Gozi’s House Productions
Fi rst The Wr i ter. . .
“I have always written, for
myself that is, as a hobby
and I found it to be in-
credibly rewarding. Those
closest to me, who watched
my “hobby” develop over
the years, always encour-
aged me to take my work to
“Hollywood.” It’s amazing
when others see the gift in
you that you refuse to ac-
knowledge in yourself.”
Ngozi
1 Ngozi Thomas, has been writing since she was five
years old, but it was when she was in junior high
school, where her first taste of dramatic writing came.
Although it has taken Ngozi up until now, to really
dig her pen into paper, Ngozi has always has a fond-
ness for writing scripts, poetry and plays. It wasn’t
until 2006 that she had this most vivid dream that
had her practically writing the treatment for it in her
sleep. The screenplay “Child Support.” Now Child
Support has met it’s fair share of naysayers. “How be-
lievable, is it for a “Black” man to own up to a mistake
he made by donating sperm, by working out what he
can do to provide support for the children? Ngozi
however, has kept on striving with this idea of putting
black men in a better perspective,
 Gozi’s House Productions

A Per fo r mer. . .
B or n and rai s ed i n At si x teen she
Phi l adel ph i a , PA w hen j oi ned a t ravel -
N goz i wa s i n el ement ar y i ng theater g ro up
s cho ol , she b e g an w r i t i ng
shor t pl ays , by the t i me th at wa s form by
she go t to Ju n i o r H ig h the l ate Ja s on Guy
s cho ol N goz i wa s w r i t i ng Robi n s on . The
f u l l l eng th pl ays , ac t i ng , g ro up t ravel ed
si ng i ng and d anc i ng . al l over the c it y
of Phi l adelphi a .
In her l ate t wen -
t i es N goz i l anded
a sup p ort rol e i n a
f i l m short t itl ed “A
l ittl e f i erce ,” w rit -
ten and d i rec ted
by Phi l ly ’s ow n
Ni kki Harmon .

y The first time Ngozi ever acting on stage was

Later in life Ngozi, when she did an excert from Ntoshake Shange’s
a . k . a “ Ve r b a l K i s s” highly eclaimed poetic Novel. “For Colored
a n d “ G O - G O Ma .” Who Considered Suicide When The Rainbow
showcased her talent Was Enough,” Ngozi was the “Lady in Brown.”
on stage performing That same year, during the summer Ngozi Join
s p o k e n w o rd , w h i c h a Street Theater Group which was formulated
she became known by Jason Guy Robinson, where she, was able
in the Philadelphia to perform as the “Lady in Red” for that same
& Baltimore poetry play. Ngozi also got to perform for the Mayor of
venues. Philadelphia, Mayor Wilson Goode.
 Gozi’s House Productions

Then a D i rec tor. . .

y As God would have it, I am now in a position to get

up close and personal with the real life, ins and outs
of the ‘film game’ and to truly discover where my path
was headed as a writer, director and producer of my
own work. And I immediately knew “yes” I did want
to do those things and “yes” I could do it! So I pon-
dered what would be my first story, my first script,
my directorial debut, that would touch people and
have them yearning to come out and see what I was
capable of doing.
 Gozi’s House Productions

Now A Vi s i o n ar y

“ I want to create vi- 1 THE PRODUCTION COMPANY

sions on screen, that
Gozi’s House Production takes its name from Ngozi
are innovative, pro- Thomas’s first name and her ability to “bring down
vacative and some- the house” with her charisma and love. Gozi’s house
can be described as a vehicle for bringing relatives,
times scary.”
friends, and neighbors into a family unit with a
shared love for the arts. Our goal is to tell compelling
and entertaining stories about the urban community
that embrace people as part of one human family and
inspire audiences to make a difference in the lives of
others.
 Gozi’s House Productions

C hi l d S up p o r t The Mov i e

“If we can make

movies where black 1 It wasn’t until 2006 that she had this most vivid
men are portrayed as
deadbeats, pushers,
pimps and mama’s
boys, then why can’t
we make movies about
them being portrayed
as men with consciences
and strength to at least
make an effort to do the
best they can to right a
wrong, no matter how
bizarre the situation may
appear?”
dream that had her practically writing the treatment
for it in her sleep. The screenplay “Child Support.”
Now Child Support has met it’s fair share of naysay-
ers. “How believable, is it for a “Black” man to own up
to a mistake he made by donating sperm, by working
out what he can do to provide support for the chil-
dren? Ngozi however, has kept on striving with this
idea of putting black men in a better perspective.
Please click on the link box below for more information:
www.childsupportmovie.info