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ul,2014 Issuc 92
wE REVEAL h0wT0BRlhCAPREShAhCLE T0Y0uR LAh0SCAPES 8P0RTRAlTS
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ELCOME1O1HEIuly2I4issueo Digi|cI SIRIho|ogrcph,
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Viusociul mediu(seepurel belov). Erjoyllelulesl issue. All llebesl!
DcricI Iczcro Editor
!uI,2014 DigitaI SLRhotography
0urs|unn|ncover|uae
|sbyrenowned|andscape
pho|orapherTouHac||e.
l|'sjus| oneofsevera| |uaes
hesho| |nauorn|na|
lerr|nhee| H|||, Suho||, |o
|||us|ra|e|hep|c|urepo|en||a|
w|ndu|||soheryou.Youcan
fndTou'sadv|ceonshoo||n
w|ndu|||son
260,000F0LL0wLkSAN06k0w|N6FAST| Ce| on||neand|n|erac|w||h|heetper|sa|
0|||+| ||||o|o/+|,.Youcanfo||owusonlaceboo||faceboo|.cou/d|||a|s|rpho|o,
|wee| usonTw|||er|(d|||a|s|rpho|o, jo|nusonl||c|r|h|c|r.cou/roups/d|||a|s|rpho|o or
eua|| us|ds|rfeedbac|(denn|s.co.u| |o|eepup|oda|ew||ha|| |ha|'so|non|npho|oraph
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of 0|||+| ||||o|o/+|,
|nsp|ra||onandadv|ced|rec|
|oyourdoororuob||edev|ce
bysubscr|b|n|oourpr|n|
and/ord|||a| ed|||ons.
wea|wayshavesouerea|
uoney-sav|nohersor
free|f|sforsubscr|bers, |oo!
loruorede|a||s, see
0hThlSH0hTh'SC0VER... SuBSCRlBET00AYl
1oinugrowingcommunity
5EDlTOR'SAGE
l|'sa|| chane-ed||orlezanowe|couesyou|oyour
new-|oo|uaaz|ne. wha| a|rea| wehave|ns|ore!
8ORTPOLlONEW
lase|nw||hsoue|op-no|ch|nsp|r|npho|oraphy-
raw|a|en| |ha| w||| haveyoureach|nforyourcauera
15LOCATlONGUlDENEW
0nebeau||fu| uK|oca||onp|usheapsof br||||an| ||ps,
|echn|quesandv|ewpo|n| |deas|oshoo| || |||eapro
20SNASHOTSNEW
Auon|h|yu|tof auus|nanecdo|es, p|c|urepuzz|es,
op|n|onandsn|ppe|sfrou|hewor|dof pho|oraphy
0HEAVENONEARTH
Passpor|sa| |heready-you'|| wan| |oboo|yourh|h|s
whenyouw||ness|heseawesouewor|dw|de|oca||ons
61THEMR&MRSCHALLENGENEW
Rosslodd|no|| |s|n|he||neof freashereferees
ourbrand-newhead-|o-headpho|oshoo|-ou|.
67WlNANlADAlR&VOUCHERS
lancyan|PadA|roruoney-ohvouchersforapho|o|r|p
of a||fe||ue0f courseyoudo! l|ndou| how|oen|erhere
68BlGlNTERVlEW: DANWlNTERSNEW
wecou|da|| |earna|h|nor|wofrou0anw|n|ersabou|
|hear| of por|ra||s. Jordanbu||erse|sh|sbac|s|ory
7EDlTNEW
l|'swha|youdo|npos|-process|n|ha| canua|ea|| |he
d|herence|oyour|uaes. learnsoue|h|nnew|oday!
82SRlNGCLEANNEW
l|'s||ue|oc|eanupyourac| w||hourehc|en|wor|how
so|u||on. Sor|, searchandsaveuades|up|e!
130OlNlON: THEP]WORDNEW
Pra|sebeforbr||s! Th|suon|h'ssecre| co|uun|s| says
weshou|da|| |earn|obeab|| uoresuppor||ve.
DigitaI SLRhotography

JulY20!4/ lSSul92
Contcnts
Ihototcchniquc
28HOTOSKlLLS: WlNDMlLLS
Your|uaesneedn'| berunof |heu|||. we|oadyouup
w||h|deasfor|heuanywaysyoucanshoo| w|ndu|||s
33HOTOSKlLLS: ETORTRAlT
0u|r|y, charac|erfu| pe| por|ra||sarejus| acauerac||c|
awayw||hours|ep-by-s|eps|ud|ou|de
37HOTOSKlLLS: ORTRAlTCROlNG
Th|n|you|nowcoupos|||onTh|n|aa|n. lnjec| new||fe
|n|oyourpor|ra||sbybe|nbravew||hyourcrops
9HOTOWORKSHONEW
Rooufor|uproveuen|Rosslodd|no|| headsaone-
on-onewor|shop, wh||ewecr|||queyoursubu|ss|ons
55PAMlLYALBUMNEW
Treasuredueuor|esdeserve|obeuore|hanjus| snaps.
lere'sa|| |headv|ceyouneed|opho|oraphyourfau||y
1on Hicks TkAVLL
Jon's spen| uos| of h|s career as a
successfu| |rave| pho|orapher,
shoo||n h|s un|que s|y|e of |uaes
for |ead|n s|oc| ||brary Corb|s.
/on||c|:|o|ocoa|
Icc Irost LAN0SCAPL 8TkAVLL
A|on-s|and|n reu|ar con|r|bu|or,
lee |s a foun|a|n of |now|edewhen
|| coues |o shoo||n |andscapes and
de||ver|n etper| |u|or|a|s.
|ee//o:|coa|
rctt Hurkncss P0kTkA|TS
You e||her wan| |o be pho|oraphed
by h|uor shoo| |||e h|u. Auas|er of
por|ra||s, fash|on andwedd|ns, bre||
runs reu|ar wor|shops |n |he uK.
o/e|||+/|ne::|o|o/+|,com
CuroIinc Schmidt
0epu|y ed||or of 0|||+| ||
||o|o/+|, uaaz|ne, Caro||ne
spec|a||ses |n por|ra|| pho|oraphy
bu| |s a|so a Pho|oshop etper| and
an etper|enced uaaz|ne journa||s|.
Dun Vintcrs CLLLBk|TY
l|h|y souh|-af|er por|ra|| and
ed||or|a| pho|oraphers. Renowned
for h|s cons|dered approach and
uas|erfu| use of ||h| and co|our.
J+nu|n|e/:|o|ocom
1ordun uttcrs
w||h a fner a|ways on |he pu|se of
pho|oraphy, Jordan |urns h|s hand
|o uos| |h|ns. he's our soc|a| ued|a
uas|er, sen|or fea|ures wr||er and
|a|en|ed res|den| pro pho|orapher.
DunicI Iczuno
w||h over 30years' etper|ence as an
en|hus|as| pho|orapher and a|uos|
20years on pho|o uaaz|nes, ed||or
lezano |s as pass|ona|e as ever abou|
pho|oraphy, |n par||cu|ar por|ra||s.
Ikc VogcIsung PLTP0kTkA|TS
based |n l||deshe|u, Ceruany,
pro pho|orapher l||e |s we|| |nown
for her s|na|ure etpress|ve and
p|ayfu| s|y|e of pe| por|ra||ure.
u|e:e|o|||.Je/en/
Ross Hoddinott 00T000k
le's no| on|y an award-w|nn|n
na|ure pho|orapher, a |ead|n
etper| |n |andscape andw||d||fe
pho|oraphy, he's a |op |u|or, |oo.
/o::|oJJ|no||coa|
Richurd IcIhumSP0kTS
The ch|ef spor|s pho|orapher for
!|e an covers |hewor|d's uajor
spor||n even|s, |nc|ud|nArsena|'s
lACup l|na| w|n a| weub|ey |n Hay.
J|c||ee||+mcom
TomMuckic LAN0SCAPLS
Auer|can pro pho|orapher based |n
Norfo||, Tou's |uaes havewon h|u
uany acco|ades and |ndus|ry
respec|. Auas|er of shape and ||h|.
|omm+c||ecom
DigitaI SLRhotography
80SUBSCRlBETODAY!
lor|hevery|a|es| 0|||+| ||||o|o/+|,ohers
C0hTRl8UTlh0ThlSN0hTh...
101 2
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FkLL|NS|0L
P0LL-00T60|0L|
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l/PlRTTlClNl0ul8KlTA0VlCl
l0RTllTRAVlllNTluSlAST
Ccur:Tcstcd&rutcd
91RODUCTNEWS
The|owdownof a|| |he|a|es| caueraand|ens
|aunches|ha| we'd|ove|ocrau|n|oour||| ba
92CANONEOS1200D
Thenewes| baby|ohy|heCanonnes| |sone|oe|
etc||edabou| -wecoupare|| |o|heN||on03300
95LANDSCAETRlODSUNDER200
buyonenowandyou'|| ua|eooduseof || |h|ssuuuer!
weoherva|uab|eadv|ceonwh|chone|oshe|| ou| for
101ACCESSORYTESTS
lrousof|ware|oueuorycards, we|veyoub||e-s|ze
rev|ewsof |he|a|es| pho|oaccessor|esof no|e
'My tendency totry tocapture all that see
before ne nornally nds ne reaching for the
wide-angle. However, this scene calledfor a
longer lens toisolate a snall area. 1he light
was beguiling, leaving ne tornbetween
watching it unfoldor capturing the nonent.
hikon0Z000withhikonI8-I0Smmfl3.S-S.6CE0VRlens.
Exposure. IlI2Ssecat flII(lS0I00}.
ShudowpIuy

www.uuddys||ppers.co.u|
(Abovc) '1akeninLa Rochelle, rance,
was alnost disappointedby the
light that norning, but suddenly the
sunappearedandthe colour of the
clouds was perfect. useda Lee
Big Stopper andblendednultiple
exposures tolight the foreground.
CanonE0SS0HkllwithEPI6-3Smmfl2.8Lll lens.
Exposure. 92secondsat flI6(lS0200}.
(Righ|) '1his inage was takenin
Pointe duPlonb, rance. 1he sun
hadset, so startedtogohone,
when walkedpast this spot. 1here
wasn't nuchlight left, so took a
couple of long exposures and
blendedtheninprocessing.
CanonE0SS0Hkll withEPI6-3Smmfl2.8Lll lens.
Exposure. Hultipleexposuresat flI6(lS0200}.
Iight Instunt
b,SebuslierCuboril
S00pt.cou/sebdowspho|oraphy
OnTc Iicr
b,SebuslierCuboril
S00pt.cou/sebdowspho|oraphy
DigitaI SLRhotography !uI,2014
Iort]oIio
(Abovc) 'When sawthis interesting
wallpaper, knewit wouldnake a
great backdrop. positionedBrooke
a netre fronthe wall anduseda
fashgunina snall softbox above,
alongside a snall refector below
the canera tolight her.
CanonE0SS0HkllwithCanonEPS0mmflI.4lens.
Exposure. IlI00secat fl2.8(lS0I00}.
(Righ|) ' useda studiofashtted
witha one-netre Photek softlighter
tothe left andhelda snall, circular
refector under Beth's chin. 1he rin
light was providedby the lowsun
and useda 0.9NDlter toobtain
the depth-of-eldthat was after.
CanonE0SS0HkllwithCanonEP8SmmflI.8lens.
Exposure. IlI00secat fl2.S(lS0I2S}.
Iondc
b,Seur1ucker
www.sean|uc|er.pho|oraphy
Crccn&CoId
b,Seur1ucker
www.sean|uc|er.pho|oraphy
!uI,2014 DigitaI SLRhotography
(cIov)'irkjufell, celand, is one of the nost photogenic places on
Larth. spent a night there hoping for a cliche but beautiful shot the
following day -overnight snowgave the landa whole newlook.
CanonE0SS0HkllwithSamyangI4mmfl2.8lens. ExposureIlISsecat fl8(lS0I00}.
(Abovc) 'Usinga telephotolens is the only way tophotograph1uscany.
arrivedonlocationtwohours before sunrise andplannedny
conposition. As the sunrose, the nist gave the scene lovely depth.
CanonE0SS0HkllwithCanonEPZ0-200mmfl4LlSuSHlens. Exposure. IlI60secat flZ.I(lS0I00}.
Tuscunyb,
www.aure|u.cou
Mujcstic b,
www.aure|u.cou
DigitaI SLRhotography !uI,2014
Iort]oIio
'My nodel, lavie, has beautiful
eyes, so decidedtocropinclose
for this portrait. askedher todrop
her chinandlook intothe lens for
intense eye contact. useda snall
anount of the GaussianBlur lter
inprocessing tosnoothher skin.
CanonE0S60withCanonEPI3Smmfl2LuSHlens.
Exposure. Il320secat fl2.8(lS0400}

b,
S00pt.cou/Crapaud
!uI,2014 DigitaI SLRhotography
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Imblc|orc,
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LocationOuide
Pindout theessential detailsofhow, whereandwhentophotographthissweepingbayonthe
horthumberlandCoast -theplacetogoforclassicphotographsof0unstanburghCastle
Tc

ADLCADLAG, theNorthunberlandcoast
was relatively unknowntophotographers.
nrecent years, however, it has becone
sonethingof a necca thanks tothearea's
predoninanceof stunningunspoiled
beaches, dranaticcastles, cleanair, great
light anda distinct lack of bothtrahcand
tourist hordes. neof thenost popular
locations is LnbletonBay, thanks nainly to
its now-legendary beachof basalt boulders
-fondly referredtoby nany as 'Cannonball
Beach' -whichprovides perfect foreground
interest inwide-angleviews towards the
distant ruinof DunstanburghCastle.
Set highontheGreat WhinSill, anigneous
doleritedykeoverlookingtheNorthSea, the
castlewas built intheearly I4thcentury for
1honas, Larl of Lancaster, andabandoned
after suheringheavy danageduringthe
War of theRoses. or centuries it was left to
theravages of natureandtoday stands as a
reninder of theregion's bloody past.
Youwill alnost certainly haveseen
shots of this view, but nothingconpares
toactually beingthere, andthoughthe
locationhas beconesonethingof a cliche,
it's denitely worthnakinga pilgrinageif
you'reinthearea. Sunriseis thebest tine
totaketheclassicshot. Duringautunnand
winter thesunrises pretty nuchbehindthe
Great WhinSill sothecastleis throwninto
sharpsilhouette, whileinspringandsunner
it rises further northof east andside-lights
thecastleruinandthebasalt beachfron
theleft. 1henearest parkingis alnost a nile
away andthewalk takes a goodI5ninutes,
sofactor that intoyour schedule. deally,
start thewalk at least anhour beforesunrise
soyou'renot chasingthelight andinsteadof
walkingalongthesandbeach, turnright as
soonas youwalk throughthegatefronthe
parkingarea andfollowthepathalongthe
edgeof theeldsoyou'rewalkingtowards
thecastle. t's quicker andeasier. Whenyou
get totheendof thegolf course, dropdown
ontotheboulder eld. Chances areyou'll set
out indarkness or seni-darkness, sousea
headtorchtolight your way. 1hepathcan
benuddy andslippery after rain.
At hightide, nuchof thebeachcanbe
subnerged. Mid-tideis better, ideally with
thetiderecedingsotheboulders arewet
andpick upsonecolour fronthesky.
Whenthey'redry, they look dull anddark.
f thetide's coninginyouneedtotakecare
as a roguewavecansoak youandyour
gear. You'll alsoneedtokeepnovingup
thebeachas thetidegets higher, whichis
a nuisance. Lowtidecanwork well as the
beachlevels out.
Whatever thetide's doing, it's a good
idea towear wellies soyoucanget down
by thewater's edgeandcapturewaves
washingover boulders intheforeground
without gettingwet feet. Youalsoneedto
bevLRYcareful whenwalkingacross the
beach. 1here's a highrisk of injury, especially
whentheboulders arewet as they becone
incredibly slippery. Walk slowly andstep
aroundtheboulders rather thanonthen
toreducetherisk of youslipping-but be
awarethat it's easy toget a foot stuck which
canresult ina twistedor brokenanklel
Usea widelens toconposethescene
-I6-20nnona full-franeDSLRand
I0-I5nnonAPS-Cis ideal. Youwill also
needanNDgradtobalancethesky and
foreground, usually a 0.9density at sunrise
as theboulders aredark. Lxperinent
withexposures of betweentwoand30
seconds toblur waves as they washover
theboulders. 1his is alsoa great locationfor
DigitaI SLRhotography !uI,2014
ImbIc|orc,
CRASS0uhES. Therassysanddunesua|erea| b|urry
foreround|n|eres| onaw|ndyday.
B0uL0ERPlEL0. waveswash|noverbasa|| bou|ders-
bes| a| sunr|seandwear|nwe|||es!
SAh00uhES. A| sunr|se|urnyourbac|on|hecas||e|o
cap|ure|hedunesba|hed|no|den||h|.
L0wTl0E. lub|e|onbay|sarea| p|ace|oshoo| sand
r|pp|eswhen|he||de|s|ow, us|n0uns|anburhCas||easa
foca| po|n| |n|hefard|s|ance.
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Wnere/s /t?
ntheNorthunberlandcoast
east of Lnbleton, approxinately nine
niles fronthenarket townof Alnwick
andlocatedbetweenthevillages of
LowNewton-by-the-sea andCraster.
Gett/ngtnere
,Rocd: LeavetheAI at the
Alnwick exit andfollowtheAI068
towards thetowncentre. 1urnleft
ontotheB6346thenright onto
theBI340. DrivethroughDenwick
andRenningtonthenturnright onto
theBI339anddrivetoLnbleton
village. 1urnright intothevillage,
followtheroadsharpright thenturn
left towards DunstanSteads.
Park at theendof theroadand
followthefootpathtothebeach.
,rciI: Nearest stationis Alnnouth,
situatedtenniles away.
P/aces toeat ands/eep
Local hotels andrestaurants.
DunstanburghCastleHotel, Lnbleton
www.dunstanburghcastlehotel.co.uk
victoria Hotel, Banburgh
www.victoriahotel.net
WhiteSwanHotel, Alnwick
www.classiclodges.co.uk
Loca/ camerasnops
or canera gear onthego.
IDQuicl6I BondgateWithin,
Alnwick (0I665602600).
!cssops MetroCentre, Gateshead
(0I9I 460008I)
D&IIho|ogrcphic /6HighStreet,
Gosforth(0I9I 2I30060)
Tn/ngs tosnoot
1hedistant ruinof Dunstanburgh
Castle, thebeachof basalt boulders at
thesouthernendof thebay, dunes and
dunegrasses, sandripples as thetide
recedes, beachhuts anongthedunes.
Recommendedk/t
Wide-anglelenses, NDgrads
andNDs includingten-stopor sinilar,
tripodandrenoterelease, wellies.
Wnentogo
Sunrisefor classicviews towards
DunstanburghCastle, but youcanget
great shots at any tineof day and
throughout theyear. Midilowtideis
ideal for shots frontheboulder eld.
T/de/nfo
Searchfor Anbleat.
www.tidetines.org.uk, www.bbc.
co.ukiweathericoastandseai
tidetables, www.britishbeaches.info
'1he rst tine visited Lnbleton Bay was snittenl n ny opinion it's one
of the nost beautiful and unspoiled beaches on the Northunberland
coast, a long, sweeping arc of soft sand alnost hidden by grassy dunes
and watched over by the ruin of Dunstanburgh Castle. t's inpossible
togothere and not nd sonething newtophotograph, be it a diherent
take on the classic viewof Dunstanburgh fronthe infanous boulder
eld (1he Runble Churn), beautiful sand patterns and ripples, refections in the sand
as the tide recedes or wind rustling through the dune grasses.
'urther north in the bay there are beach huts anong the dunes too, and when
you're done with shooting you can always wander along tothe village of Low
Newton-by-the-Sea and grab a bite and a beer at 1he Ship nnl or ne the bay
represents all that is wild and wonderful about the Northunberland coast. 1here's also
Alnnouth village, not ten niles south, if fancy lling ny day. fell in love with the area
sonuch that for the last I2 years it has been ny honel
lscjuI irjormc|ior
S|cr| shoo|irg'
!uI,2014DigitaI SLRhotography
'Vh,I IovcImbIc|orc,"
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Thesandybeachof
lub|e|onbay|sarea| spo| |o
shoo| a| dawn, w||h|hev|v|d
co|oursrehec||n|n|hewe| sand.
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provide an extraordinary shooting experience and amazing performance. We|come to a New Wor|d.
Ask your local dealer or visit us online at o|ympus.co.uk/e-m10
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Tc
ten-stopNDshots whereyouuseexposures
of several ninutes torecordnotioninthe
sea andsky. Cloudy andstorny weather
provides thebest conditions for theselong-
exposureinages.
Another sunriseoptionis toheaddown
tothesandy beach. Walk straight towards
thedunes as yougothroughthegateat
theparkingarea andyou'll bethereintwo
ninutes. t's a useful alternativetothe
boulder eldona clear norningwhenthe
contrast betweenthedawnsky andthe
dark boulders canbeway toohigh. f the
tideis receding, thesandwill beniceand
wet soit refects colour inthesky. t should
alsobeclear of footprints soyouhaveclean
foregroundtowork with. 1hereareusually
oneor tworock pools onthebeachthat
surroundsnall boulders andnakegood
foreground, too, or youcanwalk downto
thewater's edgeandcapturecolour fron
thesky refectinginthesea. ncethesun
rises, takea look behindyou-therst light
bathingthedunes andbeachhuts towards
Newton-by-the-Sea canlook stunning.
1hebeachat LnbletonBay is perhaps the
best placeontheNorthunberlandcoast to
shoot fantasticsandripples. Lateafternoon
inspringandsunner is theprinetineto
bethereandinsteadof parkingat theplace
reconnendedfor dawnshoots, drive
downtothegolf clubsoyou'retowards the
northernendof thebeach. deally youalso
needthetidetoberecedingsothebeach
is footprint-free(it's popular withwalkers).
Sunny weather is preferableas thestrong
light will pick out theripples, thoughstorny
conditions canwork well, too.
Set upyour tripodsothecanera is only
I5-I8inches abovethesandandusea
wide-anglelens toexaggerateperspective
sotheripples doninatetheforeground.
nsunny weather, a polarisinglter will
enphasisetheripples evennore, and
enhancethesky. f youshoot southyoucan
includethedistant ruinof Dunstanburgh
Castlewhilelookingnorthyoucaninclude
thegrassy dunes inyour conposition.
1hesandcanbevery wet andspongy,
sopack a binliner that youcanplaceunder
your canera bagtokeepit cleananddry.
Becareful of sandwhenchanginglenses
andyou'll alsoneedtobedyour tripodlegs
well downinthesandtostopthenfron
sinking, sonakesureyouextendthelegs
fronthebottonuptoprevent thelower
locks gettingcloggedwithwet sandl
BAHBuRCh
Honetoa fantasticcastleandbeautiful
beachthat ohers a variety of foreground
interest fronsandripples torocky ledges
andshallowpools. Sunriseis thebest tine
of day tobethere, thoughthecastleis
bathedinsunlight throughtheafternoon
andnakes a great eveningshot, too.
CuLLERh0SEP0lhT
Abasalt peninsula that tails ohintothesea
witha beachof snoothboulders inthe
foreground. Worthcheckingout at sunrise
andlateafternoon. t's a goodten-stop
NDlocationona storny day, too. Nearby
RunblingernandHowick Bathing
Housearewortha stop-oh.
ALhH0uTh
1his is a quiet villagewitha wonderful
sandy beachandpicturesqueestuary
conpletewitholdshingboats. Shoot
sunriseandsunset fronthebeachand
estuary at any tineof year andclinb
ChurchHill for panoranicviews of
thevillageandcoast.
CRASS0uhES. (Above 0ur|n|heaf|ernoon|he
dunesand0uns|anburhCas||eareba|hed|nsun||h|,
so||'swor|hare|urnv|s|| |f|here'san|n|eres||ns|y.
R0CKP00L. |R|h|Aso|||arybou|derandroc|poo|
ua|es|dea| foreround|n|eres|. 0nce|hesunr|ses,
c|ose|nonsua||erbeachde|a||s.

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Keepshooting! O|hcr grcc| Iocc|iorsrccr ImbIc|orc,
I
MILFS
NORTH
4
MILFS
SOUTH
I
MILFS
SOUTH
ImbIc|orc,
!uI,2014DigitaI SLRhotography
T
HLBGGLS1ANNUAL sportingevent ontheplanet is taking
ohthroughLnglandfron5-/ July inits 20thGrandDepart
Abroad, sograbyour telezoonandthis rareopportunity to
capturetheaction. 1he1our derancebikes throughLeeds,
Harrogate, York, Sheheld, CanbridgeandLondonbeforepassing
throughBelgiunandSpainonits way toParis.
t's unusual for thepublictobeallowedaccess as goodas the
professional photographers for capturinganelitesportingevent, so
wespoketo1our deranceprophotographer 1inRedgrovetond
out howyoucanphotographthecyclists andtheraceas it travels
throughBritain. Younever know, younight snagthewinner on
canera -let's hopeit's a Brit again, they dosay thirdtine's a charnl
'1he1our will bevery busy sonakesureyouplanahead,
advises 1inRedgrove. Look at thestages ontheohcial website
(www.letour.con) andtherouteonGoogleStreet viewbeforeyou
leave. ntheday, thepolicewill shut theroads tovehicles very early
inthenorning, or thenight before, sonany peoplendit easier to
cycletotheir locations, especially for thepopular hill-clinbs.
Look for sonewherewithlittleor nostreet furniturebut has
features that canprovidecontext toyour photographs. Many villages
will bedecoratedlikea jubilee-party, look for 'S' bends andcurves in
theroadtoget goodactionshots and, if youareinthecountryside,
keepaneyeout for landscapeinages as thecyclists approachin
thedistance. ncities, well-knownlandnarks cancreateiconic
backgrounds. Don't forget thefans either. therewill bediherent fags,
peopledressedupandnanes of thecyclists will bewrittenonthe
road-it all nakes for great pictures.
'f youareona crowdedhill, a 24-/0nnfi2.8lens at fi4will get
youclose-upshots of thecyclists withthecheeringfans ontheside.
f youcanget a cleanshot, a /0-200nnfi2.8lens is best, againset
tofi4. Planthephotoyouwant andprefocus your canera where
youanticipatetheriders toappear -you'll beainingfor thecyclist's
eyes or sunglasses. or uphill shots, about Ii500secwill freeze
actionandgiveyoua bit of wheel-blur toshownovenent inyour
photos. or downhill andsprints, keepit aboveIiI000sec. 1aketest
shots whileyouwait tocheck your settings. 1ry toshoot frona low
angle, too, as this will giveyour photos noredrana.
'inally, it is nidsunner soif thesun's shiningit will bequite
harsh. Look tobeonthesideof theroadthat will throwsonelight
ontothecyclists, but if they areinshadowyoucanuse11L fash.
Youcanalsotry slow-syncfashwithshutter speeds aroundIi50sec
toIiI00secandpantheriders -this will adda senseof novenent
andcanbeusedtodisguiseawkwardbackgrounds. 1akethecorrect
weather gear, stay safeandenjoy your dayl uuu.!|mredqrote.com
DigitaI SLRhotography !ul,2014
whkkwIhhkI
Congratulations to
CharlotteHarvey on
winningour April
20I4conpetition.
Your water-thenednacro
inagehas wonyoua Nikon
D5300twin-lens kit anda
one-to-onephotoworkshop
withwildlifephotographer
Ross Hoddinott. 'nthrilledto
havewonthis conpetition. t
will encouragenetoenter
noreandhas givennenore
condenceinny work. We'll
runanaccount of Charlotte's
day withRoss ina futureissue.
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l|||ers canbeetpens|ve,
espec|a||y|fyou'vesevera|
|ensesw||hd|heren|-s|zedf||er
|hreads. Theanswerbuyf||ers
|of| |he|ares| f||er s|ze
requ|redanduse|netpens|ve
s|ep-upr|ns |oua|e|heu
f| your sua||er |enses.
DigitaI SLRhotography
6et |ntouch|
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FACLB00k. l||eour laceboo|
paea| www.faceboo|.cou/
d|||a|s|rpho|o. Aswe|| as reu|ar
coupe||||ons andohersyoucan|a|e
par| |npho|o-re|a|edd|scuss|ons and
peruse|he|nsp|ra||ona| |uaes pos|ed
by|he|eauandfe||owreaders. wea|so
uon||or |hepaefor po|en||a| p|c|ures
andcon|r|bu|ors, sobesure|oshare
your bes| |uaes. weuaybe|n|ouch!
FL|Ckk. Jo|nour bus|||nl||c|r
roupandseewha| uanyo|her
0|||+| ||||o|o/+|,readers have
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area| sourceof |nsp|ra||onfor |he|eau
andwe'veevend|scoveredafewof our
cover sho|s frouhere!
Tw|TTLk. Knowyour hash|as
frouyour re|wee|s 0|||+| ||
||o|o/+|,: |eau|s onTw|||er. l|'s a
rea| p|ace|ofreus aqu|c|queryabou|
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LHA|L. Co| apho|oraphy-
re|a|edques||onorwan| |ohave
your sayabou| soue|h|n|n|he
uaaz|neYoucaneua|| us on
ds|rfeedbac|(denn|s.co.u|. lfyouwan|
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con|ac| shee| w||h|oca||onand|echn|ca|
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Reueuber |o|e|| uswh|char||c|e|hey
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you'd|||e|heure|urned!
Cruys'unutomy
CraysofwestminsterisaninstitutionuntoitselfinthephotographicindustryandanAladdin'sCaveofhikonheritage. lt'sa
storebrimmingwithrare, unusual andhistorickit thatwill makeanyphotographerasgiddyasaschoolgirl. checkthisoutl
T|tan|umN|konF3ITf5,000
Basedonthe3HPnodel, whichcosts shy of 250, this 1itaniunNikon3i1soldfor 5,000.
Why younay ask. Well, it's oneof only 300of its kindtobereleasedinI985. 1ocelebratethe
canera's release, Jack Abrans, Lxecutivev.P., Director of Nikonnc. USA, orderedtheselection
ohtheproductionrunandsuppliedthenwitha specially prepared50nnfiI.4NRAS lens.
Boththe3i1andlens donidentical serial nunbers. 1his rarekit is perhaps theonly oneleft in
nint conditionwithits original woodenbox andcerticateof authenticity.
www.graysofwestn|nster.co.u|
na S p
SP0TTlEBAll! CAhY0Uw0RK0UTwhlChSUAREC0hTAlhSThENlSSlh0F00T8ALL?
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This brilliant imageby's 0ickiePelhamcapturedArsenal's equaliseragainst hull inthisyear'sPACupPinal at
wembley. we'veremovedtheball, but doyouknowfromwhichsquare!haveathink, thenturntopage9Ifortheanswerl
It's estimatedthat over
3.5Tk|LL|0NPh0T06kAPhS
havebeentakensincethe
inventionof photographyin
1826andthetrenddoesn't show
anysignsof slowingdown. In
fact, it'sestimatedthat everytwo
minuteswetakeasmany
photographsasweretaken
duringthewholeof the1800s.
SURCLDRMI000MLMRLS.CM
Soc|a| Photography
b,Daniela Bowker
l|'s beenabou| adecades|ncesoc|a| ued|awen|
ua|ns|reauand||'s becouequ||eafundauen|a|
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access |n|o|hec||c|yc|rc|es |ha| e| |uaesv|ra|.
Cueoc|+| ||o|o/+|,, anew-auus|n-
handboo||ha| no| on|yde|a||s bes| |echn|quefor
|uprov|nyour uob||epho|oraphy, bu| a|so
de|ves |n|osoc|a| decoruu|ohe|pyouavo|d|hose
eubarrass|nfautpas. Auus|-readfor |hesoc|a||y
aw|wardor jus| |fyouwan| |o|earnuoreabou|
on||nene|wor||nandapps. Pr|ce. f9.99.
lSbN. 9/8-!-/8!S/-98!-/. uuu.||esress.com
DigitaI SLRhotography !uI,2014
Fast hx. darkenbackdrops
Aquick way tounclutter darker
backgrounds is toselectively edit
thentoblack by loweringthe
exposure. t's really easy todoin
Lightroonandcannakethe
worldof diherencetoyour inage.
After convertingtoblack owhite,
concentratingonyour subject's
exposure, usetheAdjustment
8rusntopaint your background
black. Set theF/owtoa lowsetting
andpull theExposure, Snadows
andH/gn//gnts all theway down.
Ti|bi|s&|rivic na S p
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!ul,2014DigitaI SLRhotography
'ALMS1ALL ny work is shot on
location, sothekit that useneeds tobe
conpact, light andeasy toset upandtake
downwithnininal disruption. t all needs to
t intotheboot of a car too, andsadly nany
of thesupercars that get toshoot don't
oher nuchintheway of boot spacel
''verecently upgradedtothenewSony
A/R-thenainattractionof Sony was the
availability of theexcellent ZLSS lenses.
1hedynanicrange, sharpness and
resolutionof this canera areincredible.
1heinages that coneout of theA/Rare
evennoreunbelievablewhenyouconsider
its size- cantakeit everywherewithnel
' only really useonelens -theZLSS
24-/0nnfi2.8vario-Sonnar 1* ZA, which
ts theA/RusingtheSony LA-LA4adaptor.
1heZLSS glass is ultra sharpandohers nea
fexiblefocal range, nakingit perfect for use
onlocation. liketocapturethecars in
context totheir surroundings so usually
shoot between35-60nn.
'nterns of lighting, usethenewProfoto
BI systen. t is, beyondashadowof adoubt,
thebest lightingsystenthat 'veever used
-it's perfect for locationwork. With
traditional studiofashyouhavepower leads
runningback andforthtogenerators or
battery packs, however theBI's integrated
batteries aresnall, andoher enoughjuicefor
220full-power shots, neaningnoleadsl
' recently usedtheBIs for a shoot in
St. 1ropez for /ud| Magaz|ne. hadaninage
innindof a surfer usingtheAudi S3totravel
tothebeachfor a surf session. foundthe
perfect spot andshot at sunrise, sothelight
was just right. Workingat sunrise, you'vea
linitedanount of tinetoget theshot
beforethelight changes -theBIs andthe
ProfotoAir Renotetransceivers allowedne
tocontrol thefashrenotely, working
quickly andeasily withnininal set up. 1he
nal inageis nadeupof several exposures
lit frondiherent angles usingbothbarefash
anda 4ft stripsoftbox. Not havingleads
runningback andforthacross ny inage
alsoneans less tinespent cloningthenout
inPhotoshopandnoretineshootingl
'My tripodof choiceis a carbon-bre
ManfrottoI90CXPR3, whichis ideal for
when'ntravelling, as it's light andconpact.
1heother essential itens that carry areny
AppleMacbook ProRetina andplenty of
sparebatteries for ny canera andBIs. Many
of ny inages arecreatedonroadtrips, so
thelast thingthat want is tohaveusedall of
ny battery power uponly tonda stunning
locationat theendof thedayl All of this
packs downintony f-stopbags - lovethe
buildquality andfexibility of their products.
'1henal accessory that usedfor the
Audi shoot was onethat youprobably won't
ndinnost photographers' kit bags -a
bunchof fowersl heldthenupinfront of
thelens tocreatethat lovely foreground
bokehandadddepthandinterest.
ToseemoreofPrederic'swork,visit.
www.fredericschlosser.de
Iroirsigh|FkL0Lk|CSChL0SSLk
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HLN1CMLS 1thepotential
for variety, windnills areat the
topof ny list andtherearesone
fantasticnills dottedaroundtheU.
Herringfeet Mill inSuholk is a favouriteof
nineas it ohers suchgreat variancefor
lightingandconposition. Beingsurrounded
by elds, it allows youtonoveall theway
aroundandusediherent viewpoints. Sunrise
andsunset, as usual, arethebest tines for
photographingthesetypes of landscapes
andyoucanget a lot of nileageout of the
area ina very short tineby shooting
horizontal, vertical andpanoranic
conpositions. na singleshoot, youcanuse
various types of lighting-front, sideand
back -as well as conpositional elenents
suchas lead-inlines, curves of theriver,
refections, skies andforegroundinterest.
ntheU, especially this tineof year, we
havesuchvaryingweather conditions. one
ninuteit's rain, thenext sun, givingyou
really storny clouds, whichis a great
backdropfor windnills. 1heworst tineof
year is sunner as everythingis greenand
youdon't havethediherentials in
tenperatures, soyou'realsoless likely to
get nist. Right nowwhenwehavecold
nornings andthesunwarns upthe
landscape, youget nist coningoh, which
brings inages tolife.
As lightingsituations canbedihcult, you
want tocaptureas nuchinfornationonthe
sensor as possible. eepinganeyeonthe
histograntonakesureyou'regettingas
nuchtotheright as possiblewithout
blowingout thehighlights is inportant.
Usually addabout +2i3stops exposure
conpensationdependingonthelighting
situation. YoucanalsouseanNDgradlter
tobalancethesky withtheforegroundbut
it's not always ideal if youwant toretaindetail
inthenill. Asoft gradis noreforgivingbut
won't giveyouas nuchbiteinthesky as a
hardgrad, thoughyoucanadjust this in
post-production. Youwant toholdback
thesky just enoughtopull out detail inthe
foreground. 'nshootingwithaNikonD800,
andthedynanicrangeis about four stops,
so havereally goodleeway torecover detail
afterwards. Sonetines it works best to
exposefor anid-toneandbringback the
shadows andhighlights inpost-processing.
or nost landscapes, youwant tobeset
upat least 30-45ninutes beforethesun
rises -about 4.30anthis tineof year. t's
usually aroundhalf anhour beforesunrise
that everythingstarts happening. youget the
pink sky, nist startingtofornandgradually a
warner glowas thesunrises, allowingyouto
shoot silhouettes, side- andfront-lit inages
until thelightinggoes fat. 1heseareafew
recent inages 'vetakenof Herringfeet Mill,
nost of thenshot withinacoupleof hours
of norninglight toshowyouthepotential.
DigitaI SLRhotography !uI,2014
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D
GSANDPH1GRAPHY-ny twopassions. 'ninthe
fortunatepositiontobeabletoconbinebothinafullling
professionthat startedas ahobby just afewyears ago. Withny
dogs 'vegot willingandpatient nodels tohand, but other subjects
night not beas well trained. However, withpatienceandafewtricks
youcanachievehigh-quality portraits of your poochwithnininal
equipnent. usually try tokeepit sinple-a plaingrey background,
onestudiofashandnoprops. 1his way youcantry toconcentrateon
theexpression. lovetryingtocapturethedog's character, or at least
what interpret it tobelike. Youdon't neednuchspacefor a portrait
shot of a dog. Alivingroonwall as a backgroundwill suhce-ny
forner studiowas a snall gardenshedl wouldreconnendusinga
stand-intoset upyour lighting-'vefounda soft toy works welll 1his
way thedogwon't get boredandloseinterest duringset-up.
Afocal lengthof 85nnor longer ona full-franecanera, or 50nn
onanAPS-Csensor, will provideyouwitha natural portrait. While
hardly ever usewide-anglelenses for people, dogs suit thequirky look
that a short focal lengthcreates. My favouritefocal lengthis 24nnon
full-franeor I5nnonAPS-C. 1hecloser youcanget tothesubject,
thenoredistortionyou'll get andthequirkier theportrait will look.
1
SLTT|N6S. Choosea neutral backdropandset upyour light -
usea largesoft toy as a stand-intotest ny lighting. Positionthe
light tilteddownslightly fronaboveinfront of thestand-in. Set your
canera tonanual nodeandselect your fashsyncspeed. Select S
I00, a nid-apertureandset your WhiteBalancetolash. 1akea test
shot of your light stand-intoestablishthecorrect fashpower.

