu
assume that the cllpse of the towers ~ ise
nique event inthe history of modern cites — pre
figures a kind of dramatic ending and, alli all,
lisappesrance both of this form of architecture
ane ofthe world system it embodies, Shaped i
the pure computer image of banking and fiance,
(acjountable and digital, they wore ina sense te
‘rain, and in striking there the terrorints have
sgruck tthe brain, atthe nerve-cenre ofthe ss
‘The violence of globalization also involves
_architecture, and hence the voknt protest agait
‘kalo involves che destruction of that architec:
“ture, tn terms of cllotve drama, we can my that
the borur for the 4,000 victims of dying in hone
tomers was inseparable from the horror of living
inthe ~ the horor of ling and working in
cophgl of concrete and tel
These architectural monsters, like the
Beasboury Centre, hive aways exerted an ambigs
“2a fescnaion, ax hae the extreme forms of mo:
‘erm technology in general
contradictory felingof attraction and repulsion, and hence, some
where, secret deste to ace them disappear Inthe
case ofthe Twin Towers, something particular is
added:
terin-nese, There amity this cloning and
precisely their symmetry and their
perfect symmetry an aesthetic quality, a kind of
perfect crime agsnst form, a tautlogy of form
which can givers, in violent reaction tothe
temptation to break that symmetry, to restore an
asymmetry and hence a singularity.
Their destruction self respected the symm
try of the towers: a double tac, separated by 2
fev minutes interval, witha sense of suspense
between the two impacts, After the first, one
‘ould ill believe twat an acident. Onl the see
ond impact confirmed the terrorist attack, Ara in
the Queens a rath 4 month ltr, the TV sti
tions waited, staying with the tory (in France) for
our hou
ming to broadcast pombe second
rath “lve. Since that did not occur, we shall
ever know now sehetber It was an accident or a
‘The collipse ofthe towers isthe major sym
“bolic event, Imagine they hs
‘only one had collapsed: the effect woul not have
‘ben the same at all. The fragt of global power
not collipsed, oF
would not have been so strikingly proven. The
towers, which were the emblem ofthat power,
still embody i i their dramatic end, which
reerbles a suicide, Seeing them collapse them
selves, aif hy implosion, one ad the impression
that they were commiting suicide in response to
th uci ofthe side planes.
Were the Twin Towers destroyed, ordi they
calls? Lotus he clear about this the 849 tow
‘ers are both a physical, architectural object and
symbolic objec (ymbolic of financl power and
4 ta New Yak, Billed abl: mba in he weak
sen, et bt, fra a.global economic lberalis). The architectural
object was destroyel, but it was the symbolic
‘object which was targeted and which it was
Intended to demolish, One might hink the ps
‘al destruction browt about the symbolic col-
lapse, But in ict no one, not even the terrors,
tad reckoned on the total destruction ofthe tow
ers, Kwa, jn fc, thle symbolic collapse that
brought about their physical cllapre, not the
ther way around,
Asif the power ering thee towers aenly
lost all neg, all lence; a hough a aro-
an poner snl gave wy wer the presse
fo intense ft the ffort alway to be he
nique word mode
So the towers ered of beings symbol which
tras too heavy a burden to bear collapsed, this
‘ime physically, n their totality. Their nerves of
steel racked. They collapsed verily, drained of
thir sent, wth he whe word looking on in
anonisment.
