SALIENT ASPECTS OF ART FORMS LITERATURE AND ARCHITECURE FROM ANCIENT TO MODERN TIMES

Arts and entertainment in India have a rich and ancient history. Right from ancient times there has been a synthesis of indigenous and foreign influences that have shaped the course of the arts of India, and consequently, the rest of Asia. Arts refer to paintings, architecture, literature, music, dance, languages and cinema. In early India, most of the arts were derived Vedicinfluences. After the birth of contemporary Hinduism, Jainism, Buddhism, and Sikhism arts flourished under the patronage of kings and emperors. The coming of Islam spawned a whole new era of Indian architecture and art. Finally the British brought their own Gothic and Roman influences and fused it with the Indian style. They have a culture infusion in their art.

Architecture
Indian architecture is that vast tapestry of production of the Indian subcontinent that encompasses a multitude of expressions over space and time, transformed by the forces of history considered unique to the sub-continent, sometimes destroying, but most of the time absorbing. The result is an evolving range of architectural production that nonetheless retains a certain amount of continuity across history. The earliest production in the Indus Valley Civilization was characterised by well planned cities and houses where religion did not seem to play an active role. The Buddhist period is primarily represented by three important building types- the Chaitya Hall (place of worship), the Vihara (monastery) and the Stupa (hemispherical mound for worship/ memory) - exemplified by the awesome caves of Ajanta and Ellora and the monumental Sanchi Stupa. The Jaina temples are characterised by a richness of detail that can be seen in the Dilwara Temples in Mt.Abu. Early beginnings of Hindu temple architecture have been traced to the remains at Aihole and Pattadakal in present day Karnataka, and have Vedic altars and late Vedic temples as described byPini as models. Later, as more differentiation took place, the Dravidian/ Southern style and or the Indo-Aryan/ Northern/ Nagara style of temple architecture emerged as dominant modes, epitomised in productions such as the magnificent Brihadeeswara Temple, Thanjavur, and the Sun Temple, Konark. With the advent of Islam, the arch and dome began to be used and the mosque or masjid too began to form part of the landscape, adding to a new experience in form and space. The most famous Islamic building type in India is the tomb or the mausoleum which evolved from the basic cube and hemisphere vocabulary of the early phase into a more elaborate form during theMughal era where multiple chambers are present and tombs were set in a garden known as the charbagh. Well known examples are the Gol Gumbaz, Bijapur and the Taj Mahal, Agra, the latter renowned for its beauty in white marble, its minarets and its setting. With colonisation, a new chapter began. Though the Dutch, Portuguese and the French made substantial forays, it was

the English who had a lasting impact. The architecture of the colonial period varied from the beginning attempts at creating authority through classical prototypes to the later approach of producing a supposedly more responsive image through what is now termed IndoSaracenic architecture- a mixture of Hindu, Islamic and Western elements. With the introduction of Modern Architecture into India and later with Independence, the quest was more towards progress as a paradigm fuelled by Nehruvian visions. The planning ofChandigarh- a city most architects hate/love- by Le Corbusier was considered a step towards this. Later as modernism exhausted itself in the West and new directions were sought for, in India too there was a search for a more meaningful architecture rooted in the Indian context. This direction called Critical Regionalism is exemplified in the works of architects such as B. V. Doshi,Charles Correa, etc. Apart from this, the advent of globalisation and economic development since the 90s, has spawned an impressive collection of modern IT campuses and skyscrapers, and as economic reform accelerates, metropolitan areas are gaining futuristic skylines.

Literature
Indian literature is generally acknowledged, but not wholly established, as the oldest in the world. India has 22 officially recognized languages, and a huge variety of literature has been produced in these languages over the years. In Indian literature, oral and written forms are both important. Hindu literary traditions dominate a large part of Indian culture. Apart from the Vedas which are a sacred form of knowledge, there are other works such as the Hindu epics Ramayana andMahabharata, treatises such as Vaastu Shastra in architecture and town planning, and Arthashastra in political science. Devotional Hindu drama, poetry and songs span the subcontinent. Among the best known are the works of Kalidasa (writer of the famed Sanskrit play Shakuntala) and Tulsidas (who wrote an epic Hindi poem based on the Ramayana, called Raamcharitmaanas). Tamil literature has been in existence for more than 2500 years. Tolkaappiyam has been credited as its oldest work, whereas the exact origins of Thirukkural is unknown. The golden age of Tamil literature was during the Sangam period, roughly 1800 years ago. The classic works of this period are Cilappatikaram,Manimekalai, and Sivakasinthamani. Tamil literature is known for its secular traditions, although its authors had strong religious beliefs. Thirukkural is considered to be the greatest of Tamil works. Kannada literature is probably the third oldest in Indian literature next to Sanskrit literature and Tamil literature. The earliest reported work in Kannada literature dates back to the fifth century. The first available literary in Kannada is Kavirajamarga, written in the eighth century by Amoghavarsha Nrpatunga. Hindi literature started as religious and philosophical poetry in medieval periods in dialects like Avadhi and Brij. The most famous

figures from this period are Kabir and Tulsidas. In modern times, the Khadi dialect became more prominent and a variety of literature was produced in Sanskrit. The most renowned Bengali writer is Nobel laureate Rabindranath Tagore, who received the Nobel Prize for Literature. In the last century, several Indian writers have distinguished themselves not only in traditional Indian languages but also in English. India's only native-born Nobel laureate in literature was the Bengali writer Rabindranath Tagore, but VS Naipaul, a diaspora Indian novelist born in Trinidad, also won the Nobel in 2001. Other major writers who are either Indian or of Indian origin and derive much inspiration from Indian themes are R. K. Narayan, Vikram Seth, Salman Rushdie, Arundhati Roy, Raja Rao, Amitav Ghosh, Vikram Chandra, Mukul Kesavan, Shashi Tharoor, Nayantara Sehgal, Anita Desai, Ashok Banker, Shashi Deshpande, Jhumpa Lahiri, and Bharati Mukherjee.

