An examination of the nature and value of reading and the printed word in an increasingly digital age. What is the value of printed books? And how can you control, manipulate and destroy education, ideas and narratives once transferred from page to human consciousness? KINDLING explores the relationship between words and ideas, imagination and experience in a durational installation performance that questions why we read, the value of books as artefacts and where they take us individually and as a society. Presented by Word of Warning, STUN + Z-arts during Emergency 2014, Saturday, 4 October 2014. Performers: Stewart Richard Ainsworth, Dave Dickinson, Julian Evans, Karen Forshaw, Janet House, Peter Jacobs, Simon Liddiard, Sen Robertson, Darren Swindells KINDLING was written and devised by Peter Jacobs with support from Word of Warning and hb. Peter would like to thank the performers and the following people for their support, learning, enthusiasm, inspiration, and generally making the impossible seem possible: Ged Jones, Adam James, JocJonJosch, Bren OCallaghan, Theo Clinkard, Ron Athey, Tamsin Drury and everyone at Word of Warning, hb and Z-Arts, Adrian Lourie, Peter Mitchell, the usual suspects at Natural State Performance Network, Adam Wilson Holmes, Pavlos Kountouriotis, Hamish MacPherson, Justin R Hunt, Jez Dolan, Daniel Knorr, Paul Darling, Clifford Owens, Leda Franklin, Angelo Musco, Typhaine Delaup, Pau Ros, Julian Baker and Manel Ortega. And anyone else who thinks they deserve a mention here PETER JACOBS is a Manchester-based mature photographic model and performer in photographic, performance and situational art installations. He enjoys exploring identity and sexuality through photography. His modelling work ranges from fine art portraiture through to narrative, bear imagery, fetish and pin-up. He started volunteering for public participation art events in 2009 and has progressively sought out more complex and involving projects as his experience has grown. In 2010 he took part in a photographic installation by American photographer Spencer Tunick, which has led to an interest in nude performance. Since taking his clothes off for art for the first time Peter has become one of a large group of dedicated amateur performers experienced in participating in naked art projects. But Peter has continued to work within a wide range of different types of performance including photographic, situational and gallery installations, art and theatrical performances in the UK and Europe. In recent years Peter has started to devise his own performance concepts with a view to developing his own practice as a performer and artist. His interests lie in exploring ideas of ordinariness and considering the unthinking choreography and meaning of unconsidered everyday life and routine. He is also interested in ageing, masculinity and male sexual identity. Website | peter-jacobs.weebly.com Twitter | @PeterTJacobs