H0T|VATL 80|kLCT. Holda treat directly aboveyour lens togainthe


dog's attention. Sonedogs alsoreact tosounds, sotry whistling
or hunning-usually a lowvoluneworks better thanloudnoises.
Dogs get wisetotricks quickly, though, sodon't overdoonetactic,
try out diherent things andseehowthedogreacts. r, ask anassistant
toentertainthedog, allowingyoutoconcentrateonthephotography.
2
LLTThL 006|N. Let your nodel intothestudioandgiveit tineto
explore. Whenyoucanseethat thedogis relaxed, rea fewtest
fashes toseehowthedogreacts andtofaniliarisethedogwiththe
noiseandlight. Check that thedog's fur is cleanandwipesecretion
ohtheeyes witha danpcloth(ask theowner todothis if it's not your
dog). Handover sonetreats andnakesurethedogfeels confortable.
3
6LT0NThL|kLLVLL. Get downtoeyelevel. Sonedogs will beokay
sittingona box or stool -if so, this helps. f thedogisn't happy
withthis or it isn't possible, thenbepreparedtoget downonall fours
or lieonyour front toreachtheir eyelevell 1hedognight get bored
andwander ohfrontinetotine-if so, bepatient andgiveit a few
nonents toexplorebeforetenptingit back intopositionusingtreats.
F0CALLLN6Th. Cho|ceoffoca| |en|hp|aysab|par| |n|heovera|| |oo|of|he|uae. loner
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HA1MALS AGDPR1RA1
Dependingonyour style, your
penchant for eyecontact or
high-key lighting, for instance, it's unlikely
any twoanswers will beexactly thesane,
but onefactor that does renainconstant is
conposition. Abadly consideredcropor an
ill-judgedconpositioncanruina portrait,
regardless of what elseit has goingfor it.
At abasiclevel, you'vegot therule-of-thirds
or GoldenRatio-aconpositional tool that all
artists shouldbeawareof. placeyour focal
point (inthecaseof portraits, that's oftenthe
eyes) onanintersectingthird. But haveyou
heardof theGolden1riangleor theGolden
Spiral 1heforner rarely applies toportraits
unless you'reshowinganenvironnent that
contains diagonal lines, but theGoldenSpiral
canproveuseful withcreatively cropping
(seeopeninginage). 1herearesonany ways
tocropaportrait andit canconpletely
changetheinpact of your portrait.
horizontal, vertical, withnegativespace, a
3i4pose, atight facial crop.thelist goes on
andon. 1oshowyousoneof thevariations,
photographedten-year-oldnodel
LrinBrittainusinga50nnfiI.4and24-/0nn
fi2.8, toillustratethevariants focal lengthand
lens typecannake. Sonephotographers
prefer tonakedranaticcropchanges in
post-production, but ny preferenceis toget
it right in-canerathebest youcan. Not only is
it goodtrial-and-error trainingbut you'll get
better inagequality, perspectiveanda
shallower depth-of-eldif youcaptureyour
cropcorrectly in-canera. LeavetheCrop
1ool inPhotoshopfor reningyour
conposition, not creatingit.
ftena head-and-shoulders conposition
is classicanda safeoption, if youleavespace
aroundyour subject. But next tine, after
you'vegot your 'safe' shot, try steppingina bit
closer, thena bit closer still -bedaringand
deliberateandconposeyour subject's eyes
inthetopthirdof thefrane, croppinginto
their head. Dependingonthesubject, either
crophalf or noreohor leavesoneof the
hairlinevisibletoavoidthenlookinglike
they'vea never-endingforehead. Changing
canera orientationtolandscapefornat can
innediately inprovea shot -but leave
spacetothesidetocontainyour subject's
gaze. And, why not usetheGoldenSpiral to
focus onhalf a face Youcouldcropthe
other half out conpletelyl My personal
favourite-andthis works well witha
beautiful facelikeLrin's, whichis alnost
synnetrical -is toll thefranewiththe
eyes. Youneedtolook for balanceinthe
conpositionbut it's truly nagical if youcan
captureit. Havefunl
DigitaI SLRhotography
TkANSF0kH|N6TwLAkS. bychan|nsubjec| p|aceuen|
froucen|re|ooh-cen|re|A, orcropp|nc|oserandchan|n
caueraor|en|a||on|b, youcanach|eveveryd|heren| |oo|s.
Z00H|NCL0SLk
I} As|andard
head-and-shou|ders
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beau||fu| sha||ow
dep|h-of-fe|d.
3} 0on'| beafra|d|o
crop|n|o|heforehead.
||w||| ua|e|heeyes
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1
A
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2 3

AS0uuf/!.4or f/!.8|s |he|dea| por|ra|| |ens and,


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|||e|he24-/0uuf/2.8or /0-200uuf/2.8
prov|des auoreha||er|nperspec||veand
coupresses |hebac|roundfor asha||ower
dep|h-of-fe|d. lor |h|s shoo|, l sw||ched|o|he
NlKK0R24-/0uuf/2.8Cwhenl wan|edc|ose
crops as |heS0uuetaera|edfac|a| fea|ures. A
zooua|soenab|esyou|opu| souepersona| space
be|weenyouandyour subjec| for be||er pho|os.
T0PT|PS
F0kCk0PP|N6
Cropa| |he||ubs, no| a| |hejo|n|s
|f |ndoubt, usetheru|e-of-th|rds
Cropfor ba|anceandsyuue|ry
Bedar|ng. crop|ntotheforehead
Throw|heru|eboo|ou|
andetper|uen|!
lrouanc|en| canyons carved|n|o|he|andscape, |oauaz|n
underwa|er s|n|ho|es andsnow-cappeduoun|a|ns r|s|n
|housands of fee| above|ushp|a|eaus, |h|s p|ane| of ours |s fu||
of |ncred|b|e|oca||ons. lere's souepho|o|nsp|ra||on|ha| w|||
ua|eyouwan| |opac|your bas andjuupon|henet| h|h|.
1ranslatedliterally as 'the troll's
tongue', this overhang above
Lake Ringedalsvatnet inNorway was
fornedaroundI0,000years agoby
glacial erosion. t's a ve-hour trek to
the clih, sonaturally the thing todo
is walk right uptothe edge andpose
for a photol Just nindthe 2,300ft
dropintothe lake below.
ZHUANGJA
TroIItungu,
Norwuy
IicturcSpcciuI
Hcuvcn
urth J0R0ANbuTTlRS
IicturcSpcciuI
At 300ft wide andI60ft deep, the
GrandPrisnatic Spring is the
largest hot spring inthe US, andthe
thirdlargest inthe world. 1he
vibrant colours cone fronbacteria
growing at the spring's edges
thanks tothe highnineral intensity
inthe water. 1he water inthe
centre of the spring is /0Cand
conpletely sterile.
AMRU11LL
CrundIrismutic Spring,
YcIIowstonc, USA
1kuIsurIon
cuch, IccIund
celandis a havenfor
photographers, and
fewlocations are
nore desirable than
Jokulsarlon. 1he lake
was rst fornedinthe
I940s by the retreating
Breianerkurjokull
glacier, andhas doubled
insize inthe last I5
years. As well as the
chunks of clear ice that
foat inthe lagoon,
Jokulsarlonalsoboasts
a stunning black sand
volcanic beach. n
winter, the lake freezes
over, andhas beenused
ina nunber of novies,
including the fanous car
chase scene inthe Bond
lnD|e /notner Day.
LDWNMAR1NLZ
DigitaI SLRhotography
1he Dutchtake tulipgrowing very
seriously indeed. nfact, the
Netherlands produces nore than
nine billiontulipbulbs every year,
andas a result during spring the
landscape aroundHaarlenand
Leideninthe west Netherlands
resenbles a patchwork quilt inan
array of vibrant shades.
ALLARDSCHAGLR
TuIipIicIds,
NcthcrIunds
Here's one place on
Larththat you'dnever
choose toshoot inblack
owhitel 1he incredible
colours andstripes in
the Zhangye Danxia
LandfornGeological
Park were fornedby red
sandstone andnineral
deposits over the course
of 24nillionyears. 1he
sane tectonic shifts that
fornedthe Hinalayas
disruptedthe land,
creating a jagged,
layer-cake landscape that
resenbles sonething
that younight see onan
alienplanetl 1he colours
are nost vibrant after
rainfall, whenthe rock is
saturatedwithnoisture.
WLLRAPNGCHAPUC
DigitaI SLRhotography
Zhungyc Dunxiu
Iund]orm, Chinu
Declaredby legendary explorer
Jacques Cousteauas one of the
world's top-tendivingplaces, the Great
Blue Hole is believedtobe the largest
underwater sinkhole inexistence.
t neasures 984ft across, is 4I0ft
deepandcontains stalactites and
stalagnites neasuring
30-40ft inlengthl
S1CPH1
Crcut Iuc HoIc,
cIizc
1his picture-perfect vista nay look
like a set fron1ne Soundof Mus|c,
but it is infact locatedinthe
Dolonites intaly. Derivedfronthe
Latinwordfor 'needle', the dle
Mountains are a jaggedfornation
that overlook lushneadows and
quaint nountainvillages.
Howpicturesquel
HANS RUSL
OdIc Mountuins,
ItuIy
IicturcSpcciuI
Apopular locationwithtourists and
photographers, Antelope Canyon
was fornedby sandstone erosion
due tofashfooding. Sunner is the
best tine tovisit, the nidday sun
creating shafts of light inthe canyon,
but nailing your exposure is tricky -
the dynanic range inthe canyon
oftenexceeds tenstopsl
BLL CURRLR
AntcIopc Cunyon,
Arizonu,USA
AUNLSCWorldHeritage Site,
the Zhangjiajie National orest Park
is locatedinthe northernHunan
Province inChina. 1his tranquil
park's nost recognisable feature is
the tall quartz-sandstone pillars that
are saidtohave beenthe inspiration
for the fantasy landscape in
Janes Caneron's .
WLLRAPNGCHAPUC
Zhungjiujic NutionuI
Iorcst Iurk, Chinu
MurictuIsIunds
cuch, Mcxico
t's rare that youcancall a
bonbsite picturesque,
but this locationonthe
Marieta slands, just ohthe
west coast of Mexico, is
denitely anexception.
1he uninhabitedislands
were usedby the Mexican
governnent for target
practice inthe early
I900s, creating caves
andunique fornations.
Coupledwithnatural
erosion, this idyllic beach
was forned, andis only
accessible by swinning
througha short tunnel.
1he islands are alsosaidto
be excellent for diving and
narine life.
MGULL NARANJ
DigitaI SLRhotography
IicturcSpcciuI
1he deepest freshwater lake in
the world, Lake Baikal contains an
incredible 20of the Larth's total
unfrozensurface waterl
urthernore, the water is incredibly
clear, withvisibility uptoI30ft below
the surface, andis hone tonore
native species of wildlife thanany
other area inthe world.
DANLL RZHNv
Iukc uikuI,
Russiu
SuIur Dc Uyuni,
oIiviu
1he world's largest salt
fat at over 4,000square
niles, Salar De Uyuni's
salt crust varies fron
tencentinetres to
several netres thick.
Due toits highaltitude
(alnost I2,000ft above
sea level) andvast
expanse, the salt fat
takes ona unique
nirror-like appearance
following heavy rainfall
whereby the landand
sky appear tonerge into
one. 1he Salar De Uyuni
is solarge andfat that
satellites orbiting the earth
oftenuse it tocalibrate
distance neasurenents.
S1CPH1
DigitaI SLRhotography
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DANLMNLSARLbeautiful
fowers andareoneof therst
wildfowers toblooneach
spring. 1hey cansonetines forndense,
photogeniccarpets andthelureof their
delicate, whitefowers arehardfor nature
andclose-upphotographers toresist.
Reader ColinBoucher's original inage
was takenonatripod-nountedNikonD6I0
ttedwithaI05nnnacrolens andlit by
shadedsunlight. Here's Colin's critiqueof his
inage. ' enjoy takingnatureclose-ups, in
particular fowers, andwhilethis inageis
okay 'dliketodobetter. 'nsureRoss will tell
ne shouldhavegot nuchcloser, but how
elsecan inproveit
WhileColin's original inagewas pleasant
enough, thereweresonekey areas whereit
couldbeinproved. 1hehighviewpoint
neans it's very two-dinensional, with
fowers, a lower viewpoint is oftenbetter,
creatingnorethree-dinensional results.
Also, a clean, unconplicatedbackdropwill
helpkeeptheenphasis onthesubject and
helpthefower 'pop' fronits surroundings.
1herefore, usinga largeaperture-inthe
regionof fi2.8-fi5.6-will work well to
createa shallowzoneof focus. Colincan
inprovehis shot further by sinply noving
closer. thereis far toonuchenpty spacein
thefraneandwhilethis canwork innany
instances, it's not quiteright here. My ainfor
our hour together is toget Colintoget nuch
closer withhis nacrolens sothat heisolates
anindividual fower, andchangehis
viewpoint sohis inagehas noredepth.
SLTT|N60PThLCAHLkA
Withclose-ups, depth-of-eldis inportant
so reconnendColinuses his canera in
aperture-priority or nanual node, with
neteringset tonulti-zone. By checkingthe
inageandhistogranontheLCDnonitor,
any necessary adjustnents canbenade
usingexposureconpensation.
Autofocus systens canstruggletolock
ontonearby objects, particularly inlowlight
or whenshootinglow-contrast subjects.
1herefore, reconnendswitchingto
nanual focus andusingLiveview. By
activatingLiveview, it is possibletonagnify
thearea youwant tofocus onusingthe
zoonbutton. By doingso, Colincanfocus
withgreater precision.
t's very inportant tousea tripodtoavoid
shake. Arenotereleaseor self-tiner tore
theshutter nininises therisk evenfurther.
As thesetypes of subjects aretranslucent,
they arebetter suitedfor backlighting, with
thelight liftingthecolours inthepetals and
highlightingshapeandforntoo. vercast
light canalsoprovevery fattering. Asnall
refector is handy. it canbeheldcloseby in
order tobouncea littlelight back ontothe
subject torelieveany dark shadowareas.
kLLPThLC0HP0S|T|0NS|HPLL
1hekey thingwithclose-upshots likethis is
sinplicity. inda suitably attractivesubject
andpositionyourself toavoidincluding
clutter inthefrane. Your choiceof aperture
Above. Co||n's or||na| |uae, subu|||ed|ous for cr|||que.
Below. Ross andCo||ne| |he|r ||| se| up.
Right. w||hCo||nse| up, Ross doub|e-chec|s |hel|veV|ew
|uaeandprov|des adv|ceonchoos|naper|urese|||ns.
Belowright. Ross andCo||nprev|ew|he|a|es| etposure.
Ixpcr| |ui|ior
C0L|N'S0k|6|NAL|HA6L
00kkLA0LkCoIinouchcr
Anen|hus|as| pho|orapherwho
enjoysshoo||nna|ureand
|andscapes. Af|eranuuberof
yearsus|nan0|yupusl-330,
hesw||ched|oaN||on0SlR.
Co||n'sk|t. Co||nusesaN||on06!0w||h
NlKK0R!0Suuf/2.8H|cro|ens, C|o||o's824S
|r|podw||hHanfro||o4!0jun|orheadand
N||onHC-0C2cordedreuo|ere|ease.
00kLXPLkTRossHoddinott
Award-w|nn|npho|orapher
spec|a||s|n|nna|ure, |andscapes
andc|ose-ups. Au|horofsevera|
boo|s, |nc|ud|n0|||+| /+c/o
aC|o:e-a||o|o/+|,
koss'sk|t. N||on0800w||hNlKK0R200uu
f/2.8H|cro|ens, C||zoCT3S4!lS|r|podw||h
Hanfro||o40SheadandN||onHC-36reuo|e.
DigitaI SLRhotography
Above. Ce|||nuuchc|oser and|ower |o|hehower a||ows
Co||n|ocap|ureabeau||fu| |uae. Topjob!
Left. Shoo||n|hesaue|uaeus|nd|heren| aper|ures
a||owsyou|ochooseyour favour||eresu||.
Below. l|veV|ewensures accura|efocus|n|s poss|b|e.
VLk0|CTCoIinouchcr
`l rea||yenjoyeduyse|f! Spend|n||uew||h
Rossproved|obevery|nforua||ve. The|h|ns
|ha| l d|scoveredl need|oreueuberare|oe|
c|oser|hanl norua||ydoand|o|eep|he
coupos|||onass|up|easposs|b|e. l'|| be
approach|nhowerpho|oraphy|na
coup|e|e|yd|heren|wayandconcen|ra||n
uoreon|hehowerl se|ec|, |hev|ewpo|n|
l |a|eand|hewayl coupose|| |n|hefraue.
l w||| defn||e|y|rydoub|eetposuresaa|nas||
ohers|hepo|en||a| forrea||ycrea||veresu||s.
canfurther helpyouavoiddistractions
throughuseof a shallowdepth-of-eld.
As it turnedout, thespreadof wood
anenonewas poor conparedtoprevious
years, soalongwiththepoor light, Colin
hada toughtask toget decent pictures.
Wediscussedusingapolarisinglter to
helpsaturatethecolour of thefoliage, but
foundit hadlittleehect duetothelowlight
levels andlackof glareinthescene. Sotoadd
alittlecreativity, weinsteadtriedout nultiple
exposures togiveapleasant ethereal ehect.
Webothonly nanagedtonda single
decent fower eachinsuitablelocations, so
all credit toColinfor capturinga good
close-upinage. Hopefully he'll practisehis
new-foundskills onother fowers andnext
year's cropwill bebetter, givinghinanother
opportunity tocapturethesebeautiful and
short-livedfowers again.
S0HHAkY. CL0SL0PS
Avoidshakewithatripodorenoterelease.
UseLiveviewfor critical focusing.
RaisetheSratingonwindy days toavoid
fower novenent beingrecorded.
Lnsuresuhcient distancebetweenfower
obackgroundfor ashallowzoneof focus.
Useanapertureof fi5.6tofi8togivejust
theright degreeof sharpness.
fI!6 fI3.5
Vh,i| vorls
Great contrastingcolours
Well exposedandperfectly tined
Lxcellent refections inwet sand
Bk|6hT0NP|Lk
b,IorullurMullell
CanonE0S0000w|thEFS855mmf/3.55.G|ens.
Exposure: 20seconds at f/3(lS000).
What wethink: Night photography canyield
sonegreat results, andJonathanhas been
rewardedfor headingout withhis canera
after dark. 1hetwilight sky is a deep,
sunptuous blueandthecontrastingwarnth
of theilluninations refectinginthesea and
wet sandlook great. t's a shanethesea and
sanddidn't ll theforegroundinsteadof the
shingle, but Brightonbeachis nostly
shingle. We'dbetenptedtocropout nost
of theforegroundandcreatea panoranic.
DigitaI SLRhotography !uI,2014
|'HwATCh|N6Y00
b,NululieSleemur
CanonE0SG00w|thTamronSP70300mmf/45.G|ens.
Exposure: /G40secat f/8(lS000).
What wethink: Conposition-wise, Natalie
has donea great job. Positioningtheowl
usingtherule-of-thirds has left a nice
anount of negativespace-thebackground
givingthebird's surroundings context.
Depth-of-eldis shallow, renderingthe
woodlandout of focus soas not tobecone
a distraction. Great eyecontact, tool
Ck0C0S
b,1eresuWilliums
PentaxKr w|thS|gmaAF50mmf/2.8EX00macro|ens.
Exposure: /25secat f/4(lS000).
What wethink: 1his is a very attractiveshot.
1eresa has capturedthecrocus's colour and
vibrancy well insoft, dihusedlighting. 1he
lowshootingangle, coupledwitha large
aperture, has neatly generateda snall zone
of focus, drawingtheviewer's attentionto
thefower that shehas focusedon.
However, thenainfower is potentially a
littletoocentral inthefrane. Placingthe
point of focus noretotheleft of thefrane,
withthenajority of thecrocuses totheright
of it driftingpleasantly intosoft focus, would
haveresultingina stronger conposition.
Sh|NL0N
b,DurryBirrell
CanonE0S400w|thTamronSP750mmf/2.8|ens.
ha|daProll S||mtenstoph0andh|tech0.Gh0hardgradf|ters.
Exposure: 22seconds at f/ (lS000).
What wethink: Danny's achieveda brilliant
long-exposureehect, turningthesea intoan
ethreal nist. t looks fantasticandadds a
senseof nysteryl t's aninterestingscene
withbeautiful, nutedtones throughout, but
theconpositioncouldbeinproved. 1hebig
rock ontheleft doninates thefraneand,
althoughtheaxleandwheels areintriguing,
they nakefor anoddfocal point. 1heshot is
neither tight enoughtobea detail inageor
wideenoughtobea scenic. Possibly a wider
viewpoint, incorporatingthis part of the
coast as part of its surroundings, wouldwork
better, but that entirely depends onhow
interestingthesurroundingarea is.
!uI,2014 DigitaI SLRhotography
w|L0L|FLLXPLkT
l |||eNa|a||e's coupos|||onanduseof
nea||vespace. Thebac|round|s
recon|sab|e, ye| |ssuhc|en||y
b|urredso|sn'| d|s|rac||n. lowever,
|he||h||n|sveryha| -souen|ceeven|n||h|
r|u-||h||n|heow| wou|dua|e|h|s|uaepop!
Ixpcr| cri|iquc
Vh,i| vorls
Attractive, soft anddihusedlighting
Wideaperturetodirect viewer's eye
Punchy, vibrant colours well recorded
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0iscover 8art Froduction
0oyouneedideas andinspirationonhowbe ilyimages!
ln/+m||j4|oam, weprovideyouwithessential advicefromleadingexperts tohelp
youproducetheultimatefamilyphotoalbum. This month, Brett harkness reveals
his secrets for shootingafamilyof four, whileenjoyinganafternoonat thebeach
lHACES. bRlTTlARKNlSS
w0R0S. 0ANlllll/AN0
M
u I
umIAIbum
real andnot toostaged. liketolet peopleget
onwiththings andwhen seesonething,
exploit it. f younakesonebody do
sonethingthat they'renot usedtodoing
thenit creates afalse-lookinginage, so let
peoplerelax anongthenselves andif need
tosharpenit upwithaninstruction, then'll
throwthat inat theend.
You'vegot toshoot fast, you'vegot to
keepit quick, you'vegot toknowthetypeof
shot you'retryingtoachieve. f youget
stuck, ask thentoholdhands andwalk
sonewhereandshoot thenwalking-this
gives youtinetothink of what elsetodo.
1nktrunIcs!
liketokeepny fanily quiteclosetogether.
liketotry a no-sniley shot withtheir heads
quiteclosetoeachother as it looks niceand
puts a diherent slant onthings. 1hink of the
shape-aintostagger then, sittingthen
ona bench, treestunpor steps. 1ry toget
peopleondiherent layers, rather thandothe
standardfat-onfanily group.
Withgroups, try toinaginea triangle-
put thelargest parent at theback, thenput
theother parent intheniddleandthekids to
either side. Whilethis triangular shapegives
thenost appealingresult whenthegroupis
I82} Ha|ecoupos|n
fau||yroupseas|erby
arran|n|hefau||y
ueubers|n|oa
|r|anu|arshape, w||h
|heparen|sa| |hebac|.
3} bre|| e|s|nc|ose
w||haS0uu|ens,
wh|chheusedfor|he
uajor||yof|heshoo|.
4} w||hfau||yshoo|s,
cap|uresoue|uaes
of|he||dsw||hou| |he
paren|s. wrapp|n|he
||ds|nab|an|e|
producedarea||ycu|e
resu||. Thescenewas|||
w||hanl||nchrou
0uadraw||hsof|bot
he|dh|ha| 4S'.
Drccton&dnumcs
Howyoushouldguideanddirect thefanily
oftendepends ontheageof thechildren.
Sonetines youcangiveaninstructionthat
they all follow, whileat other tines the
parents will get a childtodoit if they'renot
payingattention. 'll ndit oftenworks toget
thegrouptolook at a particular person, so
'll tell thentolook at Dador oneof thekids
andeveryonewill look at thenandit nakes
thenall laugh, whichhelps relax everyone.
'nnot afanof rigidguidance, think the
norefuidit is thenorerelaxedthefanily is
andthebetter theresults. eepit easy and
OSTPHOTOCUIDFS
toshootingportraits
deal withtheskills needed
toshoot anindividual,
but rarely dothey cover
groups. So, what better way tostart our
|an||y /|ounseries by providingadviceon
howtophotographanentirefanily.
1henainchallengewithshootingfanily
groups is ensuringinteraction, soyou'vegot
tothink about this rst andforenost. 1here's
nopoint increatinga nicefanily sceneif
thereis nointerplay betweenthegroup, so
oftentry totakepressureohthenall by
havingthenall look at a xedpoint inthe
distancerather thandirectly at thecanera.
As well as relaxingthen, think it gives a
nicer result thanthenall lookingat you.
Youcanshoot fanily groups anywhere-
thehoneor garden, thelocal park or urban
scenarios areall suitable. or nost fanilies,
thebeachis a raretreat soyou're
guaranteedtoget thekids involved
andenthused. As it sohappens,
theAshwell fanily liveonthe
NorthWales coast, but a
chancetohangout at the
beachwas still net with
plenty of enthusiasnby kids
andparents alike. Shooting
onbeaches isn't easy -you've
a lot of toplight coningdown,
thereis very littleshadeand
you'reexposedtothewind, but
withsinplecontrol of daylight andgood
applicationof fash, fantasticandevocative
inages arepossible. Youjust needtobe
awareof usingthescenetoyour advantage
andkeepaneyeout for lead-inlines like
groynes, dunes or woodenfences.
M

Hrcu'skt
Canonl0S-!0s H|lll
CanonEPS0mmflI.2L
Canonll/0-200uuf/2.8l
Calumet Cenesis Plashwithsoftbox
l||nchrouRaner R/w||hsof|bot
LastoliteTriCripSunrelSoft silver
Poc|e| w|zardP|us lll |r|ers
LexarI6CB300xCPcards
umIAIbum
DigitaI SLRhotography
"eu'vegettesheet
just, yeu'vegette
keeptquck, yeu've
getteknewthe
typeejshetyeu're
tryngteucheve"

standingor sitting, whenthey'rewalking,


it's best toalways positionthenina line.
f you'rephotographinglittlekids, 'll often
standthenupandcut their parents ohat
thekneecaps as this captures thechild's
height at that tine. 1herearenany diherent
ways youcanconposea groupandit
doesn't really natter as longas youkeepthe
fanily unit closetogether andyou'relooking
for that interestingconpositional shape.
Whenshootinga fanily, focus onthe
personat thefront andthink about what
aperturetouse-if 'nshootingona longer
lens try toensureny apertureis onat least
fi6.3or snaller toensuredepth-of-eld
withinthegroup. Withtheshot of thefanily
onthesteps, 'nthinkingthreelayers
requires anapertureof fi8, soif they'rein
goodenoughlight tostagger then will,
but nay needtoraisetheStogivenean
apertureof fi8or fiII, whileretaininga fast
enoughshutter speedfor handholding. 1his
gives nethedepth-of-eldthat needwhile
providingthesoftness want behindthen.
rarely worry about thepositionof their
arns andlegs, as peoplenaturally sit ina
relaxedposition-this is norea concern
whenshootingcouples rather thanfanilies.
1hefewer rules that youhave, thenore
funit is andthenoreinteractionthefanily
has, thebetter theresult.
1curtoIIhtn
As nentioned, thereis littleshelter on
beaches, soyouneedtoconsider howto
control lighting. nsunny days, havethe
subject facethesunanduseafast lens to
control thehighlights by usingawide
apertureandvery highshutter speeds.
When shoot likethis, ask thesubjects to
look away fronneas think this looks better.
Withthenfacingaway fronthesun, thetop
andback of their heads areindirect light, so
'll neter for thenid-tones intheface. While
nay get soneblown-out highlights, the
light, high-contrast results look really nice
too. f shootingusingdaylight, 'll tendtouse
aperture-priority or progrannode-when
shootingtheAshwells endedupusing
aperture-priority for nost of theday, as was
usingny 50nnfiI.2lens wideopen.
1herearenany diherent ways youcanuse
fashwhileshootinginexposedareas. While
youcanusehigh-speedor on-canerafash,
ny favouriteis oh-canerafash, set at ahigh
power tooverpower theanbient light and
addalot of dranatothescene. f it's acloudy
day, afashgunis norethanadequate, but
whenthere's sun, youneednorepower, so
aportablestudiofashheadis abetter option.
1ocreateshadowonthesubject, youhave
tonovethefashaway fronthecanera-
awireless trigger systenis thebest option.
t allows youtoget further away andainthe
fashat 45 tothesubject, whichlooks nore
stylisedandnot as fat as shootingdirect.
'll set boththecanera andthefashto
nanual andusetheinagereviewonthe
LCDnonitor tohelpnedeterninehow
nuch tweak thefashoutput. What 'n
ainingtodois grossly underexposethe
anbient exposuretogivea dark background
andusethefashtorecordthesubject.
f you'venever triedthis techniquebefore,
w||h|heheadsc|ose|oe|herandnob|beau|nsu||es,
conver||n|he|uae|ob|ac|8wh||eaddsad|heren|
d|uens|on. Th|s|ypeof|uae, where|hech||dren|oo|
ser|ousandrown-up, |sa|waysaw|nnerw||h|heparen|s.
l'|| usua||ya|u|ohavea|| ornoneof|hefau||yueubers
su|||n, ra|her|hanhaveonew||had|heren| etpress|on|o
|heres|, bu| l'venoprob|eu|f|heparen|sand||dsaredo|n
|he|rown|h|n, as|heresu||sareuaran|eed|o|oo|na|ura|.

umIyAIbum
DigitaI SLRhotography
theeasiest way totry it out is as follows. with
thecanera inprogran, ainat thesky, shift
theshutter speedtoyour fashsyncspeed
andnotetheaperturesetting. Switchto
nanual nodeandset this fashsyncspeed
andaperture. 1aketest shots andadjust the
fashgun's nanual power settings until your
subject is nicely exposed. You'll nd
shootingat Ii200secat fiI6or fi22
becones thenornfor this typeof ehectl
Mukctuduytorcmcmbcr
Ultinately, photographingafanily group
isn't about thepictures, it's about what wedo
andtheexperiences weenjoy. 1onAshwell
sunnedit upnicely onacebook theday
after theshoot whenhepostedthe
following. '1oday learnedthat it's not the
settings younakeor thebuttons youpress
but thecharacter enanatingfronbehind
thecanerathat brings out thebeauty inyour
fanily. 1hanks Brett, 'ntruly inspiredl
l a|ways|ry|osaveasceneforuyb|'hash' fau||ysho| -
of|enyou'|| se|| ab|frauedfau||ysho| |ha|'sbeen
beau||fu||y|||, sol'|| a|waysa|u|oe| a| |eas| onesho| |ha|'s|||
byhash. The||fes|y|esho|ss||w||h|h|sasano|heren|||y.
Sho|sw||h|hefau||ywa|||narea|wayspopu|ar.
0on'| beafra|d|obe|nven||vew||hyourcoupos|||on!

Q&A: umIyMuucrs
How|ongshou|dI shoot ]or?
The||dsw||| d|c|a|ehow|onyouw||| spend
|a||np|c|ures -|heyw||| |e|| youwhen|hey've
hadenouh. Cenera||y, l w||| s|ar| ohby
pho|oraph|n|he||ds ande|||n|heuon
uys|de-we'|| havefun, uess abou| andenjoy
ourse|ves. l'|| |eaveshoo||n|hefau||yun|| un|||
|a|er, whenl |nowl'vea|readybaedsoue
rea| sho|s of |hech||dren.
Whut imuges hest suit h|uck&white?
l fnduonowor|s |esswe|| w||hh|h-con|ras|
||h||n. whenl'ushoo||n|n'ha| ||h|',
wh|ch|swhen|hesun|s h|ddenbeh|nd|he
c|ouds and|he||h| |s n|ce|yd|hused, |ha|'s
whenl douyheads-|oe|her fau||yroup,
where|hey'|| |oo|a| eacho|her, |auh, or a||
|ose|he|r su||es. Th|s sequencea|ways de||vers
rea| b|ac|8wh||efau||y|uaes.
DigitaI SLRhotography
"Tejewerruesthut yeuhuve,
themerejunt s-undthe
merenteructenthejumy
hus, thehettertheresuts"
HARRll0!8H0NTlS, luSbAN08wlllC0NTlSTANTS, CRAlAHAN0All/, PuTTlllR
V0wST0TllTlSTASTllYSl00TlT0uTT0Sllwl0wlNSbRACClNCRlClTSlN0uR
wll0llllPl0T0ClAlllNClwlTlPR0Pl0T0CRAPllRR0SSl000lN0TT
AIcxAingc
Age. SS
0wns. N||on0/!00, NlKK0R
24-/0uu8/0-200uu.
whatyouenjoyshooting.
Hos||yw||d||feandou|door
subjec|s, bu| l'|| haveaoa|
pho|oraph|nuos| subjec|s.
CruhumAingc
Age. 6!
0wns. N||on0600, NlKK0R
24-/0uu, /0-200uu, S0uu,
!0SuuH|cro, TC!4l8Sb-/00.
whatyouenjoyshooting.
Any|h|nandevery|h|n, bu|
ua|n|y|rave| andw||d||fe.