Ancient India
The History of India begins with the Indus Valley Civilization and the coming of the Aryans. These two phases are generally described as the pre-Vedic and Vedic periods. The earliest literary source that sheds light on India's past is the Rig Veda. It is difficult to date this work with any accuracy on the basis of tradition and ambiguous astronomical information contained in the hymns. It is most likely that Rig Veda was composed between 1,500 B.C. and 1,000 B.C. In the fifth century, large parts of India were united under Ashoka. The 6th Century B.C. was a period of great tumult in India. The kingdom of Magadha, one of the 16 great Janapadas had become paramount over other kingdoms of the Ganges Valley. This period also saw the emergence of various heterodox sects in India. This was the time when Buddhism and Jainism emerged as popular protestant movements to pose a serious challenge to Brahmanic orthodoxy. This period was followed by the Mauryas of whom the most famous was Ashoka the Great. The boundaries of his empire extended from Kashmir and Peshawar in the North and Northwest to Mysore in the South and Orissa in the East - but his fame rests not so much on military conquests as on his celebrated renunciation of war. For the next four hundred years (after the great Mauryas), India remained politically disunited and weak. It was repeatedly raided and plundered by foreigners. Stability was restored by the Guptas. The Gupta age was the period of peace and prosperity and witnessed an unprecedented flowering of art, literature and the sciences. This period also saw the beginning of Hindu temple architecture. After the Guptas there was only a brief afterglow, in the time of Harshavardhana of Kannauj. A Chinese traveler, Huen-tsang visited India from (629 - 645 A.D.) during the reign of Harshavardhana. His account gives us an opportunity to note the changes that had taken place in the lives of the Indian people since the days of the Guptas. Ancient Indian Art Each era is unique in its distinctive culture. In the same way Indian art forms have continuously evolved over thousands of years. In ancient India, various art forms like paintings, architecture and sculpture evolved. The history of art in ancient India begins with prehistoric rock paintings. Ancient Indian Geography India and its surrounding countries are so similar in culture and climatic conditions that the region is sometimes called the Indian sub-continent. In ancient times the geography of India was a little different than what it is today. In the northern part of India stand the Himalayan Mountains and the Hindu Kush stand in the North West.

Ancient Government In the beginning of the Vedic age people did not have a settled life and were nomads but with development in agriculture people started to settle down in groups. The organization was mainly tribal and the head of the tribe was supposed to be the raja or the King, though the concept of King had yet not developed. Ancient India Religion The predominant religion in ancient India was Hinduism. The roots of Hindu religion can be traced back to the Vedic period. Hinduism is believed to be the oldest of major religions and originated in northern India. Early Aryan, or Vedic, culture was the early Hinduism whose interaction with non-Aryan cultures resulted in what we call Classical Hinduism. Ancient India Facts According to Greek philosophers slavery did not exist in ancient India. Aryabhatta, the great astronomer and scientist, discovered zero. The number system was also invented in ancient India. The Indus valley civilization was one of the most advance civilizations in terms of town planning etc. During the ancient period there were many famous and important centers of learning in India- Taxila and Nalanda, where thousands of students from all over studied different subjects. Ashoka Asoka was one of the most powerful kings of the Indian subcontinent. A ruler of the Mauryan Empire, Ashoka ruled over the country from 273 BC to 232 BC. The reign of Emperor Asoka covered most of India, South Asia and beyond, stretching from present day Afghanistan and parts of Persia in the west, to Bengal and Assam in the east, and Mysore in the south. Chandragupta Maurya Chandragupta Maurya was the founder of the Maurya Empire in India. He is credited with bringing together the small fragmented kingdoms of the country and combining them into a single large empire. As per the Greek and Latin accounts, King Chandragupta Maurya is known as Sandracottos or Andracottus. Harshavardhan Harshavardhana was an Indian Emperor, who ruled over the northern parts of India for a period of more than forty years. His empire was spread over the states of Punjab, Bengal, Orissa and the entire Indo-Gangetic plain, lying to the north of the Narmada River. Indus Valley Civilisation Indus Valley Civilization was an ancient civilization that thrived in the Indus and Ghaggar-Hakra river valleys, now in Pakistan, along with the northwestern parts of India, Afghanistan and Turkmenistan. The civilization, which is also known as Harappan Civilization, lasted from 3300 BC to 1700 BC. The discovery of the Ancient Indus River Valley Civilization was made, when the Harappan city, the first city of Indus Valley, was excavated. Vedic Age The Vedic Period or the Vedic Age refers to that time period when the Vedic Sanskrit texts were composed in India. The society that emerged during that time is known as the Vedic Period, or the Vedic Age, Civilization. The Vedic Civilization flourished between the 1500 BC and 500 BC on the Indo-Gangetic Plains of the Indian subcontinent.

Strategy for Culture

If we scrutinize last few years question papers, it can be easily concluded that culture is increasingly becoming a favorite area to ask questions. Culture is not only important from mains point of view but it is also consistently asked in prelims (4-6 questions every year) and interviews (for ex., one of my friend was asked about temple architecture in his interview this year). With a changed pattern of exam this year (2013), culture is set to play more vital role in mains exam as GS paper-I with a heading Indian Heritage

and Culture, History and Geography of the World and Society clearly mentions that Indian culture will cover the salient aspects of Art Forms, Literature and architecture from ancient to modern times. In the light of these new developments, let us discuss what does culture refers to, why culture is asked in this exam, what different aspects of culture are and where from it should be covered. According to me and whatever I have learned till now especially from my rural life experience, culture refers to that composite whole which comprise knowledge, belief, art, morals, law, custom and all other habits acquired by a human being as a member of the society. Thus, loosely speaking, culture is intellectual aspect of a civilization. While going through study of Indian Culture, I started realizing why it is asked in this exam by UPSC and why it is indispensable for a civil servant to comprehend and appreciate Indian culture. Since human lifestyle is a product of its prevailing culture, it is impossible to govern, administrate and serve the society without having an adequate understanding about its culture. Besides, behavior of humans is continuously molded and reshaped by the culture around them. Thus culture constitutes a blueprint for the society. All societal laws, interactions and behaviors are governed by culture, making it essential for administration. Culture is an also an important aspect of history and civilization. Hence it is impossible to understand history of a landscape without paying due attention to its culture. Besides, culture can form invisible bonds between members in the community; thus holding them together. It also lays the foundation for moral values. In exam, Culture questions basically desire to appreciate diversity of India which is unique characteristic of our nation. No question is asked on technical lines, be it Lepakshi temple paintings and Ajanta murals (Prelims 2013) or flute playing Krishna (Mains 2012) or questions on classical music from Amir Khusro to Dagar Brothers to Thumri-Dadra. Questions simply try to assess ones understanding about different diverse aspects of Indian culture. Based on the importance in this exam, culture can be divided into its following facetsMajor Components (i.e. frequently asked) Art Dances (both Classical and Folk) Music (Classical- Hindustani & Carnatic, Folk and Indi-pop) Paintings Religion and Philosophy Minor Components Literature Cinema (important this year as it completed 100years) Drama (includes Theatre and Puppetry) Crafts Fairs and Festivals Sources To begin with, one should visit last 10-15 years question papers for GS to find out what kind of questions are asked in culture. It should be remembered that general aspects of culture are required and not the specific ones. Below is the list of sources which I referred (first 5 are a must whereas last 4 are discretionary) 1. Spectrums Facets of Indian Culture- This book covers each and every aspect of Indian culture. But since this book is broadly written and not concise, it should be studied selectively. Religion and philosophy is very well covered in chapter 2. Musical Instruments, Folk Music and Indi-pop is very well covered in Music chapter. Dance, Architecture, Art and Paintings are well covered. Chapter 8, 9 and 10 can be skipped or should be very selectively covered (which are regarding language and literature and media) 2. I also referred Vajiram & Ravi culture notes (by Vikas Bhardwaj Sir) and the printed book.

