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DAFTAR SUMBER ACUAN 001 Raymond Spottiswood (General Editor), THE FOCAL ENSCYCLOPEDIA OF FILM & TELEVISION, London

New York, Focal Press, Fourth Impression, 1981. Raymond Spottiswood, FILM AND ITS TECHNIQUES, Berkeley and Los Angeles, University of California Press, Eight Printing, 1964. James R. Cameron and Joseph S. Cifre, CAMERON'S ENCICLOPEDIA SOUND MOTION PICTURES, Coral Cable - Florida USA, Cameron Publishing Company, 6th edition, 1959. James Monaco, HOW TO READ A FILM, New York, Oxford University Press, First Printing, 1978. Epraim Katz, THE INTERNATIONAL FILM ENCICLOPEDIA, London, The MacMillan Press Ltd, Papermac edition, 1982. William Miller, SCREEN WRITING FOR FILM AND TELEVISION, New York, Hasting House Publisher, 1980. Lajos Egri, THE ART OF DRAMATIK WRITING, New York, Simon And Schuster, 1960. A.J. Renertson, THE WORK OF FILM DIRECTOR, New York, Communication Art Books, 1970. Mark Evans, SOUNDTRACK - The Music of Movies, New York Da Capo Press Ins, 1975.

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Dwight V. Swain, FILM SCRIPT - A Practical Manual, New York, Hasting House Publisher, 1976. Ernest Walter, THE TECHNIQUE OF FILM CUTTING ROOM, London & New York, Focal Press, 3rd Edition, 1976. Hugh B. Churchill, FILM EDITING HANDBOOK Technique of 16 mm Cutting, Belmont, Westward Publication Company, 1972. Alec Nisbett, THE TECHNIQUE OF SOUND STUDIO FOR TELEVISION AND FILM, London and New York, Focal Press, 3rd Edition, 1977. Adrian Brunel F.R.P.S. FILM SCRIPT - The Technique of Writing for the Screen, London, Burke Publisher Company Ltd, 1948. Karel Riss & Gavin Miller, THE TECHNIQUE OF FILM EDITING, Focal Press, London, 1968. Irving E. Fang, TELEVISON NEWS, New York, Hasting House, 1974. Alec Nisbet, THE TECHNIQUE OF SOUND STUDIO, 3rd edition revised, Comunications Arts Book - Hastings House, New York, 1972. David W. Samuelson, MOTION PICTURE CAMERA TECHNIQUE, London, Focal Press, 1976.

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