Ihoto

HWULDDARLto
stir therivalry between
husbandandwife Weat
D|g|ta| S|PPnotograpny,
of coursel ntherst of our regular head-to-
headcontests, weask naturephotographers
GrahanandAlex Aingetoconpletethree
thenedwildlifechallenges -thewinner of
thenost thenes wins overall. Sinplel 1o
ensurefair play, bothareunder thewatchful
eyeof our challengejudge, Ross Hoddinott.
Grahan's anenthusiast photographer
who, sinceretiringa year ago, is ableto
dedicatenoretinetophotography.
Althoughless experienced, Alex is already a
keenphotographer. 1hey liveinHanpshire,
but havetravelledtotheWest Country
WildlifeCentreinDevon, whereinages of
captivesubjects canbetakeninnatural
settings. Unfortunately thewet weather is
hardly suitedtonaturephotography, but
thankfully thecentrehas anundercover area
toprotect snaller subjects fronthe
elenents, althoughthelack of light will
nakeit harder tocapturecreativeinages.
Bothwill beusinga NikonD/I00withtwo
highly capableoptics. a NRI8-300nn
superzoonandtheI05nnfi2.8Microlens.
DigitaI SLRhotography !uI,2014
ChALLLN6L!. Ii||IcOvI
Keep|hefocus sharp|yon|heow|'s eyes
Subjec|'s bac|roundshou|dbes|up|eandd|hused
lnc|udenea||vespace|ocrea|econ|et| andsca|e
RS1UPSAL11LLWL-highly striking,
photogenicbirds. 1heaninal handler places
theowl throughaholeinagnarly pieceof
wood-it's agreat propfor aconvincing,
natural-lookingsetting. Withinseconds,
GrahanandAlex's D/I00s areworking
overtine. Duetothedinconditions,
suggest they increasetheSto400or
800togiveaworkableshutter speed-even
thoughthesubject is relatively still, wewant
toelininatetherisk of shake. Beingfairly
inexperienced, Alex is alittlenervous at rst.
Whileny infuenceshouldbenininal
duringthesechallenges, wereviewher initial
shots and'nworriedher angleis toolowas
she's usingthewhitesky as her background,
whichlooks sterileandunnatural. suggest
sheadopts ananglewhereshecanll the
backgroundwithout-of-focus grass or
foliage, whichinnediately nakes her
inages stronger. Usingtheextreneendof
theNRI8-300nnfi3.5-6.3GvR, both
wereshootinglovely frane-llingshots.
Ahead-onangleworkedwell, but asideview
was alsoehectivefor showingthebird's
prole. or adiherent look, encouragethen
tozoonout, closer to200nn, toinclude
negativespace. 1ightly conposedportraits
haveinnediateinpact, but negativespace
helps absorbthesubject's gazeandconvey a
senseof scale. Capturingeyecontact is
always anadvantage, though, as theowl has
suchcolourful andpiercingeyes.
Withtherst challengedone, there's no
shortageof rivalry withfriendly banter fying
about. t's aconpetitionafter alll n
reviewingtheinages, it's close, but
Alex takes anearly leadl
, 2&3) work|ngw|thw||d||fe: A|etandCrahau|oo||he|r
||ue|oe| acqua|n|edw||hd|heren| an|esand
coupos|||ons-||ueandseu|-con|ro||edcond|||onsare
jus| acoup|eof|hebenef|sofshoo||n|naw||d||fecen|re.
4) A|ex'sbest shot:As|roncoupos|||onand|hespace|n
fron| of|heow| absorbs||sazen|ce|y. Theeyecon|ac|
|sn'| ass|ronasCrahau'ssho|, |houh.
R|ght) 0raham'sbest shot: love|yuseofnea||vespace
andp|ac|n|heow| |op-r|h| hasproducedas|ron,
|n|eres||ncoupos|||on. wehaveaw|nner!
1 2 3
4
SC0kL. Cruhum1-0A|ex
Chu cngc
Ihoto
DigitaI SLRhotography !uI,2014
ChALLLN6L2. Hcrvcs| Micc
Try|oconcen|ra|eonjus| as|n|euouse-e|||n
|woor uoresharp|npoor ||h| w||| proved|hcu||.
Shoo| 'burs|s' of |uaes |nCon||nuous l|hse|||n.
Trybo|hver||ca| andhor|zon|a| coupos|||ons.
A1LR1HLL11LLWLwas takenback to
its aviary, wegot startedphotographingthe
harvest nice-apparently thetwodon't nix
welll Ahandful of nicewerelet looseina
largeopen-topglass container, withafew
stens of cornclanpedintopositionfor the
nicetoclinb. After shootingarelatively
staticsubject, theliveliness andspeedof the
niceprovedaslight shock. bothGrahan
andAlex struggledat rst toget sharp
inages. suggestedswappingfronthe
NRI8-300nntotheNRI05nn
fi2.8GMicrolens. 1his wouldnakeit easier
toget powerful close-ups of thenice, and
thespeedof thelens wouldprovehelpful
too. warnedthenthat depth-of-eld
wouldbeextrenely shallow, whichneant
their focusinghadtobespot-on, and
&2) Tr|a| anderror: l| |oo|soueprac||ceand
perseverance, bu| bo|hcha||eneeswereab|e|oe|
souerea| p|n-sharpc|ose-ups.
3) 0raham'sbest shot: l |||e|hesha||owdep|h-of-fe|d
andhowCrahau'sp|aced|heeuphas|sonnoseand
wh|s|ers. Thever||ca| coupos|||onsu||s|heupr|h| corn.
Top) A|ex'sbest shot: l |ove|hewayA|ethasused|hecorn
|ofraue|h|s|||||echap. Thebac|round|s|ove|yand
d|husedand|hesho| has|o|sof'aahhhhh' fac|or. w|nner!
encouragedthentoshoot largecontinuous
bursts tohelpnaxinisetheir chances of
gettingsharpandwell-conposedinages.
After reviewingher shots, Alex was
concernedthat nost of her inages wereout
of focus. reassuredher that giventhepoor
light andthesubject's highactivity that her
ratioof success wouldbelow, but just to
persevere. toldGrahanthat, as theshoot
progressed, hewouldndit easier to
anticipatewhat thesubject was goingtodo
andhewouldbeabletoreact faster. Both
weresoontakingsonegoodshots, but the
conpetitivespirit was certainly building. As
they bothexploreddiherent viewpoints,
1
3
2
SC0kL. Cruhum1-1 A|ex
oneor theother wouldoccasionally creep
intotheother's shot. 1herewas theodd
exchangeof glances andat onepoint was
alittleconcernedthat Grahannight just get
whackedroundthehead
withAlex's canerabagl
Chu cngc
Ihoto
ChALLLN6L3. Iox
use|hezoou'sversa|||erane-shor|er foca| |en|hs
for 'env|ronuen|a|' sho|s and|he|onendfor por|ra||s.
Adop| a|owv|ewpo|n| andshoo| |hrouh|he
foreroundvee|a||onfor uore|n||ua|e, na|ura| resu||s.
Trypho|oraph|nan|ua| behav|our -for etaup|e,
ayawn, |hefotrunn|nor juup|n.
AL1HUGH1HLLGH1renaineddraband
uninspiring, therainnally relented, givingus
our rst opportunity totakephotographs
outsideandof alarger subject. BothGrahan
andAlex switchedback totheNR
I8-300nnfi3.5-6.3GvR, as thelens gave
thenthereachandfexibility they needed.
Despitethewet grass, encouragedthento
shoot fronalow, worn's-eyeviewpoint to
captureanatural perspective-waterproofs
onthegroundpreventedsoggy kneesl
1hefox was awillingnodel. t was feeding
tine, sothehandler threwfoodroughly
whereGrahanandAlex hadtheir lenses
locked. 1hefexibility andrangeof thezoon
was ideal. whenthefox was closeby, Alex
andGrahancouldshoot usingshorter focal
lengths andtheresultinglarger depth-of-
eldhelpedincludesoneof the
environnent, givingtheinages noredepth.
Grahancapturedsonelovely shots of the
fox runningthanks togoodsubject
anticipationandthespeedof theNikon
D/I00. Alex struggledslightly norewith
shootingtheaction-coldngers didn't help
either -but shecapturedsonelovely
close-ups andevennanagedtoget a
crackingshot of thefox lickingits lips.
nterest likethis cantransfornfairly ordinary
portraits intoeye-catchingresults.
!uI,2014DigitaI SLRhotography
) 0et |ow: Around-|eve| v|ewaveana|ura| perspec||ve.
2) A|ex'sbest shot: 0esp||es|ru||na| frs|, A|etpu||ed||
ou| |hebaw||h|h|ssho|. A|ove|yenv|ronuen|a| |uae,
us|n|heraneof|heN||onzoou, and||ued|operfec||on.
3) 0raham'sbest shot: Th|scoupos|||onwor|ssowe||,
w||h|hefotre|a||ve|ysua|| |nfrauerunn|n|n|ospace|o
|her|h| of||. Th|s|sawe||-||uedac||on|uae.
1
2
3
Hk8HkSChALLLN6LVcrdict
w||hueuorycardsfu|| anda|uos| a| |hebr|n|
ofburs||n, wedec|de|oca|| || aday. Crahau
andA|ethavecopedbr||||an||yw||h|he
cha||enesanddrearywea|her. Therecanon|y
beonew|nner, |houh, andhav|nwon|wo
rounds, A|et|scrownedchaup|on! l|'so|n
|oa|ondr|vebac||o
laupsh|reforCrahau!
kLS0LT. Cruhum1-2A|ex
InthcNikonkitbug.
Toensureanevenp|ay|nfe|d, CrahauandA|et
used|hesaue||| for|hehead-|o-head. w||h||s
|are24.!-ueap|te| reso|u||on, rap|d6fpsfraue
ra|e, soph|s||ca|edS!-po|n|Aland|upress|ve
h|hlS0perforuance, |heN||on0/!00wasa
rea| cho|ce. The'crop' fac|orof|heAPS-Csensor
he|ped|heushoo| fraue-f|||n|uaesfrou
fur|heraway, |oo. whenpho|oraph|nan|ua|s
|cap||veorw||d, aw|deraneoffoca| |en|hs|s
|dea| for||h| por|ra||sandw|derenv|ronuen|a|
v|ews, ua||nazoou|heperfec| cho|ce. The
NlKK0RAl-S0/!8-300uuf/3.S-6.3Cl0VR
was|dea| for|hecha||ene, a||ow|nCrahauand
A|et|oqu|c||ya||er|he|rfrau|nandadap| |o
d|heren| subjec|sandbehav|our. Thezoou's
||h|we|h| andcoupac| des|nua|es|| easy|o
usehandhe|d, prouo||nspon|ane||y. l|ssuperb
V|bra||onReduc||onsys|euwasveryusefu| |oo,
asshu||erspeedsweres|owerdue|o|he|ow||h|.
A|sousedwas|heNlKK0RAl-SVR!0Suuf/2.8C
H|cro|ens. l|sc|osefocus|nab||||yand|uae
qua|||yofaded|ca|eduacroproved|dea| for
shoo||n|he||nyharves| u|ce.
lorfur|her|nforua||ononN||onproduc|s, v|s||.
www.n||on.co.u|
Above) A|etandCrahau'score||| for|hedaywas|he
br||||an| u|d-|eve| N||on0/!00and|heNlKK0RAl-S
0/!8-300uuf/3.S-6.3Cl0VRsuperzoou.
MagBookscover arangeof topics, fron1toMotoring, anditnesstoLifestyle
ThE l0EALC0HPAhl0h P0RY0uR 0lClTALCAHERA
rder your copydirect fron
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WhichtwophotogruphersrunTripodsAt DuwnHo|iduysIorPhotogruphers?
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T
HSMN1H'SS1ARPRZLneeds little
introduction. 1heAppleiPadis the
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of twoI50noney-ohvouchers, answer
thesinplequestionbelowbeforetheclosing
dateof 1uesday I5July 20I4. Goodluckl
Tripodsut Duwn...
Tr|podsA| 0awnlo||dayslorPho|oraphers
arerunbypho|oraphersandfr|ends
Ca|hlvans8H||eS|ephenson. w||h|he|r
|now|edeofpho|oraphyand|he|oca||ons,
|heyw||| u|deyou|o|hebes| p|acesa| |he
bes| ||ue|ocap|urerea| |uaes.
Tr|podsA| 0awnlo||daysareabou| e|||n
ou| |hereandenjoy|npho|oraphyand
s|unn|nsceneryw||h|||e-u|ndedpeop|e.
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pho|orapherswa|||nfor|hesun|or|se, |he
ra|n|os|op, |heNor|hernl|h|s|oappearor
soueone|oshareap|n|w||ha| |heendof|he
day. Theyaresu||ab|eforanyonewhoenjoys
|a||n|andscapepho|oraphs. Therew||| be
noforua| |u|||onorcr|||quesess|ons, bu| fee|
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Ca|h8H||e|ovepho|oraphyandarevery
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|nforua||on, v|s||. www.|r|podsa|dawn.cou
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h0wT0EhTER h0wT0EhTER
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llul Vieversubjecl correclior, ucureul
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besl i youvurl lomukemoreirlereslirg
piclures, becomeumoreirlereslirgpersor.
ko+d!o5ee|nqisavailableforLS0. Porinformation,visit.
www.danwintersphoto.com
!uI,2014DigitaI SLRhotography
"
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W
HLNLNGA1aninageit's
reasonably easy totell whether
that inageoriginatedfrona
digital leor was shot onln. Purists would
tell youthat lnhas a certain'feel' toit, but
thereality of it is that therearecertainspecic
characteristics that ringtruetoln-they
nainly conpriseof contrast, tonality and
grain. Learnhowtospot andnanipulate
thesecharacteristics inyour editingprocess
andyoucanintroducea convincingln
aestheticintoyour digital les.
1hesteps belowaren't a denitivesolution
andcanbeeasily tweakedtoenulate
diherent types of ln. t's a goodidea tond
inages shot onthespeciclnthat you
want toenulate, andusethenside-by-side
for reference. or thepurposes of this guide
'nlookingtoenulateodak 1-MAX3200-
aninstantly recognisableblack owhiteln
withnediuncontrast anda coarsegrain.
1
A00C0NTkAST. Withyour inageselectedintheDeve/opnodule,
usetheContrast slider inthe8as/ctabontheright toincrease
thecontrast inyour inage. 1heanount of adjustnent that youuse
depends onhownuchcontrast is inyour original inage, but this can
always betweakedbeforesaving. 'veused+/5as a startingpoint.

A006kA|N. Scroll downtotheEhects paletteandincreasethe


anount of grainintheinage. 1heanount usedis your personal
preference-'nlookingtoenulatetheextreneodak 1-MAX3200
lnhereso'veintroducedacoarsegrainby increasingtheAmount
to45, theS/zeto82andtheRougnness all theway to!00.
2
C0NVLkTT0BLACk8wh|TL. Convertingtheinagetononochrone
is a singleclick, sogoaheadandclick onthe8/ack8Wn/tebutton
inthe8as/cpalette. 1heehect canbetweakedby usingthe8/ack8
Wn/teM/x sliders intheHSLiCo/ori88Wpalette, just benindful not to
pushany of thesliders toofar, or you'll losesubtlegraduations intone.
3
kLH0VL ShA00wC0NTkAST. nthelower-right corner of theTone
Curvepalette, click onthePo/nt Curvebutton. 1hen, ontheline
above, dragthepoint inthelower-left corner straight upward, as
shown. 1heanount is indicatedinthetop-left corner -'vegonefor
II. 1his reduces shadowcontrast andgives theinagea nattelook.
DigitaI SLRhotography !uI,2014
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easyreference|hen, |henet| ||ueyouwan| |ouse
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, 20YLARSAG, youhadsaidtosoneonethat we'dbeableto
createhigh-resolutiondigital inages that wereinstantly viewable,
pixel-perfect andfreefronartefacts andinperfections, they'dnot
havebelievedyou. f youhadthentoldthenthat thenost popular
trendof thetinewas workingout howtobringbacktheinperfections
andcharacteristics of thevery lns that they wereshootingwithat
that tine, they'dhavecalledyoucrazy. Strictly speaking, theehect that
we'regoingtocreatehereisn't alnenulationper se, but it does
allowyoutorecreatethestylisedlter ehects nadepopular by apps
suchas nstagranandthelike.
or Llenents I2users, this ehect is best recreatedinLxpert node,
whichohers noreadjustnents. However, thesanesteps alsoapply
toearlier versions of Llenents, as well as PhotoshopCS andCC.
DigitaI SLRhotography !uI,2014
C0l0uRClANCl
No| happyw||h|heco|ours 0oub|e-c||c|
on|herespec||verad|en| |huubna||s |n|he
layers pa|e||e|oopen|heCrad|en| op||ons,
andadjus| |oyour ||||n. P|ay|naroundw||h
each|ayer's b|endHodeand0pac||y
adjus|s |heehec|, |oo. Pa|r|nupcon|ras||n
co|ourswor|swe||, suchas b|ueandorane,
redandreen, andpurp|eandye||ow. use
br|h| co|ours for apunchyehec|, or choose
uu|ed|ones for auoresub||eapproach.
1
SLT0PY00kw0kkSPACL. nLlenents
Lditor, rst nakesurethat your Layers
paletteis visibleby goingtoW/ndow>Layers.
Changeyour ForegroundCo/or toa bright
yellow, then, intheLayers pa/ette, click
ontheCreatenewh// or adjustment /ayer
buttonat thetopandselect Grad/ent fron
thelist -this will opentheGradient options.

A0J0STThL LLVLLS. Click onCreatenew


h// or adjustment /ayer, as before, but this
tineselect Leve/s. ntheLevels palette, slide
the8/ackOutput Leve/ slider totheright to
around20. 1hen, click ontheCreateanew
/ayer buttonintheLayers palettetocreate
anenpty layer andselect theRectangu/ar
MarqueeToo/ fronthetoolbar.
2
A00A6kA0|LNT. ChangetheAng/eof the
gradient sothat it fades intoyour inage
frononeof thetopcorners -followthe
directionof thelight if youcan. Double-click
ontheGrad/ent thunbnail andselect the
ForegroundtoTransparent gradient.
Click OK. ntheLayers palette, changethe
8/endModeof this gradient toOver/ay.
5
CkLATLAL|6hTLLAk. Drawout a tall,
thinrectangleonyour inage, near the
corner of your yellowgradient, as shown
above. ronthetoolbar ontheleft, choose
theGrad/ent Too/ andonceagainchoosea
bright yellowtotransparent gradient. Drag
your gradient ontotheinage, startingfron
thetopandworkingdown.
3
A00AN0ThLk6kA0|LNT. Select your
8ackground/ayer intheLayers palette,
changeyour ForegroundCo/or todark blue
andcreateanother Grad/ent layer, as before.
Anglethis gradient intheoppositedirection
totheyellowone. Click OK. Changethe
8/endModeof this gradient layer toScreen
andlower theOpac/ty -45Xworks well.
6
A0J0STThL L|6hTLLAk. 1his gradient
is only appliedinsidetheselected
rectangle. 1his will beour light leak ehect.
GotoSe/ect>Dese/ect andthen, inthe
Layers palette, changethe8/endMode
of this layer tov/v/dL/gnt. inally, goto
F//ter>8/ur>Gauss/an8/ur andapply a blur of
around20p/xe/s toconpletetheehect.
kLTk0|NSP|kL0
Thefna| ehec| canbeaspronouncedoras
sub||easyou|||e-s|up|ya||er|he0pac||y
ofyourrad|en| |ayers|osu||your|as|e.
IiImc[cc|sVSCOIiIm
E
i
E
vLRSNCL1HLadvent of digital,
photographers havelongedtoachieve
that lnlook intheir inages. Presently,
enulatinglnis noreinvoguethanever.
Cuevisual Supply Co, or vSC-theexperts
inlnenulation. By shooting, developing
andstudyingahugeselectionof lns on
diherent caneras, vSChas createdpresets
that accurately enulatetheclassiclns that
weall loveandniss sonuch. Available
invediherent packs, eachcostingSII9, the
vSCilnLightroonplug-ins oher users
easeandconvenience-a one-click solution
tostyleandgradeinages. 1his has nade
vSCincredibly popular withweddingand
lifestylephotographers whowant toprocess
hundreds of inages quickly andeasily.
Duetothelargenunber of variables when
it cones toln, there's nooneright 'look' for
eachenulation, sovSChas provided
alternatives. or exanple, whilethestandard
odak Portra I60preset will oher anaccurate
representationof that ln, a ninus (-) synbol
indicates a toned-downversionanda plus (+)
synbol indicates a noreextrenelook. A
doubleplus (++) synbol indicates that the
ehects aregreatly exaggerated. Sonelns
alsohaveHighContrast (HC) versions -these
aretypically well-suitedtoportraits, as they
boost contrast whileretainingtheskin's
natural graduations intone. inally, vSC
works best withRawles, as it takes into
account thecanera that youuse, although
thepresets canalsobeappliedtoJPLGs, too.
1
HAKEBASlC
A0JuSTHEhTS
withtheVSC0plug-ins
installed, rst makeany
adjustmentstofsposare,
wa/te8a/aaceand/eas
Correct/oathat are
requiredtoyourimage.
0iherent emulationswill
haveanehect onexposure
andcanaddcolourcasts
too, sofurthertweaksmay
berequiredlateron.
2
Ch00SE
APRESET
Promtheresetslist on
theleft, select thecorrect
folderforyourcamera
make-choosethe
5taadardfolderifit isn't
available. Thenchoose
yourlm-thepreviewwill
beupdated. Tryasmanyas
youlike-thesettingsare
reset beforethenext
preset isapplied.
3
PlhETuhE
ThEEPPECT
l'vesettledonthePuji
400hemulation, but nd
thegrainalittle
overpowering. Scroll
downtothe\5C0!oo/k/t
andchoosethe0ra/a-
preset. 0therparameters
canbetweakedfrom
withinthetoolkit orusing
thestandardcontrolson
theright.

HAKECuST0H
A0JuSTHEhTS
VSC0Pilmalsoincludes
custombrushpresetsfor
timesaving. Clickonthe
4djastmeat6rasatoopen
thepaletteontheright
andselect theadjustment
fromthefhectmenu.
The0odqe+and8ara+
settingareparticularly
useful forne-tuning
exposureselectively.
DigitaI SLRhotography !uI,2014
vSCilnLightroonplug-in
HA0lP0PulARl0RlTSwl0lSlllCTl0N0llllHlHulATl0NS, wll/Pl0RlTlllNSAN00uTS0lVSC0lllH.
1) kodakPortra400|VSC0l||u0!
Ac|eanandv|bran| f|u|ha| su||swe||-||| por|ra||s.
0e||vers fan|as||cs||n|ones andsa|ura||on.
2) ||fordhP5|VSC0l||u0!
Aued|uu-con|ras| b|ac|8wh||ef|uw||hafnera|n
andh|hsharpness. Su||ed|oh|h-con|ras| ||h||n.
3) Fuj| Ve|v|a50|VSC0l||u04
R|ch, v|bran|, sa|ura|edco|ours ands|roncon|ras|.
Su||ed|oco|ourfu| |andscapes.
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bu| |heet|raf||er pac|s cos| et|ra. 0own|oad
VSC0Caufrou|heApp|eAppS|oreor
Coo|eP|ayfor free. www.vsco.co/vscocau
DigitaI SLRhotography
) Fuj| FP-!00c|VSC0l||u03
Aued|uu-con|ras|, r|chf|u|ha| produces beau||fu|,
|ow|nh|h||h|s. Crea| for na|ura|-||h| por|ra||s.
5) kodakT-HAX3200|VSC0l||u0!
l|hcon|ras|, h|hde|a|| andh|hra|n. Anet|reue
f|u|ha| has an|ns|an||yrecon|sab|e|oo|.
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o|hers, bu| |hesub||eeuu|a||onsareof|enuorep|eas|n.
Thechanes|n|oneandco|ouroheredbyVSC0 doa
oodjobofs|ay|n|rue|oshoo||nonf|u.
AlTlRNATlVlS
N|kAna|ogLfexPro-uS0S!49
Softwarerequired. Pho|oshop/l|euen|s/
l|h|roou/Aper|ure
Par| of |heN||Co||ec||onsoawho|ehos|
of o|her sof|ware|s |hrown|n, |nc|ud|n
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ua||n|h|s etce||en| va|uefor uoney.
uuun||:o/|u+/ecom
A||ensk|nLxposure5-uS0S!49
Softwarerequired. Pho|oshop/l|euen|s/
l|h|roou/Aper|ure/S|anda|one
0hers a|arese|ec||onof euu|a|edco|our and
b|ac|8wh||ef|us aswe|| as c|neua||c|oo|s.
A||ens||n's ra|n|s basedonrea| f|ura|n, |oo.
uuu+||en:||ncom
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d|heren| f|ueuu|a||ons. Prese|s aresp||| |n|o
co|our, |oneandra|n, a||ow|nyou|oapp|y
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L0|TL0|NVSC0

HN ANMAGLyoushot
a fewyears ago. Got it Now
dareyoutotry tondit on
oneof your backupdiscs in
less thantwoninutes. f you
can, stopreadingnow. Seriously, turnthe
pageor gopick upyour canera. there's
nothingwecandofor youhere. or the
other 99of you, tear this featureout and
stick it toyour nonitor as a reninder.
Most of us wouldliketothink wecould
put our hands onaninage, not overwrite
any les andhaveeverythingsafely
securedinbackupharddrives -we
don't. nfact, for nost of us weoperate
a systenof organisedchaos andthat
neans weknowtheinageis inone
place-that 21Bexternal harddrive-
sonewhere, andif youhada week you
night beabletondit.
Whocanblaneus though. We're
photographers, we'drather shoot than
sort. But withhigh-capacity nenory
cards storingnoreinages thanever and
nasses of external harddrivespace
costingpennies, it is nowonder weend
upinsucha ness.
'll takea long-shot andsay nost of us
areguilty, at sonepoint, of draggingand
droppinginages fronnenory cards on
toour harddrivefor a quick edit, or to
fornat a nenory card, withevery
intentionof returninglater toorganise
properly -but never do. Beforeweknow
it we'relookingat folder uponfolder of
obscurely digit-nanedinages, diherent
content ondiherent harddrives and
preparingourselves tospendhours ina
vainattenpt tosort out this 'organised
chaos'. Soundvaguely faniliar
Professionals can't ahordtonisplace
inages, torisk overwritingles or towaste
valuableninutes searchingfor a client's
pictures. they needa rigidworkfow
systenthat stick toreligiously andit
shouldbenodiherent for therest of us.
TlRl00lAHlSSYHACllNl, 0ll0SlNClHAClS0RllN0lNC0uPllCATlS lT'STlHlT0CllANuPY0uR
ACT. l0ll0wTllSlTlRlllSSlNTlAlSTlPST0lllPY0u0RCANlSlAN0ARCllVlY0uRlHAClS
CARLNLSCHMD1
SFRING
CLEAN
,ourpho|ovorljov
STAkTwhLNY00Sh00T
Astructuredworkfowshouldstart inthecanera, not theconputer. Makingsure
your inages aretine-stanpedwiththeright dateis therst steptowards
organisingyour photos, it nakes it nucheasier onceyouconetosearchfor les
chronologically. Youcanalsoaddgeotagging, whichallows youtoaddlocation
infornation, andcustoniseyour canera's lenanes. 1helatter is useful if you
want toidentify inages frondiherent caneras as youcanchangethestart of the
lenanetoM or D800, for instance. Alternatively, youcouldbooknark the
shoot, but just renenber tochangethelenanebeforeyour next session.

1oavoidyour hard
drives havinga sinilar
lifespan, leavea few
nonths between
purchases.
HANA6LHLNTS0FTwAkL
Asoftwareprogranthat helps youto
nanage, sort, searchandarchiveyour
inages is essential for a snoothworkfow.
1hebest prograns let youcatalogueand
browseall your inages as well as edit fron
Raw, without ahectingtheoriginal pictures.
AdobeLightroon5wouldbethepreferred
choice, whileAdobePhotoshopLlenents
andApple's Aperture3alsooher sinilar
features at a lower price.
1heessential tools youneedtolookfor are
theabilitytobatch-nanegroups of inages,
edit netadataandaddkeywords as soonas
youinport theles fronyour canera. t
shouldalsohaveasearchandsort facilitylike
aratingor taggingsysten, theabilityto
backuptocreateanarchiveandexport les
toother editingsoftwareor social nedia.
f youdidn't createa custonnaning
schenein-canera, you'll want toselect a
nanethat refects theinagecontent so
oncethesoftwareinports theles they
already havetheappropriatelenanes and
sequential nunbers. Lnbeddingnetadata,
keywords andcopyright infonot only nakes
it easier tosearchfor inages but canprotect
thenandinproveyour SLratingonceyou
loadthenuponline. Youcanset your
systenuptoaddyour copyright infornation
(if you'venot already got it set upin-canera)
oninport andnanually addthekeywords
toeachphoto. WithLightroon, youcanalso
catalogueinages intoCollections, allowing
youtocollateinages frondiherent albuns
intothenedfolders, or inages yourated
sinilarly, toinprovesearchability. You
shouldalsoset upyour systensothat
backupcopies aregeneratedandstoredon
anexternal driveas inages areinportedand
alsoexport editedinages toyour harddrive.
ST0kL8SAVL
nceyou'vegot your inages organised,
you'll want toback thenup. 1heeasiest way
is tohaveanexternal harddrive, but oneis
not enoughtoensurethesafety of your les
-especially if youdeletetheinages fron
your conputer tooptiniseperfornance.
Likeconputer harddrives, external hard
drives havea lifespan, sorelyingonjust one
is a nistake. Asidefronharddrivefailure,
yourisk power outages, viruses andworns,
not tonentionres, foods or theft. A
burglar is not goingtotakeyour conputer
but leaveyour harddriveandnor is a food
goingtodiherentiatebetweenthetwo, soat
thevery least youshouldhavetwodrives in
twoseparateparts of thehouse. Better still in
twoseparatehouses. Youcanpick upI1B
external harddrivefor as littleas 50and
there's a constant fowof reviews online, if
you'reunsure. Check out our sister site,
Lxpert Reviews (www.expertreviews.co.uk)
for in-depthtests. Afewof our favourites,
though, includetheWesternDigital My
Passport Ultra, LaCieMininus, Buhalo
DriveStation21, SeagateBackupPlus and
SansungI1BM3PortableHardDrive.
Whileyoucannanually draganddropto
your backupdisc, lifecanbenadeeasier
withsoftwarethat autonatically updates a
connectedexternal harddrive. Prograns
like1ineMachine(AppleMac) update
regularly, whileothers let youscheduleyour
backups for whenyousleep. But howdo
younakesureyour secondary cloned
backuphas all thesaneles Yousync
then. Prograns likereeileSync,
Robocopy and1oucanPortablecanhelp
Windows users, whileSuperDuper and
CarbonCopy Clonework for Macs. You
couldalsosyncthedevices toyour Cloud
storage, your pieceof thepieinthesky,
whichcanbelinkedtonultipledevices at
various locations. Anevensafer optionis to
nanually updateyour clonedriveby
copyingles fronyour naster -this is a
preferredoptionas you'reincontrol of your
backups' integrity but takes tineandnay
neanyouhaveweekly or nonthly gaps in
your backup, unless youdoit daily.
Whiletwobackups aregood, threeis even
better. Sonephotographers usea thirdhard
driveor storetheir inportant les andinage
collections toCDor DvD, whichis a valid
optionbut canbeconeexpensiveandresult
ininsurnountabledisks anddrives over
tine. 1heCloud-onlinestorage-is
arguably a better solution. Most providers do
oher freespace, but for thesizeableanount
of inages photographers want tokeepsafe
you'll likely belookingat a nonthly feefor
unlinitedstoragespace, intherangeof
3-I0per nonth, dependingonthe
features youwant fronyour serviceplan.
Providers likeJust Cloud, SS onlinebackup
andMyPCBackupallowyoutoset
autonaticarchivingthat youcanalsosync
tonultipledevices, evenif they'reohsite.
Sonebackups cloneandarchiveyour
wholeharddrive, whileothers let yoube
noreselective. Sonelet youshareles
whileothers oher theinvaluableoptionof
restoringlost or corruptedles frontheir
archives. WithCloudstorage, however, you
dorisk thethird-party systenbeconing
conpronisedor theconpany closing,
whichis why weadviseyoutooperatea
systenof nultipleindependent devices.
1hereyouhaveit. a foolproof way toprotect
your inportant inages. Sodon't delay, set
upyour backuptodayl
!uI,2014 DigitaI SLRhotography
HANA6|N6HAN0ALLY
lfyoudec|de|ono| useuanaeuen|
sof|ware, |||el|h|roou, youshou|dua|e
sure|ha|youhaveasoundf||nsys|euand
pruden| bac|upprocedure. Youcou|dse| upa
|eve| offo|derss|ar||nw||hyearanduon|h,
and|henw||h|neachuon|hse| upsubfo|ders
nauedbyda|e, subjec| orshoo| |||e
'20/0S/20!4be||aa| |hebeach'. w||h|n|hese
fo|dersl sues| crea||nfoursepara|efo|ders.
0r||na|s, wor||n, ld||edandweb. Assoonas
you|a|eyourf|esohyourueuorycard,
down|oad|heu|n|o|he0r||na|sfo|der,
wh|chfrouhereonou| nevere| |ouched,
|h|s|syourarch|ve. Youcan|hensor| |hrouh
|he|uaes|oed||, conver| frouRawandsave
|o|hewor||nfo|derwhereyou'|| s|oreyour
PS0f|es. 0nceyou'veo|yourfna| |uae,
you|hensave|| asaJPlCorTlllforpr|n| |o
yourld||edfo|der. Yourwebfo|der|s|herefor
|hose|uaesyouwa|eruar|andres|zefor
b|o|n, soc|a| ued|aandyourwebs||e. Jus|
reueuber|o|eep|| s|up|eanda|wayspu|
yourpho|os|n|her|h| fo|derswhen
down|oad|nfrouyourcauera.
Iho|oVorljov
kA|00kNAS!
RAl0|redundan| arrayof|ndependen| d|s|s |s
afancyet|erna| harddr|vew||hetpandab|e
s|oraeas|| cancon|a|nuu|||p|edr|ves|none
enc|osure. Therearesevera| |eve|sofRAl0, bu|
uos| ofuson|yneed|obeconcernedw||h
RAl0-!as||wor|sbyau|oua||ca||ycopy|n
bac|ed-upda|a|oeachdr|ve, crea||n|woor
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a||acheds|orae-cana|socon|a|nuu|||p|e
dr|ves|noneenc|osurebu| enab|esyouaccess
v|ad|heren| coupu|ersoruob||edev|ces.
SPk|N6CLLAN. YourchcckIist!
nvest indecent inagenanagenent
softwaresuchas Lightroon
Lstablishandstick toa lingsysten
nvest innultiplebackupsolutions
Addcustonnanes and
netadata toinages oninport
Syncyour systentonakebackups
autonatically or back upnanually daily
Pl0T0KlT TlSTl08RATl0bYl/PlRTS