3. NCERT History books from 6th to 8th. Since information regarding culture is scattered in each chapter, I made notes from each chapter to selectively pick the required content. 4. The Hindus Friday Review and Young World (on Tuesday) contain information about recent developments in culture as well as its diverse elements. 5. Indian Art and Culture by Dr. Tara- this is in the form of loose sheets available at the bookshops. Good thing is -it is very concise. But it leaves some important aspects (like religion) which are to be supplemented from other sources. 6. Civil Services Chronicle magazines Special Edition on Culture 7. Ministry of Culture website 8. The Wonder That Was India by A.L.Basham 9. Internet is the final go-to source for any information regarding culture.

Ancient Indian Architecture

Famous Hindu Akshardham temple in South Delhi Indian architecture is that vast tapestry of production of the Indian Subcontinent that encompasses a multitude of expressions over space and time, transformed by the forces of history considered unique to the sub-continent, sometimes destroying, but most of the time absorbing. The result is an evolving range of architectural production that none the less retains a certain amount of continuity across history.

There are many monuments and buildings to exhibit, Expedia flights to India are always available.

Ajanta Caves

The Ajanta Caves in India are 29 rock-cut cave monuments which date from the 2nd century BCE. The caves include paintings and sculptures considered to be masterpieces of both Buddhist religious art (which depict the Jataka tales) as well as frescos which are reminiscent of the Sigiriya paintings in Sri Lanka. The caves were built in two phases starting around 200 BCE, with the second group of caves built around 600 CE. Since 1983, the Ajanta Caves have been a UNESCO World Heritage Site. The caves are located in the Indian state of Maharashtra, near Jalgaon, just outside the village of Ajintha. Caves are only about 59 kilometers from Jalgaon Railway station (on Delhi - Mumbai, Rail line of the Central railways, India); and 104 kilometers from Aurangabad (from Ellora Caves 100 Kilometers).

Indus-Sarasvati Civilization and the Vedic Village

The earliest production in the Indus Valley Civilization was characterized by well planned cities and houses where religion did not seem to play an active role. The presence of drainage systems and public baths showed advanced standards of hygiene and sanitation and ingenious planning. The Vedic village had certain distinct characteristics that influenced subsequent architectural production. The Vedic grama could have a pur, or a fort-like structure within it. The Vedic hymns speak of "purs" made of stone and metal. The Vedas have many words for houses. It appears that the main distinction was between chardis (house with a thatched roof), harmyam (a house of brick and stone that had a courtyard in the middle), and gotra (a multi-dwelling complex with sheds for animals). The Rig-Veda speaks once of a palace with 1000 doors, and twice of a palace with 1000 columns.

Buddhist and Jaina Architecture Buddhism gained prominence during the reign of the emperor Ashoka. It is primarily represented by three important building types- the Chaitya Hall (place of worship), the Vihara (monastery) and the Stupa (hemispherical mound for worship/ memory)- exemplified by the magnificent caves of Ajanta and Ellora and the monumental Sanchi Stupa. The Greek influence led the Indian architecture of the time, especially the rock-cut art, to fall under one of the two categories: the Mathura school of art which was strictly Indian in spirit and did not adopt from the Greek styles, and the Gandharva school of art which incorporated influences of the Greek art. The division of Buddhism into Hinayana and Mahayana phases also influenced the nature of rock-cut art, the former being represented by artifacts used by the Buddha, and the latter by images of the Buddha. The Jaina temples are characterized by a richness of detail that can be seen in the Dilwara Temples in Mt. Abu.

Ellora Cave Architecture World Heritage Site Other Buddhist, Jain, and Hindu Caves and Temples Temples

The Hindu Temples

Virupaksha Temple, Pattadakal The reference to temples in literature go back early with Panini (520 BC - 460 BC) and Patanjali mentioning temples which were called prasadas. Early beginnings of Hindu temple architecture have been traced to the remains at Aihole and Pattadakal in present day Karnataka, and have Vedic altars and late Vedic temples as described by Panini as models. Later, as more differentiation took place, the Dravidian/ Southern style and or the Indo-Aryan/ Northern/ Nagara style of temple architecture emerged as dominant modes, epitomized in productions such as the magnificent Brihadeeswara Temple, Thanjavur, and the Sun Temple, Konark. The older terminologies of Dravidian and Indo-Aryan are not used in current practice because of their racial and dubious origins. Buddhist elements and motifs have influenced temple architecture to a considerable extent.

Early temples were rock-cut, later structural temples evolved. The Kailasanatha temple at Ellora is a good example of the former, excavated from top to bottom out of a massive rock face. The pyramid formed an essential architectonic element in any temple compositionstepped in the Dravidian style, stepped and slightly curved in the Northern style. The structural system was essentially trabeated and with stone being the basic raw material for the Indian craftsman, construction could be carried out with minimal or no mortar. Decoration was fundamental to Indian architecture and is seen in the myriad details of figured sculpture as well as in the architectural elements. The concept of fractals has been used to examine the form of the Hindu temple, both in terms of its planning and external appearance. The garba-griha or the womb chamber forms the central focus housing the deity of the temple and is provided with a circumambulation passage around. However, there are also many subsidiary shrines within temple complexes, more particularly in the South Indian (the Dravidian style) temple. As the Hindu temple is not meant for congregational worship, the garba-griha is small in scale when compared to the whole temple complex. However, it is articulated externally by the vimana or the sikhara. Pillared halls or mandapas are found preceding the garba-griha. The spatial experience of a South Indian temple complex is considered particularly rich and meaningful. In many of them, such as the Ranganathaswamy temple at Srirangam, the concentric enclosures or prakaras along with the series of gopurams or entrance gateways reducing in scale as they move towards the garbha-griha set up a rhythm of solids and voids as well as providing a ritual and visual axis.The principles of temple architecture were codified in treatises and canons such as Manasara, Mayamatam, and Vaastu Shastra. These offered an ordering framework yet allowed a certain latitude for contextual articulation. Today most of the ancient Hindu architecture thrives in temples of south India and south-east Asia as the subsequent forces of Islam transformed the cultural landscape of India more dominantly in the north.