“The symbolic olpse came about, then, by a
kind of unpredictable complicty — a though the
cate sytem, by its internal fragility, joined in
the game of iow lgidation, and hence joined
sn the game of teroran, Very lolly and nex:
ay, the ncrease nthe power of power height
the wll to destroy it, But there bt more:
somewhere, ¢ was party to own destruction
“The counts dsster movies ar wines to hi
fancaty, which they attempt to exorcize with
tong and special fs, But the Fxcition hey
sign that acting-out ix never very far
away ~ the rejection of any system, including
Anermal rejection, growing all the stronger a it
approaches perfection or omnipotence. It has
‘been sid that “Even God cannot declare war on
Himsclt? Wel, He ean, The West, in the postion
of God (divine omnipotence and absolute morallegitimacy), has become suicidal, and declared
war on el
ven in ther flue, the terrorists woceeded
beyond their wildest hopes: in bungling their
tack onthe Whits House (hile succeeding far
beyond their objectives on the towers), they
demonstrated unirtntinally that that was not
the estentil target, that politcal power no
longer means much, and real powes
where, Ax for whit should be but im place of
‘the towers the problem is insoluble, Quite sim-
ply because one can imagine nothing equivalent
that would be worth destroying ~ that would be
‘worthy of being destroyed, The Twin Towers
‘were worth destroying, One cannot ay the same
‘of many architectaral works, Most things are not
‘even worth destroying or scriiing, Only works
‘of prestige deserve that ft, for i san honour
“This proposition isnot as paradoxical as it
sounds, and irae a asic issue for architec
ture: one should build only those things which,
by their excellence, are worthy of being
destroyed. Take a Took around with thi radical
‘Proposition in mind, and you wil see what pase
we have come to, Not muck would withstand
this extreme hypothesis
‘his brings us back to what should be the
base question for architecture, which architects
never formulate: is ft normal to build and con
struct? In fat snot, and we should preserve the
solute problematical character ofthe under
taking, Undoubtedly, the tsk of architecture ~ of
ood architecture — it effice itll to disappear
as such, The tomers, for their par, have dsap-
peared. But they have lef ws the symbol of thir
Aisappearance, their disappearance as symbol,
‘They, which were the symbol of omnipotence,
have become, by their absence, the sbal of the
possible disappearance of that omnipotence —
hich is perhaps an even more potent symbol‘Whatever becomes of that global omaipotence, it
will ave been destroyed ere fora moment.
Morcovr, although the two towers have dis
appeared, they hte not been anniilte. Even in
‘thie pulverized sate, they have left behind an
intense awarcnes of thelr presence. No-one who
know them can cease imagining them and the
Imprint they made on the skyline from all points
ofthe ity, Their and in material space has borne
‘hem off into a deinive imaginary space. By the
race of trrorina, the World Trade Center bas
‘become the work's mort Beautifl ullding ~ the
cgth wonder ofthe wor?
44 ter dling gly odes of hi st
porarph n Now York, Baile closed wit he
omen So Ts tw proce «Rey, ba
trae ina aTeDeam
HYPOTHESES ON
TERRORISM‘We may damis from the oust the hypothesis that
September 11 constituted merely an scent or
Incident onthe path toireverble globalization, An
‘ulimately despairing hypothe, since something
‘very extraordinary occurred there and to deny itis
‘0 admit that henceforth nothing an ever constitute
am vent, that we are doomed to pay out the flaw
Jes logic oa global power capable of absorbing
any resistance, any antagonism, and even strength:
ing ite by so doing ~ the terrorist act merely
Instening the planetary ascendancy of a single
power and singe way of thinkingCCounterposed to hi ze hypothesis isthe
maximal one, the maxinal gamble onthe character
of September 11 at erent — event being defined
hore as that which, is system of generalized
exchange, suddenly creates zone of imposible
exchange: the impose exchange of death at the
heart of the event self, and the impossible
xchange of tht even for any course whatever
ence its symbolic potency, and it this symbolic
potency which strack we all in the Mankatan
According to the zu hypothess, the terrorist,
‘vent i insignificant, ought not to have existed
ad, basally st does mx exist. This ose things
in erm of thes that Evie mete illsion oan
accidental vicstude nthe trajectory of Goodin
this cme, the tsectory ofthe World Order anda
happy Globaliation. Theology has always bated
‘self on this unrest o Evil as such.