RS1-1MLLvL
The!8-ueap|te| l0S!2000|s|he|a|es| en|ry-|eve| uode| frouCanon
and|sa|ueda| be|n||suos| be|nner-fr|end|yd|||a| SlRye|
LATLSTPk000CTS. 0urp|c|of |hebes| pho|oearre|eases|h|suon|h
Tk|P00k|TS0N0Lkf200. Needanahordab|e|r|pod8headfor|andscapes
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Upgrode ycur phctcgrophy tcdoy.
Creot deo|s cn used Concn prc geor.
DigitaI SLRhotography
Sony's newsharpshooter
1hreeyears after thelaunchof theoriginal Alpha A//,
Sony has announcedits successor -theSony A// .
ts headlinefeaturehas tobeits advancedautofocus
systenwith/9A points, includingI5cross-typeanda
dedicatedfi2.8point tosupport wideapertures. 1here
arealsofour A area nodes, anA RangeControl feature
andve1rackingDurations tonatchthespeedof your
subject -not tonentionits ability toshoot 60franes at
I2fps incontinuous A, faster thannany procaneras.
Whileit renains 24.3-negapixels, its newLxnor CMS
sensor is 20noresensitivethantheA//, withits S
rangingupto25600. t alsoboasts a bright XGALLD
2.35-nilliondot 1ru-inder, 3.0intiltableLCDscreenand
built inWi-i andNCconnectivity. 1heA// is available
toorder now, pricedat I,000body only. uuu.sonj.co.a|
\l0EA|ClE0u0
lR0VCA|0|
Canonhas announced|wo
w|de-an|e|enses a|ueda|
profess|ona|sanden|hus|as|
pho|oraphersandbo|hoher|n
luaeS|ab|||sa||on. |hell-S!0-!8uu
f/4.S-S.6lSSTHand|hell!6-3Suuf/4llSuSH.
TheCanonll!6-3Suuf/4llSuSH|s|hefrs|
l-ser|esu||raw|de-an|e|ens|ooherlSandhas
anf/4uat|uuuaper|ure, ua||n|| s|ower|han
|heet|s||nll!6-3Suuf/2.8lll uSH. lowever,
||'snear|yf600cheapercou|n|na| under
f!,200, and|suuch||h|era| 6!Sraus. Canon
c|aus|helS|scapab|eof oher|nup|ofours|ops
of correc||on, sowe'|| wa|| |osee|f |h|snew|ens|s
aw|secho|ceover||sfas|ers|b||n.
TheCanonll-S!0-!8uuf/4.S-S.6lSSTH|s
des|nedforAPS-Cshoo|ers, andusesCanon's
S|epperHo|or|STH forh|h-perforuanceand
near-s||en| au|ofocusopera||onwhenshoo||n
v|deo. wha|'suore, |he!0-!8uu|sava||ab|efor
jus| f300, ua||n|| etce||en|va|ueforuoney.
uuu.c+non.co.a|
EXTRAREACl
A|sonewfrouN||on|s a!.4t
|e|econver|er, |heAl-STC-!4llll.
boos||nfoca| |en|hby40xand
re|a|n|nfu|| au|ofocus capab||||ywhen
pa|redw||hcoupa||b|e|ens, |henew
|e|econver|er oes onsa|efrouAuus|,
pr|ceda| f4S0. uuu.n||on.co.a|
lAST4OOVV!
lancye|||nyour hands onN||on's |a|es| preu|uu
super-|e|epho|opr|ue|ensYou'reo|n|oneeddeep
poc|e|s for |h|s one! lea|ur|nanewSP0RTV|bra||on
Reduc||onuode, |heNlKK0RAl-S400uuf/2.8llll0
VR|s a|ueda| profess|ona| spor|s andw||d||fe
pho|orapherswhoneedafas| uat|uuuaper|ureand
superbop||ca| perforuance. beforeyourushou| and
p|aceanorder, wa|| for |hepr|ce-|h|s uons|er of a|ens
w||| se| youbac|f!0,400. bes| e| sav|n!
uuu.n||on.co.a|
|ll0|I S2
N||onhas debu|edanadd|||on|o||s N||on!||ne-up.
lo| on|hehee|s of |herecen||y|aunchedN||on!V3
andJ4, |heN||on!S2|s a|uedsquare|ya| en|ry-|eve|
users bu| doesn'| s||uponspecs. There's |hel/Pll04A
processor, as found|n|heV3andJ4, and|hesaue20fps
shoo||nw||hcon||nuousAl. Reso|u||on|s s||h||y|ower,
w||h|heS2boas||na!4.2-ueap|te| C/-forua| sensor.
TheS2|s ava||ab|ebund|edw||h|he!NlKK0R!!-2/.Suu
f/3.S-S.6|ens for f380, or |he!!-2/.Suuand30-!00uu
f/3.8-S.6|e|ezooufor fS30. uuu.n||on.co.a|
A|sofromSony... thekX!00||| AlongsidethenewA//, Sony has unveiledthe
successor totheRXI00 conpact, inaginatively nanedtheRXI00. 1henewpreniun
conpact is ainedat professional users andfeatures a 20.I-negapixel IinLxnor RCMS
sensor anda ZLSS varioSonnar 1* zoonequivalent toa 24-/0nn-fiI.8-2.8, soexpect
very highinagequalityl 1here's alsoull HDvideo, pop-upLLDI.44-nilliondot nder,
3intiltingLCDanda built-inthree-stopNDlter. Priceandavailability is still tobeconrned.
StayconnectedwithSamsung
Sansunghas unveiledanentry-level nirrorless canera.
theSansungNX3000. 1akingover frontheprevious
NX2000, thenewnodel boasts a 20.3-negapixel
APS-Csensor, vefranes-per-secondshooting, a
naxinunshutter speedof Ii4000secandanSrange
of I00-25600. As we'veconetoexpect
fronSMAR1caneras, there's Wi-i and
NCtechnology built in. 1heNX3000is
alsocertiedsele-friendly thanks toa
3infip-upscreenandwink-shot node.
a featurethat allows youtotakeself-
portraits by winkingat thecaneral Also
includedis a copy of AdobeLightroon
5. 1hepriceis unconrned, but expect
theNX3000instores inJune.
uuu.s+msanq.co.a|
SP0TThEBALL. lT'SlNl4. wlll00NlllY0uC0TlTRlClT!
B
UYNGYURRS1DSLRis oneof
thenost excitingdecisions you'll
nakeas abuddingphotographer, but
it canalsobeoneof thetoughest choices to
naketoo. Withsonany conpetingbrands
tochoosefronit's easy tobecone
overwhelned. 1heLSI200Dis Canon's
latest entry-level digital SLR, whichreplaces
20II's LSII00Dat thebottonof its DSLR
totenpole. But withstihconpetition, in
particular frontheNikonD3300, does the
LSI200Dprovideenoughfeatures to
nakeit theentry-level caneratoown
PickinguptheLS I200Dfor therst
tine, was pleasantly surprisedby its build
quality, especially whenyoutakeinto
considerationits reasonablepricetagof
3I9(body only). ts handgripandrear
thunbrest havebeencoveredina
rubberisedcoating, whichis a rst inits
generation, andalthoughthis nay only be
seenas a snall additionby sone, it's still a
welconeonethat not only helps tooher
greater purchasewhenshooting, but also
gives thecanera that extra touchof quality.
ts outer plasticcoatinggenerally feels
robust andpleasantly weightedoncea
lens has beenattached.
Bootingupthecanera, it's clear that
Canonhas really focusedonnakingthis
latest nodel beginner-friendly. or starters,
whenselectingwhichshootingnodeyou'd
liketouseby turningthenodedial, a brief
but concisedescriptionof what eachnode
does is displayedontherear of thecanera,
whichis great for anyonewithvery little
canera knowledge. Most of thesettings can
beeasily alteredby pressingthe'' quick
nenubuttonontherear of thecanera,
whichallows youtonavigatethroughthe
canera paraneters that aredisplayedonthe
nonitor. What's nore, hoveringover an
optiondisplays further infornationabout
what thesettingis andwhat it does.
Althoughtheoverall nunber of buttons
onthecanera is fairly reserved, rst-tine
users nay still ndthenselves a little
overwhelnedby thenass of aliensynbols
that litter therear of thecanera. 1hegood
news is that inorder toconbat this, Canon
has createda freeconpanionappthat can
bedownloadedontoyour snartphonevia
theAppleAppStoreor GooglePlay Store.
1his digital encyclopaedia ehectively gives
youa guidedtour of your canera, detailing
what eachof thebuttons doandan
explanationof basicsettings, suchas
shutter speeds, apertures andSratings.
ntheback of thecanera, theCanonhas
abuilt-in3innonitor that's usedtoview
nost of theshootingparaneters, as well as
reviewingyour photos andvideo, though
there's notouch-sensitivity unlikeits bigger
brothers theLS/00DandLSI00D, so
options havetobealteredusinga
conbinationof thephysical buttons and
connanddial onthetopplate. Witha
nodest resolutionof 460,000-dots, sone
nay beswayedtowards theNikonD3300,
whichsports ascreenwithjust over double
theresolution(92I,000-dots). 1hat said, after
usingtheLSI200Dfor sonetine, you
soonforget this fact andintruth foundit
hardtondaconplaint about theCanon's
LCDnonitor, whichnanagedtoenit a
bright andsharppicturewithplenty of clarity.
Lookingthroughits optical viewnder, the
LS I200Dhas a total of nineA points,
whichhavebeenplacedina traditional
dianondfornationinthecentreof the
viewnder. SwitchingbetweentheactiveA
points proveda littletrickier thanit ought to
havebeen, as instinctively foundnyself
headingfor the'' uick-nenubuttonand
navigatingthroughtheoptions, only tofail in
locatingtherelevant paraneter. After
scouringtheexternal canera buttons,
nally noticedthis optionhadbeentwinned
withthezoon-inbutton, thoughtheA
point synbol was searchingfor is placed
just abovethebuttononthetopplate, which
becones obscuredwhenlookingdirectly at
theback of thecanera -thoughonceyou
knowwheretondit, it nolonger becones
anissue. ntheplus side, adjustingthe
activeA point withthecanera at eye-level
is a breezeas theA adjustnent buttonis
neatly placedtotheright of thethunbrest,
whileusingtheD-padtoalternatebetween
points is alsowell withinreachof thunb.
Rather unusually, thefashbuttonhas
beennovedfronits default positiononthe
sideof thepop-upfashitself, tojust behind
theconnanddial onthetopplate. 1his is a
great idea inny opinion, as not only does it
nakeit easier tond, it alsoneans that the
ear Ir|r,IcvcI digi|cI SIR
DigitaI SLRhotography !uI,2014
CANN
LSI200D
N||on's03300haswonuanyfans
|han|s|o||sh|hspecand|owpr|ce.
Canona|us|ow|nbe|nnersoverby
|henewl0S!2000'seaseof use
1MCAL1N
CAN0NL0S!2000
Price(bodyonly}. f349|u|de /f3!9|s|ree|
lmagesensor. APS-CCH0S|22.3t!4.9uu
Resolution. !8-ueap|te|s
Haximumimageresolution. S!84t34S6p|te|s
APpoints. N|ne|onecross-|ype
lS0range. !00-6400|etpandab|e|o!2800
Shutterspeeds. !/4000sec-30seconds8bu|b
Continuousframerate. 3fps
Storage. S0|S0lC/S0/C
Size. !30t!00t/8uu
weight. 480||nc|ud|nba||ery8card
llATuRlSATAClANCl. CAN0Nl0S!2000 NlK0N03300
N|k0N03300
Price(bodyonly}. f499|u|de /f4!9|s|ree|
lmagesensor. APS-CCH0S|23.St!S.6uu
Resolution. 24.2-ueap|te|s
Haximumimageresolution. 6000t4000p|te|s
APpoints. !!|onecross-|ype
lS0range. !00-!2800|etpandab|e|o2S600
Shutterspeeds. !/4000sec-30seconds8bu|b
Continuousframerate. Sfps
Storage. S0|S0lC/S0/C
Size. !24t98t/6uu
weight. 430||nc|ud|nba||ery8card
Handling 18!20
Easeof use 19!20
Features 17!20
Performance 18!20
Value 19!20
OveraII 91]100
fashcannowbeeasily activatedwhile
holdingthecanera at eyelevel, whichis far
noreconvenient.
Asidefronperfornance, inagequality
is arguably oneof -if not the-nost
inportant features toconsider whenbuying
a canera. Luckily for theLS I200D, it
perforns pretty well inthis respect, and
duringtestingits I8-negapixel sensor was
abletocaptureinages withgenerous
anounts of detail andtrue-to-lifecolours.
ittedwitha DGC4processor, it has an
Srangethat spans fronSI00to6400
natively, whichcanbeexpandedfurther to
anequivalent of I2800-however, this did
requirehavingtodivefairly deepintothe
canera's settings nenuoptiontond.
Despitethis increasedsensitivity ceiling, the
LS I200Dstill struggles tokeepupwiththe
NikonD3300that has theability tostretchall
theway toI2800natively, andevenfurther
upto25600whenexpanded. 1hat said,
unless you'relookingtoshoot inlowlight
ona regular basis, you'reunlikely tond
yourself venturinghigher thanS800,
nakingthis less of anissue.
After uploadingny test inages tothe
conputer, foundthat theLS I200D's
5I84x3456pixel inages wereplenty large
enoughtoproduceinpressiveA3-sized
prints without theneedtoenlargethen
further usingPhotoshop. Sonenay be
tenptedby thelarger resolutioninages
producedby theNikonD3300's 24-nillion
pixel sensor, whichohers norepixels to
achievenoreseverecrops inpost-
processing. However, oneadvantagetothe
LS I200D's 'snaller' inages is that with
fewer negapixels it produces snaller-sized
les, whichinturnneans you'reableto
capturenoreinages ontoyour nenory
cardbeforeit lls up.
t's alsoworthnentioningthat, unlikeits
predecessor, theLS I200Dfeatures full
I080pHDvideorecording-whereonly
/20pwas availablepreviously -andis
accessedby sinply rotatingthenodedial
tothelittlevideocanera synbol.
TheCanonEOS1200Dis certainlyasolid
camera, andits user-friendlydesignand
features makeit oneof themost beginner-
friendlyDSLRs onthecurrent market. It's
onlywhenyoustart tocompareits
specihcationtoits mainrival, theNikon
D3300(L419bodyonlyor L429witha
18-55mmVRII lens, that it loses its edge
somewhat interms of rawtech. Despite
this, withastreet priceof L319bodyonly
(or L399with18-55mmISII lens theCanon
is asizeableL100cheaper (or L20cheaper
withlens thanits rival, whichwill inevitably
catchtheeyeof cash-conscious buyers.
DigitaI SLRhotography
Lxposure. Il400secat fl2.8(lS0I00}
Lxposure. Il320secat fl8(lS0I00}
C0HPANl0NAPP
A|ons|de|here|easeof|hel0S
!2000, Canonhas|auncheda
freeCoupan|onapp|ha| canbe
down|oadedv|a|heApp|eAppS|oreorCoo|e
P|ayS|ore. A|ueda| coup|e|ebe|nners, ||
ohersap|e|horaofhe|pfu| adv|ceonus|nyour
newcauera-every|h|nfrou|abe|||nwha|
eachof|hecauerabu||onsdo, |oetp|a|n|n
|hebas|cshoo||nparaue|erssuchasashu||er
speedandaper|ure. There'sa|soahos| of
prac||ca| eterc|sesonoher, aswe|| asshor|
v|deo|u|or|a|s|ha| canbedown|oadedd|rec||y
|o|heapp, |ha|wor||hrouharaneof|op|cs
suchaschoos|n|her|h| |ensandhow|o
shoo| c|ose-ups. 0nceyou'veuas|ered|he
bas|cs, |here'safunlnsp|reaue|ha| randou|y
|vesyouaTop|c||||e'bu||d|n' or'hower' and
anApproach||||e'happy' or'ch||d's-eyev|ew',
|hen||'sup|oyou|ocap|ureapho|o|ha|
encoupassesbo|hof|hesee|euen|s.
VlR0lCT
Cl0SlSTRlVAlS
N|k0N03300|TLST. J0NL20!493I!00I
0hersah|herreso|u||on|24.2-ueap|te| on
||sAPS-Csensor, wh|chhasa|sohad||s
|ow-passf||erreuovedforcr|sperde|a||s. l|
hasafas|erSfpsburs| ra|eand||srearuon||or|s
a|soah|herreso|u||ona| 92!,000do|s.
PLNTAXk500w||ha!6-ueap|te| APS-C
sensor, |heK-S00cap|ures s||h||ysua||er
|uaes |han|he l0S!2000, |houh||
uanaes |o|ruup|heCanonw||hafas|er 6fps
burs| shoo||nra|eandah|her reso|u||on
3|n, 92!,000-do| uon||or -a|| for as|ree|
pr|ceof f329w||han!8-SSuu|ens.
S0NYALPhA30000esp||e||s 0SlR|oo|s,
|he20-ueap|te| A3000|s ac|ua||yu|rror|ess.
Pr|ceda| f239w||h!8-SSuu|ens, ||'s |he
cheapes| r|va| |o|hel0S!2000, |houhas a
resu|| ||s 3|nscreenhas a|ower reso|u||onof
230,400-do|s andaburs| ra|eof jus| 2.Sfps.
|HA6L00AL|TY. TheCanonl0S!2000perforued
adu|rab|y|n|erusof|uaequa|||y. l|sJPlC|uaes|oo|ed
sharpandv|bran| s|ra|h| ou| ofcauera, |houhRawf|es
neededa|||||e|wea||n|npos|-process|n, aswe'detpec|.
BUDGL1LANDSCAPL1RPD1S
lAN0SCAPlPl0T0CRAPllRSCANbllAR0T0PllASl, wANTlNCASTuR0YSuPP0RTTlATlS
llClTwllClT, ClVlSC000lllClTAN0lASA0uAllTYllA0. llRl'S0uRPlCKT0SulTAf200bu0ClT
RCHARDHPNS

RPDS ARLN1only useful for shootingin


lowlight, they alsoplay a key roleina nore
'considered' approachtophotography,
allowingyoutostandback andtakeintheview,
nely adjust conpositionandperfect your exposure
andtiningbeforepressingtheshutter. Naturally, a
tripodis alsoessential for creativetechniques, too,
suchas wonderful long-exposurelandscapes, light
trails, reworks or light painting.
Abudget of 200returns sonegreat options.
Gotoofar belowthis, andecononies canconpronise
preciseoperationanddurability. Spendnore, andthe
lawof dininishingreturns bites, suchas carbon-bre
legs that only savealittleweight, but cost alot nore.
Adecent tripodandheadwill last nany years, soit's
worthchoosingcarefully. Yougenerally get what you
pay for, but therearesonefundanentals toconsider,
as well as obvious factors suchas height andweight.
Morelegsections foldaway snaller, for exanple,
but norejoints andsnaller tubingreducestability.
1henthere's thehead-aninportant consideration,
becausethat's thebit youactually work with. Bear in
nindthat heads areusually soldseparately, soyoucan
nix andnatchwithdiherent tripodlegs.
TRlP00lEA0S
Thereare|wocouuon|ypes. ba|| 8soc|e| heads are
favour||ea||-rounders |ha| arequ|c||oadjus| anduore
coupac|, wh||e|hree-wayheads a||owfor uoreprec|se
uoveuen| |n|nd|v|dua| p|anes for fner accuracy. Ser|ous
|andscapers |end|oprefer |hree-wayheads for |heet|ra
con|ro|, |houhah|h-qua|||yba|| headcana|sobeood.
Hos| |r|pods andheads areso|dsepara|e|y, andhavea
un|versa| screwf|||nsoyoucanu|tandua|chd|heren|
|ypes andbrands. Thebes| qu|c|-re|easesys|eus are|he
Arca-Sw|ss |ype|as usedbybenro|nour |es|, or Hanfro||o's
RC2. V|deoheads areno| sooodfor s||||s, nor asversa|||e.
TESTl|CATRlP00l0RY0uRSEll
Choosinga goodtripodis less about
neasurenents* andnoreabout designand
quality of nanufacture. t's hardtoput
nunbers onthesethings (nanufacturers'
loadratings arenot very neaningful), but
they'reeasy toseeandfeel, especially when
nodels areconparedside-by-side.
SLT-0PAN0LASL0F0SL. Lxtendthelegs fully,
andthecentrecolunn, thenclosethenall
downagain. Dothis a coupleof tines, and
any stickiness or looseness will beevident.
STkLN6ThAN0STAB|L|TY. Whenfullyextended,
holdtwolegs andgentlypush-pull one
against theother. Sonefexingis nornal,
especiallyaroundthejoints, but not too
nuch. Checktheextendedcentrecolunn
for anynovenent aroundthecrown. 1o
increaserigidity, slideeachlegsectionback
upafewcentinetres beforelocking.
ThLhLA0. Screwthequick-releaseplate
rnly tothecanera. Lock it onthehead,
thenrenoveandrepeat. ranea few
shots, pointingupanddown, andleft to
right, lockingandunlockingeachtine.
Check thepanningaction. Lverything
shouldbesnoothandaccurate. lipthe
canera tovertical andcheck it doesn't
slipdownonthequick-release(R) plate.
*/|| ||ere+.|erer| ,.o|e.+|e+.er+.e||er, +r.
.or| +|.+, +|ee.|||r+r.!+c|.|e| ,ec|!c+||or.
DigitaI SLRhotography !uI,2014
lEYlEATuRES
1) CLNTkLC0L0HN. lt|end|n
cen|reco|uuns areveryhandy,
bu| canreduces|ab||||y. A|||||n
co|uun|s rea| for uacroand
aw|wardan|es.
2) LL6SLCT|0NS. lt|ra|e
sec||ons |ncreasehe|h|, and
reducec|osed|en|h. bu| et|ra
jo|n|s reduceovera|| r||d||y.
3) F0AHSLCT|0NS. ldea| for
ho|d|n|he|r|pod|nco|dwea|her.
) FLLT. Rubber |s |hepopu|ar
a||-rounder. Sp||es areoodon
rass, bu| badfor hardhoors!
5) LLVLk-L0CkS. le|ever-|oc|s
arequ|c|andeasy. loo|for an
adjus|uen| screw|ocoupensa|e
forwear over ||ue.
C0LLAkL0CkS. Co||ar |oc|s
are|ess |||e|y|osnaon|h|ns,
andarese|f-adjus||nforwear.
hL|6hT. Aroundshou|der-|eve|
|s |dea|, soyoucanseecauera
con|ro|s on|op. Caueraand
headw||| add!S-20cu|o|he
|r|podhe|h|.
H|N|H0HhL|6hT.
Adjus|ab|e-an|e|es ua|e|ow
shoo||npos|||ons easy.
|HPk0VL0STAB|L|TY. Reduce
hetand|ncreaser||d||ybys||d|n
each|esec||onbac|upafew
cen||ue|res before|oc||n.
BALLASTh00k. lanabaor
we|h| undernea|hfor et|ra
s|ab||||y. usefu| |nh|hw|nds.
SP|k|TLLVLL. usefu| for
|eep|nhor|zons s|ra|h|.
CAkB0N-F|BkL. Carbon-fbre
|s ab|| ||h|er |hana|uu|n|uu,
bu| uuchuoreetpens|ve.
H0N0P000PT|0N.
0ne|eunscrews andcanbe
usedas auonopod.
1
2
5
3
L0wLLVLLw0kk
whenshoo||n|andscapes,
you'|| have|he|r|podet|ended
|o|veadecen| he|h|. bu| |f
you'rea|so|eenonc|ose-ups,
uode|s|ha| havecen|re
co|uunscanbe||||ed|ooher
add|||ona| versa|||||y
TkYBLF0kLY00B0Y
Youshou|dv|ewyour|r|podasa
|on-|eru|nves|uen| |ha| cou|d
beyour|rus|ycoupan|onfor
uanyyears|ocoue. Therefore,
besure|o|es| || ou| |oensureyou
|||e|| a|your|oca| s|orebefore
couu||||n|obuy
kLLP'LHCLLAN|
Asetper|encedou|door
pho|oraphersw||| |e|| you, ||
pays|o|ve your|r|podac|ean
|o|eep|he|eac||onssuoo|h. lf
youuse|| by|hecoas|, hose||
down|oreuoveanysa||wa|er
|ha| can|ead|ocorros|on

ear Tripodli|surdcr200jorIcrdsccpcs
!uI,2014 DigitaI SLRhotography
Benro0n|versa| A600Ftr|pod
Cuideprice. f!66/Street price. f!!S|nc|ud|nhead
Lengthclosed. 63cu
height. !3/cu|p|uscen|reco|uun!S9cu
weight. !./|
Legsections. Three
Loadrating. 8|
website. www.|enro.co.u|
Tcs|cdvi|hBenroN2head
Cuideprice. f/8/Street price. f62
weight. ||nc0Rp|a|e 444
height. !00uu
1heBenroUniversal series ohers eight
diherent nodels, eachwithnagnesiun
alloy castings andnachinedaluniniun
alloy legs. At I./kg, theBenrois
not actually as heavy as the
chunky-lookingtubes
suggest, andis nore
thanadequately tall at
I3/cn, withthecentre
colunnaddingan
extra 22cn.
atter tubes generally
neangreater stability, but
heretheBenrois rather let
downby budget leg-locks that
feel a bit finsy witha light
actionthat doesn't quite
gripthelegs as securely
6|otto'sS||kkoadYTL9353-30tr|pod
Cuideprice. f!!S/Street price. f!00
Lengthclosed. 62cu
height. !38cu, p|uscen|reco|uun!/0cu
weight. !.6|
Legsections. Three
Loadrating. S|
website. www.|o||os-|r|pods.co.u|
Tcs|cdvi|h6|otto'sHh!3!!head
Cuideprice. f8S/Street price. f/8
weight. ||nc0Rp|a|e 49/
height. !02uu
Giotto's Silk Roadtripods havea snaller
topplatforn, allowingthelegs tofold
closer together andGiotto's clains a 30
reductioninbulk for travelling. I// with
headnakes theY1L9353-3Dthe
nost expensiveof our test group.
At only I.6kgtheGiotto's is
light, andI38cnis a very good
height withthecentrecolunn
increasingthat toa lofty I/0cn.
1his nodel alsohas the3Dtilting
nechanisn, allowingthe
centrecolunntobeswung
over tothesideandrotated, or
eventiltedright downtothe
ground-goodfor nacroand
awkwardshootingangles,
thoughit's inevitably a little
as it should. Soat full stretch
there's a bit of fex aroundthe
joints, andthoughthis canbe
considerably inprovedby
slidingthesections back upa
fewcentinetres before
locking, unfortunately thelevers
arenot adjustablefor wear sothat
couldbea problenafter a periodof
heavy use. therwise, the
BenroA600 is a well
speciedandsnooth
operatingtripod. t's sold
only withtheN2ball head,
andtheconplete
kit canbefoundat a very
conpetitivepriceof II5.
1heN2is pretty good, witha
bigball that locks snoothly
andsolidly witha lever that
alsolocks thepanbase
sinultaneously. 1heseparate
frictioncontrol knobis a bit
on-ohthough, andnot so
goodfor subtleadjustnent.
1heRsystenuses the
excellent Arca-Swiss-
typedovetail,
conpatiblewith
nany higher-end
accessories.
wobbly whenusedlikethis.
At full height, there's sone
novenent inthelegjoints,
but this Giotto's responds
particularly well tothe
stiheningtrick of slidinga few
centinetres of thelegback up.
t's tall enoughtoallowthis, and
theresult is a nuchrner tripod
withclass-leadingversatility.
1heMHI3II ball headis light and
conpact, withexcellent perfornance-
strong, precise, andsnooth, witha nice
frictioncontrol andindependent panning
base. 1heRsystenis exclusiveto
Giotto's andsnaps honeeasily and
securely. t's sinilar toManfrotto's RC2,
thoughtheGiotto's plateis deeper thanit
needs tobewithquitesharpcorners.
8uildquality
Features
Stability
Value
TripodoveraII
HeadoveraII
TheBenroA600Pcertainlyhasthemakingsof an
excellent tripodat averyfairprice, but theleglocks
couldbecomeaweakpoint overtime.
8uildquality
Features
Stability
Value
TripodoveraII
HeadoveraII

BLST
FLAT0kL
Theversa|||e|||||n
cen|reco|uu an
or|h| down|o
round|eve|
BLST
FLAT0kL
benroN2headuses |he
etce||en| Arca-Sw|ss 0R
sys|eufavouredby
profess|ona|s
whenset upcarefully, theCiotto'sprovidesgood
support. Costingalittlemore, it'slight, compact,
veryversatile, andtheball headisexcellent.
h|6hLY
kATL0
DigitaI SLRhotography !uI,2014
HanfrottoHT294A3tr|pod
Cuideprice. f!0S/Street price. f8S
Lengthclosed. 60cu
height. !40cu, p|uscen|reco|uun!/0cu
weight. !.9|
Legsections. Three
Loadrating. S|
website. www.uanfro||o.co.u|
Tcs|cdvi|hHanfrotto804kC2head
Cuideprice. f/8/Street price. fS9
weight. ||nc0Rp|a|e /40
height. !20uu
Market leader Manfrottoknows howto
nakea goodtripod. 1henewer 290series
sits betweentheevergreenI90and055
ranges interns of size, withno-frills
designs anda distinctiveplatfornpivot
oheringtwolegangleoptions.
Height is generous, standing
I40cntall andI/0cnwiththe
centrecolunnextended, or
downto40cn. 1healloy
legs haveManfrotto's
characteristicD-prolefor
extra rigidity andthelever locks
arernandpositive, withan
adjustnent screwtoconpensate
for wear. Weight is slightly above
averageat I.9kg. t all hangs
together well, andalthoughthe
S||kPro-I000Xtr|pod
Cuideprice. f292/Street price. f!29|nc|ud|nhead
Lengthclosed. 68cu
height. !42cu, p|uscen|reco|uun !80cu
weight. 2.6|
Legsections. Three
Loadrating. 6.8|
website. www.|n|ro2020.co.u|
Tcs|cdvi|hS||kI000Xhead
Price. 0n|yso|dw||h|r|pod
weight. ||nc0Rp|a|e !,082
height. !22uu
1his is a bigtripod, andheavy too. You
certainly get a lot for your noney at I29,
withthekit soldonly withheadincluded.
t stands I42cntall, I80cnwiththecentre
colunnextended, andputtinga headand
canera ontopgets youvery closetothe
height of a nornal ceiling. 1hanks toa split
colunnthough, andthree-position
adjustablelegs, it canget downto
aninpressive28cn. t tips the
scales at a hefty 2.6kg, about one
kilonorethantheothers here, and
theheadadds another I.Ikgon
topof that.
Perhaps surprisingly
for its bulk, there's a
snall anount of
novenent intheleg
newsingle-sidedplatfornpivot doesn't
seenquiteas rock-solidas Manfrotto's
noreconventional designs, theM129A3
ohers good, stablesupport.
1he804RC2is oneof thebest three-
way heads going. Adjustingindividual
novenent planes is easy, snooth
andprecise. 1heweighted-spring
actiononthedownwardtilt tohelp
support a front-heavy lens is a
nicetouch, as aretheuseful
degreenarkings. Stubby
adjustnent levers nakeit
noreconpact, though/40gis
heavier thannost ball heads. 1he
RC2quick-releaseis oneof thebest,
andtheplateis snall enoughto
renainxedtothecanera.
joints whenfully extended. However, given
thetotal height achievable, it's highly
unlikely you'll beusingthis tripodat full
stretchtoooften.
perationis snoothandeasy,
andthefat centrecolunnis particularly
solid, beingdouble-securedwithboth
a lockingcollar andanextra knob.
1hethree-way headis a substantial
ahair, too, andunusually it has an
extra panningoptionwhere
thevery largecircular R
platecanturninsidethe
lockingclanp. n
functional terns theheadworks
very well, but nobetter thannuch
snaller andlighter options.
8uildquality
Features
Stability
Value
TripodoveraII
HeadoveraII

Thelegsaloneareaverygoodbuyat L8S, andit's


thethree-way804RC2headthat pushesupthetotal
price. But it'smoneyverywell spent here.
8uildquality
Features
Stability
Value
TripodoveraII
HeadoveraII

Keenlandscapersoftenneedextraheight forthebest
viewof ascene, sotheSlikhasthat asanadvantage.
however, it'saheavyoutt tocarryaround.
BLST
FLAT0kL
l|'s a|| abou| |he
he|h|, and|heS|||
PR0/000/has
p|en|yof |ha|.
BLST
FLAT0kL
Hanfro||o804RC2
|s oneof |hebes|
|hree-wayheads, w||h
ood0Rsys|eu
ear Tripodli|surdcr200jorIcrdsccpcs
h|6hLY
kATL0
!uI,2014 DigitaI SLRhotography
Ve|bonSherpa53I00tr|pod
Cuideprice. f!/0/Street price. f80|nc|ud|nhead
Lengthclosed. S4cu
height. !24cu, p|uscen|reco|uun!S9cu
weight. !.S|
Legsections. Three
Loadrating. 4|
website. www.|n|ro2020.co.u|
Tcs|cdvi|hVe|bonPh-!5I0head
Cuideprice. f42/Street price. f30
weight. ||nc0Rp|a|e S84
height. !0Suu
At I24cntall without thecentre
colunnextended, thevelbonis
theshortest tripodinthetest
group, but withaheadontop
thecaneragets nicely to
shoulder level for anyoneafew
inches below6ft. t's thelightest
at under I.5kgwithout head, folds
downtoaconpact 54cn, andis also
thecheapest. t's only soldconplete
withthePH-I5/head, andwhile
thestreet prices wefoundvaried
abit, it's not hardtondas akit
for 80or so.
Don't let thesizeandweight (or the
pricel) deceiveyou, this is a toughlittle
tripod. 1helegs aregrooved, whichserves
thedual purposeof increasingrigidity
whilepreventingrotation. 1helever-locks
aresolidandclick downrnly, though
they'renot adjustablefor wear. 1helegs
havethreeanglepositions that allowit to
stretchwideandget downlow, andthe
centrecolunnsplits inhalf, allowingthe
topplatforndowntojust I/cn. 1hecentre
colunnis reasonably snoothandsolid,
adding35cntotheheight.
1hethree-way PH-I5/headis a
nodest ahair andthoughit works
well enough, thechunky R
plateis a bit bigtoleave
pernanently onthecanera. At
this price, though, there's plenty
of cashleft for sonethingbetter.
8uildquality
Features
Stability
Value
TripodoveraII
HeadoveraII

Light andcompact, yet ohersrmsupportwithsolid


leglocks. Tall enoughformost people, it alsodrops
downverylowforclose-upwork. Excellentvalue.