Influence of Islam and the Mughal Architecture

With the advent of Islam, the erstwhile Indian architecture was slightly adapted to allow the traditions of the new religion, but it remained strongly Indian at its heart and character. Arches and domes began to be used and the mosque or masjid too

began to form part of the landscape, adding to a new experience in form and space. The sahn or the open courtyard for congregational worship with the enclosing cloisters or liwans and the sanctuary at the Western end offered a different architectural vocabulary. The fundamental difference lay in the fact that Islam prohibited idol worship and therefore a concentrated point of focus such as the garba-griha was unnecessary. However, the mihrab on the Western wall of the sanctuary articulating the Qibla or the direction towards Mecca offered a notional focus. As idolatory was prohibited, the main means of adornment was surface decoration through the use of geometry, arabesque and calligraphy. Later, mosques began to be built with original material. The Jami masjid at Delhi is a representative example of an Indian mosque. Islamic architecture was also represented by distinct regional styles that drew a lot of inspiration from the local context.

Taj Mahal The most famous Islamic buildings in India emerged during the Mughal period. Mughal architecture built on the traditional Hindu architecture with influences from the Persian world. Over time, Hindu and Islamic architecture produced a synthesis that is exemplified in the glorious production of Akbar- the city of Fatehpur Sikri, considered by many to be superior to the Taj Mahal (often seen as representing India) in terms of what it has to teach to civilisation- syncretism, tolerance and the best of different worlds, and the Taj itself, renowned for its beauty in white marble, its intricate engravings, its minarets and its setting. The most popular Islamic building type in India is the tomb or the mausoleum which evolved from the basic cube and hemisphere vocabulary of the early phase into a more elaborate form during the Mughal period where multiple chambers are

present and tombs were set in a garden known as the char-bagh. The tomb chamber houses the cenotaph below which is the grave. Well known examples are the Gol Gumbaz, Bijapur and the Taj Mahal, Agra.

Secular Architecture

The colonial attention towards Indian architecture was mainly focused towards religious buildings and hence there is much scholarship in this area. In recent times, the secular production of India is gaining the attention it merits. Cities of the desert region in the North such as Jaisalmer, Jodhpur, towns such as Srirangam in Tamil Nadu evolving around the temple as nucleus, the stepped wells of Gujarat, the vernacular architecture of the warm, humid area of Kerala- all these are unique in their response to socio-cultural and geographic context.

Architecture Under the Colonial Rule

With colonization, a new chapter began. Though the Dutch, Portuguese and the French made substantial forays, it was the English who had a lasting impact. The architecture of the colonial period varied from the beginning attempts at creating authority through classical prototypes to the later approach of producing a supposedly more responsive image through what is now termed Indo-Saracenic architecture- a mixture of Hindu, Islamic and Western elements. Institutional, civic and utilitarian buildings such as post offices,railway stations, etc., began to be built in large numbers over the whole empire. Perhaps the most famous example is the Chhatrapati Shivaji Terminus (CST) in Mumbai, originally named in honor of Queen Victoria. The creation of New Delhi in early 20th century with its broad tree lined roads and majestic buildings generated lots of debate on what should be an appropriate architecture for India.

Post-independence architecture of India

With the introduction of Modern Architecture into India and later with Independence, the quest was more towards progress as a paradigm fuelled by Nehruvian visions. The planning of Chandigarh- a city most architects hate/loveby Le Corbusier was considered a step towards this. Later as modernism exhausted itself in the West and new directions were sought for, in India too there was a search for a more meaningful architecture rooted in the Indian context. This direction called Critical Regionalism is exemplified in the works of architects such as B.V. Doshi, Charles Correa, etc.,

Conclusion

Indian architecture as it stands today is a pluralistic body of production that cannot in all justice be exemplified by the approaches, buildings and architects cited above.It has evolved over the centuries and has been affected by numerous invaders aho have brought different styles from their motherlands.But it is an unavoidable fact that certain expressions tend to get magnified and others reduced when set against the vast canvas of the world. In that sense, there is a distillation to an essence that does not have all the ingredients. A more representative selection can occur only at a deeper level of study.

Architecture of India
From Wikipedia, the free encyclopedia
(Redirected from Indian architecture)

Indian architecture has evolved through various ages in different regions of the country.Apart from these natural and obvious evolution from the pre-historic and historic periods,evolution of Indian architecture was generally affected by the emergence and decay of great empires and dynasties in the sub-continent .
Contents [hide] 1 Indus Valley Civilization (2700 BC-1700BC) 2 Post Maha Janapadas period (1500 BC 200 AD) 3 Early Common EraHigh Middle Ages (200 AD1200 AD) 4 Late Middle Ages (1100 AD1526 AD) 5 Sikhism(1526 AD-1857 AD) 6 Colonial Era (1500 AD1947 AD) o o o o 6.1 British Colonial Era: 1615 to 1947 6.2 French: 1673 to 1954 6.3 Dutch: 1605 to 1825 6.4 Portuguese: 1498 to 1961

7 Republic of India (1947 ADpresent) 8 Gallery 9 Architecture of India in detail 10 References 11 Notes 12 Further reading 13 External links

Indus Valley Civilization (2700 BC-1700BC)[edit]

Further information: Indus Valley Civilization

A well and drainage system atLothal.

A bath and toilet excavated in Lothal.

The entire Kalibangancitadel unexcavated.

The Indus Valley Civilization (IVC) was a Bronze Age civilization (27001700 BC; mature period 26001900 BC) that was located in the northwestern region of the Indian subcontinent, consisting of what is now mainly modern-day Pakistan and northwest India. Flourishing around the Indus River basin, the civilization primarily centred along the Indus and the Punjab region, extending into the Ghaggar-Hakra River valley and the Ganges-Yamuna Doab. Geographically, the civilization was spread over an area of some 1,260,000 km, making it the largest ancient civilization in the world. The Indus Valley is one of the world's earliest urban civilizations, along with its contemporaries, Mesopotamia and Ancient Egypt. At its peak, the Indus Civilization may have had a population of well over five million. Inhabitants of the ancient Indus river valley developed new techniques in metallurgy and handicraft (carneol products, seal carving) and produced copper, bronze, lead, and tin. The civilization is noted for its cities built of brick, roadside drainage system, and multistoried houses. The baths and toilets system the cities had is acknowledged as one of the most advanced in the ancient world. The grid layout planning of the cities with roads at exact right angles is a modern system that was implemented in the cities of this particular civilization. The urban agglomeration and production scale of this particular civilization was unsurpassed at the time and for many future centuries. The mature phase of this civilization is known as the Harappan Civilization, as the first of its cities to be unearthed was located at Harappa, excavated in the 1920s in what was at the time the Punjab province of British India (now in Pakistan). Excavation of Harappan sites have been ongoing since 1920, with important breakthroughs occurring as recently as 1999. To date, over 1,052 cities and settlements have been found, mainly in the general region of the Ghaggar-Hakra river and its tributaries. Among the settlements were the major urban centres of Harappa, Lothal,

Mohenjo-daro (UNESCO World Heritage Site), Dholavira, Kalibanga, and Rakhigarhi.

