Sei sulla pagina 1di 3

"USKERETIQUETTECONSISTSOFTWOSIMPLERULES

3TAYOUTOFANOTHERPERFORMERSLINEOFSITE
 3TAYOUTOFEARSHOTOFANOTHERPERFORMER

3TREET#HARACTER 4HESERULESOFVISUALANDACOUSTICSEPARATION
ENSURETOLERANCEOFBUSKERSFORANOTHERS
$ANIEL2YAN PERFORMANCE3HOPSCANTAKEACCOUNTOFTHEMTO
REMOVEPERFORMERSFROMTHEVICINITYBYBLASTING
)VEALWAYSENJOYEDTHE.OLLIMAPOF2OMEANDITSDERIVATIONSBECAUSEOFHOWTHEYCLAIM OUTRADIOONTOTHESTREET$URINGPEAKHOURS
PUBLICSPACESFORTHESTREET(OWEVERALAYERISMISSINGONETHATSHOWSTHEmEETINGPLACES THESETWORULESGIVERISETOACONSISTENTSPACING
CREATEDBYCONGREGATIONSOFPEOPLE!SASHOPPINGTHOROUGHFARETHEREISANASSUMPTION OFPERFORMERSALONGTHESTREETBUTDONOTGIVE
THATINDOORSPACEON'RAFTON3TREETISFORCONSUMPTIONWHILEOUTOFDOORSPEOPLEAREFREE ANINDICATIONOFCROWDSIZE'ENERALLYMUSICIANS
TOEXPRESSTHEMSELVES LINEONESIDEOFTHESTREETWITHTHE,IVING3TATUES
OPPOSITE)DIDNOTMANAGETODETERMINETHECAUSE
)NFACT THISFREEDOMOFEXPRESSIONBECOMESASOURCEOFINCOMEASSTREETPERFORMERSCARVE OFTHIS!TTIMESTHEREISASYMBIOSISBETWEENTHE
PERFORMERANDTHEBUILDINGBEHINDSUCHASSHOWN
SPACESINTHEmOWOFPEOPLE SLOWINGTHEMDOWNANDENTERTAININGTHEMONTHEWAY!S
INTHEIMAGEOF%L#HEOUTSIDEACIGARSHOP
BUSKERSMUSTNEGOTIATESHOPS STREETFORM CROWDmOWANDTHEWEATHER THEIRSTUDYOFFERS
AMEANSTOUNDERSTANDTHECHARACTEROF'RAFTON3TREET /PENING(OURS
0ERFORMERSARRIVEAROUNDAMANDAREFOUND
)Nh-ADEIN4OKYOv !TELIER"OW WOWNOTE THEREUNTILAMATTHEWEEKENDS4HENUMBEROF
h)FWEOBSERVETHEMICROECOSYSTEMSOFTHECITYINTHISKINDOFWAY CROSSCATEGORICALAND BUSKERSREmECTTHEFOOTFALLONTHESTREET4HISIS
INNOCENTUTILISATIONOFTHEBUILTENVIRONMENTCANHAVEPLENTYOFFUN RATHERTHANBEING DEPENDANTONSHOPANDPUBOPENINGHOURSAS
WEIGHEDDOWNBYTHESOLEMNITYOFASINGLEBUILDINGv WELLASTRAMARRIVALTIMES3URGESOFPEDESTRIANSARE
WITNESSEDEVERYlVEMINUTESASEACH,UASTRAM
-ETHOD UNLOADSITSPASSENGERSAT&AICHE3TIABHNA
&OURDIFFERENTPERFORMERSWEREINTERVIEWED WITHONEGIVINGATOUROFTHESTREET POINTINGOUTAREAS
OFIMPORTANCEFORBUSKING0ERFORMERSWEREPHOTOGRAPHEDIN*UNEATWEEKENDS WHENCROWDSARE 4HEREISAMARKEDCHANGEINTHESTREETONCE
LARGEST4HENOVERTWOCONSECUTIVE3ATURDAYSIN*ULYTHECROWDSANDBUSKERSWEREMAPPEDATTWO SHOPSSHUTAFTERPMWHENITCHANGESFROMA
HOURINTERVALSBETWEENPMAM DESTINATIONTOATHOROUGHFARE-OSTPERFORMERS
MOVEONTO4EMPLE"AR WITHAFEWMUSICIANS
!#OLLECTIONOF0ITCHES LOCATINGTHEMSELVESAROUND!4-MACHINESAND
4HESPACEWHEREABUSKERPERFORMSISKNOWNASAPITCH0REFERREDPITCHESFORBUSKERSARELOCATED CLOSETOTHEFASTFOODRESTAURANTS THEONLYSIGNS
ATTHETOPOFTHESTREETBY3T3TEPHENS'REENOPPOSITE"EWLEYS#AFEBY*OHNSON#OURTBETWEEN OFLIFEONTHESTREET-USICIANSARESTILLSPACED
7ICKLOW3T$UKE3T4HESESPACESCONSISTENTLYATTRACTLARGECROWDSOVERTHECOURSEOFTHEDAY EVENLYONTHESTREET ONLYFEWERINNUMBER7ITHNO
!lGURE GROUNDMAPDOESNOTSHOWTHEREALITYOFTHE PEOPLEPASSINGTHROUGHITOVERAN SHOPSORRESIDENTSTOOBJECT THESIZEOFTHEAURAL
HOUR7ITHTHISNUMBEROFPEOPLE THEEMPTYPOCKETSAROUNDBUSKERS BREAKTHESTREETDOWNINTOA SPACEINCREASESDRAMATICALLY%ARLIERTHISWOULD
SERIESOFSMALLROOMSWALLEDBYSPECTATORS HAVESCAREDOFFSOBERSHOPPERSATNIGHTTIME ITIS
AMEANSTOATTRACTDRUNKENTIPSINEXCHANGEFOR
SINGALONGS