ur Best Buy tripodis thevelbonSherpa


53/0D. Sherpas usually shapeupwell and
this nodel ohers goodstability withlow
weight -just I.5kgis carbon-breterritory.
t's well nade, too, withstronglever-locks,
andcones inat around80if youshop
around. 1heincludedheadis adequate, but
at this priceyoucanahordtoupgradethat.
f you'regettingonfor 6ft tall, thevelbon
nay bea littleshorter thanideal. Consider,
then, theHighly RatedManfrottoM1
294A3that has lengthtospare. t's quality
built, withsecurelever-locks, adjustablefor
wear. We'vealsoincludedtheexcellent
Manfrotto804RC2three-way headhere,
whichis oneof thebest onthenarket, if a
littlenoreweighty thansone.
1henthere's thesleek newGiotto's Silk
RoadY1L9353-3Dthat's alsoHighly Rated.
t's not quiteas sturdy as theManfrotto,
thoughthat's beingcritical, andGiotto's
counters withits versatiletiltingcentre-
colunnandlighter weight. Plus, we've
addedtheMHI3II ball headfor this review
-strong, snooth, light andconpact.
1heultinateconbo Withnorunaway
winner (andnolenons either) that's
personal preference, but will involveoneof
thethreeabove, pairedwiththeManfrotto
three-way or theGiotto's ball head.
BLST
FLAT0kL
Cen|reco|uunsp|||s
|n|wofor et|ra-|ow
shoo||npos|||ons
-|dea| for uacro|oo
BLST
B0Y
!uI,2014 DigitaI SLRhotography
W
HLLPH1BACPACS renain
thenost popular typeof gadget
bagfor photographers,
'nessenger' shoulder bags havebecone
increasingly popular. heringa nore
noderndesigntotraditional rectangular
shoulder bags, nessenger bags allowfor
fast access tokit ina lightweight, protective
yet norecasual anddiscreet styling.
1hink 1ank bags arerenownedfor quality
anddesignandtheCityWalker 30is the
largest ina rangeof three. Availableinblacki
blueslateor all-black, it's a very spacious
bagthat caneasily holda DSLRwithfast
standardzoon, /0-200nnfi2.8lens, upto
four other lenses andlots of accessories too.
Andthere's a conpartnent for aniPador
laptop, too, as well as lots of docunents.
1his nakes it ideal as a travel bagor for the
photo-journalist lookingtocarry paperwork
as well as canera kit. Whenless photokit is
required, thenainpaddedinsert canbe
renovedtoallowthebagtobeusedfor
f you'reanavidblogger you'll knowthat
creatingandpostingdiptychs, triptychs
andcollages is a great way tostylishly
crannoreinages intoyour blogposts.
However, if you'veever nessedaround
inPhotoshopor Llenents andtriedto
createcollages thenyou'll appreciate
howfrustratingandtineconsuningit
canbe-especially whenworkingwith
several inages of diheringsizes and
shapesl CueBlogStonp-a standalone
applicationfor MacS andWindows that
takes thehassleout of creatingcollages.
Sinply draganddropyour selectionof
inages intotheapplication, pick theones to
grouptogether andBlogStonpwill cone
upwitha variety of diherent arrangenents
basedontheoutput inagesize.
f youdon't likewhat youseeyoucanask
BlogStonpto'Mix t Upl' andit will shuhe
theinages arounduntil you'rehappy.
ronthereyoucantweak your border size,
colour andevenpattern, adda franeor
waternark andevenpublishthecollage
direct toyour blog, or social nedia fron
withintheapp. 1helatter featureis a bit
redundant as nost will prefer todothis
nanually, but for its sinplicity of use,
ehectiveness andheadache-saving
features, BlogStonpis worththeinitial
outlay if youregularly ndyourself confused
by collages or testedby triptychs.
general itens. various pockets andzipped
areas addtoits versatility andpracticality.
1henylonipolyester naterials are
lightweight, but as you'dexpect fron
1hink 1ank, durabletoo. Havingusedny
CityWalker 30regularly over thelast few
weeks, 'nhappy toreport noproblens at
all. 1henainstrapis thick sothereareno
problens withthestrapcuttingintothe
shoulder evenwhenthebagis full, andits
designneans it hugs closely tothebody.
Whiletherearenoreahordableoptions
available, if you'rewillingtopay the
preniun, you'll ndtheCityWalker 30's
nany attributes (includingits expandable
front pocket, andraincover), which'venot
hadspacetodiscuss, nakethis oneof the
best-designedphotonessenger bags
available. Highly reconnended.
Cuideprice. f!30/Street price. f!20
Size. !29t89.8t46./uu
lnteriordimensions. 34t24.St!/cu
Exteriordimensions. 4!.St29t2!cu
Tablet compartment. 38t28t3.6cu
weight. !.4|
Contact. www.|h|n||on|.cou
Price. S49||wocoupu|ers, S89|fvecoupu|ers
System. Hoc0S8w|ndows
0ther. lree|r|o| ovo||ob|e
Contact. www.b|os|oupon||ne.cou
DANLLLLZAN
JRDANBU11LRS
1HN 1AN
C1YWALLR30
b|oS|oup
8uildquality
Features
Performance
Value
OveraII
OveraII
VER0lCT
VER0lCT
Adiscreet camerabagwithadecent capacitythat can
beexpandedforthosetimeswhenyouneedtocarry
morekit thanusual. ltssleeklooks, cleverdesignand
robust buildmakeit agreat buyandworthyof strong
considerationagainst moreahordableoptions.
Porbloggersthat ndtheyneedawaytopresent
theirimagesmorebeautifullyandsimply,
BlogStompcouldbeagreat investment. lt'sjust
anotherwaytomakeyourlifeeasy, andthatwelikel
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pub||shd|rec| |oyourb|o
BA6S0FFLAT0kLS. we'veno|h|nbu| pro|seforTh|n|Ton|'s
C||ywo||er30, wh|ch|sd|scree|, verso|||eondhos|o|sofspoce.
Thepr|ce |so|||||eh|h, bu| even|henwe|h|n|||'sowor|hy
con|ender|osoueof|hecheoperop||onson|heuor|e|.
C0LLA6LSHA0LLASY. b|oS|oup|o|es
yoursho|sonds|up||fes|heco||oeprocess.
ear Acccssor,|cs|s
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!uI,2014 DigitaI SLRhotography
WHLNW- RS1appearedondigital
caneras, wewonderedwhat we'duse
it for -nowwewishall caneras hadit.
But for thosewithout, there's nowa
Wi-i-enabledSDcard. 1heLye-i Mobi
is astripped-downversionof thenore
costly ProX2cardsoldintheUS. ts key
features arepowerful perfornanceand
easeof use. Settingupis sinple-once
you'vedownloadedtheMobi apptoyour
phone, tablet or desktopconputer,
enter your activationcodeandyou're
ready tostart shooting. 1heMobi only
transnits asignal onceit
detects anewinagehas
beencaptured-saving
juiceonyour canera's
battery (it canalsobe
toggledonandohinthe
nenuby selected,
supportedcaneras).
Withaninagecaptured,
youopenupthenobile
appandtheinagewill start
todownload. t sounds incredibly sinple,
andit is, but thereis acaveat andits
sinplicity is alsoits biggest fault.
BecausetheMobi transnits all inages
without user interaction, it quickly causes
problens for thosecapturinghundreds
of inages per shoot. 1hefoodof inages
inportedintoyour phoneor tablet's
nenory cancausereal problens with
space. foundaway aroundthis. as the
cardonly transnits JPLGs, shoot inRaw
andusethein-caneraRawprocessing
toconvert any inages totransnit to
JPLG, thenit will only sendthoseinages.
iddly, but aworkaroundat least.
1his issueaside, thecardperforns
well, oheringClass I0perfornanceand
aninpressiverangeof 90ft outdoor (45ft
indoor) Wi-i coverage. t connected
every tineandtransfer speeds were
adequate, just shoot inNornal or Snall
JPLGfornats tokeeplesizedown.
ADBL'SvSNcloudconputing
is anexcitingone. Althoughnany
weresceptical whenit was announced
that thevast najority of Adobe's
products wouldbenovingtothe
subscription-basedservice, nany
havefoundout that it's not as badas
expected, andthepotential for a
greatly inprovedworkfowis
pronising. LightroonMobileis the
rst glinner of this. Although
currently only for iPadusers (iPhone
andAndroidversions areinthe
pipeline), LightroonMobileutilises
Lightroon5's Snart Previewfunction
inconjunctionwithCreativeCloudto
allownobileusers tocarry onwiththe
editingprocess, evenwhenaway fron
their conputer. Slinneddownfor the
nobiledevice, nany of Lightroon's
basicfunctions areaccessiblewithin
theapp-includingfaggingor
rejectinginages andnakingthenost
of thebasicadjustnents availablein
thefull-fat versionof Lightroon, such
as exposurecontrol, WBandsone
basicpresets. So, does it work
1oa certaindegree, yes. ncethe
snart previews havebeencreatedin
full Lightroonandtheselectedles
aresynced, theappis a charntouse
-theinageis displayedfull screen
andyousinply swipeuptofagan
inage, downtoreject it andleft and
right tonavigatethrough. 1hebasic
inageadjustnents areeasy enough
tonake, although'dliketoseethe
inclusionof a gradient andadjustnent
brushfeatureinthefuture-'nsure
this will conewithtine.
Changes aretheninstantly
syncedand, sureenough,
onreturningtony conputer
couldseeall of the
anendnents andselections
that 'dnade. 1his couldbe
hugely helpful if you'rekeen
tostart sortingthroughinages while
onthetrainor planehone, anddon't
want tosit therewithyour laptop
takingupspace.
1heonlycaveat cones fronwithin
thefull versionof Lightroonitself,
strangely. Becauseanychanges nade
onyour conputer arealsoinstantly
syncedwiththeCreativeCloud, found
that whenworkingonanunber of
relativelylargeles, serious slow-down
occurredbetweentweakinga
paraneter andthechangebeingnade
tothepreview. was workingonafast
AppleMacwitha50MB+internet
connection, sotheonlyvariablewas
LightroonandCreativeCloud. 1his
becanesofrustratingthat hadtoturn
syncoh-thankfullythis is easilydone.
t does, of course, neanthat 'll haveto
renenber toturnit backonandwait
for it tocatchupsyncingbefore next
useLightroonMobile.
Despitetheseinitial niggles, 'na
hugefanof thetechnology - often
shoot largecollections of inages at a
tineandsoanythingthat helps speed
uptheeditingworkfow(andnakes it
noreaccessible) is a positiveinny
eyes. ncethey address theslow-
downissues andadda couplenore
functions canseeLightroonMobile
beconinga key part of how edit.
Price. lree|Creo||veC|oudsubscr|p||onreq.
Systemrequirements. |Pod2or|o|erw||h|0S/.
l|h|roouS.4forw|ndowsorHoc0S
JRDANBU11LRS
LGH1RMMBLL
ld|| on|heosyncsw||hCreo||veC|oudeosy|ouse
H0B|LLL0|T|N6. Se|ec||n|uoes
onduo||nbos|codjus|uen|s|n
l|h|roouHob||eon|he|Pod's
h|h-reso|u||onscreen|sop|eosure.
OveraII
VER0lCT
OveraII
VER0lCT
Lackingsomefeatures, but showspromisefor
imageeditingonthegointhefuture. hopefully
they'll overcometheslowsyncissue, too.
0heringtheperformancebenetsof theuS-only
ProX2card, butwithout itscomplexset-uphassles.
however, we'dlikemoreselectivetransferoptions.
Price. f40
Peatures. C|oss!0/802.!!b//nw|-l|
Security. SSl0
Contact. www.eyef.cou
JRDANBU11LRS
lye-l| Hob| 8Cb
Tronsfers|uoesfroucouero|o
phoneor|ob|e| s|up|ese|-up
ear Acccssor,|cs|s
40 Churton Street, London SW1V 2LP, EngIand TeI: 020-7828 4925 Fax: 020-7976 5783
info@graysofwestminster.co.uk Mon-Fri 10am - 5:30pm, Sat 10am - 1pm
IKON IIGITAL CAMERAS
N||or 013 3LR oody............................................................. 1,999.00
N||or 013 AF-3 11-21rr l/2.80 lF-E0 K|l........................ ,2Z5.00
N||or 013 AF-3 21-Z0rr l/2.80 lF-E0 K|l....................... ,195.00
AF-3 11-21rr & 21-Z0rr l/2.80 K|l.............. Z,195.00
0 03LR oody......................................................... 1,995.00
0 V8-012 0r|p K|l.............................................. 2,2Z5.00
0 AF-3 11-21rr l/2.80 E0 N|||or.................... 3,295.00
0 AF-3 21-Z0rr l/2.80 E0 N|||or.................... 3,225.00
0AF-311-21rrl/2.80&AF-321-Z0rrl/2.80E0N|||or K|l
............................................................................... 1,525.00
0E 03LR oody...................................................... 2,319.00
0E V8-012 0r|p K|l........................................... 2,30.00
0E AF-3 11-21rr l/2.80 E0 N|||or................. 3,19.00
0E AF-3 21-Z0rr l/2.80 E0 N|||or................. 3,5Z5.00
0EAF-311-21rrl/2.80&AF-321-Z0rrl/2.80E0N|||orK|l
............................................................................................... 1,8Z5.00
N||or V8-012 0r|p lor 0800E/0800..................................... 285.00
N||or 0l AF-3 50rr l/1.80 3pec|a| Ed|l|or...................... 2,115.00
N||or 010 03LR oody......................................................... 1,385.00
N||or 010 V8-011 0r|p K|l.............................................. 1,5Z5.00
N||or 010 AF-3 21-85rr l/3.5-1.50 E0 vR N|||or........ 1,Z99.00
V8-011 0r|p lor 010........................................................... 195.00
N||or 0Z100 3LR oody......................................................... 835.00
N||or 0Z100 V8-015 0r|p K|l............................................ 1,059.00
N||or 0Z100 18-105rr l/3.5-5.0 vR 0X lF-E0 K|l........ 95.00
N||or 0Z100 18-110rr l/3.5-5.0 vR 0X E0 K|l............ 1,095.00
N||or 0Z000 3LR oody......................................................... 5Z9.00
N||or 0Z000 18-105rr l/3.5-5.0 vR 0X lF-E0 K|l........ 99.00
N||or 0Z000 18-200rr l/3.5-5.0 vR ll 0X lF-E0 K|l..... 1,159.00
N||or 0Z000 V8-011 K|l.................................................... Z89.00
N||or 090 3LR oody............................................................. 119.00
N||or 05300 3LR oody......................................................... 595.00
N||or 05300 AF-3 18-55rr l/3.5-5.0 vR 0X K|l........... 15.00
N||or 05300 AF-3 18-110rr l/3.5-5.0 vR 0X K|l......... 999.00
N||or 05200 03LR oody....................................................... 125.00
N||or 05200 AF-3 18-55rr l/3.5-5.0 vR 0X K|l........... 195.00
N||or 05100 oody............................................................. 329.00
N||or 05100 AF-3 18-55rr l/3.5-5.0 vR 0X K|l........... 389.00
N||or 03300 03LR oody....................................................... 319.00
N||or 03300 AF-3 18-55rr l/3.5-5.0 vR 0X K|l........... 125.00
N||or 03200 03LR oody....................................................... 2Z9.00
N||or 03200 18-55rr l/3.5-5.0 vR 0X K|l ................... 319.00
IKON 1 SYSTEM
N||or 1 v2 10-30rr K|l........................................................ 59.00
N||or 1 v2 10-30rr & 30-110rr TW|r K|l.......................... Z99.00
N||or 1 31 11-2Z.5rr K|l..................................................... 1Z5.00
N||or 1 31 11-2Z.5rr 30-110rr K|l................................ 595.00
N||or 1 Aw1 11-2Z.5rr l/3.5-5....................................... Z19.00
N||or 1 Aw1 11-2Z.5rr l/3.5-5. 10rr l/2.8................ 919.00
N|||or vR .Z-13rr l/3.5-5................................................ 125.00
N|||or vR 11-2Z.5rr l/3.5-5.............................................. 19.00
N|||or vR 10-30rr l/3.5-5................................................. 115.00
N|||or vR 30-110rr l/3.8-5............................................... 1Z9.00
N|||or 10rr l/2.8.................................................................. 1Z9.00
1 N|||or Aw 10rr l/2.8........................................................ 299.00
N|||or 18.5rr l/1.8.............................................................. 1Z9.00
N|||or vR 10-100rr l/1.5-5. P0-Zoor.............................. 515.00
N||or 38-NZ 3peed||grl........................................................ 139.00
N||or 0P-N100 0P3 ur|l..................................................... 99.00
Vourl adapler FT1................................................................ 199.00
IKON COOLPIX
N||or Coo|p|x A..................................................................... 819.00
N||or Coo|p|x PZ800............................................................. 199.00
AI-S & AI IX IKKOR IENSES
10.5rr l/2.80 AF 0X E0 F|sreye........................................ 515.00
AF-3 35rr l/1.80 0X........................................................... 119.00
AF-3 10-21rr l/3.5-1.50 lF-E0 0X..................................... 39.00
AF-3 12-21rr l/10 lF-E0 0X.............................................. 829.00
AF-3 1-85rr l/3.5-5.0 E0 vR 0X................................... 139.00
AF-3 1Z-55rr l/2.80 0X lF-E0........................................... 1,019.00
AF-3 18-55rr l/3.5-5.0 vR E0 0X................................... 115.00
AF-3 18-55rr l/3.5-5.0 vRll E0 0X................................. 229.00
AF-3 18-105rr l/3.5-5.0 vR 0X lF-E0............................. 209.00
AF-3 18-110rr l/3.5-5.0 vR 0X E0................................. 1Z5.00
AF-3 18-200rr l/3.5-5.0 vR ll 0X lF-E0.......................... 585.00
AF-3 18-300rr l/3.5-5.0 E0 vR 0X................................. Z5.00
AF-3 18-300rr l/3.5-.30 E0 vR 0X................................. 29.00
AF-3 55-200rr l/1-5.0 vR 0X lF-E0................................ 215.00
AF-3 55-300rr l/1.5-5.0 0X vR....................................... 2Z9.00
AI IX IKKOR IENSES
11rr l/2.80 AF E0............................................................... 1,219.00
1rr l/2.80 AF F|sreye....................................................... 19.00
Prices include 2O7 VAT. Prices 8uoject to Change. E.&0.E.
I0 080I8 II|IPH0NI
20rr l/2.80 AF................................................................ 15.00
21rr l/2.80 AF................................................................ 39.00
28rr l/2.80 AF................................................................ 215.00
35rr l/20 AF................................................................... 255.00
50rr l/1.80 AF................................................................ 109.00
50rr l/1.10 AF................................................................ 235.00
85rr l/1.80 AF................................................................ 299.00
85rr l/1.10 AF lF............................................................ 919.00
105rr l/20 AF-0C.......................................................... Z99.00
135rr l/20 AF-0C.......................................................... 1,025.00
180rr l2.80 AF lF-E0.................................................... 95.00
AI-S IXSILENTWAVE IKKORIENSES
AF-3 21rr l/1.10 E0...................................................... 1,19.00
AF-3 28rr l/1.80............................................................ 199.00
AF-3 35rr l/1.10............................................................ 1,299.00
AF-3 35rr l/1.80 E0...................................................... 199.00
AF-3 50rr l/1.10 lF........................................................ 2Z5.00
AF-3 50rr l/1.80 lF........................................................ 119.00
AF-3 58rr l/1.10............................................................ 1,199.00
AF-3 85rr l/1.80............................................................ 3Z9.00
AF-3 85rr l/1.10............................................................ 1,1Z9.00
AF-3 11-21rr l/2.80 lF-E0............................................ 1,310.00
AF-3 1-35rr l/10 E0 vR............................................. 829.00
AF-3 1Z-35rr l/2.80 lF-E0............................................ 1,125.00
AF-3 18-35rr l/3.5-1.50................................................ 519.00
AF-3 21-Z0rr l/2.80 lF-E0............................................ 1,235.00
AF-3 21-85rr l/3.5-1.50 E0 vR.................................... 105.00
AF-3 21-120rr l/10 E0 vR........................................... Z99.00
AF-3 28-300rr l/3.5-5.0 E0 vR.................................. 19.00
AF-3 Z0-200rr l/2.80 vR ll lF-E0................................. 1,599.00
AF-3 Z0-200rr l/10 vR lF-E0....................................... 919.00
AF-3 Z0-300rr l/1.5-5.0 vR lF-E0.............................. 135.00
AF-3 80-100rr l/1.5-5.0 vR E0.................................. 1,899.00
AF-3 200-100rr l/10 vRll lF-E0................................... 1,8Z9.00
AF-3 200rr l/20 vR ll lF-E0......................................... 1,099.00
AF-3 300rr l/10 lF-E0.................................................. 1,029.00
AF-3 300rr l/2.80 vR ll lF-E0...................................... 1,039.00
AF-3 100rr l/2.80 vR lF-E0......................................... ,595.00
AF-3 500rr l/10 vR lF-E0............................................ 5,815.00
AF-3 00rr l/10 vR lF-E0............................................ Z,050.00
AF-3 800rr l/5.E vR FL E0 (|rc. TC800-1.25E E0 le|ecorverler)
.........................................................................................13,995.00
TC-11E ll 1.1x le|ecorverler............................................. 309.00
TC-1ZE ll 1.Zx le|ecorverler............................................. 309.00
TC-20E lll 2x le|ecorverler............................................... 389.00
AI &AI-S MICRO-IKKOR IENSES
AF-3 10rr l/2.80 0X V|cro............................................ 185.00
0rr l/2.80 V|cro........................................................... 35.00
AF-3 0rr l/2.80 E0 V|cro............................................ 399.00
AF-3 85rr l/3.50 vR 0X lF-E0 V|cro............................ 3Z5.00
AF-3 105rr l/2.80 AF-3 vR V|cro lF-E0....................... 19.00
200rr l/10 AF V|cro lF-E0............................................. 1,195.00
IKON SPEEDLIGHTS
38-910 3peed||grl............................................................ 335.00
38-Z00 3peed||grl............................................................ 229.00
38-300 3peed||grl............................................................ 119.00
38-R1C1 C|ose-up Corrarder K|l................................ 559.00
38-R1 C|ose-up Rerole K|l............................................ 399.00
3u-800 w|re|ess 3peed||grl Corrarder........................ 29.00
38-R200 w|re|ess Rerole 3peed||grl............................. 159.00
MANUAL IOCUS IKKOR AIS IENSES
20rr l/2.8 N|||or............................................................. 901.00
21rr l/2.8 N|||or............................................................. 08.00
28rr l/2.8 N|||or............................................................. 15.00
35rr l/1.1 N|||or............................................................. 1,22Z.00
15rr l/2.8P N|||or, crrore............................................. 325.00
50rr l/1.1 N|||or............................................................. 59Z.00
50rr l/1.2 N|||or............................................................. Z13.00
180rr l/2.8 E0 N|||or..................................................... Z99.00
ZOOM-IKKOR MANUAL AIS IENSES
28-85rr l/3.5-1.5 Zoor-N|||or ...................................... 599.00
SPECIAL IURPOSE: IERSPECTIVE
CONTROL ANDMICRO-IKKOR IENSES
21rr l/3.50 PC-E E0 N|||or.......................................... 1,155.00
28rr l/3.5 PC N|||or...................................................... 1,195.00
15rr l/2.80 E0 PC-E N|||or.......................................... 1,395.00
55rr l/2.8 V|cro-N|||or.................................................. 511.00
85rr l/2.80 E0 PC-E N|||or.......................................... 1,325.00
105rr l/2.8 V|cro-N|||or................................................ 1,01Z.00
200rr l/1 V|cro-N|||or................................................... 895.00
PC: Perspecl|ve Corlro|. PC-E:T||l/3r|ll-Perspecl|ve Corlro|
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Visit www.wexphotographic.com
1erms and Cond|nons A|| pr|ces |nc|. VA1 at 20. rlces correcL aL
ume of golng Lo press. l8LL uellvery** avallable on orders over
1S0 (based on a 4 day dellvery servlce). lor orders under 1S0
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Worklng uay uellvery our charges are 4.99**. SaLurday dellverles
are charged aL a raLe of 7.S0**. (**uellverles of very heavy lLems,
or Lo some Luropean counLrles, n.l., remoLe areas of ScoLland & ch.
lsles may be sub[ecL Lo exLra charges.) L. & C.L. rlces sub[ecL Lo
change. Coods sub[ecL Lo avallablllLy. Llve chaL operaLes beLween
8am-7pm Mon-lrl and may noL be avallable durlng peak perlods.
1Sub[ecL Lo goods belng reLurned as new and ln Lhe orlglnal packag-
lng. Where reLurns are accepLed ln oLher lnsLances, Lhey may be
sub[ecL Lo a resLocklng charge. 11Applles Lo producLs sold ln full
worklng condluon. noL appllcable Lo lLems speclcally descrlbed as
ln" or lncompleLe (le. belng sold for spares only).
Wex hoLographlc ls a Lradlng name of Warehouse Lxpress LlmlLed.
Warehouse Lxpress 2014.
*CASn8ACkS Are redeemed vla producL reglsLrauon wlLh
Lhe manufacLurer. lease refer Lo our webslLe for deLalls.
Mon & Weds-SaL 10am-6pm, 1ues 10am-Spm, Sun 10am-4pm.
Un|t 8, Irenbury Lstate, Norw|ch. Nk6 SD.
YTL8353
171cm
Max Height
19cm
Min Height
SiIk Road - 3D CoIumn:
YTL9353 Aluminium................. 99
YTL9383 Aluminium................. 109
YTL8353 Carbon Fibre............. 209
YTL8354 Carbon Fibre............. 209
YTL8383 Carbon Fibre............. 239
YTL8384 Carbon Fibre............. 239
Transit Backpack
350AWSlate Grey
Df Body + 50mm Lens.......2495 D800 Body ...............................1999
D800E Body.............................2349
D610 Body ............................1399
D610 + 24-85mm..................1849
Df
D800 D610
Df Kit 2499 D800 Body 1999 D610 From 1399
Transit AW:
Sling 250 AW..........................82
Backpack 350 AW..................98
Rover Pro AW:
35L......................................189
45L......................................209
Series 3 Systematic 6X Tripod:
GT3532S............................579
GT3532LS..........................589
GT3542LS..........................645
GT3542XLS.......................649
GoriIIapod:
Compact.............................17
Hybrid (ntegral Head)........29
SLR Zoom..........................39.95
Focus GP-8........................84
Expedition:
4x............................................. 99
5x............................................. 129
6x............................................. 144
7x............................................. 179
8x............................................. 199
9x............................................. 219
HadIey: Canvas/Leather: Khaki/Tan,
Black/Tan, Black/Black.
FibreNyte/Leather: Khaki/Tan, Sage/Tan,
Black/Black.
Digital .................................. 119
Small ................................... 144
Large................................... 164
Pro Original ......................... 174
Tripod Strap Black or Tan.... 19
RuggedWear:
F-5XB................................. 76
F-5XZ ................................. 99.95
F-6...................................... 104.95
F-803.................................. 145
F-2...................................... 149.99
Canon Lenses
Photo Bags & Rucksacks
Tripods & Tripod Heads
Nikon Lenses
24.3
megapixels
16.2
megapixels
36.3
megapixels
FuII Frame
Sensor
FuII Frame
Sensor
1080p
movie mode
Body 2299
+ 24-105mm f4.0L S USM 2899
+ 24-70mm f2.8 4049
5D Mark III
5D Mk III From 2329
22.3
megapixels
FuII Frame
Sensor
6.0 fps
6.0 fps 5.5 fps 4.0 fps
1200D Body 299 Inc C/back*
Price you pay today 319
+18-55mm S 379 Inc C/back*
Price you pay today 399
EOS 1200D
1200D From 319
18.0
megapixels
3.0 fps
Rover Pro
AW45L
Blue
Perfect for
carrying a
Pro DSLR,
Grip, up to 5
Lenses,
Tripod,
outdoor
equipment &
15 Laptop
Expedition 8x
Black/Slate Grey.
Perfect for
carrying 2 DSLRs,
7-8 Lenses,
Tripod, 17 Laptop
& Accessories
GT3532LS
149.5cm
Max Height
10.3cm
Min Height
SLR Zoom
Flexi-Tripod legs
25cm
Closed Length
3Kg
Max Load
HadIey Pro
OriginaI
Canvas
Khaki/Tan
F-803
RuggedWear
Perfect for
carrying a
Pro DSLR
with Grip, up
to 3 Lenses,
Compact
Tripod, 15
Laptop &
Accessories
We seII Tripod Accessories incIuding PIates and Spiked Feet on our website!
Professional Backpack 20....149.95
Professional Backpack 30....189
Professional Backpack 50....219
Manfrouo
rofess|ona|
8ackpacks
Professional range of backpacks
designed to hold a pro digital SLR,
lenses, and several accessories.
+ 18-55mm S STM 868 Inc
C/back* Price you pay today 968
+ 18-135mm S STM
1050 Inc C/back*
Price you pay today 1150
EOS 70D
70D Body 858
NEW!
G16 Compact ................... 429
G16
G16 429
+ 18-55mm VR 449 Inc C/back*
Price you pay today 499
D5200
D5200 Body 429
24.1
megapixels
5.0 fps
Black,
Red or
Bronze
EF 14mm f2.8 L USM...................................1899
TS-E 17mm f4L............................................... 1858
EF 28mm f2.8 S USM....................................409
EF 40mm f2.8 STM
142 Inc 25 C/back* Price you pay today.... 167
EF 50mm f1.4 USM.........................................285
EF-S 60mm f2.8 USM Macro Lens
325 Inc 40 C/back* Price you pay today.... 365
EF 85mm f1.8 USM.........................................295
EF 100mm f2.8 L S USM Macro..................... 724
EF 200mm f2.8 L USM MK............................ 649
EF-S 10-22mm f3.5-4.5 USM
435 Inc 40 C/back* Price you pay today.... 475
EF 16-35mm f2.8 L USM .............................. 1214
EF 17-40mm f4 L USM....................................629
EF-S 17-55mm f2.8 S USM
579 Inc 60 C/back* Price you pay today.... 639
EF-S 18-135mm f3.5-5.6 S STM
319 Inc 40 C/back* Price you pay today.... 359
EF-S 18-200mm f3.5-5.6 S
370 Inc 40 C/back* Price you pay today.... 410
EF 24-70mm f2.8 L USM .............................. 1799
EF 24-70mm f4.0 L S USM............................ 935
EF-S 55-250mm f4-5.6 S STM
259 Inc 25 C/back* Price you pay today.... 284
EF 70-200mm f2.8 L S USM ....................... 1949
EF 70-200mm f4.0 L S USM.......................... 974
EF 70-300mm f4-5.6 S USM.....................................389
1 V3 Body .............................729
+10-30mm PD Zoom
+ EVF + Grip.........................1049
1 V3
NEW! 1 V3 From 729
18.4
megapixels
60 fps
D3300 Body 379 Inc C/back*
Price you pay today 419
+18-55mmVR 389 Inc C/back*
Price you pay today 429
D3300
Black,
Red
or Grey
Black or
Silver
D3300 From 419
24.2
megapixels
5.0 fps
L|ghnng & Accessor|es
430EX
209
SB910
339
Light Stands
From10.99
LED Lights
From29.99
Ezybox Speed-Lite
Softbox 44.99
L308s
139
Plus Set
229
Gemini Pulsar
Tx 500R Kit 9S9
Tx 500 Pro Kit 1199
D-Lite 4Rx
Softbox Kit 639
Urban Collapsible
Background 165
+18-55mm S STM
449 Inc C/back*
Price you pay today
18.0
megapixels
4.0 fps
EOS 100D
100D Body 399
18.0
megapixels
5.0 fps
+ 18-55mm S STM 579
+18-135mmS STM 729
+ 18-135mm S STM
+ 40mm STM 869
EOS 700D
700D Body 479
D7000 Body...........................579
+18-105mm VR......................705
D7000
D7000 From 579
16.2
megapixels
1080p
movie mode
6.0 fps
D7100 Body .........................839
D7100 +18-105mm VR.........979
D7100
D7100 From 839
24.1
megapixels
1080p
movie mode
6.0 fps
Body 1029
+ 18-135mm f3.5-5.6 S 1249
7D + 15-85mm f3.5-5.6 S USM
1475
EOS 7D
7D Body 1029
18.0
megapixels
1080p
movie mode
8.0 fps
6D Body 1229 Inc C/back*
Price you pay today 1379
+ 24-105mm S 1775 Inc
C/back* Price you pay today 1925
EOS 6D
6D From 1379
20.2
megapixels
1080p
movie mode
4.5 fps
1080p
movie mode
D5300 Body..........................599
D5300 + 18-55mm VR..........615
D5300
D5300 From 599
24.2
megapixels
5.0 fps
Black,
Red or
Grey
MT190XPRO4.....................179
MT190CXPRO3
Carbon Fibre........................309
MT190CXPRO4 Carbon Fibre........
.............................................329
MT190XPRO3
+ 496RC2 Ball Head............229
MT190XPRO4
+ 496RC2 Ball Head............239
MT190XPRO3
160cm
Max Height
9cm
Min Height
1D X Body............................ 4845
EOS 1D X
1D X Body 4845
18.1
megapixels
12.0 fps
FuII Frame
Sensor
CouId you be the.
*1&c's apply. Cpen Lo uk resldenL
1wluer users, aged 16 or over.
#WexMondays is
onanging. Entor
wookly, or a onanoo
to win tno titlo and
1000 o vouonors.
Find out moro at: bit.Iy/WPY2014
NEW!
MT055XPRO3 ..................... 199
MK055XPRO3
+ X-Pro 3-Way Head ........... 299
MK055XPRO3
+ 498RC2 Ball Head............ 299
MT055CXPRO3
Carbon Fibre........................ 394
MT055CXPRO4
Carbon Fibre........................ 419
MT190 Series:
MT190XPRO3 .....................164
THE WEX PROMISE: Over 15,000 Products | Free Delivery on 150 or over | 28-Day Returns Policy
|
| Part-Exchange Available | Used items come with a 12 month warranty
||
35mm f1.8 GAF-S DX
128 Inc 20 C/back* Price you pay today.... 148
40mm f2.8 GAF-S DX Micro
165 Inc 20 C/back* Price you pay today.... 185
50mm f1.4 GAF-S............................................279
60mm f2.8 GAF-S ED Micro............................404
105mm f2.8 GAF-S VR F ED Micro................629
10-24mm f3.5-4.5 GAF-S DX...........................639
14-24mm f2.8 GAF-S ED.................................1315
16-35mm f4.0 GAF-S ED VR...........................829
16-85mm f3.5-5.6 GAF-S ED DX VR..............438
18-105mm f3.5-5.6 G EDAF-S DX VR............204
18-140mm f3.5-5.6 AF-S G ED VR DX
449 Inc 50 C/back* Price you pay today.... 499
18-200mm f3.5-5.6 G EDAF-S DX VR .........584
18-300mm f3.5-5.6 AF-S ED VR......................679
24-70mm f2.8 GAF-S ED.................................1245
24-85mm f3.5-4.5 AF-S G ED VR ....................409
24-120mm f4 GAF-S ED VR............................810
28-300mm f3.5-5.6 GAF-S ED VR ..................659
55-200mm f4.0-5.6 GAF-S DX VR F ED
221 Inc 20 C/back* Price you pay today.... 241
55-300mm f4.5-5.6 GAF-S DX VR
249 Inc 30 C/back* Price you pay today.... 279
70-200mm f2.8 GAF-S ED VR ......................1605
70-300mm f4.5-5.6 GAF-S F ED VR..............439
15
CA5HBACK*
20.1
megapixels
7.0 fps
1
CA5HBACK*
3
CA5HBACK*
4
CA5HBACK*
5
CA5HBACK*
2
CA5HBACK*
0all: 0870 03 03 03
0lick: www.caIpbctc.cc.uk
Visit: 8 stcres naticnwide
Epson
8t]lus Pro 888O 934.00
8t]lus Photo R8OOO 545.00
Canon
Pixma Pro-1 645.00
Pixma Pro-1O 499.00
Pixma Pro-1OO 364.00
Printers
Trade In Yeur 0Id Kit
CaIumet kentaI
Calumet's national network
of rental centres
offer an extensive
range of photographic
equipment,
including the latest
technologies.
8pecialising in
cameras, digital
equipment, video,
lighting, studio
products and much
more. we are constantl] updating and adding
products to our portfolio, so visit our exclusive rental weosite at
www.ca|0metreota|.co.0k to view our extensive range.
looking to upgrade ]our equipment? wh] not part exchange ]our
old kit towards the latest models? Visit www.ca|photo.co.0k or
email secoodhaod@ca|photo.co.0k for further information on
our trade in process. we also stock a wide range of second hand
equipment across our stores, check with ]our local store or visit
our weosite for current stock and prices.
The X-T1 interchangeaole lens camera featuring a 2.8Gm
dot resolution 0lED displa], X Trans ll CN08 sensor, EXR
ll processing and a real time digital viewfnder. A super
st]lish addition to the X-8eries famil] of Fujiflm cameras.
The new Pentax
medium-format D8lR
camera incorporates
a newl] developed
image sensor and
imaging engine
to enhance image
qualit] and reliaoilit].
lt ooasts 51.4
effective megapixels
to produce super-high-resolution images.
The D48 represents
a concentration
of hikon's
advanced camera
development
technologies and
long experience.
lt is a model that
offers a higher level
of completion as
a next-generation fagship camera, and expands the
possioilities for professional photographers who alwa]s
require the oest possiole performance.
0et Adooe Photoshop lightroom 5 and Adooe Premiere
Elements 11 - worth 17O - FREE when ]ou purchase
this camera.
Fujiflm X-T1 Bod] 1049.00
FujiflmX-T1 +18-55mm 1399.00
Pentax G45Z Bod] 6799.00
Pentax G45Z + 55mm 7699.00
hikon D48 Bod] 5199.00
Canen E05 50 Hark III
E08 5D Nark lll Bod] 2299.00
E08 5D + 24-1O5mm 2899.00
E08 5D + 24-7Omm ll 4049.00
Df+5Omm f1.8
Availaole in Black or 8ilver 2495.00
D8OO Bod] 1999.00
D8OOE Bod] 2349.00
Fuji 5Gmm f/1.2 XF lens
899.00 hikon 85mm
f/1.80 ED lens
519.00
0tus 55mm F1.4
3170.00
DG1O Bod] 1399.00
DG1O+24-85mm 1849.00
D71OO Bod] 839.00
D71OO+18-1O5mm 979.00
Niken 05Lks Niken 045 Canen 05Lks
E08 GD Bod] 1379.00
E08GD+ 24-1O5mm 1925.00
E08 7OOD Bod] 479.00
E087OOD+18-55mm 579.00
E08 7OD Bod] 858.00 E08-1D X Bod] 4845.00
EF 5Omm F1.4 U8N 285.00
EF 5Omm F1.8 ll 80.00
EF-8 GOmm F2.8 U8N Nacro 365.00
EF 85mm F1.2l ll U8N 1730.00
EF 1OOmm F2.8l l8 U8N Nacro 724.00
EF 8-15mm F4.Ol U8N Fishe]e 1025.00
EF 1G-85mm F2.8l U8N ll 1214.00
EF 17-4Omm F4.Ol U8N 625.00
EF 24-7Omm F4l l8 935.00
EF 24-7Omm F2.8l ll U8N 1799.00
EF 24-1O5mm F4.Ol l8 U8N 813.00
EF 28-185mm F8.5-5.G l8 U8N 379.00
EF 7O-2OOmm F2.8l l8 U8N ll 1949.00
EF 7O-2OOmm F4.Ol l8 U8N 974.00
EF 7O-8OOmm F4.O-5.G l8 U8N 389.00
EF 7O-8OOmm F4.O-5.Gl l8 U8N 1209.00
EF 1OO-4OOmm F4.5-5.Gl l8 U8N 1255.00
Prefete
Profoto B1 8ingle Head
1554.00
B1 location 2 Head Kit
3060.00
Ava||ab|e |n store
and |n renta|.
14-24mm F2.80 AF-8 ED 1315.00
1G-85mm F4.O0 AF-8 ED VR 829.00
18-85mm F8.5-4.50 AF-8 ED 519.00
18-2OOmm F8.5-5.G0 AF-8 VR ll 584.00
18-8OOmm F8.5-5.G0 AF-8 ED VR 679.00
24-85mm F8.5-4.50 AF-8 ED VR 409.00
24-7Omm F2.80 AF-8 ED 1245.00
28-8OOmm F8.5-5.G0 AF-8 VR 659.00
7O-2OOmm F4.5-5.G0 AF-8 VR ll 1605.00
7O-2OOmm F40 AF-8 VR ED 949.00
1O-24mm F4 R XF 849.00
14mm F2.8 XF 669.00
18mm F2R XF 429.00
28mm F1.4 XF 749.00
27mm F2.8 Black XF 349.00
27mm F2.8 8ilver XF 349.00
85mm F1.4R XF 409.00
5O-28Omm F4.5-G.7 0l8 Black XC 359.00
5O-28Omm F4.5-G.7 0l8 8ilver XC 359.00
55-2OOmm F8.5-4.8 R lN 0l8 XF 549.00
5Gmm F1.2 XF 899.00
GOmm F2.4R Nacro XF 435.00
Distagon 15mm F2.8 2150.00
Distagon 21mm F2.8 1380.00
Distagon 28mm F2 940.00
Planar 5Omm F1.4 532.00
Planar 85mm F1.4 940.00
AP0 8onnar 185mm F2 1599.00
Nakro-Planar 1OOmm F2 1380.00
0tus 55mm F1.4 3170.00
Fuji X-T1 Pentax b45Z
Niken Lenses Canen Lenses Fuji Lenses Zeiss Lenses
CAL0HET
N
E
W
!
N
E
W
!
N
E
W
!
F
k
E
E
A00E 50FTW
AkE
N
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!
All pricesincludeVATat 20%. Pricescorrect at timeoI goingtopress. E&0E. 038-051.
0lick: www.calumetacademy.co.uk
L0N00N l0k0HH0N0 5T
020 7380 11
Petrc 5tyIe 1950`s Pin Up
Pbctcgrapby Day
Harc Byram
195O's 8t]le Pin Up Photograph] is a real fun area for photograph] and
something extra ]ou can offer to ]our studio clients or simpl] add some
great images and little oit of extra know how to ]our portfolio.
Delivered as ooth theor] and practical sessions ]ou will leave with the
knowledge to start creating ]our own pin up st]le images as well as some
amazing images for ]our portfolio.
Tuesday 1 JuIy 10.00-1.00 95
EssentiaI D5LP 5kiIIs fcr tbe
Hcdern Pbctcgrapber
Jascn Rarry
This workshop is aimed at those who ma]oe new or wish to get an good
understanding of what is required right now from a modern photographer.
Friday JuIy 10.00-15.00 85
Rcw tc Hake Hcney frcm
5tcck Pbctcgrapby
Hartin Ncrris
Nartin contrioutes to several photo lioraries and through them sells a wide
variet] of pictures in the most saleaole stock categories, lifest]le, studio
conceptual and travel. 0ne of these lioraries has earned him a six fgure
amount over 1O ]ears. Nartin full] opens this account to show and anal]se
all of his sales over this period so ]ou can see exactl] what sells, to whom
and for how much. Nartin will then cover ever]thing ]ou need to know
aoout stock lioraries and contriouting to them.
5aturday 5 JuIy 10.30-15.30 9
Hastering FIasb witb tbe
Fuji X 5ystem
Damien Lcvegrcve
Damien will demonstrate how to use different makes of fash trigger from
oudget to price] with the Fuji X cameras. He will show how ]ou can take
full remote control of off camera 8peedlights from various orands including
Canon and hikon.
You will oe shown how to shoot with fash at wide open apertures without
resorting to electronic tricker] like high speed s]nc.
Hcnday 7 JuIy 10.00-13.00 l 1.30-17.30 3
Tbe CcmpIete uide tc ycur D5LP
NigeI WiIscn
Taking control of aperture and shutter speed is aosolutel] fundamental if
]ou wish to improve ]our photograph]. These topics, amongst others, are
clearl] explained in an eas] to understand, straightforward manner. B]
the end of this award winning 2 da] course, ]ou will oe NAKlh0
photographs rather than simpl] taking them.
Wednesday 9 & Tbursday 10 JuIy 10.00-17.00 195
kI5T0L
0117 92 2000
Taking Better WiIdIife Pbctcgrapbs
Andy Astbury
0reat wildlife photograph] is h0T aoout how famoo]ant or rare the species
is, it's All aoout great technique just like an] other facet of photograph]
- an] decent photograph] judge will favour an exceptionall] well
photographed common species over a poorl] photographed exotic species.
8o And]'sworkshop will give ]ou the valuaole pointers that he had picked
up over the ]ears, and to ensure that ]ou understand the rules.
Wednesday 2 JuIy 10.00-1.00 70
5bccting ArcbitecturaI Pbctcgrapby:
A HastercIass
Picbard 5cutbaII
A master class in architectural photograph] to oe undertaken a location
near to the local oranch of Calumet o] one of the UK's leading practitioners.
The session has designed to ouild on the oasics covered in the introductor]
course out this time has a much greater concentration on the technical
aspects of this genre.
5aturday 5 JuIy 10.00-1.00 120
IkHIN6RAH
0121 32 73
5bccting Intericrs - A Haster CIass
Picbard 5cutbaII
A master class in interior photograph] to oe undertaken at location (wine
oar, hotel or night cluoj near to the local Calumet oranch. The session
will include discussions on. colour management, lighting interiors with
either fash or tungsten, location management and the correct choice of
equipment for successful results.
Hcnday 1 JuIy 10.30-1.30 9
6LA560W
011 353 0875
5bccting Intericrs - A Haster CIass
Picbard 5cutbaII
A master class in interior photograph] to oe undertaken at location (wine
oar, hotel or night cluoj near to the local Calumet oranch. The session
will include discussions on. colour management, lighting interiors with
either fash or tungsten, location management and the correct choice of
equipment for successful results.
Tuesday 1 JuIy 10.30-1.30 9
HANCRE5TEk
011 27 0500
5c, Rcw Dc I Hake Hcney Frcm Tbis?
Picbard 5cutbaII
Have ]ou ever wondered how to work out ]our charges for ]our
photographic services and are ]ou actuall] making enough mone] from
them? Are their additional streams of income that could oe made from ]our
exiting photographs ? ln this seminar, we will oe looking at the oack offce
of running a successful photograph] ousiness.
Hcnday 7 JuIy 09.30-12.30 59
DigitaI Wcrkcw - Tbe Basics
Picbard 5cutbaII
This is a 8 hour seminar explaining the oasics of digital workfow and
colour management using either Bridge or lightroom 8/4 in comoination
with Photoshop C8G.
Hcnday 7 JuIy 13.30-1.30 9
Beginners Intrcducticn tc
5tudic Pbctcgrapby
Pcry Lewis
This introduction to studio fash lighting course takes participants through
high-ke] and low-ke] lighting set-ups, introduce three-point lighting with
the ke] light, fll light and effect light and show how to light the oackground
and how to separate the suoject from the oackground. The workshop uses
a variet] of lightshapers from oeaut] dishes to snoots, and softooxes to
illustrate different lighting effects.
Tuesday 8 JuIy 11.00-17.00 139
Beginners Intrcducticn tc
5tudic Pbctcgrapby
Pcry Lewis
This introduction to studio fash lighting course takes participants through
high-ke] and low-ke] lighting set-ups, introduce three-point lighting with
the ke] light, fll light and effect light and show how to light the oackground
and how to separate the suoject from the oackground. The workshop uses
a variet] of lightshapers from oeaut] dishes to snoots, and softooxes to
illustrate different lighting effects.
Tuesday 8 JuIy 11.00-17.00 139
Ligbtrccm & Pbctcsbcp - reat
Lccking Images Hade 5impIe
Andy Astbury
ln this one da] workshop we'll oe looking at how to make the oest and
most effcient use of lightroom and CameraRAw in conjunction with
Photoshop, in order to produce great looking images and prints from our
RAw fles.
Wednesday 9 JuIy 09.30-1.30 120
5bccting Intericrs - A Haster CIass
Picbard 5cutbaII
A master class in interior photograph] to oe undertaken at location (wine
oar, hotel or night cluoj near to the local Calumet oranch. The session
will include discussions on. colour management, lighting interiors with
either fash or tungsten, location management and the correct choice of
equipment for successful results.
Wednesday 23 JuIy 10.30-1.30 9
CAL0HET
w