Post Maha Janapadas period (1500 BC200 AD)[edit]

The Great Stupa at Sanchi (4th-1st century BC). The dome shaped stupa was used in India as a commemorative monument associated with storing sacred relics.

Grand Anicut dam on river Kaveri(1st-2nd Century AD) is one of the oldest water-regulation structures in the world still in use.
[1]

Further information: Hindu temple architecture, Buddhist architecture, and Indian rock-cut architecture The Buddhist stupa, a dome shaped monument, was used in India as a commemorative monument associated with storing sacred relics.[2] The stupa architecture was adopted in Southeast and East Asia, where it became prominent as a Buddhist monument used for enshrining sacred relics.[2][2]Fortified cities with stpas, viharas, and temples were constructed during the Maurya empire (c. 321185 BC).[3] Wooden architecture was popular and rock cut architecture became solidified.[3] Guard railsconsisting of posts, crossbars, and a coping became a feature of safety surrounding a stupa.[3] Templesbuild on elliptical, circular, quadrilateral, or apsidal planswere constructed using brick and timber.[3] The Indian gateway arches, the torana, reached East Asia with the spread of Buddhism.[4] Some scholars hold that torii derives from the torana gates at the Buddhist historic site of Sanchi (3rd century BC 11th century AD).[5] Rock-cut stepwells in India date from 200-400 AD.[6] Subsequently, the construction of wells at Dhank (550-625 AD) and stepped ponds at Bhinmal(850-950 AD) took place.[6] The city of Mohenjo-daro has wells which may be the predecessors of the step well.[7] As many as 700 wells, constructed by 3rd millennium BC, have been discovered in just one section of the city, leading scholars to believe that 'cylindrical brick lined wells' were invented by the people of the Indus Valley Civilization.[7] Cave temples became prominent throughout western India,

incorporating various unique features to give rise to cave architecture in places such as Ajanta and Ellora.[3] Walled and moated cities with large gates and multi-storied buildings which consistently used arched windows and doors are important features of the architecture during this period.[3] The Indian emperor Ashoka (rule: 273232 BC) established a chain of hospitals throughout the Mauryan empire by 230 BCE.[8] One of the edicts of Ashoka (272231 BC) reads: "Everywhere King Piyadasi (Asoka) erected two kinds of hospitals, hospitals for people and hospitals for animals. Where there were no healing herbs for people and animals, he ordered that they be bought and planted."[9] Buddhist architecture blended with Roman architecture and Hellenestic architecture to give rise to unique blendssuch as the Greco-Buddhist school.[10] Indian art and culture has absorbed extraneous impacts by varying degrees, and is much richer for this exposure. This cross fertilization between different art streams converging on the subcontinent produced new forms that, while retaining the essence of the past, succeeded in the integrating selected elements of the new influences. A long tradition of art and culture was already established well before the beginning of 20th century in India. Indian painting can be broadly divided into two categoriesMURALS and MINIATURE.

Early Common EraHigh Middle Ages (200 AD1200 AD)[edit]

The temple complex atKhajurahoadhering to theshikhara temple style architectureis a UNESCOWorld Heritage Site.

Further information: Architecture of Karnataka, Dravidian architecture, Architecture of Bengal, Western Chalukya architecture, and Badami Chalukya Architecture Universitieshousing thousands of teachers and studentsflourished at Nalanda and Valabhi between the 4th-8th centuries.[11] South Indian temple architecture visible as a distinct tradition during the 7th century ADis described below:[12]
Mru-Gurjara Temple Architecture originated somewhere in sixth century in and around areas of Rajasthan. Mru-Gurjara Architecture show the deep understanding of structures and refined skills of Rajasthani craftmen of bygone era. Mru-Gurjara Architecture has two prominent styles MahaMaru and Maru-Gurjara. According to M. A. Dhaky, Maha-Maru style developed primarily in Marudesa, Sapadalaksa, Surasena and parts of Uparamala whereas Maru-Gurjaraoriginated in [13] Medapata, Gurjaradesa-Arbuda, Gurjaradesa-Anarta and some areas of Gujarat. Scholars such as

George Michell, M.A. Dhaky, Michael W. Meister and U.S. Moorti believe that Mru-Gurjara Temple Architecture is entirely Western Indian architecture and is quite different from the North Indian Temple [14] architecture. There is a connecting link between Mru-Gurjara Architecture and Hoysala Temple [15] Architecture. In both of these styles architecture is treated sculpturally.

The South Indian temple consists essentially of a square-chambered sanctuary topped by a superstructure, tower, or spire and an attached pillared porch or hall (ma apa, or maapam), enclosed by a peristyle of cells within a rectangular court. The external walls of the temple are segmented by pilasters and carry niches housing sculpture. The superstructure or tower above the sanctuary is of the kina type and consists of an arrangement of gradually receding stories in a pyramidal shape. Each story is delineated by a parapet of miniature shrines, square at the corners and rectangular with barrel-vault roofs at the centre. The tower is topped by a dome-shaped cupola and a crowning pot

North Indian temples showed increased elevation of the wall and elaborate spire by the 10th century.[16] Richly decorated templesincluding the complex at Khajurahowere constructed inCentral India.[16] Indian traders brought Indian architecture to South east Asia through various trade routes.[10] Grandeur of construction, beautiful sculptures, delicate carvings, high domes, gopuras and extensive courtyards were the features of temple architecture in India. Examples include the Lingaraj Temple at Bhubaneshwar in Odisha, Sun Temple at Konark in Odisha,Brihadishwara Temple at Thanjavur in Tamil Nadu.

Late Middle Ages (1100 AD1526 AD)[edit]

Ornate lintel over mantapa entrance,Belur temple.

