aus"Libro Primo Dntavolatura di Chitarone"; Venice 1604 Bearbeitung fr Gitarre: Andreas CWF Pesch peschhaan@aol.com 2006
Page 1 / 5 Es ist wesentlich leichter, dies Stck in der Stimmung E-A-D-G-H-D zu spielen. Die Akkorde in dieser Toccata sollen arpeggiert gespielt werden, die Art des Arpeggios obliegt dabei dem Auffhrenden. Dieser Bearbeitung liegt die Spielweise von Hopkinson Smith: pimi-aimi-paim-paim fr jeden Akkord zugrunde; Paul O`Dette dagegen spielt ganz simpel jeden Akkord pima-pima-pima-pima. [ F # # 4 4 V U U U U U U U U U U U U U U U V U U U U % U U U U U U U U U U U [ F # # 3 V U U U U % U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 5 V U U U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 7 V U U U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 9 V U # U U U U U U U U U U U U U U V U U % U U U U U U U U U U U U U [ F # # 11 V U U U U U U U U U U U U U U U V U # U U U U U U U U U U U U U U "Toccata Arpeggiata" Johann Hironymus Kapsberger Page 2 / 5 [ F # # 13 V U U U U U U U U U U U U U U U V U U % U U U U U U U U U U U U U [ F # # 15 V U % U U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 17 V U U U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 19 V U U # U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 21 V U U U U U U U U U U U U U U U V U U % U U U U U U U U U U U U U [ F # # 23 V U U U U U U U U U U U U U U U V U U % U U U U U U U U U U U U U "Toccata Arpeggiata" Johann Hironymus Kapsberger Page 3 / 5 [ F # # 25 V U U U U U U U U U U U U U U U V U # U U U U U U U U U U U U U U [ F # # 27 V U U U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 29 V U U U U U U U U U U U U U U U V U U U U % U U U U U U U U U U U [ F # # 31 V U % U U U % U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 33 V % U U % U U U U U U U U U U U U U V U U % U U U U U U U U U U U U U [ F # # 35 V U U U U U U U U U U U U U U U V U U U U U U U U U U U U U U U "Toccata Arpeggiata" Johann Hironymus Kapsberger Page 4 / 5 [ F # # 37 V U U # U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 39 V U U U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 41 V U U U U # U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 43 V U U U U U U U U U U U U U U U V U U U U U U U U U U U U U # U U [ F # # 45 V U U U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 47 V U U U U U U U U U U U U U U U V U # U U U U U U U U U U U U U U "Toccata Arpeggiata" Johann Hironymus Kapsberger Page 5 / 5 [ F # # 49 V U # U U U U U U U U U U U U U U V # U U U U U U U U U U U U U U U [ F # # 51 V U U U U U U U U U U U U U U U V U # U U U U U U U U U U U U U U [ F # # 53 V U U U U U U U U U U U U U U U V U U U U U U U U U U U U U U U [ F # # 55 V U U U U U U U U U U U U U U U V U # U U U U U U U U U U U U U U [ F # # 57 V U U U U U U U U U U U U U U U C C C C