8
A
0
0
8
w

'V

N
0
V

0
!
Visit our stores in Burgess Hill,
West Sussex, or why not visit us
in LONDON!!
See website for directions to both our
state-of-the-art showrooms!
Every
W
eek
AF-G 10.5mm f 2.8G ED DX ff 549.00
AF-D 14mm f/2.8D 1,239.00
AF-D 16mm f/2.8D Fisheye 625.00
AF-D 20mm f/2.8 463.00
AF-D 24mm f/2.8D 369.00
AF-S 24mm f/1.4G ED 1,469.00
PC-E 24mm f/3.5D ED 1,465.00
AF-D 28mm f/2.8 245.00
AF-S 28mm f/1.8G 499.00
AF-S 35mm f/1.4G 1,299.00
35mm f/2 AF Nikkor D 259.00
35mm f/1.8 AF-S DX 148.00
AF-S 40mmf/2.8G ED Micro 185.00
PC-E 45mm f/2.8D ED 1,393.00
AF 50mm f/1.4D 244.00
AF-S 50mm f/1.4G 279.00
AF-D 50mm f/1.8 112.00
AF-S 50mm f/1.8G 149.00
AF-S 58mm f/1.4G 1,599.00
AF-S 60mm f/2.8G Micro ED409.00
AF-S 85mmf/3.5G DX Micro 375.00
AF-D 85mm f/1.8D 299.00
AF-S 85mm f/1.8G 379.00
AF-S 85mm f/1.4G 1,179.00
AF-S 105mmf/2.8G VR IF-ED 629.00
PC-E 85mm f/2.8D ED 1,299.00
AF-DC 105mm f/2 Nikkor 805.00
AF-D 180mm f/2.8 IF ED 695.00
AF-D 200mm f/4D IF ED 1,179.00
AF-S 200mm f/2G ED VR II 4,099.00
AF-S 300mmf/2.8G ED VR II 4,029.00
AF-S 300mm f/4 D IF-ED 1,029.00
AF-S 400mm f/2.8G ED VR6,589.00
AF-S 500mm f/4G ED VR 5,849.00
AF-S 600mm f/4G ED VR 7,069.00
AF-S 800mmf/5.6E FL ED VR See web
AF-S 10-24mmf/3.5-4.5G DX 639.00
AF-S DX 12-24mmf/4 G IF-ED 839.00
AF-S 14-24mm f/2.8G ED 1,315.00
AF-S 16-35mm f/4G ED VR 829.00
AF-S 16-85mmf/3.5-5.6 DX VR 439.00
AF-S 17-35mm f2.8 IF ED 1,499.00
AF-S 17-55mmf/2.8G IF-ED 1,049.00
AF-S 18-35mmf/3.5-4.5 G ED See web
AF-S DX 18-55 f/3.5-5.6G II 127.00
AF-S 18-105mm f/3.5-5.6G VR 235.00
AF-S 18-200mm ED DX VR II 584.00
AF-S 18-300mm ED VR DX 679.00
AF-S 24-70mm f/2.8G ED 1,245.00
AF-D 24-85mm f/2.8-4 549.00
AF-S 24-85mmf/3.5-4.5 ED VR 409.00
AF-S 24-120mm f/4G ED VR 810.00
AF-S 28-300mm ED VR 659.00
AF-S 55-200mm f/4-5.6G 199.00
AF-S 55-200mm f/4-5.6 VR 195.00
AF-S DX 55-300mm VR 259.00
AF-S 70-200mmf/2.8 VR II 1,605.00
AF-S 70-200mmf/4.0 VR 999.00
AF-S 70-300mm IF ED VR 439.00
AF-S 80-400mm ED VR 1,989.00
Cashback available on selected Nikon lenses.
See www.ParkCameras.com/DSP for details
14mm f/2.8L II USM 1,899.00
20mm f/2.8 USM 409.00
24mm f/1.4L Mk II USM 1,359.00
24mm f/2.8 IS USM 458.00
28mm f/1.8 USM 379.00
28mm f/2.8 IS USM 409.00
35mm f/1.4L USM 1,140.00
35mm f/2.0 IS USM 469.00
40mm f/2.8 STM 167.00
50mm f/1.2 L USM 1,249.00
50mm f/1.4 USM 295.00
50mm f/1.8 II 85.00
50mm f/2.5 Macro 238.00
EF-S 60mm f/2.8 Macro 365.00
MP-E 65mm f/2.8 853.00
85mm f/1.2L II USM 1,750.00
85mm f/1.8 USM 309.00
100mm f/2 USM 359.00
100mm f/2.8 USM Macro 429.00
100mm f/2.8L Macro IS USM 724.00
135mm f/2.0L USM 899.00
180mm f/3.5L USM Macro1,229.00
200mm f/2.0L IS USM 4,669.00
200mm f/2.8L USM/2 649.00
300mm f/2.8L USM IS II 5,329.00
300mm f/4.0L USM IS 1,169.00
400mm f/2.8L USM IS II 8,149.00
400mm f/4.0 DO L USM IS 5,399.00
400mm f/5.6L USM 1,128.00
500mm f/4.0L USM IS II 7,445.00
600mm f/4.0L USM IS II 9,999.00
800mm f/5.6L IS USM 10,099.00
TSE 17mm f/4.0L 1,858.00
TSE 24mm f/3.5L II 1,599.00
TSE 45mm f/2.8 1,129.00
TSE 90mm f/2.8 1,124.00
8-15mmf/4L Fisheye USM 1,089.00
EF-S 10-22mmf/3.5-4.5 USM 478.00
EF-S 15-85mmf/3.5-5.6 IS USM 589.00
16-35mm f/2.8L II USM 1,214.00
17-40mm f/4.0L USM 629.00
EF-S 17-55mmf/2.8 IS USM 639.00
EF-S 17-85 f/4.0-5.6 IS USM 356.00
EF-S 17-85 IS (No packaging) 249.00
EF-S 18-55mm f/3.5-5.6 IS II 188.00
EF-S 18-55mm IS II (No packaging) 70.00
EF-S 18-135mm IS STM 359.00
18-135mm IS (No packaging) 299.00
EF-S 18-200mmf/3.5-5.6 IS 410.00
24-70mm f/2.8L II USM 1,799.00
24-70mm f/4.0L IS USM 935.00
24-105mm f/4.0L IS USM 819.00
24-105mm IS (White Box) 739.00
28-135mm f/3.5-5.6 USM IS 379.00
28-300mmf/3.5-5.6L IS USM2,199.00
EF-S 55-250mmf/4-5.6 IS II 169.00
EF-S 55-250mmf/4-5.6 IS STM 299.00
70-200mmf/2.8L IS II USM 1,949.00
70-200mm f/2.8L USM 1,019.00
70-200mm f/4.0L IS USM 974.00
70-200mm f/4.0L USM 519.00
70-300mmf/4.0-5.6 IS USM 389.00
70-300mmf/4.0-5.6L IS USM1,209.00
70-300mmf/4.5-5.6 DO IS USM1,138.00
75-300mm f/4.0-5.6 Mk III 188.00
75-300mm f/4.0-5.6 USM III 209.00
100-400mmf/4.5-5.6L USM IS 1,279.00
200-400mmf/4.0L USM IS 10,495.00
1.4x III Extender 399.00
2x III Extender 399.00
EF 12 II Extension Tube 79.99
EF 25 II Extension Tube 139.99
CANONLENSES
Cashback available on selected Canon lenses.
See www.ParkCameras.com/DSP for details
Canon EOS M
EOS M + 18-55
299
.00
EOS M + 22mm
449
.00
18.0
MCA

3.0"
Screen
Add a LP-E12 spare battery for
only 46.99 with the EOS M
Canon EOS 100D
Body Only
349
.00*
+ 18-55 IS STM
449
.00*
18.0
MCA

*Price includes 30 cashback from
Canon if bought before 13.08.2014
4 FPS
Canon EOS 700D
Body Only
479
.00
+ 18-55 IS STM
579
.00
18.0
MCA

Add a Canon BG-E8 battery grip for
only 120 with the EOS 70D
5 FPS
Canon EOS 7D
18.0
MCA

Body Only
999
.00
+ 15-85 IS
1,475
.00
Add a Canon LP-E6 spare battery for
only 59 with the EOS 7D
8 FPS
Canon EOS 6D
20.2
MCA

Body Only
1,229
.00*
+ 24-105 L IS
1,775
.00*
*Price includes 150 cashback from
Canon if bought before 13.08.2014
Canon EOS 5D Mk III
Body Only
2,179
.00*
+ 24-105 L IS
2,749
.00*
22.3
MCA

Available with 12 months interest
free credit - call for details
Canon EOS 70D
20.2
MCA

Body Only
758
.00*
+ 18-55 IS STM
868
.00*
*Price includes 100 cashback from
Canon if bought before 13.08.2014
7 FPS
Canon EOS-1D X
18.1
MCA

Add a Canon GP-1 GPS Unit for
only 250 with the EOS-1D X
In stock from4,845
.00
See website for full details
Canon EOS 1200D
Body Only
299
.00*
+ 18-55 IS II
379
.00*
18.0
MCA

*Price includes 20 cashback from
Canon if bought before 13.08.2014
3 FPS
Canon PowerShot S120
Pocketable performance
NowOnly 364
.00*
SRP 449.99
Add a Canon DCC-1920 soft case for
FREE - whilst stock lasts!
12.1
MEGA
PIXELS
5x
Canon PowerShot G16
The fast, bright expert compact
NowOnly 429
.00*
SRP 529.99
Add a Canon DCC-1620 soft case for
FREE - whilst stock lasts!
12.1
MEGA
PIXELS
5x FR
EE
soft case
The printer your images deserve
Up to A3+ prints
8-ink system
Fast printing
Quality grayscale
prints
NowOnly 369.00*
Was 562.80
Add a complete set of spare inks
and paper for only 19.00
Canon PIXMA Pro-10
The printer your images deserve
Up to A3+ prints
10 pigment inks
Wi-Fi certied
Professional colour
and mono prints
NowOnly 499.00*
Was 778.80
Add a complete set of spare inks
and paper for only 39.00
The printer your images deserve
Up to A3+ prints
12-ink system
Fast printing
Quality colour &
grayscale prints
NowOnly 645.00
Was 958.80
Add Canon PT-101 A3+ Platinum
Photo Paper (10 sheets) for FREE!
FR
EE
soft case
Canon PowerShot G1X II
Ultra advanced 50x zoom
NEW&NOWINSTOCK!
SRP 749.00
Visit our website for the premiumkit,
including electronic viewnder & case
12.8
MEGA
PIXELS
5x
FR
EE
Paper
Speedlite 320EX
Now164
.00*
SRP 323.99
*Price shown includes 25 Cashback
Macrolite MR-14EX II
Only 599
.00
+ AA Batts & charger for 19.49
Speedlite 600EX-RT
Now469
.00
SRP 815.99
See web for cashback details

2
0
Cashback

3
0
Cashback

1
0
0
Cashback

1
5
0
Cashback
F
R
E
E
Grip
16.2
MCA

3.2"
Screen
1080p
PULL HD
11FPS
In stock
at only
5,199
.00
Nikon D4s
Built to keep you ahead of
your game, everything about
the D4S powers exceptional
images at exceptional speed.
Nikon AF-S 400mm
f/2.8E FL ED VR
Precision at
any speed
NEW& COMING SOON!
See website for full details
Pre-order now - Delivery expected
August/September 2014
Nikon D3200
Body Only
279
.00*
+ 18-55 VR
319
.00*
24.2
MCA

*Prices include 30 cashback from
Nikon UK if bought before 30.07.2014
4 FPS
Body Only
379
.00*
+ 18-55 VR II
449
.00*
24.1
MCA

*Prices include 50 cashback from
Nikon UK if bought before 30.07.2014
1080p
PULL HD
Nikon D7000
Body Only
579
.00
+ 18-105 VR
705
.00
16.2
MCA

Add a Nikon EN-EL15 battery for
only 57 with the Nikon D7000.
6 FPS
Nikon D7100
24.1
MCA

Add a Nikon SB-700 Speedlight for
only 225 with the Nikon D7100.
6 FPS
Nikon D800
Body Only
1,999
.00
+ SB-910 Flash
See web
36.3
MCA

Add a Nikon CF-DC4 semi soft case for
only 119 with the Nikon D800.
Nikon Df + 50mm f/1 8 SE
16.2
MCA

Add a Nikon MC-DC2 Remote for
only 25 with the Nikon Df.
In stock at 2,495
.00*
See website for full details
Nikon D5200
Body Only
839
.00
+ 18-105 VR
979
.00*
N
EW
!

3
0
cashback

3
0
cashback
7R
36.4
MCA

3.0"
Screen
1080p
PULL HD

card
RX100
20.2
MCA

3.0"
Screen
1080p
PULL HD

card
In stock at 399
.00
!
With FREE Case & 16GB card!
3.6
8P|GHT
P/l.8
LLNS
In stock from1,599
.00
!
See website for full details
Sony a3000 + 18-55mm
20.1
MCA
2.5 FPS
See the range of Sony E-mount lenses
available on our website
In stock from239
.00
!
See website for full details
7S
N
EW
!
when you pre-order
p
h d
Metabones Adapter
+ receive a p
Ad
1/2 price
Due Summer 2014
Sony a6000 + 18-55mm
24.3
MCA

Add a Sony NP-FW50 spare battery for
only 64.99 with the Sony a6000
NEWANDNOWINSTOCK!
See website for full details
RX100 III
20.1
MCA

3.0"
Screen
1080p
PULL HD

card
Pre-Order Now
For rst available UK stock
2.9
8U|LT
|N LvP
For even more Sony at LOWPRICES, please visit us online or in store!
4
TH
JUNL Z04
ULbb HlLL bTUL
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JUNL Z04
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For details & how
to book on our
FREE seminars,
visit our website
For the Nikon 1 range of cameras & lenses, including the NEWJ4
visit our stores in Central London and Burgess Hill or visit our website
Camera
WHAT
Visit our website - updated daily
www.ParkCameras.com/DSP
or e-mail us for sales advice using
sales@parkcameras.com
Phone one of our knowledgeable sales advisors
Monday - Saturday (9:00am- 5:30pm) or Sunday (11:00am- 4:30pm)
01444 23 70 58
Olympus OM-D E-M1
Body Only
1,249
.00
+ 12-50mm
1,479
.00
16.3
MCA
| | / | | :
FREE HLD-7 GRIP from Olympus.
Olympus OM-D E-M5
Body Only
629
.00
+ 12-50mm
759
.00
16.1
MCA
| | / | | :
Purchase before 30.06.14, & claim a
FREE HLD-6 GRIP from Olympus.
1080
9 FPS
Olympus 12-40mm
f/2.8 Pro
Add a Hoya 62mm Pro 1-D UV lter for
only 31 with the Olympus 12-40mm
Olympus CS-42SF
Soft camera case
Our Price 64
.99
See website for full details
Not the case for you? Visit us in store
or online for a wide range of cases
16.1
MCA
| | / | | :
3.0"
Screen
1080p
PULL HD

card
N
O
W
IN
S
T
O
C
K
!
Wa ant to se ee the OOM-D E-M1 M 0 forr yourse elf?
Visitt our webssite and wwatch our shhort introdductory vi ideo
or visit o our stores i in LONDON ON & WEST SSUSSEX!
Constant aperture
of f/2.8
Best edge-to-
corner sharpness
NOWIN STOCK!!
See website for full details
Suitable for
OM-D E-M1
Water-resistant
nylon
Olympus PEN E-P5
Body Only
799
.00
+ 14-42mm
879
.00
16.1
MCA
| | / | | :
Add an Olympus BLN-1 spare battery
for only 54 with the PEN E-P5
Olympus PEN E-PL5
+14-42mm II
325
.00
Twin lens kit
449
.00
16.1
MCA
| | / | | :
Add a VF-4 digital viewnder for
only 239 with the PEN E-PL5
Visit www.ParkCameras.com/DSP for even more Olympus!
OLYMPUS LENSES
8mm f/3.5 ED Fisheye 714.99
25mm f/2.8 Pancake Lens 208.99
35mm f/3.5 Macro 199.99
50mm f/2.0 ED Macro 569.00
150mm f/2.0 ED 1,999.00
300mm f/2.8 ED 5,799.00
7-14mm f/4.0 1,449.00
9-18mm f/4.0-5.6 4/3 479.00
11-22mm f/2.8-3.5 699.00
12-60mm f/2.8-4.0 ED SWD 899.00
14-42mm f3.5-5.6 ED Mk II 216.99
14-35mm f/2.0 ED SWD 1,799.00
14-54mm f/2.8-3.5 II 549.00
18-180mm f/3.5-6.3 419.00
35-100mm f/2.0 1,999.00
40-150mmf/4.0-5.6 ED MKII 229.00
50-200mmf/2.8-3.5 ED SWD 979.00
70-300mm f/4.0-5.6 ED 329.00
90-250mm f/2.8 4,699.00
For even more Olympus lenses
at LOWPRICES, visit our website
5BPPLl6B NlIB IB6 M6N
BLIkk 5LlM l~2MM L6M5
1080p
PULL HD
FREE HLD-7
BATTERY
GRIP!
FREE HLD-6
BATTERY
GRIP!
Visit us in store and try out the range of cameras & lenses!
Hero 3: Silver Edition
The HERO3 Silver Edition is a compact,
lightweight camera that can be used
anywhere. Wearable, gear-mountable and
waterproof to 60m, it can capture stunning
HD footage plus 11 megapixel stills at up to
10 frames per second.
In stock at only 189
.00
See website for full details
k0klLkBL6 NBlL5I
5I08 Lk5I5l
Panasonic LUMIX GF6
+ 14-42mm
329
.00
Twin lens kit
509
.00
16.0
MCA
| | / | | :
Add an Acme Made Union Messenger
bag for only 13 with the DMC-GF6
Panasonic LUMIX G6
Body Only
399
.00
+ 14-42mm
469
.00
16.0
MCA
| | / | | :
FREE Panasonic 45-150mmlens, with
14-42mmkit before 31.08.14.
Panasonic LUMIX GH3
Body Only
749
.00
+ 14-140mm
1,219
.00
16.2
MCA
| | / | | :
FREE Panasonic grip, and 25mmlens
if bought between 10.06.14 & 31.08.14
F
R
E
E
B
A
T
T
E
R
Y
&
G
R
IP
!
Leearn abouut the be enets of sh shooting in 4K witth
the GH4 by vvisiting http://youtu.be/YT3cb-DyVMo
16.0
MCA
| | / | | :
3.0"
Screen
4k
v|DLO

card
Panasonic LUMIX GX7
16.0
MCA
| | / | | :
Claim a FREE Panasonic lens when
purchasing selected GX7 kit. See web.
In stock from599
.00
!
See website for full details
Limited number
NOWIN STOCK!
See instore or online.
Panasonic LUMIX GM1
16.0
MCA
| | / | | :
*Price includes 100 cashback if bought
between 10.06.14 & 31.08.14.
In stock from469
.00*
!
See website for full details
3.0"
Screen
FR
EE
LEN
S!

1
0
0
cashback
FR
EE
G
IFTS!
Tamron 16-300mm
f/3.5-6.3 Di II VCPZDMACRO
Our Price 529
.00
See website for full details
Call for latest availability
Available in
Canon, Nikon,
& Sony ts
Tamron 18-270mm
f/3.5-6.3 Di II VC PZD
Our Price 329
.00
See website for full details
Add a Hoya 62mm UV(C) HMC lter for
only 15.99 with this lens
Available in
Canon, Nikon,
& Sony ts
Visit www.ParkCameras.com/DSP for more Fujilm or visit us instore!
20.3
MCA
| | / | | :
4.8"
Screen
msung GALAXY NX
8-55mm
Comes supplied with FREE
Adobe Lightroom5.0!
Our Price 999
.00
See website for full details
Samsung NX30
+ 18-55mm
Ca+zs sagg|izJ wik
R ^Jabz |igkraa+
NEWAND NOWIN STOCK!
See website for full details
20.3
MCA
| | / | | :
3.0"
Screen
9 FPS
1080p
PULL HD

card
See our website for the NEW Samsung 16-50mm f/3.5-3.6 Power Zoom
and Samsung 16-50mm f/2-2.8 S ED OIS lenses
N
EW
!
Tamron 150-600mm
f/5-6.3 Di VC U
Special Price 949
.00*
See website for full details
Add a Kenko 95mm Digital UV MC
lter for only 115 with this lens
Available in
Canon, Nikon, &
Sony ts
20.3
MCA
| | / | | :
Screen
Samsung NX300
+ 20-50mm
Add an Acme Made Union Messenger
bag for only 13.99 with the NX300
Our Price 409
.00*
See website for full details
16.3
MCA
| | / | | :
Samsung WB2200F
Add a SanDisk 16GB Ultra SDHC card
for only 12.99 with the WB2200F
Our Price 379
.00
See website for full details
N
EW
!
60x
Up to 200 cashback
when you trade up
to a Samsung.
See web for details.
FujilmX-E1
Body Only
369
.00
+ 18-55mm
599
.00
16.3
MCA
| | / | | :
Purchase the 18-55mm kit, and add a
Fujilm X100 EF20 Flash gun for 116 !
FujilmX-Pro 1 + 18mm
In stock for 899
.00
!
See website for full details
16.3
MCA
| | / | | :
Add a Fujilm HG-X Hand Grip for only
60 when mentioning this advert
FU1IFILM
/- M0NI
1080p
PULL HD
FujilmX-T1
In stock from1,049
.00
!
See website for full details
16.3
MCA
| | / | | :
Add a Fujilm NP-W126 spare battery
for only 35 with the Fujilm X-T1
1080p
PULL HD
N
EW
!
Pentax K-5 II
Body Only
599
.00
+ 18-55 WR
679
.00
16.2
MCA
| | / | | :
Want to try before you buy?
Call us on 01444 23 70 58 for details.
Ricoh GR
16.2
MCA
| | / | | :
Add a Ricoh GC-5 leather case for
only 29 with the Ricoh GR
In stock at only 499
.00
!
See website for full details
| | | 0|I
f / 2. 8
LNS
www.ParkCameras.com/DSP for more Pentax!
PENTAX LENSES
10-17mm f/3.5-4.5 DA ED IF 329.00
12-24mm f/4 DA ED AL (IF) 739.00
16-50mm f/2.8 DA* ED AL 819.00
17-70mm f/4 DA AL IF SDM 449.00
18-55mm f/3.5-5.6 DA WR 159.00
18-135mm f/3.5-5.6 DA WR 379.00
18-270mm f3.5-6.3 ED SDM 429.00
50-135mm f/2.8 ED IF DA* 849.00
50-200mm f/4-5.6 ED WR 269.00
55-300mm f/4.0-5.8 359.00
60-250mm f4.0 ED (IF) 1,069.00
For even more Pentax lenses
at LOWPRICES, visit our website
02 Std. Zoom 27.5-83mm 249.00
03 Fish Eye 160 Degree 79.00
04 Toy Wide Lens 35mm 59.00
05 Toy Telephoto 18mm 59.00
06 Telephoto 15-45mm 249.00
07 Mount shield 11.5mm 49.00
Pentax Q10 + 5-15mm lens
12.4
MCA
| | / | | :
Also available in 100 colours!
Visit our website for details
5 FPS
In stock at only 199
.00
!
See website for full details
Pentax Q7 + 5-15mm lens
12.4
MCA
| | / | | :
Add a Pentax O-VF1 external
viewnder for only 149 with the Q7
NEW& NOWSTOCK!
See website for full details
xtra
Iarge
sensor
PENTAX QLENSES
Pentax K-500 + 18-55
Our Price 329
.00
See website for full details
16.2
MCA
| | / | | :
Add a Pentax O-RC1 remote control
for only 23 with the Pentax K-500
6 FPS
23.3
MCA
| | / | | :
3.2"
Screen
1080p
PULL HD