Further information: Hoysala architecture and Vijayanagara architecture Vijayanagara Architecture of the period (1336 - 1565 AD) was a notable building style evolved by the Vijayanagar empire that ruled most of South India from their capital at Vijayanagara on the banks of the Tungabhadra River in present-day Karnataka.[17] The architecture of the temples built during the reign of the Vijayanagara empire had elements of political authority.[18] This resulted in the creation of a distinctive imperial style of architecture which featured prominently not only in temples but also in administrative structures across the deccan.[19] The Vijayanagara style is a combination of the Chalukya, Hoysala, Pandya and Chola styles which evolved earlier in the centuries when these empires ruled and is characterised by a return to the simplistic and serene art of the past.[20] Hoysala architecture is the distinctive building style developed under the rule of the Hoysala Empire in the region historically known as Karnata, today'sKarnataka, India, between the 11th

and the 14th centuries.[21] Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. Other examples of fine Hoysala craftmanship are the temples at Belavadi, Amrithapura, and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct.[22] A feature of Hoysala temple architecture is its attention to detail and skilled craftmanship. The temples of Belur and Halebidu are proposed UNESCO world heritage sites.[23] About 100 Hoysala temples survive today.[24]

Sikhism(1526 AD-1857 AD)[edit]

In the August 1604 CE the construction of the Harmandir Sahibthe holiest shrine of the Sikh religionwas completed.

Further information: Mughal architecture and Indo-Islamic architecture

Qutub Minar a prominent example of Islamic architecture in India.

Mughal tombs of sandstone and marble show Persian influence.[25] The Red Fort at Agra (1565 74) and the walled city of Fatehpur Sikri (156974) are among the architectural achievements of this timeas is the Taj Mahal, built as a tomb for Queen Mumtaz Mahal by Shah Jahan (1628 58).[25] Employing the double dome, the recessed archway, white marble and parks while stressing on symmetry and detail was visible during the reign of Shah Jahan.[26] Quranic verses were described on the walls of the buildings.[27] However, the depiction of any living beingan essential part of the pre-Islamic tradition of Indiawas forbidden under Islam.[27] The Architecture during the Mughal Period has shown a very good blend of Indian style with the Iranian style.

Some scholars hold that cultural contact with Europe under Manuel I of Portugal (reign: 25 October 149513 December 1521) resulted in exchange of architectural influences.[28] Little literary evidence exists to confirm the Indian influence but some scholars have nonetheless suggested a possible relation based on proximity of architectural styles.[28]

Colonial Era (1500 AD1947 AD)[edit]

The Chepauk Palace at Chennai, once the residence of the Nawab of Arcot

Further information: Indo-Gothic Under colonial rule, architecture became an emblem of power, designed to endorse the patron. Numerous outsiders invaded India and created architectural styles reflective of their ancestral and adopted homes. The European colonizers created architecture that symbolized their mission of conquest, dedicated to the state or religion.[Introduction to Indian Architecture 1] The British, French, Dutch and the Portuguese were the main powers that colonized India.[29] [30]

British Colonial Era: 1615 to 1947[edit]

The British arrival in 1615 overthrew the Mughal empire. Britain reigned India for over three hundred years and their legacy still remains through building and infrastructure that populate their former colonies.[31] The major cities colonized during this period were Madras, Calcutta, Bombay, Delhi, Agra, Bankipore(Patna), Karachi, Nagpur, Bhopal and Hyderabad.[32][33] St Andrews Kirk, Madras is renowned for its colonial beauty. The building is circular in form and is sided by two rectangular sections one is the entrance porch. The entrance is lined with twelve colonnades and two British lions and motto of East India Company engraved on them. The interior holds sixteen columns and the dome is painted blue with decorated with gold stars.[34] The staple of Madras was Fort St. George, a walled squared building adjacent to the beach. Surrounding the fort was White Town settlement of British and Indian area Black Town later to be called Georgetown. Black Town described in 1855 as the minor streets, occupied by the natives are numerous, irregular and of various dimensions. Many of them are extremely narrow and ill-ventilateda hallow square, the rooms opening into a courtyard in the centre."[35] Garden houses were originally used as weekend houses for recreational use by the upper class British. Nonetheless, the garden house became ideal a full-time dwelling, deserting the fort in the 19th Century.[36] Calcutta Madras and Calcutta were similar bordered by water and division of Indian in the north and British in the south. An Englishwoman noted in 1750 the banks of the river are as one may say absolutely studded with elegant mansions called here as at Madras, garden houses. Esplanade-row is fronts the fort with lined palaces.[37][38] Indian villages in these areas consisted of clay and straw houses, later transformed into a metropolis of brick and stone.[39]

The Victoria Memorial in Calcutta, is the most effective symbolism of British Empire, built as a monument in tribute to Queen Victorias reign. The plan of the building consists of one large central part covered with a larger dome. Colonnades separate the two chambers. Each corner holds a smaller dome and is floored with marble plinth. The memorial stands on 26 hectares of garden surrounded by reflective pools.[40]

French: 1673 to 1954[edit]

The French colonized a fishing village (Pondicherry) in Tamil Nadu and transformed it into a flourishing port-town. The town was built on the French grid pattern and features neat sectors and perpendicular streets and divided into two sectors, French Quarter (Ville Blanche) and the Indian quarter (Ville Noire). French styled villas were styled with long compounds and stately walls, lined houses with verandas, large French doors and grills. Infrastructure such as banks, police station and Pondicherry International Port still hold the French presence. To preserve Pondicherry an organization named INTACH was formed. Authorization is needed from INTACH, to annihilate any original French Architecture.[41] French expanded their empire by colonizing coastal towns, Yanam in Andhra Pradesh, Karaikal in Tamil Nadu and Mahe in Kerala with a French atmosphere of quiet towns around beaches. French spelling on signage and traffic signs still remains.[42]

Dutch: 1605 to 1825[edit]

The Dutch entered India with the only interests of Trade in the early 17th Century. During their 200 years in India, they colonized Surat, Bharuch, Venrula, Ahmedabad, Malabar Coast, Kochi and Sadras.[43] Surat a Dutch factory in 1630s Bharuch: Trading Post of the Dutch East India Company had a Dutch cemetery. Venrula: a warehouse was built for 3000 Guilders by Leendart Janszoons and a castle for the protection of the Dutch. Ahmedabad: The Dutch cemetery lies on the bank of Kankaria lake. It holds a mix of Indian and European styled graves, with domed tombs, pyramids, walled and plain grave stones. Malabar Coast Kochi: The Dutch Palace (Mattancherry Palace) The palace was originally built by the Portuguese, it fell into the hands of the Dutch when the Portuguese lost control of Kochi. Dutch cemetery The cemetery runs parallel to the beach and is the oldest European cemetery in India. It holds 104 tombs that visually narrate the Dutch influence in Architecture during the era. The cemetery is guarded by heavy walls and the entrance pillar still carries the original calligraphic inscription 1724 David Hall which was the residence of the famous Dutch Commander and Governor of Kochi, Adriaan van Reed lot Drakestein was built in 1695. The hall has been restored as a cultural centre and art caf for young, visual and performing artists. Bastion bungalow This Dutch styled building near the Fort Kochi beach was built to protect the harbor. Thakur House the Dutch built this bungalow overlooking the sea as a club. Sadras 17 km (11 mi) from the rock cut temples of Mamallapuram is another Dutch settlement. Pullicat Pullicat lake 55 km north of Madras is a million years old and the second largest lagoon in India. It was the most important trading post of the Dutch. They built two cemeteries. One was ruined due to negligence and at the entrance is flanked by stone pillars, having 76 tombs. Images of skeletons are carved onto the gravestones, symbolizing life and death.[44][45]