PELTEET CELE T Tee Ee
Another hypothesis: it wat an act of scat
madmen, psychopaths, fanatics of a perverted
‘tos, themselves manipulated by some xi power,
hich is merely exploiting the resentment and
‘mre of oppressed peoples to sate it destructive
rage, The same hypothesis — ut more favourably
Pt and attempting to lend terrorim akin of is
‘torical atonle —is the one dha ces it asthe rest
_expresion ofthe despair of oppressed poops. Bat
‘his argument i elf espet, since it condemns
terroriam to represent global misery only ina def
itive gesture of impotence, And even itis ranted
that terrorism a pei orm of political contes-
{ation ofthe global onde, this i generally done only
to denounce its falure and, atthe same time, its
unintended effect, which involuntarily to consol-
‘ate that order. Thi isthe version advanced by
‘Arundhati Roy who, wile denouncing hegemonic
‘power, denounces terrorism a ts twin the din
Dolcal twin ofthe system, A smal tp, then, to
imagine tht i terror di not exis the system‘would hive invented And wy not, then, se the
September 1 attackeat a CIA stunt?
Here again th a muppote tht ll oppo
valence i ultimately complicit with the exiting
conde. ei to squall dhe intentions ofthe actors,
ae the very takes fae action, It to eda hat
exon to tbe sonseunce (te geopical
consequences of Septenber 1), and never to etn
terms fs own potency. Ad, anyway, whos manip-
sing whom? Who k playing the oer game? In
this cnet ju rch te terrorists who profit by
‘the ahance ofthe syst, inorder themselies to gan
omer, na race along rll racks in which the two
‘ponents, contrary to what happened in cls con
‘ct and historia ware, never actly met.
We should go even further: rather than the
Iypothess ofan ‘objective’ complicity hetween er
‘osm andthe world oder, we should advance the
‘xactly opposite hypothesis ofa deep internal com
Tr
SERCERe TTT re Crt rere reer rrr reer terres
plicty between tht power and the power ranged
‘against it from th outside ofan ternal instability
and weakness which, fs sense, meet the violent
esabilation ofthe terrorist act alway Without
‘he hypothesis of thi secret coalition, this collusive
predisposition, one can understand nothing of ter
‘orism andthe impositility of onercoming i.
AE the am of terror ito destabilize the global
order merely by its own strength, ina head-on
lash then it is absurd: he reliton of forces iso
cq and, in any cs, tht global orders already
{hei of uch disorder and deregulation that here
{00 pint whatever in adding. One even rns
hea, by this ain oder, of enforcing
the police and security control systems, a we see
onal ides ody,
But perhaps tat is the terrorists dream: the
ream of an immortal enemy. For, ithe enemy no
ssTonge exits, bes ditt dest, A
tautology, addy, bt terran stl,
and its conlson prada log: if the
Ste ely exited, would give pal meaning
to terror, Since terrorism manly has noe
(though thas termes), thi proof hat the
State doe ot exit. ad hatte power i derior.
‘What, then, the terrorists secret message? In a
[Nason story, we se him crowing the frontier
‘ach dy with mules Iden with acs. Each time,
‘the sacks are searched, but nothing s found, And
Nasredin continues to crt the frontier with his
mules, Lang ftersady they aki what in ft it
vase was amugaing, And Nasreddin replies ‘1
‘war smuggling mus?
nth same way, we may wonder what itis that
{neal being smuggled ere, behind all he appar:
fent_motives for the terrorist act ~ religion,
‘martyedom, vengeance or strategy? It is quite
simply, through what seems tous ike a uid, the
imposible exchange of death, the challenge tothe
system by the symbolic gift of death, which
becomes an abolute weapon (the Towers sem to
have understood this, since they responded with
{het own calls).
“This the amerign hypothesis tervorem ult
‘mately has no meaning, no objective, ad cant be
_mcasured byt ‘el political and historia conse-
‘quences. And ii, paradoxically, ecwuse has no
meaning that i constitutes an erent in & workd
Increasingly saturated with meaning and fey.
“The sovereign hypothesis i the one that com
caves of teroriam, beyond it spectaculivokncs,
beyond Blam and Ameria, a the emergence of «
radical antagonist atthe very heart ofthe process
of globalization, of force iredicble to thi inte-
gal technical and mental realisation ofthe word,
Dorota Semenowicz Auth-The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio - From Icon To Iconoclasm From Word To Image From Symbol To Allegory-Palgrave Macmillan US 2016