card
in stock fromonly
8.3FPS
Limited numbers
Pentax K-50
Body Only
429
.00*
+ 18-55 VR
449
.00*
16.2
MCA
| | / | | :
Add a Pentax 18-270mm f/3.5-6.3 lens
for only 429 with the Pentax K-50
895
.00
Body SRP 1,099.99
16GB FLU
(Wi-Fi) SD
Card with the
Pentax K-3
FREE
Oer available until 31.07.2014 Oer available until 31.07.2014
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M0BE 0h wE85lTE
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WE PART EXCHANGE, BUY FOR CASH
OR COMMlSSlON SALE
Colleotlon oan be arranged, oontaot us at lnfo@mlfsuds.oom or rlng 0180S 8S2400
QUALITY USED EQUIPMENT. See webs|te for fu|| ||st. Ca|| us for cond|t|on and to buy secondhand stock. 3 Month warranty on most secondhand.
CANON DIGITAL AF USED
1D MKV..................... 1999
1D MK body........ 649/799
1DS MK box ............... 799
7D body........................ 699
6D body M- box............1079
5D MK body...............1799
5D MK body box............549
60D body box..................399
50D body box..................349
40D body box..................199
30D body.........................139
20D body.........................149
700D body box................399
650D body box................379
600D body box................299
450D body box................169
400D body box................149
BG-E2N.....59 BG-E2....49
BG-E3 ...............................29
BG-E4 (5D MK) ...............49
BG-E5......69 BG-E7......99
G10 compact box ...........199
SX40 compact box .........149
CANON AF USED
EOS 1V body box......... 299
EOS 1N RS body ......... 299
EOS 3 + PB-E2............ 239
EOS 3 + BP-E1............ 199
EOS 3...................... 99/169
EOS 1n/ 3 body each... 129
EOS 5 body.................... 39
EOS 600/300/500 b/o ea 20
EOS 50E body................ 20
10-22 F3.5/4.5 U box ... 399
14 f2.8 L M- box ...... 1399
16-35 F2.8 L box........ 949
17 TSE F4 L M- box... 1599
17-40 F4 L box ............. 499
17-55 F2.8 EFS S U.... 539
17-85 F4/5.6 S U EFS. 199
18-55 F3.5/5.6 S EFS ... 79
18-55 F3.5/5.6 S STM......99
18-55 F3.5/5.6 EFS............59
18-135 F3.5/5.6 S.......... 219
20 F2.8 M- box................ 299
22-55 F4/5.6.......................49
24-70 F2.8 L box............ 949
24-105 F4 L M-................ 549
28-80 F3.5/5.6 USM...........79
28-135 F3.5/5.6.................179
50 F1.8 MK................... 69
55-250 F4/5.6 S EFS .. 139
55-200 F4/5.6 U ............. 69
60 F2.8 EFS.................. 299
70-200 F2.8 S U L box1099
70-200 F2.8 U L box .... 799
70-200 F4 S U L.......... 699
70-200 F4 L U ................429
70-300 F4.5/5.6 S U......599
75-300 F4/5.6 MK........ 89
100 F2.8 U mac box..... 349
100-400 F4.5/5.6 L 899/999
300 F2.8 S L U. 2999/3399
300 F4 S L U............... 899
400 F2.8 S U L M- box 6999
400 F2.8 S U L............4799
500 F4 S U L M- box ..5399
600 F4 S USM L.........4999
1.4x ext MK ..................269
2x extender MK............199
2x extender MK.............149
Teleplus 2x DG conv ...... 89
Jessops ext tubes........... 69
BP-50.............................. 20
GP-E2 receiver M- box. 179
LC-4 wireless kit ............119
Angle finder C............... 139
WFT-E5 M- box ............ 399
SIGMA CAF USED
12-24 F4.5/5.6 EX DG.... 399
18-35 F1.8 DC HSM M-.. 499
18-50 F2.8 EX DC........... 199
18-50 F3.5/5.6 DC..............49
20 F1.8 EX DG box........369
28-300 F3.5/6.3 DG.......169
70-200 F2.8 EX DG.......399
105 F2.8 EX DG box .....299
120-300 F2.8 DG OS HSM2199
135-400 F3.5/5.6 APO.... 249
150 F2.8 macro............... 399
150-500 F5/6.3 DG OS... 599
170-500 F5/6.3................ 399
500 F4.5 EX DG............ 2799
1.4x EX...129 2x EX..... 129
2x EX DG conv ............... 179
OTHER CAF USED
Samyang 14 F2.8............ 229
TAM 10-24 F3.5/4.5 Di.... 269
TAM 18-250 F3.5/6.3...... 179
TAM 28-200 XR Di.............99
TAM 28-300 F3.5/6.3 XR Di 199
TAM 70-300 F4/5.6 Di VC 239
TAM 70-300 F4/5.6 Di ........ 99
TAM 90 F2.8.......... 199/249
TOK 17-35 F4 Pro FX.. 399
Kenko ext tube set Mint 119
CANON FLASH USED
ST-E2 transmitter ..........119
540EZ non dig................ 59
550EX box.................... 199
580EX box.................... 269
580EX box.................. 299
Sigma EM140G ring..... 199
FUJI DIGITAL USED
S5 body box ................. 299
S2 body body ............... 129
XE-1 body blk/silv box.. 219
XM-1 body blk .............. 179
18 F2 R M- box ............ 269
27 F2.8 M- box silv....... 249
50-200 F3.5/4.8............ 469
50-230 F4.5/6.7 M- box 279
EF-20 M- box.................119
X100s M- box ............... 739
X100 box ...................... 379
X100 leather case .......... 49
X100 lens hood .............. 49
X10............................... 189
X10 leather case ............ 49
X10 lens hood ................ 39
S9600 box ...................... 79
HS30 box...................... 149
LEICA DIGITAL USED
Digilux 3 + 14-50 box.....699
V-Lux 30 Blk M- box ......279
LIGHTMETERS USED
Minolta F...................... 79
Minolta Flashmeter V ... 149
Minolta Spotmeter F..... 179
Pentax digital spot M.... 269
Pentax spot meter V....... 99
Sekonic L508................ 219
Sekonic L558................ 249
Sekonic L778................ 249
MANFROTTO USED
MT0573C3 non geared 299
190XPROB..................... 89
METZ USED
45CL1 batt...................... 29
45CL4 batt...................... 39
60CT4 box.................... 169
MINOLTA/SONY DIGITAL USED
Sony A580 body box......299
Sony A330 body.............149
Sony A300 body.............129
Sony HX300...................229
Min VC7D grip box........... 89
Sony VGC90AM scruffy... 99
Sigma EF530DG Super... 79
SONY NEX USED
NEX7 body M- box.........579
NEX6 + 16-50 ................379
NEX 5 + 18-55 + 16............349
30 F3.5 mac M- box........ 149
50 F1.8 M- box................ 159
55-210 F4.5/6.3............... 149
Zeiss 12 F2.8 Touit M- .... 549
Zeiss 32 F1.8 M- box...... 429
MINOLTA/SONY AF USED
Dynax 9 body ............... 299
Dynax 800Si body .......... 49
Dynax 700Si + VC700.... 69
700Si/7xi body ea........... 49
505Si Super/500Si b/o ea . 25
28-80 F3.5/5.6................ 25
28-85 F3.5/4.5.............. 129
35-70 F4......................... 39
35-70 F3.5/4.5....................25
35-80 f4/5.6.........................25
50 F2.8 macro................. 179
100-300 F4/5.6...................99
300 F2.8......................... 2299
500 F8 Mirror................... 349
1.4x APO D conv............. 199
BP200 grip..........................39
RC1000S/L cord.................15
SONY LENSES USED
18-55 F3.5/5.6 SAM...........39
18-70 F3.5/5.6 DT..............49
18-200 F3.5/6.3 OSS LE 399
18-200 F3.5/6.3 DT......... 199
50 F1.4 SAL DT.............229
50 F1.8 DT..........................99
50 F2.8 macro................. 239
SIGMA MIN/SONY AF USED
18 F3.5 box...................... 99
28-135 F3.8/5.6................ 99
50 F1.4...........................149
50 F2.8 EX DG mac ......179
55-200 F4/5.6................... 69
70 F2.8 EX DG................ 249
180 F5.6 macro early ..... 49
600 F8 .......................... 349
1.4x EX DG conv.......... 149
2x EX conv ..................... 99
TAM 70-300 F4/5.6 Di .... 79
Teleplus 1.4x conv.......... 69
Teleplus 2x conv............. 79
Kenko 1.4x Pro 300DG 149
Sony angle finder ........... 79
VC600 (600Si)................ 29
Min 3200i ........................ 19
Min 350Xi ....................... 20
Min 3600HSD flash ........ 49
Min 5200i ........................ 39
Min 5600HSD M-.......... 129
Min 1200 Ringflash......... 69
NIKON DIGITAL AF USED
D4 body...................... 3499
D3S body box.... 2299/2499
D3X body box............. 1899
D800 body box .. 1499/1699
D700 body box .... 899/1299
D300s body ........... 549/599
D300 body box ............. 399
D7000 body box .... 329/399
D3100 body.................. 169
D80 body...................... 199
D70s body box ............... 89
D70 body box ................. 89
EH-6 mains charger ....... 59
EH-5 mains charger ....... 49
MBD-10 .......................... 89
MBD-11......................... 139
MBD-12 ........................ 219
MBD-15 box ................. 179
MBD-80 .......................... 49
MBD-200 box ................. 39
Coolpix P500 box ........... 79
10 F2.8 V M- .................119
18.5 F1.8 M- box.......... 109
NIKON AF USED
F6 body ........................ 849
F5 body ................. 199/399
F4s body....................... 249
F100 body .................... 149
F80 sil/F801 body each.. 49
F70 body black............... 39
F55/F65/F601 body each29
12-24 F4 DX....................599
14-24 F2.8 AFS M- box.1099
16-35 F4 AFS VR box.....729
17-35 F2.8 AFS...............899
17-55 F2.8 AFS DX.........499
18-35 F3.5/4.5 AFD.........299
18-55 F3.5/5.6 VR M-........79
18-55 F3.5/5.6 ...................69
18-70 F3.5/4.5 AFS DX...199
18-105 F3.5/5.6 VR...........139
18-135 F3.5/5.6 AFS.......119
18-200 F3.5/5.6 AFS VR. 449
24 F2.8 AFD....................299
24-50 f3.5/4.5 AF.............149
24-70 F2.8 AFS M-........1099
24-85 F2.8/4 AFD............299
24-120 F3.5/5.6 VR M- ...299
24-120 F3.5/5.6 D...........129
28 F2.8 AF N...................119
28-80 F3.5/5.6 AFD box....69
28-80 F3.5/5.6 AF G..........49
28-85 F3.5/4.5....................99
28-100 F3.5/5.6 AF G........69
35 F1.8 AFS DX M- box . 129
35 F2 AFD M- box........... 219
35 F2 AF.......................... 169
35-70 F2.8 AFD............... 249
35-80 F4/5.6 AFD...............49
50 F1.4 AFS G................ 239
50 F1.4 AF (non D) ......... 149
50 F1.8 AFD.......................99
55-200 F4/5.6 AFS VR......99
55-300 F3.5/5.6 AFS VR 199
60 F2.8 AFD micro.......... 199
70-200 F2.8 VR box.... 1349
70-200 F2.8 VR.............. 999
70-210 F4/5.6................. 89
70-300 F4.5/5.6 VR...... 329
70-300 F4.5/5.6 G box ... 79
80-200 F2.8 AFD N M- . 749
80-200 F2.8 early ......... 299
80-400 F4.5/5.6 VR...... 699
80-400 F4.5/5.6 VR...... 599
85 F1.8 AFD................. 239
85 F3.5 DX VR M-........ 299
180 F2.8 AF.................. 349
200-400 F4 AFS VR M-.. 4299
200-400 F4 AFS VR M-... 2999
300 F2.8 AFS VR box 2999
300 F4 AFS M- ............. 849
300 F4 AFS .................. 649
600 F4 AFS ............. 4299
TC17E ........................ 269
TC20E box ................... 179
SIGMA NAF USED
12-24 F4.5/5.6 EX DG.. 399
18-125 F3.8/5.6 DC OS159
18-125 F3.8/5.6 DC........ 89
24-70 F2.8 EX DG HSM. 479
24-70 F2.8 EX DG.......... 349
28-200 F3.5/5.6............... 129
28-300 F3.5/6.3 DG........ 169
28-300 F3.5/6.3..................69
30 F1.4 EX DC box......... 169
50-500 F4/6.3 EX DG.....499
70-200 F2.8 EX DG box 429
70-300 F4/5.6 APO DG..99
70-300 F4/5.6 DG ..........69
135-400 F4.5/5.6 DG box349
170-500 F5/6.3................ 349
1.4x EX DG M-................ 179
1.4x EX conv......................99
2x EX DG conv............. 179
TAMRON NAF USED
17-35 F2.8/4 Di................ 199
17-50 XR Di VC box ..... 299
18-250 F3.5/6.3 Di box. 179
24-135 F3.5/5.6 box.........119
28-300 F3.5/6.3 XR VC.. 229
55-200 F4/5.6 Di ..............39
70-300 F4/5.6............... 69/89
90 F2.8 Di box................. 249
90 F2.8............................. 199
TOK 11-16 F2.8 ATX......379
TOK 12-24 F4 ATX M-.369
TOK 12-24 F4 ATX M-.. 319
TOK 12-24 F4 ATX....... 279
TOK 16-50 F2.8 ATX Pro 399
TOK 17-35 F4 ATX Pro M-.399
TOK 35 F2.8 mac M-...... 169
TOK 80-400
F4.5/5.6 ATX................. 299
Zeiss 21 F2.8 M- box ... 999
Samyang 85 F1.4 M-.... 199
FLASH / ACCESSORIES USED
SB-24........49 SB-25........49
SB-27........39 SB-29........79
SB-28DX..69 SB-30........39
SB-80DX box......................79
SU-800 commander........ 179
SB-910 M- box................ 299
SD-8 box.............................49
MB-10 (F90X).....................19
MB-21 (fits F4)....................99
MC-30.................................49
MF-23 (date back F4) ........99
ML-3 remote M- box ........119
WT-2 box ............................99
OLYMPUS DIGITAL USED
XZ1 M- box................... 199
E500 body .................... 129
E420 body .................... 129
E300 body ...................... 99
11-22 F2.8/3.5 M- ......... 579
12-60 F2.8/4.5 SWD box.699
14-42 F3.5/5.6................ 59
14-45 F3.5/5.6.............. 129
14-54 F2.8/3.5.............. 229
25 F2.8 M- .................... 149
35 F3.5 ..........................119
40-150 F3.5/4.5.............. 69
40-150 F4/5.6................. 69
50 F2 ED macro........... 399
50-200 F2.8/3.5 ED...... 549
70-300 F4/5.6 box ........ 269
Sigma 30 F1.4 DC HSM 229
OLYMPUS PEN USED
OMD E-M5 body........... 499
Pen E-P5 + 14-42 ..... 649
Pen E-PL1 + 14-42....... 149
Pen E-PM1 body .......... 149
12 F2 M- box................ 399
12-50 F3.5/6.3 EZ M- ... 179
14-42 F3.5/5.6................ 59
14-150 F4/5.6............... 269
HLD6 grip box .............. 129
HLD7 grip M- ................ 149
MF2 adapter ................... 99
PANASONIC DIGITAL USED
LX5 M- box.....................199
LX3 box ..........................149
GH2 body box ................299
G5 body M- box black ....199
G3 body........................ 129
GX1 body box............... 169
GF5 body box............... 129
GF3 body mint- box........ 79
GF1 body box................. 79
14 F2.5 ......................... 179
14-42 F3.5/5.6 X M- ..... 169
14-42 F3.5/5.6................ 59
14-45 F3.5/5.6.............. 149
14-140 F3.5/5.6 OS..... 299
20 F1.7 box .................. 199
25 F1.4 M- box............. 399
45 F2.8 mac box .......... 429
45-175 F4/5.6............... 249
100-300 F4/5.6 box ...... 379
BG GH3 grip M- ............. 99
LVF1 VF.......................... 99
LVF2 VF........................ 159
MS1 stereo microphone129
PENTAX DIGITAL AF USED
K7D body box............... 229
K20D body.................... 229
K10D body.................... 179
ist DS body..................... 89
TR Power pack 3............ 99
DBG2 grip....................... 79
DBG4 grip M- box ........ 149
PENTAX 35mm AF USED
15 F4 M- ....................... 429
17-28 F3.5/4.5.............. 199
17-70 F4 SDM M- box.. 349
18-55 F3.5/5.6................ 29
21 F3.2 AL Limited.......... 369
28-70 F4 AL........................59
28-80 F3.5/5.6................ 39
35 F2.8 Limited M-........ 299
35-80 f4/5.6 .................... 29
40 F2.8 Limited M-........ 249
50-135 F2.8 SDM M- box549
70 F2.8 Limited............. 349
70-200 F4/5.6................. 69
70-300 F4/5.6................. 79
80-200 F4.7/5.6.............. 49
100-300 F4/5.6............... 79
560 F5.6 AW Mint box 3499
AF500FGZ flash............. 49
SIGMA PKAF USED
8 F4 EX M- box ............ 249
12-24 F4.5/5.6 EX DG.. 369
18-250 F3.5/6.3 OS...... 249
18-250 F3.5/6.3............ 199
28-200 F3.5/5.6.............. 49
50-200 F4/5.6 WR.......... 99
70-300 F4/5.6 DL mac.... 59
105 F2.8 EX DG M- box329
170-500 F5/6.3 DG....... 349
TAM 17-50 F2.8 XR Di . 249
TAM 70-300 F4/5.6 Di .... 79
TAM 90 F2.8................. 199
SAMSUNG DIGITAL USED
NX11 + 18-55 box ........ 149
WIMBERLEY USED
WH200 MK M- box..... 399
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body 499
p|us 17-85mm
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GX7 body ........... S99
GX7 + 14-42mm. 679
GX7 + 20mm ll ... 779
GH4 + 14-140mm1749
GH4 body only .... 1299
WI
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DI ll VC PZD
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VC USD
10-20 F3.5 EX DC HSM. . . .399
10-20 F4/5.6 EX DC HSM . .359
12-24 F4.5/5.6 EX DG
HSM macro . . . . . . . . . . . . . . 599
17-50 F2.8 EX DC OS HSM319
17-70 F2.8/4.5 DC OS HSM349
18-35 F1.8 DC HSM. . . . . . .649
18-200 F3.5/6.3 DC
OS HSM mac . . . . . . . . . . . . . . 269
18-250 F3.5/6.3 DC
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30 F1.4 DC HSM Art . . . . . .379
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50-500 F4/5.6 OS HSM. . . . 999
70-200 F2.8 EX DG
OS HSM. . . . . . . . . . . . . . . .799
70-300 4.5/5.6 APO
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85 F1.4 EX DG HSM . . . . . .669
105 F2.8 EX DG OS HSM . . 399
120-300 F2.8 DG OS HSM 2799
150 F2.8 EX DG OS HSM . .699
150-500 F5/6.3 DG OS HSM749
180 F2..8 EX DG OS HSM1299
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2x EX DG. . . . . . . . . . . . . . .239
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X-T1 + 18-55mm OlS........ 1S89
X-Pro1 + 18mm f2............... 879
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* Adoplors
ond rlngs
* Cops ond Hoods
* Coble releoses
* Flosh
* Comero
* Supporl
* Slrops ond
* Coses
* Comero
Core llems
* Splrll Levels
* Eye plece ond
screen llems
* CD llems
* Cord reoders
* Mlscelloneo
* Alkollne
* Lllhlum
* P/ nos
* Volch
* lonks
* lhermomelers
* Conlolners
* Meosures
* Dlshes
* longs
* Fllm Cllps
* Chonglng Bogs
* Aprons
* Lorge ronge ol ocld
lree odheslve llems
* Corners
* Double slded llxers
* Dlspensers
\|D|C/||C/DC/S
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* Screw on round opllcol
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* Bockground
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* Llghl Slonds
* lenls Cube Llghl
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* Relleclors
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* Accessorles
* Very Sllm. Mole lhreod olwoys
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ach issue has cver 50 pages


packed with number puzzIers,
ccIcur-in histcry scenes, a bcck
cIub, an inventicns quiz, a bcard
cf achievement, an animaI
ccIcuring chaIIenge, fascinating
fcctbaII facts, brainteasers.and
mcre. 0h, and nct tc menticn the
free pack cf 8rain8cx cards that
ccmes with each issue.
8rain8cx is the new
mcnthIy magazine
cf the hugeIy pcpuIar
card game 8rain8cx.
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Glft not sultable for chlldren under 36 months

ver weadered wbere be |eers ef be a|pbabe ceme frem? Je|a es as we ake a r|p back bree_b b|serj!
1be 0r|_|as 0f
1be A|pbabe!
When twc vcweIs are
put tcgether tc make a
new scund, this is caIIed
a P|pbbea_.
In scme Ianguages, twc
vcweIs can be squashed
tcgether, Iike this: (a
and e), tc shcw tha
are d
1here is nc Cb|aese aIphabet. Chinese writing uses thcusands cf symbcIs that represent wcrds cr
parts cf wcrds, instead
cf using 26 symbcIs tc
represent scunds
as cur aIphabet dces.
1he Ietter 8bccmes frcm the 6reek Ietter beta , but mcdern 6reeks prcncunce this Ietter mcre Iike a V, and in 6ermany stands fcr twc S 's.
Let's start cff by Iccking at the wcrd 'aIphabet' itseIf.
A|pbabeis a Iist cf Ietters that represent the scunds that make up Ianguage. 1he wcrd ccmes frcm the rst twc Ietters cf the ancient 6reek aIphabet, aIpha and beta, because that was the rst 'true' aIphabet.
1be 0r|_|as 0f 1be A|pbabe!
!
S
en pecpIe
er the
n b d tc wcrk
y're 1c scIve
f p the
ses weII
ter they
If', 'M
In
_esin
a, pecpIe used at came frcm Latin aIphabet ut were sIightIy diffe t - befcre gcing ack tc the Latin a Iater cn.
|a|a
We get cur
aI
kk1he kcmans
aIsc hardIy ever
used the Ietter k
but the
m
ike
'
is
rma
aiser,
Jj1here was nc Ietter
I in the Latin aIphabet
that the ancient kcmans
used - IuIius Caesar's rst name was actuaIIy IuIius
(prcncunced uIius).
Iade-erepeaaKistcrians think that a Ict
cf urcpean and Indian Ianguages ccme frcm a Icst criginaI
Ianguage caIIed Indc-urcpean, which Iater deveIcped intc
6erman, 6reek, Latin, Kindi and cther Ianguages. 1his is why
Indic writing aIsc usuaIIy has an aIphabet and runs Ieft tc right.
gyptian M|ere_|jpbs are pictures that represent scunds. Fcr exampIe, where we wcuId use the Ietter 8, they wcuId draw a picture cf a perscn's Ieg and fcct, and where we wcuId use the Ietter Mm, they wcuId draw a picture cf an cwI.
|fIn very cId manuscripts, the smaII Ietter S is cften written Iike this: 1hat makes it Icck Iike an F tc us, which can be quite ccnfusing as it makes scme wcrds Icck Iike scmething ccmpIeteIy different - fcr exampIe, 'scuI' Iccks a bit Iike 'fcuI'.
1he 0reekaIphabet is scmetimes caIIed the rst 'true' aIphabet, because it was the rst aIphabet tc incIude vcweIs as weII as ccnscnants - aIpha (Aa, a), epsiIcn (e, e), eta (Hq, Icng e), icta (I, i), cmicrcn (Oo, c), upsiIcn (Yu, y cr u) and cmega (Om, Icng c).
In ancient _jp, the aIphabet was made up cf pictures caIIed hiercgIyphs. 1here were nc vcweIs, sc histcrians whc read ancient gyptian texts have tc guess what the vcweIs shcuId be. Imagine Iccking at the Ietters 'pt' and nct kncwing whether it meant pat, pet, pit, pct cr put!
A
a
|m
a
|
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e
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e
r|a
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!

When we give ycu pictures tc ccIcur in,


we want tc give ycu scmething tc reaIIy
give ycur penciIs cr craycns a wcrkcut.
See hcw gccd ycu can make cur twc
animaI pictures Icck!
8eek C|eb
C05 IN AC1I0N
keccmmended by: kcbin frcm Fcrtsmcuth
"I reaIIy Icve the Ccws In Acticn
bccks by Steve CcIe, they are
sc funny. 1hey are abcut time
traveIIing ccws whc ght buIIs
frcm the future tc save histcry.
Nct cnIy are they reaIIy funny,
they're easy tc read and ycu
Iearn a bit cf histcry, even if ycu
dcn't Iike reading, try these".
kead a _eed beek aad
waa e recemmead | e
eber 8ra|abex readers?
1bea ema|| es a
bra|abexQdeaa|s.ce.ek
aad e|| es a|| abee |!
C
k
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|
0
8
kPA|| 5kI5
1M IkP510N
8kI5IN0AMN
CMAk|I 80N
keccmmended by:
Iict frcm 8irmingham
"I Icve these bccks
written by Ienny
Nimmc. 1hey fcIIcw
the stcry cf CharIie
8cne and his quest
tc nd cut the
truth abcut the
mystericus ked knight. CharIie gces
tc an academy cf magic and speciaI
taIents, which Ieads him tc meet
scme IcveIy friends and scme scary
enemies. ach bcck in the series is
fuII cf acticn, adventure and Icts cf
aIIy funny parts."
keccmmended by: 1cm frcm Cardiff
"1he characters in this series cf
bccks are animaIs, the herc in the
rst is Matthias, a IittIe mcuse whc
dreams cf being a great warricr.
Matthias gets his chance tc prcve
h seIf when CIuny the Sccurge
and an army cf rats head tcwards
ey. 1he bcc have Icts cf
acticn and fantasy".
8kAIN80

|!|||||| ||1M ||| 11| 4|W||4I


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ucross llepord. We`resomiseruble. Brils luVeuserious
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currol rdllejoyor llemomerlous momerls lo
sloul uboul?I gel il, veloVeugoodmour. Il`s vloveure. Ferlups
il`s llesliupper lipllul`s begirrirgloquiVer, our lroublelulk
oVer leumerlulilyor liVirgirucupilulisl socielyllul`s rully
deslroyedour jollyCcrr,Orlmrulure. WluleVer il is, I pleudlo
lurrour rovrs upsidedovr. Il`s ulrulyreguliVeruliorvlords
joyirbeirgcyricul, eVeruboul 'oVerly` cleerycourlries likelle
Slules. NorllAmericuis llelurdo oplimismurdopporlurily, urd
I`dsuyllul`s eViderl irllelulerl llul comes oul o il. Yourumeme
urupurdcomirgplologrupler, ulouseloldrumeplologrupler
borrllis sideo lleI7s urdI ulmosl guururleelley`ll beoreigr.
Wlere`s our moderrduyArgus McBeur, Cecil BeulorurdDuVid
Builey?We`Vecourlless icors loscreumuboul DorMcCullir,
BobCurlos Clurke, 1erryDoroVur, BriurDuy, MurlirFurr,
NickKrigll, MickRock, 1erryO`Neill. Bul dureI suyRurkirurd
1imWulker urelleorlylvoplologruplers llis sideo S
represerlirglleUKorllevorldsluge. Wlul`s goirgor?!
Wemigll blumeil orlleecoromy, morelikelylleveuller or
rurciul culs irurls educulior, bul vlileVulid, lleyureslill excuses.
WereedposiliVily, people! A'curdo` ulliludeurdsupporl llul
ercouruges youlolryvilloul llerisko beirgkickedvillur
' I loldyouso` oryour vuydovror beirgpulleddovrvillcyricism
orceyou`Vereucledsuccess. I suylel`s slurl lere.
Clurgecurbemudeorepersorul ulime, uppurerlly, urdil`s
limellul vepul Briluirbuckorlleplologruplymup. Fuss or
your experlise, your oldcumerus urdleuclllelrudeloyour leers
vemuybeusmull islurdbul ve`repuckedlollegurrels vill
polerliul. Usesociul mediulosloul uboul your uclieVemerls urd
losupporl llosevlodollesume. Spreudgreul Brilislimuges
urourdlleglobemukeCumbriuurdCorrvull us icoricus
Amslerdum`s Keukerlo Curders urdlleScollislHigllurds us
rerovredus lleNuliorul Furks. We`Veslill someo llevorld`s
mosl beuuliul vomeri llelikes o KuleMoss, Nuomi Cumpbell
urdRosieHurlirglorWlileleyureuryllirglogoby, soil`s rol
likeve`reslorl o uevprellyuces loplologrupleiller.
Lel`s lukeuleudromlleYurkees urdbemoresupporliVe, more
creuliVe, expressiVeurddurirg. Lel`s rdvuys lorol besosceplicul
or crilicul urdirsleudgrovour lulerl pool villcorslrucliVepruise.
I suylel`s slurl rovirlleDigi|cI SIRIho|ogrcph,omcebysuyirg,
"Duriel, veloVeyour ullempl ul gellirgslurpimuges bul muybe
youslouldocus your erergyorllesolocus leclriques us llul`s
vlereyour lulerls obViouslylie.See, il`s eusy!
0uRSlCRlTPl0T0CRAPllRSNAPSbACKATbRlTAlNT0CR0w0uRCRASSR00TSPl0T0CRAPllCTAllNT

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It'stimctobuckourrits!
Thc]word

"VcmightbIumcitonthccconomy,morc
IikcIythcwcuthcrornunciuIcutsinurts
cducution,butwhiIcvuIid, thcyurcstiII
cxcuscs.Vcnccdpositivity, pcopIc!"
DigitaI SLRhotography !uI,2014


EXPERT TEChhl0uE8KlTA0VlCE P0RThE TRAVEL EhThuSlAST
P0kTkA|TS LAN0SCAPLS C0LT0kL TkAVLL6LAk
DigitaI SLRhotography Irccvi|h|hc!uI,2014issuc
!
1ravel guides suchas |one|y
P|anet andPougnCu|des are
always a goodstartingpoint as you
canndout lots of infornationabout
destinations -whentogoiwhennot
togo, theexpectedweathericlinate,
currency, visa requirenents, what to
seeandgettinground, as well as where
tostay andwheretoeat.
2
visit inage-sharingwebsites
suchas lickr or 500px, then
searchyour destination, sit back
andadnireloads of great inages that
will giveyouanidea of thescenery
andsubject natter you'relikely to
encounter. Youcouldevencontact
soneof thephotographers for toptips.
3
indout thesunriseandsunset
tines for theplaces you'll be
visiting, soyouhaveanideaof
whentoget upandhowlateyou'll
needtostay out. f it's relevant, tide
tines shouldalsobeinvestigated, and
it's always worthcheckingtheweather
forecast theday beforeyouset oh.
4
Usetheinternet togather
infornationonspecicthings,
suchas carnivals, festivals and
celebrations, whereandwhenthey take
place, howtoget thereandsoon. t nay
alsobeworthndinga local guideto
assist you-this canbeorganisedfron
honeby contactingtherelevant tourist
board, or whenyouarriveat your hotel.
5
Conpilea leof reference
naterial that youcantakewith
you. 1his canbeprintedsheets,
or youcancreatea docunent onyour
laptopor tablet. Draganddropinages
or takescreengrabs of inspiringinagesi
visual ideas you'vefoundonlineand
put thenintoanalbunandnoteuseful
nanes, addresses, tines, dates etc.

Makesureyoutaketheright
clothingandfootwear -you
don't want tobetoohot or too
cold, andblisters ontiredfeet canhinder
creativityl Always pack soneblister
plasters, as well as ordinary plasters
andpainkillers. Ahat is essential for hot
clinates plus factor 30+suncreanl
7
Beforeenbarkingonanoverseas
trip, check withyour local GPor
practicenurseif youneedany
vaccinations. Regular travellers arelikely
tobeuptodatewithjabs for things like
1etanus, Polio, 1yphoidandHepatitis
B. Younay alsoneedshots against
Malaria, Yellowever or Rabies.
Tcrcurc]cwthings
inlifethat arenoreexciting
thanplanninga tripto
sonewherenew. t nay
not beat theother side
of theworld, or especially exotic, but
theanticipationof all thosenewsights
andsounds is thrillingandinspiring. As
photographers, there's alsotheextra
attractionof beingabletoshoot brand
newscenes andsubjects. 1his travel
guideis packedwitheverythingyou
needtopreparefor your tripandreturn
fronyour travels withanazinginages,
sonakethenost of it. All thebestl
0aniel Lezano, ed||or,
0|||a| SlRPho|oraphy
Tukcyourbcst truvcI photos
Lone|yP|unet truve| guidesFromf!2
uuu+m+.oncoa|
|one|y P|anet travel
guides areincredibly
popular -their broad
rangeof expert advice
andinsight intopopular
locations aroundthe
worldnakes thena nust-havefor
travel photographers lookingfor a
wealthof infornationandinspirational
inages. 1ry one-you'll beinpressedl
TPOTYFromfI.99
uuu|o|,com
1hereareve
volunes inthe1rave|
Pnotograpner of tne
ear series of books -
Journeys -b. Lachone
contains winningentries
tothe1P1Yconpetitionfor a specic
year, sothey'repackedwithanazing
inages fronall over theworldandarea
great sourceof ideas andinspiration.
L
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1
Cctsct]oruphotoudvcnturc!
"Itmuynotbcutthc
othcrsidco]thcworId,or
cspcciuIIycxotic,butthc
unticiputiono]uIIthosc
ncwsightsundsounds
isthriIIingundinspiring"
PLAN8PkLPAkL|
t pays todoa littleresearchbeforeyou
set oh-soyouhaveat least a snall idea
of what toexpect whenyouget there.
55hIIkLkk0Ih6 55hIIkLkk0Ih6
Irccvi|h|hc!uI,2014issucDigitaI SLRhotography 3
Tc
UltimatePhoto5eriesTruvcI
TruvcI Q&A
DoI rccd|o|clcprooj |hc| I ovr
cII m,ccmcrccquipmcr|?
l| shou|dn'| bean|ssue, bu| whenen|er|n
souecoun|r|esyouuaybeques||oned
abou| whyyouhave|o|s of ear. lfyou're
concerned, |a|ecop|es ofyour rece|p|s,
or a||s| of a|| |he||eus, |osave||uea|
cus|ous |fyoue| hass|ed.
VhcrcccrI gc| viscsjrom?
l| used|obe|ha| youapp||ed|o|he
re|evan| u|n|s|ry|nyour owncoun|ry,
bu| |hesedaysyoucanuse|heserv|ces
ofV|sal0wh|ch|a|es a|| |hehass|eou|
of e|||nv|sas forv|r|ua||yanycoun|ry
|n|hewor|d-o|owww.v|sahq.co.u|
for uore|nfo.
ShouIdI Ic| somcorclrov
vhcrcI`mgoirg?
lfyou're|rave|||na|one, espec|a||y
anywherereuo|e, ||'swor|h|e|||n
fr|ends andfau||y|nowyour |||nerary
andp|ans -|ve|heuacopyso|f |hey
don'| hear frouyou|heya| |eas| havean
|deaofwhereyoushou|dbe.
ViII m,mobiIcphorcvorlcbrocd?
l| shou|d, bu| chec|w||hyour serv|ce
prov|der frs| as |f ||'s anewphoneand
you'venever used|| overseas || uay
need|obeac||va|ed. lfyou'reo|n|o
spendwee|s |nacoun|ry|| uaybewor|h
buy|nas|ucard|oca||y|osaveon
phonechares or uaybeevenacheap
phoneands|u.
HovccrI jrdou| ij somcvhcrc
isdcrgcrous?
Thelore|n0hce|ssues|rave| adv|cefor
a|| coun|r|esand|err||or|esand|h|s|s
upda|edreu|ar|y, espec|a||yforp|aces
where|here|spo||||ca| unres| orou|brea|s
of d|sease. V|s|| h||ps.//www.ov.u|/
fore|n-|rave|-adv|ceforuore|nfo.
Digitu| SLRPhotogruphyf5.00
uuuJ|||+|:|/|o|ocom
Don't forget your
favouritephotonag
whenyouheadohto
distant shoresl Weare
availableinelectronic
fornat for theiPhone,
iPadandindleireandwe'recurrently
oheringveissues for just 5-giving
youplenty toreadandlots of ideas totry
whileyou'retravellingtheworldl
yewitnessTruve| FromfI.99
uuu+m+.oncoa|
1hesetravel guides
by publisher Dorling
indersley arewell
worthchecking
out -they'renot only
packedwithessential
infornationabout a destination, but
alsowell illustratedwithcolour inages
togiveyouanidea of what's there, plus
naps tondyour way around.
TRVLFree
||ane:+|ecom
DownloadthefreeiPad
appfor access toover
I50issues packedwith
fantastictravel inages.
1here's alsoa fantastic
book availablevia the
Appby contributor andtoptravel pro
Peter Adans containing50essays,
inages andinstructional videos for just
2.99-ideal if youtravel withaniPad.
WithinTeIrumef24.!9
uuu+m+.oncoa|
Writtenandillustrated
by DavidduChenin, this
book is all about nding
andexpressingyour
photographicvision
withspecicreference
totravel. t's a great tonetotakeon
your travels as it's full of goodideas and
inspiringinages soyoucanrefer toit
whenyour creativity is wearingthin.
J

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TruvcI photogruphyis all about capturingthecharacter
of aplaceby docunentinganythingandeverythingthat
catches your creativeeye, soyouneedtonakesureyouhave
theright gear todojust that. At thesanetineyouneedtoput
together anoutt that's portableandusable, becausewhatever
youtakeyou'regoingtohavetocarry, andnothingsaps your
energy andenthusiasnnorethansweatingunder theweight
of anoverloadedpack. Luggageweight linits inposedby
airlines alsohavetobeconsideredif youwant toavoidhefty
excess baggagecharges at check-in-payingextra totake
sonethingthat youendupnot usingis a total wasteof noney
andis denitely avoidableif youplanahead.
1ripdurationdoesn't really natter becausewhether you're
goingaway for a week or a nonth, you'll still encounter the
sanesubjects andyou'll needthesaneequipnent. Spend
tineworkingout whichitens you'll get thenost useout of.
Tripod
1his is a nust for predawn
andpost-dusk shoots or
whenyou'reindoors and
light levels arelow. Youdon't
havetocarry it everywhere
every day, but youwill need
a tripodl Gofor a conpact
(preferably) carbon-bre
nodel that's not tooheavy
but stableandequipit with
a ball head, whichwill again
keepweight andbulk down.
Digitu| cumeru
Any nakeor nodel of DSLR
is suitedtotravel as all share
thesaneconnonfeatures
you'll need. Probodies are
robust but they'realsobig
andheavy. 1here's a lot tobe
saidfor thesnaller, lighter
DSLRs andCSCs if youput
decent lenses onthen. f
youhavetwobodies, take
bothincaseonepacks upor
gets danagedistolen.
uckpuck
Adecent backpack should
acconnodateall your kit
for thejourney out, then
whenyoureachyour hotel
youcanrenovetheitens
youwon't needall thetine
andpack theninyour
suitcaseor lock thenaway
tolightentheload. 1hereare
several great nodels -we
reconnendsoneof our
favourites later inthis guide.
Memorycurds
deally, youwant totake
enoughcards sothat you
don't havetorefornat
duringthetrip. or soneof
you, threeI6GBcards or
half a dozen8GBcards will
besuhcient for a fortnight-
longtrip, whereas others
will needI6GBor noreper
day. Youknowwhoyou
are-yousinply can't help
yourselves sostock upl
csmurt ubout kit
U|tru-widezoom
nvaluablefor architecture,
landscapes whereyou
want toenphasisethe
foreground, andany
subject wherea nonstrous
angle-of-viewanddistortion
canbeusedtoaddinpact
toyour shots. or full-frane
we'retalkingI4-24nn,
I/-40nnor I6-35nn,
andfor APS-CII-I6nn,
I0-20nnor I2-22nn.
Stundurdzoom
or general use, a standard
zoonideally extendingfron
nodest wide-angle, for
architectureandscenics, to
short telephotofor portraits.
Closefocusingalsonakes
it useful for details, patterns
andabstracts. You'll usethis
lens norethanany other.
or full-franewe'retalking
24-/0nnandfor APS-Can
I8-55nnzoon.
Te|ezoom
1houghbigandheavy,
soyounay opt toleaveit
inyour hotel roonsone
days, a telezooncanbe
invaluablefor candids and
portraits, isolatingdetails
inarchitectureandthe
landscape, andshooting
wildlifeandaction. or both
full-franeandAPS-Ca
/0-200nnor /0-300nn
will dothetrick.
Iust prime|ens
Acheap50nnfiI.8(or
35nnfor APS-Csensors)
standardlens canbe
invaluablefor shooting
handheldinlowlight. 1hese
lenses areconpact andlight
sothey takeupnininal bag
space, andyou'll beableto
keepshootingonceyour
zoons beconetooslow
andheavy. Prinelenses are
alsosuper sharp.
Tukcyourbcst truvcI photos
55hIIkLIIN5 55hIIkLIIN5
Lh5Ch0IC Lh5Ch0IC
Irccvi|h|hc!uI,2014issucDigitaI SLRhotography 5
TruvcI Q&A
Iscquipmcr| covcrcdb,houschoId
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l| shou|dbe, bu| ua|esureyou|now|he
||u||s andres|r|c||ons -youuayneed|o
spec|fy||eus of h|hva|ueanda|sochec|
you'recoveredfor |n|erna||ona| |rave|
ra|her |hanluropeanon|y. lor spec|a||s|
cover, chec|w||hwww.|overhowe.co.u|,
www.|owera|e|nsurance.co.u|,
www.cauerasure.co.u|and
www.pho|ouard.co.u|.
Vhc|`s|hcmcximumsizcjor
hcrdIuggcgcormos| cirIircs?
Youneed|ochec|w||hyour a|r||neas
|hes|ze||u|| doesvary, bu| ||'s usua||y
S6cu|ont4Scuw|det2Scudeep.
Thewe|h| ||u|| a|sovar|es frou6||o
unspec|fed, depend|non|hea|r||ne.
Souea|r||nes s|up|ys|a|e|ha| youuus| be
ab|e|o||f| |heba|n|o|heoverhead|oc|er
w||hou| ass|s|ance!
Vhichis|hcbcs| pIcccjorIcrshirc?
Trywww.|ensesforh|re.co.u|,
www.|ensp|up.cou, www.ca|uue|ren|a|.
co.u|andwww.h|reacauera.cou.
Reueuber |o|e| |heh|rer |nowwhere
you'|| be|a||n|he|ens, |ncaseyou
needet|ra|nsurancecover.
rcrdcdbc||cricscrccxpcrsivc. Arc
chccpcr'jclcs` scjc|ousc?
Yes, |heyshou|dbefne. You'|| fnd
cheaper a||erna||ves onauazon.co.u|
andebay-|heyof|encos| aquar|er of |he
pr|ceof |heua|er's ownand|houh|hey
uayno| |as| as |onbe|weenchares,
|heywor|perfec||yfneandua|e||
ahordab|e|ocarrysevera| spareba||er|es
when|rave|||n.
M,hcrdIuggcgcisovcr|hcIimi|
hovccrI cvoidcxccsschcrgcs?
Apho|orapher'sves| prov|des area| way
|ocarryet|racaueraearwhenyou're
chec||n|na| a|rpor|s as noonewe|hs
you, and|heves| w||| have|o|s of poc|e|s
whereyoucan'h|de' equ|puen|! Chec|ou|
Sco||ves| andAyeCear.
Luptop&hurddrive
Alaptopor netbook
is useful as youcan
downloadyour nenory
cards toit, or ontoa
portableharddrive, so
youhaveall your inages
backedupas well as on
thenenory cards. You'll
alsohaveaccess tothe
internet andenail plus
thefacility toprocess
inages whileaway.
Ii|ters
Acircular polariser is a
denitenust-have, plus
a coupleof NDgrads -
0.3and0.6canbeused
individually or together.
f you'reintoshooting
longexposures alsopack
your ten-stop(or sinilar)
NDlter andnaybea
weaker NDwitha density
of 0.6or 0.9for nore
general use.
C|euningkit
Caneras, lenses and
lters get grubby when
you'retravelling, and
dust andsandcan
play havocwithyour
kit, sopack sone
basiccleaningitens
-ananti-staticbrush,
cleaningfuid, sensor
swabs, nicrobrecloths
anda blower tokeep
everythingclean.

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Tc
UltimatePhoto5eriesTruvcI
00 I 00h'IF0k6I
DigitaI SLRhotography Irccvi|h|hc!uI,2014issuc
"I'vcbccnvcryfortunatetohave
hadtheopportunity tovisit every
country onny bucket list andthen
sone. 1henunber of countries visited
todatestands at around85andit would
benicetonakeit I00beforefoldingup
ny tripod's legs for thelast tine. tend
togoaway for uptoanonth, four tines
ayear, andall trips, regardless of length,
arefollowedby several weeks of endless
post-production.
Lifeas a travel photographer canbe
a very lonely existence. will oftengo
days hardly talkingtoanyoneapart fron
hotel stahor waiters takingny orders
inrestaurants. Althoughthedays can
pass quitequickly if 'nbusy shooting,
it's thelongjourneys or tines whenthe
weather's badthat honesickness can
kick in. 1hankfully this is whereSkype
canbea great noralebooster when
catchingupwithhone.
1his year has kickedohwiththree
weeks inBrazil inApril, aheadof the
WorldCupthis sunner andthe20I6
lynpics. 1herest of theyear is open
and will discuss current travel trends
withny editor at Corbis beforenaking
any further bookings.
or years, internet sites likelickr and
nicro-stock agencies havefoodedthe
narket withcheapinages anddriven
downprices. However, after recently
speakingtoapictureresearcher, there
appears tobeatrendfor high-end
clients payingfair prices for exclusive
rights toavoidtherisk of conpetitors
usingthesaneinage. hopehe's rightl
HASTlR0lTRAVll...
'M,jcvouri|c|cchriquc..."
S|i|chirgpcrorcmcs
'lorue, |hewor|drare|yf|scoufor|ab|y|n|oa3.2aspec| ra||o. A|so,
|heuseof aw|de-an|e|ens|oencoupassanetpans|vescenecan
pushevery|h|n|oofarawayw||h|oouuchforeroundands|y,
coupared|oshoo||n|hesceneasapanorauaw||ha|oner|ens.
befores|ar||n, l ensure|hero|a||np|a|foru|s|eve||edand|he
cauera|sse| |ouanua| |oua|n|a|nevenetposuresforeachfraue.
wh||eba|ance|sse| forday||h|, aa|n|oua|n|a|ncons|s|ency. The
frauesareover|appeda| |eas| 30xands|||chedw||hPho|oshop's
Pho|ouere. lora|| |enseso|her|hanuy/0-200uu, anoda| ra||
|sf||ed|o|he|r|podheada| |hecorrec| pos|||onfor|henoda| po|n|
of |he|ensand|hecaueraa||ached|npor|ra|| or|en|a||on. T|||-sh|f|
|ensescana|sobeusedforshoo||npanosby|a||nafrauea| each
endof |hesh|f|, e||herupanddownors|de|os|de. Th|s|echn|que
|vesasuper-w|defe|dofv|eww||huyCanon!/uuTS-l|ens.
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l|swor||n||febean|nlH
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Ka|huanduand|aunchedh|use|f
as a|rave| pho|orapher. l|s b|brea|caue|n
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earna||v|nas afu||-||ue|rave| pho|orapher.
She|byS|ree| Pedes|r|anbr|de, Nashv|||e, uSA.
ltposure. !/!60seca| f/!0|lS0!00.
NewYor|Pub||cl|brary, NewYor|C||y, uSA.
ltposure. !/2Sseca| f/2|lS0!2S0.