Portuguese: 1498 to 1961[edit]

The Portuguese arrived as merchants in the 1498 and were more driven by a Catholic missionary zeal than gaining powers in India. The Portuguese gained a foothold in Goa and ruled for 400 years.[46] Portuguese dominance in Goa still remains evident. Colonizers' missionary spirit built many magnificent cathedrals, churches, basilicas and seminaries. The Basilica of Bom Jesus (Good Jesus), Old Goa, former capital during the Portuguese rule. The three storied Renaissance styled church was built of plaster and laterite in 1605, and holds the mortal remains of St. Francis Xavier. The interior is built in a Mosaic-Corinthian style and adorned with wood and gold leaf. The walls embrace old painting of saints as the floor is laid with pure white marble.[47]

The Portuguese - Catholic houses faced the street with unique large ornamental windows opening onto verendahs. Bold colours were painted on houses constructing distinct identity, allowing the sailors to recognize their houses from sea. The covered porches and verandas were designed for socializing contrary to the Hindu styled housing. Front doors were lined with columns, and railings were popular in embellishment.[48] The interior of Goan-Portuguese houses consisted of elaborate patterns created with tiles imported from Europe and a false ceiling installed of wood. The walls are painted with bright colours contrasting to the earthy coloured furniture. The walls were made out of mud or laterite stone and coloured with vegetable and natural dyes. Gateposts and compound walls were craved with great detail.[49] Indian Architecture continued to flourish as they took influence from the colonies. Indian Architecture further shaped as they combined the colonial influences with traditional Architecture.

Republic of India (1947 ADpresent)[edit]

Further information: List of World Heritage Sites in India and Category:Indian architecture In recent times there has been a movement of population from rural areas to urban centres of industry, leading to price rise in property in various cities of India.[50] Urban housing in India balances space constrictions and is aimed to serve the working class.[51] Growing awareness of ecology has influenced architecture in India during modern times.[52] Though old, this Easterntradition has also incorporated modern values as India became a modern nation state.[27] As the country became more integrated with the world's economy,[27] traditional Vastu Shastraremains influential in India's architecture during the contemporary era.[27] Climate responsive architecture has long been a feature of India's architecture but has been losing its significance as of late.[53] Indian architecture reflects its various socio-cultural sensibilities which vary from region to region.[53] Certain areas are traditionally held to be belonging to women.[53] Villages in India have features such as courtyards, loggias, terraces and balconies.[51] Calico, chintz, and palamporeof Indian originhighlight the assimilation of Indian textiles in global interior design.[54] Roshandans, which are skylights-cum-ventilators, are a common feature in Indian homes, especially in North India.[55][56]

Indian Art is the visual art produced on the Indian subcontinent from about the 3rd millennium BCE to modern times. Voluptuous feeling is given unusually free expression in Indian culture. A strong sense of design is also characteristic of Indian art and can be observed in its modern as well as in its traditional forms. Indian art can be classified into specific periods each reflecting particular religious, political and cultural developments.

Ancient period (3900 BCE-1200 CE) Islamic ascendancy (1192-1757) Colonial period (17571940) Independence and the postcolonial period (Post-1947)
Contents [hide]

1 Temple and sculpture art

2 Bronze sculpture 3 Indian fresco 4 Miniature painting 5 Jewelry 6 Folk and tribal art 7 Art in the British period 8 Contemporary art 9 See also 10 Further reading 11 References 12 External links

Temple and sculpture art[edit]

Main article: Indian rock-cut architecture Obscurity shrouds the period between the decline of the Harappans and the definite historic period starting with the Mauryas, and in the historical period, the earliest Indian religion to inspire major artistic monuments was Buddhism. Though there may have been earlier structures in wood that have been transformed into stone structures, there are no physical evidences for these except textual references. Soon after the Buddhists initiated rock-cut caves, Hindus and Jains started to imitate them at Badami, Aihole, Ellora, Salsette, Elephanta, Aurangabad and Mamallapuram. Buddhist art first developed during the Gandhara period and Amaravati Periods around the 1st century BCE. It flourished greatly during the GuptaPeriods and Pala Periods that comprise the Golden Age of India. Although the most glorious art of these Indian empires was mostly Buddhist in nature, subsequently Hindu Empires like the Pallava, Chola, Hoysala and Vijayanagara Empires developed their own styles of Hindu art as well. There is no time line that divides the creation of rock-cut temples and free-standing temples built with cut stone as they developed in parallel. The building of free-standing structures began in the 5th century, while rock-cut temples continued to be excavated until the 12th century. An example of a free-standing structural temple is the Shore Temple, a part of the Mahabalipuram World Heritage Site, with its slender tower, built on the shore of theBay of Bengal with finely carved granite rocks cut like bricks and dating from the 8th century.[1][2]

Bronze sculpture[edit]

Bronze statue of Nataraja at theMetropolitan Museum of Art, New York City

The Chola period is also remarkable for its sculptures and bronzes.[3] Among the existing specimens in the various museums of the world and in the temples of South India may be seen many fine figures of Siva in various forms, Vishnu and his wife Lakshmi, Siva saints and many more.[4] Chola bronzes were created using the lost wax technique.[5] It is known in artistic terms as "Cire Perdue". The Sanskrit Shilpa texts call it theMadhu Uchchishtta Vidhana.

Indian fresco[edit]
For more details on this topic, see Cave paintings in India. The tradition and methods of Indian cliff painting gradually evolved throughout many thousands of years - there are multiple locations found with prehistoric art. The early caves included overhanging rock decorated with rock-cut art and the use of natural caves during the Mesolithic period (6000 BCE). Their use has continued in some areas into historic times.[6] The Rock Shelters of Bhimbetka, a World Heritage Site, are on the edge of the Deccan Plateau where deep erosion has left huge sandstone outcrops. The many caves and grottos found there contain primitivetools and decorative rock paintings that reflect the ancient tradition of human interaction with their landscape, an interaction that continues to this day.[7] The oldest frescoes of historical period have been preserved in the Ajanta Caves from the 2nd century BCE. Despite climatic conditions that tend to work against the survival of older paintings, in total there are known more than 20 locations in India with paintings and traces of former paintings of ancient and early medieval times (up to the 8th to 10th centuries CE).[8] The most significant frescoes of the ancient and early medieval period are found in the Ajanta, Bagh, Ellora, and Sittanavasal caves.

