56
\
ATMOZOAIPA
Dichtung» (41930) (ayyA. ut@e. «Psychology and Literature», oto Modern
Man in Search of a Soul [1933])- G. Wilson Knight, The Starlit Dome (4941)
Robert Graves, The White Goddess (ava. 1961) / H Aeuxy beck (1998)
Richard Chase, The Quest for Myth (1949)- Francis Ferguson, The Idea of a
Theater (1949): Philip Wheelwright, The Burning Fountain (ava0. 1968)
Northrop Frye, «The Archetypes of Literature», oto Fables of Identity (1963)-
Joseph Campbell, The Hero with a Thousand Faces (B' éxdoon, 1968). Tn Se-
xaetia tov 1980 4 peuimotunj xprtun} avértuEe poppés apyetuTUals xpt-
zwoig Ya va aveDewproer tW¢ avBpoxevtpixés Peiaeic xat Weodnbles tov
Jung xou cAAwv apyetumiotéy. BAéme Annis Pratt, Archetypal Patterns in
Woman's Fiction (1981), xa0c¢ xou Estella Lauter xo Carol Schreier Rup-
recht, Feminist Archetypal Theory: Interdisciplinary Re-Visions of Jungian Thought
(4985).
Tux ovtnriaess xan xprexés ext tg apyetumudic Pewplas xor moaxtt-
vos, BAére H. M. Block, «Cultural Anthropology and Contemporary Lite-
rary Criticism», Journal of Aesthetics and Art Criticism 44 (1952) Murray Krieger,
enu., Northrop Frye in Modern Criticism (1966)- Robert Denham, Northrop
Frye and Critical Method (1978): Franc Lentricchia, After the New Criticism
(4980), xempéiAcuo 4.
Atusoaipa (Atmosphere). O cvvaobnuatixds tovos Tov yapaxtnpiter
éva andonacpa ¥j to abvoAO Evds AoyotExvix0d Epyov, xa oO OTOLOg Sia-
Loppadver tic avayvworixés TeOGSoxles wo mpg THY EEEAEN twv yeyovd-
tay, cite ath civet afore % (cvyvdtepa) toopaxtueh % xataotpopLXh. O
Shakespeare Snuiovpyet Ty tetowévn xox Eupofn atudopaipa otyY apxh
ov Auaet (Hamlet) wéoo and to haxevixd xan vevpixd Suihoyo tov
eovpdiy, nov mepIévony pia Exaveppéenon tov pavtéayatos o Coler-
idge Snurovpyet évar avéuerxto |fSog Opnoxevtixod xe Serctdaiwovoc tod-
Lov Ye THY Teptypapy Tov napabéter otHY Elocywyuc amv TOV apy-
ynuotixod noxhpocos Christabel (1846) xox 0 Hardy, oto pobotépnus tov
The Return of the Native (4878), rapovordter to Egdon Heath wo pum meA0-
pic xo Yomeph ovtdeyta nov xéver tov aydva tov avOpdmov yu evtv-
yla vor pordter aovpavtos xat pdronos, eves napdAlnda Aettovpyet ws
oxnvixd tov. EvoAhoxtixol dpor tov xonoworowobvtat avet yuo THY atUd-
apap civat SukOeon (mood) xou Aiwa (ambience).
|— :
AuAiK6g Epwracg (Courtly love). Eva epwtxd Séypo, aAAK xou évag me-
ptteyvog xadixag Tov Siémet Tig oyoels petaks yaraLoaiuatwy epactév
XO TOV enpaviétay xath x6pov ota AvEIKe TOMWATA xO OTI¢ wmOTI- AYAIKOE EPOTAE,
xéc uvtiotoptes tg Svtwxhg Evpdrns xoté ty Sidéipxer. tov Mecaova.. H
xaBiépwon tev ovpBdoewy tov avdxod Eowra anodiderat ovviiing ot0Us
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