-INIMAL)NFRASTRUCTURE
4HESTAGINGOFANEVENTISCREATEDWITHAMINIMUM
OFPROPS!LLKEEPTHEFOCUSONTHEPERFORMER
!BEERCRATEFORALITTLEHEIGHTACAPSUFlCES
ASATILLROPESANDCHAINSDElNETHEEDGEOFA
PERFORMANCE
&ORTHELIVINGSTATUESTHECOSTUMEISTHEACT
3PECTATORSCAMERA PHONESARETHEMAINPROPSOF
THEPERFORMANCE0ROPSAREOFTENMULTIFUNCTIONAL
4HECONTORTIONIST"ENDY%MMAUSESAPERSPEXBOX
ASASTANDTOATTRACTATTENTIONATTHEBEGINNINGOF
THEPERFORMANCEASACONTAINERFORHERBODYAND
AFTERWARDSTOCARRYHERGEARWHENMOVINGON

4HESTREETFURNITUREALSOPLAYSAROLEnlLTERINGTHE
CROWD OFFERINGPLACESTOLINGERMARKINGOFFPOSTS
OFTHEPITCH%VENTHETOPOGRAPHYISOFUSEh-OSTOF
THECOSTUMEGUYSWORKTHEOTHERSIDEOFTHESTREETBUT
)LIKETOWORKTHISSIDEBECAUSETHEREISASLIGHTSLOPE
TOWARDSYOUv

"ENDY%MMASETSUPATTHEJUNCTIONOF
#HATCHAM3T'RAFTON3T!TPMTHE
JUNCTIONOFFERSAREMAININGSPOTONTHE
STREETTOENJOYTHESUNSHINE
H
4HELIMBODANCERSWORKTHECROWD!PARTYISINFULLSWINGATTHETOPOF
'RAFTON3T.OTMUCHSPACEREMAINSFORPASSERSBY


!ROPEDElNESTHEPERFORMANCEAREA)T
ALSOCREATESTHECROWDFORM


H
!#HRISTIAN2OCKBANDTRIEDTOCLAIMTHEPITCHAFTERTHEENDOFTHE
$URINGTHEPERFORMANCETHECROWD
LIMBOPERFORMANCE4HECROWDHEADSOFFLEAVINGNOEVIDENCEOFTHE GROWSTOSUCHANEXTENTTHATONLYONE
PREVIOUSGATHERING SIDEOFTHESTREETREMAINSPASSABLE

#ROWD&ORM 7EATHER
-OSTCROWDSONTHESTREETTENDTOWARDAHORSESHOESHAPEVARYINGBETWEENASHALLOWARCAND 4HEAREAWASMODELLEDIN%COTECTANDSUNLIGHTPATTERNSSTUDIED%XCEPTFORTHETOPOF'RAFTON3T
DEEPELLIPSE!SWELLASTHESTEPSOUTLINEDINTHECROWDFORMATIONDIAGRAM THESTREETGRAINEXERTS THEMOSTPRIZEDPITCHESDIDNOTCORRESPONDTOTHESUNNIESTLOCATIONS7ITHPERFORMANCESGENERALLY
ASTRONGPRESENCEONTHESUCCESSOFACROWD5NITSVARYINWIDTHONTHESTREETFROMMTOM OF MINUTESDURATION TEMPERATURESOFDEGREESARETOLERABLE"EN+RITIKOSMENTIONEDTHAT
0ERFORMERSPOSITIONTHEMSELVESATAPOINTEQUIDISTANTBETWEENTWOSHOPENTRANCESTHEGREATER INPOORWEATHER BUSKINGCANBELUCRATIVE WITHMONEYGIVENOUTOFSYMPATHY,ARGECROWDSWERE
THEDISTANCE THELARGERTHEWIDTHOFTHECROWDPOSSIBLE4HELARGESTUNITS BETWEEN7ICKLOW3T NOTEDONTHESTREETDESPITEOVERCASTCONDITIONS4HELIKELIHOODOFRAINENHANCESTHENEEDFORLIGHT
$UKE3TFORMTHEMOSTLUCRATIVEPOINTFORPERFORMANCE PORTABLEEQUIPMENT4HEMANYPORCHESONTHESTREETOFFERSHELTER TOWAITOFFADOWNPOUR