8I06kkFh7 8I06kkFh7
Tukcyourbcst truvcI photos
!or`sli| bcg
I} LoweproVertex200Aw
Area||yoodba|ha| |s a|so
a|r||necarry-oncoupa||b|e.
2} ThinkTankRetrospectiveS
Ashou|der bafor uy0|yupus
0H-0H|crolour-Th|rds |||.
3} AppleHacbookProlaptop
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|a|||n|o|hefau||yonS|ype.
Hov|es |ooon|on|ra|nr|des.
4} CanonE0SS0Hklll w||h
ReallyRight StuhL-bracket for
uoun||n|hecaueraver||ca||y.
S} CanonEPISmmfl2.8sheye
landyfor ||h| |n|er|ors and
as|ro-|andscapes.
6} CanonEP24-I0Smmfl4L
Hycho|cefor shoo||non|he
hoof |nuar|e|s.
Z} CanonEPZ0-200mmfl2.8L
Th|s zoou|s uyuos| used|ens.
8} CanonExtenderEPI.4xll
lor |ha| |||||eet|rareachw||h|he
/0-200uuzoou.
9} CanonTS-EIZmmfl4L
Hyseconduos| used|ens and
v||a| for arch||ec|urewor|.
I0} CanonTS-E24mmfl3.SLll
used|ess af|er acqu|r|n|he
!/uu, bu| s|||| ahandy|ens for
arch||ec|ureandpanorauas.
II} CanonTS-E4Smmfl2.8
As|andard|ens |ha| a|sosh|f|s
and||||s. lncred|b|yusefu| anduy
favour||e|ens for panorauas.
I2} 0lympus 0H-0EH-SPerfec|
for'o|ncouuando' when
shoo||n|nsubways, uuseuus.
I3} PanasonicLumixZ-I4mmfl4
Asuper-w|dezoou|!4-28uu
equ|va|en|. Perfec| for |n|er|ors.
I4} 0lympus ZulK04SmmflI.8
Afas| |e|epho|o|90uu
equ|va|en| |ha|'s razor-sharp.
IS} PanasonicLumix20mmflI.Z
|Shownoncauera As|andard
|ens |40uuequ|va|en| |ha|'s |he
s|zeof a|ens capandsharpw|de
opena| f/!./.
I6} Canonright-anglender
Coodforvery|ow|eve| wor|and
for shoo||n|oo||ns|ra|h| up.
IZ} Citzocarbon-bretripod
l'vehad|| foryears andforo||en
|heuode| nuuber, bu| |h|s
C||zohas never |e| uedown.
I8} ReallyRight StuhBh-40
Hid-SizeBall headAnetce||en|
||h|we|h| headw||haood
|oadcapac||yandnosa.
I9} ReallyRight Stuhrotating
platform8nodal rail Conver|s a
|r|podheadfor panos |nseconds.
20} TabletoptripodVeryhandy
for shoo||nfrouround|eve|
w||honeof |heTS-l|enses and
|her|h|-an|efnder.
Irccvi|h|hc!uI,2014issucDigitaI SLRhotography 7
1onHicksIrotips
!
Theon|yf||er l carry|s apo|ar|ser. l|'s
nob|secre| |ha| |heyarerea| for
boos||nsa|ura||on, reuov|nrehec||ons
anddar|en|nb|ues||es.
2
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re|eases, b|ur unre|easedpeop|e
w||hs|owshu||er speeds |oua|e|heu
unrecon|sab|e. A||erna||ve|y, shoo|
|heufroubeh|ndor |ryc|ose-ups of
hands, espec|a||y|f |hesubjec| |s ho|d|n
soue|h|n|n|eres||n.
3
Shoo| aa|ns| |he||h| whenever
poss|b|eas || canproducefan|as||c
resu||s. Trypos|||on|n|hesunbeh|nd|rees,
s|ree|||h|s or any|h|ne|se|ha| canh|de
|he|arefor souecoo| s||houe||esho|s.
4
0on'| pu| |hecaueraawaywhen
|| ra|ns. Rush|npedes|r|ans under
co|ourfu| uubre||as ua|erea| subjec|s,
as dorehec||ons onwe| s|ree|s. Keepyour
ear drybys|and|nunder cover.
5
0nce|heday's f|es havebeen
down|oadedandbac|edup||w|ce,
l s|||chanypanos andprocess afew
|uaes. Th|s |ves an|deaof how|h|ns
areproress|nandcana|sobeauora|e
boos|er, espec|a||ywhen|hewea|her |urns
bador houes|c|ness ||c|s |n.
!
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Tc
UltimatePhoto5eriesTruvcI
DigitaI SLRhotography Irccvi|h|hc!uI,2014issuc
Approuchingstrungcrsand
askingif they'dnindposingfor afew
portraits nay scareyouhalf todeath,
but pluck upthecourageandyou'll nd
that nost peoplearefatteredandhappy
tooblige. 1heportraits youtakearealso
likely tobethenost nenorableof the
trip, becauseinteractingwithlocals
ohers aninsight intolives andcultures
that tendtobenissedby tourists.
1hekey tosuccess is totreat subjects
withrespect. Local peoplearen't tourist
attractions intheir country any nore
thanyouareinyours, soinaginehow
you'dfeel if soneonethrust acanera
inyour facewithout warningas you
walkeddownthestreetl f youseea
potential subject, approachthenand
ask pernission. Youdon't needalengthy
discussionor tospeakthelocal language
-point at your caneraandsay 'Photo'
andnost peoplewill understand. f they
decline, say, 'kay, thank you', andwalk
away. Sonepeoplefeel unconfortable
about beingphotographed, others nay
object onreligious grounds, soalways
ask for pernission.
IccIrost
`l rare|yshoo| por|ra||swhenl'u|n
|heuK, bu| ||'s auajor par| of wha|
l dowhenl'u|rave|||n. l |ove|o
uee| peop|efroud|heren| cu||ures, spend||ue
w||h|heuand|n|erac|, and|hepor|ra||s l re|urn
houew||hof|enua|e|he|r|pfor uefar uore
sa||sfy|n. Thehuuanrace|s auaz|n!
'l a|uos| a|ways as|aperson's peru|ss|on
before|a||nanypho|oraphs, sol have|he|r
a||en||on. l |||e|owor|qu|c||y|nava||ab|e||h|,
shoo||nhandhe|d. l occas|ona||yusearehec|or
bu| never hashand|ns|eadl pu| uysubjec|
|n|n|eres||n||h|. Shade|s a|ways asafebe|.
Theen|rance|oahouseor hu| |s a|soood|f
youwan| ab|ac|bac|round, or l'|| poseuy
subjec| aa|ns| |he||h| so|he|uaes have
uorecon|ras| andpunch. l a|ways |ended|o
focus uanua||yonuysubjec|'s eyes, bu| s|nce
sw||ch|n|oaCanonl0SS0H|lll, wh|chhas
superbau|ofocus|n, l |end|ouseAluuch
uore, uov|nas|n|epo|n| |owherel wan| ||
wh||e|hecauera's a| uyeye. l |ovecharac|erfu|
faces sol |end|orav||a|e|owards o|der peop|e
andl |h|n|eyecon|ac| |s rea||y|upor|an|, so
l ua|n|yshoo| w||huysubjec| |oo||nd|rec||y
a| |hecauera. Youcan|earnsouuchabou| a
personby'read|n' |he|r eyes.
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ln|erac|w||h|oca|sandyou'|| a|uos| cer|a|n|ycoue


awayw||hfan|as||cpor|ra||s, espec|a||yw||hch||dren.
Trad|||ona| dressandcos|uuesoa|onway|o
|e|||n|hes|oryof|hecoun|ryyou'rev|s|||n.
Aw|de|ens|sa|rave| uus|-have-perfec| |ocap|ure
yoursubjec| and|hrow|hebac|roundou| offocus.
Iortruits
TruvcI Q&A
ShouIdI pc,por|rci| subjcc|s?
lnsouecoun|r|esyouw||| beas|edfor
uoney, |no|hers no|. lfyouareas|ed|hen
youshou|dpay, bu| on|yasua|| auoun|.
Sua|| bars of soap, penc||s or b|ros are
wor|hcarry|nasyoucanoher |heu
|ns|eadof uoney, espec|a||y|och||dren.
ShouIdI gc| m,subjcc|s|osigr
cmodcI rcIccscjorm?
lfyouwan| |ose|| your por|ra||s |hrouh
p|c|ure||brar|esyoushou|drea||ye| your
subjec|s |os|nauode| re|ease, bu| |f
you'reo|n|oen|er coupe||||ons, send
|heu|n|opho|ouaaz|nes, pu| |heuon
l||c|r e|c|henyoudon'| needare|ease.
ShouIdI scrdm,subjcc|spho|os?
Tha| wou|dbearea||yn|cees|ure.
Hanypeop|ehaveeua|| nowsoyou
cou|dsend|uaes |ha| way. 0|herw|se,
|a|eano|eof |he|r address andpu| afew
pr|n|s |n|hepos| whenyoue| houe.
Tukcyourbcst truvcI photos
Irccvi|h|hc!uI,2014issucDigitaI SLRhotography
rctt Hurkncss
`Ce|||n|he||ue|oshoo|
persona| wor|ou|s|deof uysoc|a|
pho|oraphybus|ness |s hard, bu|
whenl dol ua|e|heuos| of ||. Acoup|eofyears
aol |rave||ed|olnd|a|odocuuen| |oca| ||fe
w||h|na|hree-u||erad|us by|heR|ver Canes.
'Hydocuuen|arypor|ra||s aresho| -|||e
uywedd|ns -veryqu|c||y. l| uaybeabr|ef
encoun|er |n|hes|ree| or as|ower bu||d-upover
acupof |ea. l |end|os|| |nap|acefor awh||e, jus|
a||ow|npeop|e|oe| used|oue. l useaCanon
S0uuf/!.2for uos| of uy|rave| wor|, as l fnd||
|hebes| env|ronuen|a| por|ra|| |ens for ue. l au
area| be||ever |nwha| l ca|| 's||en| accep|ance'.
by|h|s l ueanapproach|nasubjec| andjus|
bybody|anuaeandfac|a| es|ures |here's a
uu|ua| unders|and|n|ha| ap|c|ure|s peru|||ed.
l |ove|ha| connec||onand|heS0uu|ens forces
ue|o|nvade|hesubjec|'s persona| spaceso|he
por|ra|| |s s|roner. l of|enp|aceuysubjec| |n|he
cen|reof |hefraueas |h|s draws |heeyes|ra|h|
|o|heu. l a|soshoo| peop|eetac||ywhere|hey've
s|opped, l don'| |urn|heu|n|obe||er ||h| or pose
|heu. l wan| |obe|rue|o|heuand|heuouen|,
and|ry|ocap|ureane|euen| of |he|r sou|.'
"It'stcmptingtouIwuystukcconvcntionuIhcudshots,
butthccnvironmcntthcy'rcincunuIsouddintcrcst"
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f youget thego-ahead, insteadof


grabbinga fewsnaps thenhurrying
away, try totakecontrol of thesituation.
1hequality of light is inportant sothink
about it. f your subject is infull sun,
youwon't producegreat portraits and
if they havedark skin, contrast nay be
a problen. Solveboththeseissues by
novingyour subject intoshadewhere
thelight is softer andcontrast lower.
Althoughyoudon't want totakeup
toonuchof your subject's tine, try
not torush. 1akea fewshots, check
thenontheLCDscreenfor focusing,
exposure, conpositionandlight. Show
theshots toyour subject -it helps break
theice-thentakesonenoreandkeep
goinguntil you'vebaggeda great one.
Your subject nay benervous initially,
but chat tothenas you'reshooting
sothey will relax andyou'll capture
norenatural expressions. ocus onthe
subject's eyes as they needtobesharp
andif thebackgroundis cluttered, set a
wideapertureof fi4or wider tothrowit
out of focus.
t's tenptingtoalways take
conventional headshots, but the
environnent they'reincanalsoadd
interest sonaybestepback or switch
toa wider lens soyoucanincludeit.
Lvenbetter, doboth-start withtight
headshots thengowider. t's anazing
hownany portraits youcanshoot in
veninutes whenyou'redeternined.
A/0-200nnlens is a goodchoice
toll thefranefrona confortable
distance, throwthebackdropout of
focus andbenet frona perspective
that fatters facial features -especially
aroundthe80-I35nnrange. A50nn
prinestandardlens is alsoperfect for
handheldportraits inlowlight whilefor
environnental portraits, a standardor
widezoonwill allowyoutoinclude
your subject's surroundings.
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Tcmuindigcrcnccbetween
shootinglandscapes inyour hone
country andoverseas is that noreoften
thannot, whenyoutravel toother
countries, you'll bevisitingfor therst
(andoftenonly) tine, soyouneedto
nakesureyoureturnwithgreat shots.
Researchinga newdestination
beforeheadingthereis easier now
thanever before. Younay know
fellowphotographers who'vebeen
soyoucanpick their brains, thereare
loads of great guides availableand, of
course, there's theinternet. nage-
sharingconnunities likelickr arean
invaluableresourcesinply because
sonany inages havebeenpostedby
photographers fronaroundtheworld.
Whentogois as inportant as where
yougoinnany parts of theworld. 1he
1ropics duringrainy seasonprovides
anazingphotoopportunities, but also
loses youalot of tineas youcan't shoot
intorrential rain-andonwardtravel can
behinderedby foods. Sinilarly, nost of
Africais bakinghot duringsunner sois
best avoided, celandshuts downinthe
winter nonths outsidethenaintowns,
and1uscany intaly is best inspring
whenpoppies areout infull force, the
hills aregreenandthevalleys areoften
lledwithnist at dawn. Researching
beforehandprovides this inportant
infornationandhelps youplanyour trip.
Dawnanddusk arethenost
productivetines for landscapes
anywhereintheworld, but especially
incountries wheretenperatures are
highandthelight harsh. Youcanuse
Googletondout sunriseandsunset
tines for specicplaces andspecic
countries andit's worthnotingthen.
Photographer's Lpheneris (http.ii
photoepheneris.con) is alsoa great
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TruvcI Q&A
Ij I |clcorcIcrs, vhichorc
vouId,ourccommcrd?
As|andardzoou|24-/0uuonfu||
fraue, !8-SSuuonAPS-C |s probab|y
|hesafes| be| for |andscapes bu| you
uaywan| soue|h|nw|der, suchas a
!/-40uu/!6-3Suu|!2-24uu/
!S-30uuonAPS-C.
ShouIdI pro|cc| m,ccmcrcvhcr
shoo|irgirchumidcrvirormcr|?
No| rea||y, bu| whenyouofrouan
a|r-cond|||onedspace|o|heou|doors
your |enses andf||ersw||| u|s| upand
can|a|e!0-!Su|nu|es |oc|ear.
Ij i|scchoiccbc|vccrsurrisccrd
sursc|, vhichshouIdI gojor?
bo|hcanbes|unn|nsouaybedo
sunr|seonyour ownandsunse| w||h|he
fau||y, or fa|||n|ha|, a||erna|e-sunr|se
souedays andsunse| ono|her days!
Iundscupcs
IccIrost
`wha| auazes ueas l |rave| |s jus|
howuuch|he|andscapevar|es
around|hewor|d. Reard|ess of |he
|ypeof |andscape, however, pho|oraph|ca||y
uyapproach|sverys|u||ar. l|'s a|| abou| |he
r|h| ||ueand|her|h| ||h|, wh|chuayuean
e|||nuprea||year|yands|ay|nou| |a|e. bu| ||'s
a|wayswor|h|heehor| becausewhen|he||h|'s
ooda| |hebe|nn|nand|heendof |heday||'s
unbea|ab|eandyou'|| a|uos| cer|a|n|y|a|eyour
bes| sho|s dur|n|hefrs| and|as| hour of |heday.
'l spenda|o| of ||ueetp|or|nandrecce|n.
Soue||uesyou're|uc|yand|njus| |her|h|
p|acea| |her|h| ||ue, bu| || pays |o|veyourse|f
||ue, anduore|hanoneoppor|un||y|oe| |he
sho|. l|'s a|so|upor|an| |o|eepanopenu|nd
andbew||||n|ochanep|ans -of|enl'|| se| ou|
w||hapar||cu|ar sho| |nu|ndbu| re|urnw||h
soue|h|n|o|a||yd|heren| becausewhen|he
||h| |s ua|c, youjus| need|ocap|ure||.'
appthat youcandownloadtoyour
snartphone, tablet or laptopanduse
toestablishsunriseandset tines, plus
nuchnore, for any locationanywhere.
1hetypeof shots youbringhone
andthetechniques youusetocapture
thenwill dependonthetypeof scenery
youencounter. 1hedesert landscape
is strippedbaresoconpositions will be
sinple, colourful andgraphic-andyou
needthesuntobelowtocast shadows
that reveal textureandenphasise
shapes. But if you'reheadingtoa
Tukcyourbcst truvcI photos

1ohnirch
`lfyou'reafau||yuan|||eue,
fnd|n||uefor ser|ous pho|oraphy
canbe|r|c|y. Acoup|eofyears ao
uyfau||yandl wen| onahy-dr|veho||day|o|he
uSAand|| wor|edrea||ywe|| becauseeveryone
o| soue|h|nfrou|he|r|p. beprepared|odo
qu||eab|| of researchandp|ann|nbeforehand.
l|'s bes| |o|nvo|vea|| |hefau||yand|e| |heu
choosesoueof |hea||rac||ons |hey'd|||e|ov|s||
|oo-lasVeaswas onour |||nerary. TheuSA|s
hueand|nvo|ves qu||ea|o| dr|v|n, sol a||owed
for souech|||-ou| days around|hepoo|. l a|so
h|reda4t4, as soue|oca||onsweredownrouh
|rac|s. Sunr|sesho|s |nvo|veduesnea||nou|
a| 4au|n|heuorn|nwh||e|hefau||ywere
s|eep|n, dr|v|n|oa|oca||on|n|hedar|and
se|||nup|n|hepredawn||h|. S|and|non
|heedeof aw||derness canyon, wa|ch|n|he
deve|op|nsunr|seenfo|d, |s afan|as||cfee||n-
and|hefau||yhadarea| ||ue, |oo!
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Irccvi|h|hc!uI,2014issucDigitaI SLRhotography

tropical destinationsuchas 1hailand


or theCaribbean, thenidday light can
beproductivewhenshootingbeach
scenes beneathbluesky. verhead
sunalsoworks for urbanlandscapes in
pretty nuchevery country.
1onakethenost of any overseas
tripyouneedtobepreparedtowork
hard-that neans gettingupearly,
stayingout late, doinga lot of walking
aroundandllingeachday withas
nuchphotography as youcan. 1ravel
is diherent fronholidaying-holidays
areneant toberelaxing, but after a
successful photoadventure, you'll need
a holiday. f youdon't thenyou'vebeen
takingit tooeasyl
lar|ys|ar|sareof|enrequ|red|oua|e|heuos| of
|heuorn|n||h|. As|h|s|uaeproves, ||'swor|h||!
Thesof| ||h| a| dus|anddawn|shard|obea| |f
youwan|your|rave| |uaes|obefu|| of uood.
Aswe|| asuore|rad|||ona| |oca||ons, whyno| p|ana
|r|p|osouewhererea||yauaz|n-|||eAn|arc||ca
"Tomukcthcmosto]uny
ovcrscustripyounccdtobc
prcpurcdtoworkhurd
thutmcunsgcttingup
curIy,stuyingoutIutc"
DigitaI SLRhotography Irccvi|h|hc!uI,2014issuc
VctruvcI tocxpcricnccnot only
diherent places, but diherent peoples
andcultures. Goodtravel photography
shouldencapsulateall thesethings in
suchaway that your inages capture
areal favour of whereyou'vebeen-
asenseof place. 1his canbeachieved
not only by shootinglandscapes and
portraits, but alsothearchitecture,
nonunents, details andtextures, and
alsonakingsurethoseshots arevisually
strong, creativeandunusual rather than
sinply recordshots. Any regular tourist
cantakesnaps, but goodtravel inages
arenuchnorethanthat.
Most places intheworldoher visual
clues about their identity andcharacter.
nCuba, for exanple, thereareold
Anericancars, cigars, run, nusic,
thefadedgrandeur that's visibleon
every street, nurals of CheGuevara,
revolutionary posters andnuchnore.
By includingany of theseelenents
inyour inages you'recapturingthe
character of theplace. Dothat ingood
shoot thecars as they headdown
streets of dilapidatedbuildings towards
sun, belchingclouds of backlit exhaust
snokeintotheair. Ascenelikethat
really suns upthecharacter of theplace
becauseit contains nany diherent
elenents andclues. t's only by getting
toknowa placethat youdiscover these
things, but onceyouhaveyoucanwork
thenuntil you'vegot sonegreat shots,
naybegoingback several tines until
you'resatisedyou'vetakenthebest
possibleinages of thelocation.
1akingcliches andinterpretingthen
ina creativeway canalsobeehective.
1heLihel 1ower inParis is a dead
giveaway, for exanple, but youdon't
havetocaptureit ina clichedway. Lven
if it's out of focus inthebackground,
its shapeis sodistinct that theviewer
will innediately knowwhereyouare.
r insteadof shootingthereal thing,
look for it indiherent forns -niniature
souvenirs ona narket stall, say.
Speakingof narkets, they aregreat
places towitness culture-inthefood
anddrink, thetypeof clothingthelocals
wear andtheway they interact. 1he
quality of light inindoor narkets canbe
very atnosphericandif youlook around
youcanoftennda goodviewpoint
fronwhichtocapturetheactivity.
1ravel photographers arelikea dog
witha bone-they won't let gountil
they'resatisedthey havegot every last
bit of goodness out of a situationl
light, conposetheinageina powerful
way, andyou'rewell onyour way toa
winningtravel inage.
1henoreyoutravel, thenoreadept
you'll beconeat recognisingthekey
clues that shouldbegivenpriority.
You'll oftenknowwhat nany of then
arebeforeyouleavehone, through
researchandplanning, thenonceyou
arriveit's acaseof innersingyourself
intheplaceandndingthen-and
alsobeingreceptivetoothers that you
naybeweren't awareof. Hittingthe
streets withacaneraandwandering
aroundwill giveyouagoodintroduction
andyoucanearnark key things.
Goingback toCuba as anexanple,
nany of thetaxis for thelocals are
vintageAnericancars andthereare
a coupleof one-way streets inthe
residential quarter that runeast-west,
soduringnorningrushhour youcan
loca| even|sare|dea| forcap|ur|ncu||ure, sop|an
your|r|pcarefu||ysoyoucana||endafew.
Ha|eapo|n| ofpho|oraph|ncus|ousandsubjec|s
|ha| areun|que|oap|ace.
Youneed|owor|hard|ocap|ure|uaes|ha| s|and
ou| frou|hecrowd, sofnda||erna||vev|ewpo|n|s.
lnc|udec|ues-obv|ousorsub||e-|nyour|rave|
|uaes|ha| he|p|e|| |hev|ewerwhere|heywere|a|en.

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"TcmorcyoutruvcI,
thcmorcudcptyou'II
bccomcutrccognising
thckcycIucsthutshouId
bcgivcnpriority"
CuIturc
Tukcyourbcst truvcI photos
Irccvi|h|hc!uI,2014issucDigitaI SLRhotography 13
IctcAdums
`Asenseof p|ace|s |heessenceof
wha| l'u|ry|n|ocap|ureonuy
|rave|s, |oconveyasp|r|| of |he
|oca||on, afee||nofwha| || u|h| be|||e|obe
|here-|oa|uos| beab|e|o'sue||' |hescene.
before|rave|||nweusua||yhavepreconcep||ons
ofwha| ap|ace|s |||eandwh||e|heycou|dbe
|abe||edas c||ches, |heseareof|ensoueof
|he|eysho|swewan| |ocap|ure. Trave|||n|o
V|e|naurecen||y, uyheadwas f||edw||h|uaes
of r|cepadd|es, h||| |r|bes, |eup|es, hower se||ers
onb|cyc|es e|c, bu| as |hewor|de|s |ncreas|n|y
houoeneous || becoues harder andharder |o
seed|herences. Th|s |swherefrs| |upress|ons
are|upor|an|, before|hesenses havebecoue
a||uned|oyour newenv|ronuen|.
'Ce| ou| ands|ar| shoo||nas soonas
youcan, ua||nuen|a| no|es of wha| you
fnd|n|eres||n, d|heren| andspec|fc|oyour
des||na||on. Tryno| |obecoueb|aseabou|
|hesesubjec| ua||ers andcon||nue|oshoo| and
|uproveon|heu|hrouhou| |he|r|p. l| canbe
d|hcu|| |oseeascene|ha| perfec||ysuus upa
p|ace. e|euen|s uaybe|herebu| |oua|e|he
pho|oraphuore|n|eres||n|| needs ahuuan
e|euen|. As|a|oca| |owa|||hrouh|hescene
anduaybecarryw||hyouare|ona| ha| or ||eu
of c|o|h|nfor |heu|owear for addedcu||ura|
reference|nyour |uae.
IccIrost
`Cap|ur|n|hesp|r|| of ap|ace|s
wha| a||rac|s ueuos| |o|rave|
pho|oraphy. l |ove|hecha||eneof
arr|v|nsouewhereand|a||n|uaes |ha| |e|| ||s
s|ory, ua||n|hev|ewer fee| |||e|heyare|here.
Soue||ues ||'s poss|b|e|odo|ha| |nas|n|e|uae,
bu| l l prefer |ocrea|ease| of pho|os, aser|es of
uon|aes |ha| ||n||oe|her |||ep|eces |naj|saw.
Thosep|eces uaybepor|ra||s, de|a||s, |et|ures,
s|ree| scenes, |andscapes -wha|ever || |a|es. l|'s
auaz|nhowevoca||veandsyubo||csoue|h|n
|||eshadows cas| across awa|| canbe|nsuuu|n
up|hefee| of ap|ace. l| doesn'| have|obe|con|c
v|ews a|| |he||ue. l |||e|oreac| |ofrs| |upress|ons.
lf soue|h|nca|ches uyeye|henl'|| shoo| ||. Tha|
doesn'| ueanl wa||aroundanduseuycauera|||e
auach|neun, bu| l dofnd|ha| ||'s be||er |oshoo|
anded|| |a|er |han|noreandhaverere|s.
TruvcI Q&A
Isi| vor|hpc,irgjorcIoccI guidc?
l| canbe|fyouneed|ofndyourway
aroundbusyuar|e|sandued|nas.
Au|dew||| |nowap|ace|||e|hebac|of
|he|rhand, w||| e|youoh|hebea|en|rac|
andovercoueany|anuaebarr|ers.
ShouIdI gobccl|o|hcscmc
pIcccsmorc|hcrorcc?
Tha| candefn||e|yhe|pyoue| afee|
for |hep|ace-youcan'| etpec| |oe| |he
bes| sho|s onyour frs| v|s||. Cobac|
ond|heren| days anda| d|heren| ||ues
of daysoyoucancap|ure|hechan|n
uoodof ap|ace.
Isi| vor|hc||crdirgIoccI
jcs|ivi|icscrdccrrivcIs?
Abso|u|e|y-|heyare|nra|ned|n|he
cu||ureof uanyp|aces soyou'|| have|o|s
of oppor|un|||es |o|a|epho|oraphs
|ha| cap|ure|hecharac|er of |hepeop|e
and|he|r |rad|||ons. lnbhu|an, for
etaup|e, fes||va|s arean|upor|an| par|
of |oca| cu||ureand|a|ep|acereu|ar|y
|hrouhou| |heyear.
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UltimatePhoto5eriesTruvcI
DigitaI SLRhotography Irccvi|h|hc!uI,2014issuc
cnro: www.kenro.co.uk
Ciottos: www.giottos-tripods.co.uk
Citzo: www.gitzo.co.uk
Iowcpro: www.lowepro.co.uk
Mun]rotto: www.nanfrotto.co.uk
Tumruc: www.intro2020.co.uk
TinkTunk: www.thinktankphoto.con
VcIbon: www.intro2020.co.uk
VcstcrnDigituI: www.wd.con
TruvcI ucccssorics
lfyouhaveroou, pac||hefo||ow|n.
P0LAk|S|N6F|LTLk
Ha|e|heuos| of b|ues||es byus|n
apo|ar|ser |ouat|u|seco|our
sa|ura||on|nyour |uaes. brandswor|h
cons|der|n|nc|udeloya, bw, Co||n,
leel|||ers andl|Tech.
SP00ZLLNSCL0Th
C||p|| |oyour be|| s|raporyour ade|
baand|eepah|h-qua|||yu|crofbre
|ens c|o|hc|ose|ohandforwhenyour
op||cs needac|ean.
HAXLLLA|kSTASh
Th|s usefu| dev|cea||owsyou|o|ransfer
|uaesv|aw|-l| frouyour S0card|o
your |Phoneor |Pad.
P0kTABLLh0
lfyou've|a|enyour |ap|opw||hyou,
besure|obac|-upyour |uaes |oa
por|ab|eharddr|ve. Thewes|ern0|||a|
Passpor| |s s||u||neandre||ab|e-
|he2Tbdr|ve|s oodva|uea| f80.
SPAkLBATTLkY
lfyou'reawayfrouyour ho|e| |a||n|o|s
of sho|s, youwan| |oavo|dyour cauera
becou|nadeadwe|h| because|he
ba||ery|s ou| of ju|ce. Pac|aspare!
C0HPACTCAHLkA
usefu| forwhena0SlR|s |oob|. Asua||
CSC|||ePanason|c's luu|tCl6|s |dea|
|fyouwan| |oswap|enses, apreu|uu
coupac| |||eCanon's PowerSho| C!6
ohers h|h-qua|||yresu||swhereas an
underwa|er coupac| |||eN||on'sAw200
a||owsyou|oshoo| wh||escubad|v|n,
snor|e|||nor hav|nfun|n|hepoo|!
UItimutckit ]ortruvcI
lPY0u'REhEA0lhC0VERSEASAh0PAhCYlhVESTlhClhS0HEhEwPh0T0KlT, hERE'SASELECTl0h0P0uRPAV0uRlTES
cnroTruvcI AngcI II
f280
Benro's Angel rangeincludes this
carbon-breC26821BI kit, which
has a naxinunheight of I.64n.
t uses theI80 legstoragedesign
too, givinga storedlengthof 46cn
andincludes a ball osocket head.
t's sturdy, but heavier thanothers.
Ciotto'sVitruviunVCRN9225
f!60
vitruviantripods havereverse
technology legs that foldthrough
I80 degrees tosurroundthetripod
centrecolunnandhead, naking
thennoreconpact for storage.
Suppliedwitha ball osocket head.
Agreat travel tripod.
CitzoCK!580TQR5TruvcIcr
f520
Want theultinatetravel tripod
1his carbon-breGitzoweighs only
I.Ikgandis just 35cnwhenstored,
yet extends toI.49nandwiththe
suppliedball osocket headcanhold
loads upto5.5kg. Great stability and
durability, but at a nuchhigher price.
Mun]rottocIrcc
f!I5
Another travel tripodwiththe
innovativereverse-legstorage
benet. nits closedpositionit is only
40cnlongyet has a naxinunheight
of I.4n. Madefronaluniniunand
suppliedwitha ball osocket head.
Agoodchoiceif youtravel regularly.

TRAVEL
TRlP00S
VccIvc,srccommcrd
|clirgc|ripodcbrocd.
TcjoIIovirgcrc
dcsigrcd|o|clcup
mirimcI spccc...
Tukcyourbcst truvcI photos
Irccvi|h|hc!uI,2014issucDigitaI SLRhotography 15
IowcproVcrtcx200AV

t's beenarounda nunber


of years but still popular
withtravel (andlandscape)
photographers whoprefer
its conventional design.
Holds a coupleof DSLRs,
half a dozenlenses, laptop
andlots of accessories. t's
ruggeddesignnakes it good
for useintoughconditions.
TinkTunkAirport Nuvigutor

f youdon't needanything
toobig, thencheck out
this neat roller bag, which
despitethesnaller size, can
holdtwoDSLRs, at least
four lenses andplenty of
accessories, plus laptop
too. t boasts easy access,
a shoulder strapas well as
pull-handle. Madeto1hink
1ank's usual highstandards.
TumrucvoIution9

Popular withenthusiasts
andpros, this ohers fast
access androonfor a
largeDSLRwithtelezoon,
several lenses, fashand
laptop. Canbeusedas a
slingpack or backpack. it
canbereachedvia thenain
access or either side. very
confortableandprotective.
TumrucvoIutionSpccdRoIIcr

Spacious roller withtwo


nainconpartnents,
soyoucanrenovethe
divider inonetousefor
personal itens rather than
kit. Backpack harnesses are
includedshouldyounot
want touseit as a roller bag.
Holds a coupleof DSLRs,
several lenses, laptopand
accessories. versatilel
Ph0T0
BACKPACKS
Irrccdoj c
spcciousbcclpccl
|ohoIdcmcdium
|oIcrgcou|j|?
Corsidcr|hcsc
comjor|cbIccrd
pro|cc|ivcop|iors...
Mun]rottoIro50

Ainedat serious
photographers, this boasts
nulti-layeredprotection
andcanbeusedwithsingle
or bothshoulder straps.
t's spacious, holding
twoDSLRs, telezoon,
several lenses, fashgun,
tablet, laptop, tripodand
accessories. Cabin-friendly.
IowcproIroRoIIcrx!00

1hesnallest inLowepro's
newx-series, yet holds
a coupleof DSLRs, up
tosix lenses plus lots of
accessories. ts nodern
designincludes neat wheel
andlock features, highlevel
of protectionplus a clever
secret -theinner sectionis
renovableandconverts into
a fully-protectedbackpackl
Mun]rottoRoIIcrug70

Agreat choiceif youtravel


withlots of kit, holdinga
coupleof DSLRs, at least half
a dozenlenses, fashguns,
laptop, tablet, tripodand
other accessories. Anice
touchis theretainer straps
that holdthefront cover
openwhenaccessingkit.
Stylish, excellent protection
andcabin-friendly tool
R0LLER
BACS
Ij ,ou`rcorcscrious
pho|o|ripcrdvcr|
|hccorvcricrcc
o[crcdb,croIIcr
bcg, ,ouvor`| gc|
bc||cr|hcr|hcsc...
Tc
UltimatePhoto5eriesTruvcI
VinutruvcI kit nd
worthovcr30
HusourtruvcI guidcleft you
enthusedabout headingona photo
tripabroad f so, younay want toadd
sonetravel goodies toyour current
outt. 1hanks toGiotto's, Loweproand
Joby, we'vea topprizebundleandtwo
runner-upprizes upfor grabs.
1hestar of our nainprizebundleis
thebrilliant Giotto's outt worth
I90, nadeupof a vitruvianvGRN
9225travel tripodwith53I0-630
ball osocket head. t's theideal choice
for travel photographers, as it weighs
just over a kiloand, thanks toits
'reversetechnology' legs, takes up
nininal roon(only 32.9cn) when
storedor transported. Whenfully
extended, theve-sectionaluniniun
legs reacha height of I.35n, withthe
suppliedball osocket headhandling
canera loads uptoa hefty 4kg.
ur nainprizewinner alsoscoops
soneother useful travel products. 1he
Lowepro1ransit Backpack 350AWis
adiscreet photobagthat ohers fast
access tokit. t holds aDSLR, twoor
threelenses, fashgun, laptop, conpact
tripodandother accessories.
1heLoweproConpact MediaCase
20safeguards your inportant digital
storagedevices inonehandy location.
t features dedicatedpockets for an
ultra-portableharddrive, uptofour
nenory cards andaUSBcable. inally,
thenainprizebundlealsoincludes a
Joby Grip1ight Mount, whichattaches
your snartphonetoatripodfor shooting
shake-freeinages or video. We've
runner-upprizes, too, withtworeaders
scoopingaJoby Grip1ight Mount.
1oenter andhaveachanceof
winningoneof our great travel prizes,
sinply answer our questionbelowby
our closingdateof 1uesday I5July 20I4.
Porfurtherinformationonourprizes, visit.
www.joby.com, www.giottos-tripods.co.ukand
www.lowepro.co.uk
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