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head and mouth to fit the mouthpiece. This cramped position inhibits
the ability to take deep, full breaths
and results in a lack of breath support
and air flow. In addition, the angle of
the head may constrict the throat, resulting in a tight sound.
This lack of air support and air flow
caused by poor posture can easily be
corrected, often by using a small cushion or folded towel. Placed on the lap,
the cushion raises the instrument so
that the chest is high and free for taking full, unencumbered breaths. A
good rule for players is to sit as you
stand, using the same relative posture
of the upper body in both sitting and
standing positions. Bring the mouthpiece to the embouchure, not vice versa. This simple change can improve
to breathe properly.
Embouchure, the other physical
factor in tone quality production, is
sometimes neglected because producing a sound on the euphonium is fairly easy. To obtain embouchure control on the euphonium, the corners of
the player's lips serve as a solid base
for the center part of the embouchure
inside the mouthpiece rim. This firm
corner base contributes to the development of the small muscles inside
the rim and gives the player control in
the inner mouthpiece, resulting in stability and flexibility throughout the
dynamic and tonal range of the instrument.
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Euphonium soloist with the United States
Air Force Band in Washington, D.C.,
Brian L, Bowman has performed as soloist in all 50 states, Canada, Mexico, the
Virgin Islands, Norway, Japan, and the
People's Republic of China. He holds degrees from the University of Michigan
and the Catholic University of America;
and he now serves as adjunct professor of
euphonium at the University of Maryland, George Mason University, and the
Catholic University of America. This
year he is visiting professor of euphonium
at Michigan State University.
MUSIC STAND