!SNOTEDINTHECROWDFORMATIONDIAGRAM PEOPLEINITIALLYSTOPBYBOLLARDSANDTHEEDGESOF #ONCLUSION


BUILDINGSACROSSTHESTREETFROMABUSKER*AN'EHLEXPLORESTHEEDGEZONEINACOMPREHENSIVE 7HILETHISSTUDYFOCUSEDEXCLUSIVELYON'RAFTON3TREET THECITYSOTHERMAINCOMMERCIALSTREET
MANNERIN,IFE"ETWEEN"UILDINGSv!PLACETHATISINITIALLYUSEFULTODISCREETLYSURVEYA n(ENRY3TREETHASASIMILARLEVELOFACTIVITYYETDOESNOTSUSTAINBUSKERSDURINGDAY TIME!
PERFORMANCEBYASINGLEPERSON BECOMESACOMMUNALAREAWHENOTHERSACTSIMILARLY COMPARISONBETWEENTHETWOWOULDFURTHERHIGHLIGHTTHEURBANQUALITIESTHATENCOURAGEOUTDOOR
PERFORMANCE
4HENARROWWIDTHOFTHESTREETLENDSITSELFTOPERFORMANCEINTHEROUNDONLYATTHETOP SOUTHERN /BSERVINGTHESEPERFORMANCESONESEESHOWLITTLEMATERIALISNECESSARYFORTHEIRSTAGING)TIS
ENDWHERECROWDSMAYREACHPERSONS STRIKINGTOWATCHATHEATREFORPEOPLEBUILTBYASINGLEPERFORMER AROPEANDABOXANDTHEN
CLEAREDWITHOUTATRACEINFOURMINUTESTIME)TISALLABOUTTHECREATIONOFAPLACEFORENCOUNTER

7ITHTHANKSTO%MMA4UNBRIDGE **4IERNEY "EN+RITIKOS!IDAN'ORMAN

$ANIEL2YANSTUDIEDARCHITECTUREIN5#$ANDWORKSFOR3OLEARTH%COLOGICAL!RCHITECTURE


)TISINTERESTINGTOCONSIDERTHATWHILEAVERAGERENTSINSPRINGFORTHElRSTSIXMETRESDEPTHFORSHOPSONTHESTREETWAS
% MHTTPWWWHOKIEPDFSPROPERTY?OUTLOOKPDF THEREARENOOVERHEADSFORSTREETPERFORMANCE"USKERSARE
UNLICENSEDWITHNOSYSTEMOTHERTHANAMUSICIANSUNIONCARDFORREGISTRATION
!CCORDINGTOGUITARIST"EN+RITIKOS EARNINGSFORA3ATURDAYNIGHTFROMMIDNIGHTTOAMWOULDTYPICALLYBE% 3OME
PEOPLELOOKATUSASSTREETARTISTSBUTOTHERSTHINKWEREBEGGARS4HISCONTRASTISBORNEOUTINTHEUSEOFIMAGESOFBUSKERSTO
ADVERTISETHEBUZZOFTHECITYABROADYETTHESEPERFORMANCESAREATTHEDISCRETIONOFTHE'ARDAÓ
3TAGE 3TAGE 3TAGE 
-OMOYO+AIJIMA *UNZO+URODA9OSHIHARU4SUKAMOTO -ADEIN4OKYO4OKYO+AJIMA)NSTITUTE0UBLISHING#O,TD
*AZZ$UOSETUPBETWEENTWO !BOUTPEOPLEFORMACORE !BOUTPEOPLEOBSERVE 
#"2ICHARD%LLIS)RISH2ETAIL-ARKET6IEW1 !CCESSED
BOLLARDS&IVESPECTATORSFORM GROUPAROUND0IGMAN&LOW "ENDY%MMAINACTION0ASSAGE HTTPWWWCBRECOM.2RDONLYRES%" !# " !& """%$)RISH2ETAIL-ARKET6IEW1PDF
THEAUDIENCE!NUMBEROFCOU MOVESTOWARDSTHEJUNCTION ISAFFORDEDALONGONLYONESIDE 
)NANINTERVIEWWITH**4IERNEY0IGMAN *ULY
PLESHOVERBYWALLSANDSTREET SEPARATINGGROUPSOFSPECTATORS OFTHESTREET)TISNOLONGERPOS 
4HEBOLLARDSTHATAREFOUNDINMANYSOUTHERN%UROPEANCITYSQUARESFUNCTIONWIDELYASSUCHWELL DElNEDSUPPORTSFORLONGER
FURNITUREINPASSIVEPARTICIPATION ATTHEBACK!NUMBEROFOTHER SIBLETOWATCHFROMADISTANCE STAYS4HESEAREUSEDTOSTANDAGAINST TOSTANDNEAR TOPLAYAROUND ANDTOPUTTHINGSNEXTTO
COUPLESOBSERVEFROMADISTANCE ANDPEOPLEMUSTJOINTHEMAIN
ASIN3TAGE CROWDTOSEETHEACT P*AN'EHL ,IFE"ETWEEN"UILDINGS5SING0UBLIC3PACE !RKITEKTENS&ORLAGTH%D

Potrebbero piacerti anche