Akbar riding the elephant Hawa'I pursuing another elephant

The Chola fresco paintings were discovered in 1931 within the circumambulatory passage of the Brihadisvara Temple in India and are the first Chola specimens discovered. Researchers have discovered the technique used in these frescoes. A smooth batter of limestone mixture is applied over the stones, which took two to three days to set. Within that short span, such large paintings were painted with natural organic pigments. During the Nayak period the Chola paintings were painted over. The Chola frescoes lying underneath have an ardent spirit of saivism is expressed in them. They probably synchronised with the completion of the temple by Rajaraja Cholan the Great. Kerala mural painting has well preserved fresco or mural or wall painting in temple walls in Pundarikapuram, Ettumanoor and Aymanam and elsewhere.

Miniature painting[edit]
Mughal painting in miniatures on paper developed very quickly in the late 16th century from the combined influence of the existing miniature tradition and artists trained in the Persian miniature tradition imported by the Mughal Emperor's court. New ingredients in the style were much greater realism, especially in portraits, and an interest in animals, plants and other aspects of the physical world. Miniatures either illustrated books or were single works for muraqqas or albums of painting and Islamic calligraphy. The style gradually spread in the next two centuries to influence painting on paper in both Muslim and Hindu princely courts, developing into a number of regional styles often called "sub-Mughal", including Kangra painting and Rajput painting, and finally Company painting, a hybrid watercolour style influenced by European art and largely patronized by the people of the British raj. Noted art historians working in the region include Professor Francesca Penty whose extensive work on Mughal Art has focused on the connections between the gensis of Hinduism, the caste system, and erotic imagery, and is considered by many in the field to be the seminal work on Mughal Art.

Jewelry[edit]

Pair of gold earrings, 1st century BCE, Andhra Pradesh.

The Indian subcontinent has the longest continuous legacy of jewelry-making, with a history of over 5,000 years.[9] One of the first to start jewelry-making were the people of the Indus Valley Civilization. Early jewelry making in China started around the same period, but it became widespread with the spread of Buddhism around 2,000 years ago.

Folk and tribal art[edit]

Folk and tribal art in India takes on different manifestations through varied media such as pottery, painting, metalwork,[10] paper-art, weaving and designing of objects such as jewelry and toys.These are not just aesthetic objects but in fact have an important significance in people's lives and are tied to their beliefs and rituals. The objects can range from sculpture, masks (used in rituals and ceremonies), paintings, textiles, baskets, kitchen objects, arms and weapons, and the human body itself(Tattoos and piercings). There is a deep the symbolic meaning that is attached to not only the objects themselves but also the materials and techniques used to produce them. Often puranic gods and legends are transformed into contemporary forms and familiar images. Fairs, festivals, local heroes (mostly warriors) and local deities play a vital role in these arts. Folk art also includes the visual expressions of the wandering nomads. This is the art of people who are exposed to changing landscapes as they travel over the valleys and highlands of India. They carry with them the experiences and memories of different spaces and their art consists of the transient and dynamic pattern of life. The rural, tribal and arts of the nomads constitute the matrix of folk expression. Examples of folk artists are Warli and Gond.

The Taj Mahal built by the Mughals.

While most tribes and traditional folk artist communities are assimilated into the familiar kind of civilised life, they still continue to practice their art. Unfortunately though, market and economic forces have ensured that the numbers of these artists are dwindling.[citation needed] A lot of effort is being made by various NGOs and the Government of India to preserve and protect these arts and to promote them. Several scholars in India and across the world have studied these arts and

some valuable scholarship is available on them. A noted art historian, Dr. Jyotindra Jain, has contributed greatly to this cause. The folk spirit has a tremendous role to play in the development of art and in the overall consciousness of indigenous cultures. The Taj Mahal, theAjanta and Ellora caves have become world famous. The Taj Mahal is one of the New Seven Wonders of the World.

Art in the British period[edit]

Main article: Indian painting

Tipu's Tiger, an 18th-centuryautomata with its keyboard visible in the Victoria and Albert Museum, London.

British colonial rule had a great impact on Indian art. The old patrons of art became less wealthy and influential, and Western art more ubiquitous. Abanindranath Tagore (18711951), referred to as the father ofModern Indian art introduced reworked Asian styles, in alignment with a developing Indian nationalism and pan_Asianism to create a new school of art, which is today known as the Bengal school of art. Other artists of the Tagore family, such as Rabindranath Tagore (18611941) and Gaganendranath Tagore (18671938) as well as new artists of the early 20th century such as Amrita Sher-Gil (19131941) were responsible for introducing Avant garde western styles into Indian Art. Many other artists like Jamini Roy and later S.H. Raza took inspiration fromfolk traditions. In 1947 India became independent of British rule. A group of six artists - K. H. Ara, S. K. Bakre, H. A. Gade, M.F. Husain, S.H. Raza and Francis Newton Souza - founded the Progressive Artist's Group, to establish new ways of expressing India in the post-colonial era. Though the group was dissolved in 1956, it was profoundly influential in changing the idiom of Indian art. Almost all India's major artists in the 1950s were associated with the group. Some of those who are well-known today are Bal Chabda, Manishi Dey, V. S. Gaitonde, Krishen Khanna, Ram Kumar, Tyeb Mehta, K. G. Subramanyan, A. Ramachandran, Devender Singh, Akbar Padamsee, John Wilkins, Himmat Shah and Manjit Bawa. Present-day Indian art is varied as it had been never before. Among the best-known artists of the newer generation include Bose Krishnamachari and Bikash Bhattacharya. Another prominent Pakistani modernist was Ismail Gulgee, who after about 1960 adopted an abstract idiom that combines aspects of Islamic calligraphy with an abstract expressionist (or gestural abstractionist) sensibility.

Contemporary art[edit]

From the 1990s onwards, Indian artists began to increase the forms they used in their work. Painting and sculpture remained important, though in the work of leading artists such as Nalini Malani, Subodh Gupta, Narayanan Ramachandran, Vivan Sundaram, Jitish Kallat, they often found radical new directions. Bharti Dayal has chosen to handle the traditional Mithila painting in most contemporary way and created her own style through the exercises of her own imagination, they appear fresh and unusual. The increase in discourse about Indian art, in English as well as vernacular Indian languages, changed the way art was perceived in the art schools. Critical approach became rigorous; critics like Geeta Kapur, R. Siva Kumar,[11][12]Shivaji K. Panikkar, Ranjit Hoskote, amongst others, contributed to re-thinking contemporary art practice in India. The last decade or so has also witnessed an increase in art magazines like Art India, Art & Deal, Indian Contemporary Art Journal and Art Etc. complementing the catalogues produce by the respective galleries.