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This document summarizes an art exhibition featuring mail artworks that were sent through postal systems. The works arrived at the gallery creased, stamped, and photocopied, resembling messages from the past. The show included pieces from the 1950s to present day, ranging from stamped photographs to original and photocopied works addressing censorship during Brazil's military rule. One contemporary work showed all the damage accumulated by a copper cube sent unpackaged from the US to Brazil. The fading faxes and sealed envelopes in the exhibition took on new significance in today's age of internet surveillance.
Descrizione originale:
exhibition review, Jaqueline Martins gallery, São Paulo
This document summarizes an art exhibition featuring mail artworks that were sent through postal systems. The works arrived at the gallery creased, stamped, and photocopied, resembling messages from the past. The show included pieces from the 1950s to present day, ranging from stamped photographs to original and photocopied works addressing censorship during Brazil's military rule. One contemporary work showed all the damage accumulated by a copper cube sent unpackaged from the US to Brazil. The fading faxes and sealed envelopes in the exhibition took on new significance in today's age of internet surveillance.
This document summarizes an art exhibition featuring mail artworks that were sent through postal systems. The works arrived at the gallery creased, stamped, and photocopied, resembling messages from the past. The show included pieces from the 1950s to present day, ranging from stamped photographs to original and photocopied works addressing censorship during Brazil's military rule. One contemporary work showed all the damage accumulated by a copper cube sent unpackaged from the US to Brazil. The fading faxes and sealed envelopes in the exhibition took on new significance in today's age of internet surveillance.
Mario Ishikawa, Torneio Democrtico, 1980, photocopy, polyptych with six parts, each 13" x 8". 12 4
BATALHO DE TELEGRAFISTAS
reased, stamped, taped, and Xeroxed, the works
in this exhibition of mail art arrived at Galeria Jaqueline Martins like messages from the distant past. Since the 1950s, beginning with American artist Ray Johnson, a pioneer in the genre, artists have been sending work around the world, sometimes in the form of exchanges between individuals, but more often in response to calls for submissions on particular themes. Send your contribution as soon as you can. No deadline, no limits, read one such call, displayed in this show of under-the-radar art. Works in the exhibition ranged from Moyra Daveys 2013 folded, stamped, franked, and posted photographs of a model of the Museu de Arte de So Paulo, to Xeroxed and original pieces from the archives of Brazilian artists Gasto de Magalhes, F. Marquespenteado, and Luis Guardia Neto. In some of the works, addresses and stamps were used to lovely effect, as in the 1970s correspondence
of Mario Ishikawa. In FedEx Medium Kraft Box 2004
FEDEX 155143 REV10/04 BP, Standard Overnight, Los Angeles-New York trk#798399701913, May 1516, 2012, Standard Overnight, New York-Los Angeles trk#793880921605, August 8-9, 2012, International Priority, Los Angeles-Sao Paulo trk#770402083028, June 24- , 2014 (2012), a contemporary piece by Walead Beshty, a large copper cube, sent unpackaged and unprotected from the United States to Brazil, shows all the dents and scratches left by its global peregrinations. Other works concerned themselves with censorship. A set of 1988 faxed photos by Edgard de Souza, faded by time, show a naked man in classical poses. In Almandrades Psiu! (1973), made during Brazils long military rule, a sealed envelope held to the light reveals a single word printed on a card inside: psui (shhh). From the vantage point of our own age of Internet surveillance, fast-fading faxes and gummed envelopes suddenly CL AIRE RIGBY looked like good ideas.
COURTESY THE ARTIST AND GALERIA JAQUELINE MARTINS, SO PAULO
The Medal in America. Vol. 1: Coinage of The Americas Conference at The American Numismatic Society, New-York, September 26-27 1987 / Ed. by Alan M. Stahl