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You should be able to visualise this model in your visuo-spatial sketchpad and reproduce it at will!
According to the Atkinson-Shiffrin model, memory has three components. Each stores, encodes and processes information in varying ways:
is not attended to is lost for ever. Information attended to in this register passes to ... from the sensory register and information retrieved from the long-term store. Rehearsal allows storage in ...
This means the permanent, built-in or xed features of memory Structural features include:
the three dierent stores the function of each store - that is, the role it plays in human memory each components storage capacity the duration of time that information is held
These vary from individual to individual - we can choose. For instance, you can choose what you pay attention to and therefore what passes from the sensory register to the short-term register Rehearsal is also under individual control; it determines how long information is held in the short-term store and whether it is passed on to the long-term store Retrieval is another control process. The method we use to access information is chosen by us.
SUMMARY: The Atkinson-Shiffrin Model is based on and supported by substantial research. It is still useful in understanding memory, but it has been developed and challenged. There are now believed to be several sensory registers, possibly one for each sense. Short-term memory is now considered to be more complex than it was believed to be by Atkinson and Shririn. It is now seen as a number of separate, interacting components, not a single store. Long-term memory is no longer seen as one system, but as several sub-systems or stores - procedural (implicit), declarative (explicit), which includes episodic and semantic, etc. There is more focus now on how we not only retrieve memories but reconstruct them in the process.
The concept of the sequenced ow of informa5on through sensory, STM and nally LTM is now believed to be more complex than proposed by Atkinson and Shirin. Some believe this model was too straighEorward and linear in its descrip5on of memory processes.
There is now evidence for the concept of a separate sensory register for auditory informa5on and for other senses.
Neuroimaging techniques have matched STM and other stores with physical loca:ons in the brain, demonstra:ng that STM is much more complex than Shirin and Atkinson realized. The Atkinson-Shirin model tended to overemphasise the role of maintenance rehearsal and overlook elabora:ve rehearsal.
A PET scan showing the active brain of a person doing a STM task
See the discussion of Baddeley and Hitchs Working Memory Model for the source and meaning of this scan.
LTM is now believed to have dierent subsystems, such as episodic and procedural; each of these processes and stores dierent kinds of informa:on. The role of implicit memory is perhaps not emphasised adequately in this model. Informa:on is not always simply retrieved from LTM and available for use exactly as it was originally stored; it has been shown that we reconstruct memories, that is, fuse a remembered event with newer informa:on, changing the memory subtly in the process.
huge
in capacity
SENSORY MEMORY
is brief or eeting in duration but virtually unlimited in capacity
Echoic memory
Sensory Memory
holds an exact copy of sensory input has a register for each sense the t wo registers that have been most extensively researched are: ECHOIC ICONIC
Brief auditory memory which lingers for 3-4 seconds This is long enough for us to be able to link impressions of sound with the next syllable or word we hear When we pay attention to the sounds (in order to transfer them to short-term memory) we are able to make sense of the sounds as a word or the words as a sentence Echoic memory thus makes speech perception possible
ECHOIC MEMORY
ICONIC MEMORY
STORE FOR VISUAL SENSORY INFORMATION: Even more eeting than echoic memory, this sensory register holds a vast amount of visual information for about a third of a second. Your text says - 0.2-0.4 of a second. Sperlings studies showed that people actually held all the information he projected on a screen, but lost it faster than they could report it. To overcome this difculty, he devised a research method that demonstrated both the vastness and the briefness of this memory store.
MOVING TO THE NEXT STAGE: Sensory memory is huge in capacity, but eeting
in duration. One advantage of this is that we can quickly lter out extraneous matter. We dont have to remember everything we see, hear and experience. In fact, it would be we did.
overwhelming if
The only way we can keep, hold on to, preserve and hope to prolong sensory memories is through ATTENTION. Only the material we attend to passes into short-term memory.
How could you cope with life if you couldnt lter out the extraneous details?
temporary storage
Short-Term Memory
limited capacity (7 plus or minus 2 bits or chunks) often encoded phonentically (according to sound) very sensitive to interference information is lost though decay (fading) or displacement (being pushed out by new information)
Yes! Thats actually only 6 pieces of information, chunked (or 9, if you count the brands). I would enter the rabbit burrows of the back of the department, muttering to myself (maintenance rehearsal, vocal or sub-vocal).
Then the manager would say, Roslyn, can you work tomorrow from 5-9 and on Saturday from 1-5? Sure I can! I would cry. Then I would realise that I could no longer remember which size I needed to get in which shoe. I would have to go out and say to the customers: Im sorry. I am an idiot and have forgotten what you asked for.
Elaborative Rehearsal
Any activity that adds meaning to information allows it to be encoded semantically, which is how LTM is organised.
For instance, self-referencing is a form of elaborative rehearsal. You tie new information that you need to learn to something that is personal and meaningful to you, as I did with my shoe example.
Using a diagram allows elaborative rehearsal of a concept.
Well-encoded information is easier to retrieve because there are many ways in which you can access it in your long-term memory.
Elaborative Rehearsal
More Elaborative Methods
Work out an analogy, a rhyme, an acrostic, a story, to help you remember something. Think of examples, work out synonyms you could use to describe a concept, change a teachers description into your own wording, draw a concept map, a diagram, a picture or set of symbols. The more you work on the information, the easier retrieval will be. On the neuronal level, there will be more connections bet ween neurons that will increase the efficiency of communication in your brain.
Elaborative Rehearsal
More Methods
Mnemonics add meaning to information and therefore qualify as methods of elaboratively rehearsing material. ROYGBIV, EGBDF, the Hippo Campus is on Memory Lane, a stalactite hangs on tight, a stalagmite might get there...
The
early
items
are
rehearsed
more
and
therefore
have
a
greater
chance
of
being
transferred
to
LTM.
! !
The ;inal items displace the middle items in STM and are still there at the end of the task, allowing them to be recalled well too.
General Information about Baddeley and Hitchs Working Memory Model The central executive, phonological loop and visuospatial sketchpad are separate and can function relatively independently. But they also interact. The phonological loop and visuospatial sketchpad are assumed to be sub-systems of working memory, whereas the central executive is assumed to be an attentional controller.
VISUO-SPATIAL SKETCHPAD
This is one component of the Baddeley-Hitch model of working memory The visuo-spatial sketchpad stores and manipulates visual information This allows you to visualise a room and store in memory the location of objects in space
Visuo-Spatial Sketchpad
A mental workspace for storing and manipulating visual and spatial information For instance, the tasks to the right require you to visualise and rotate objects,, or to visualise a 3D object whilst looking at a 2D one. Both require the use of your visuospatial sketchpad. Can you think of some everyday tasks that require visualising and the location/manipulation of objects in space, using what we might call your minds eye?
Can you form a cube by cutting out and folding this shape?
Visuo-Spatial Sketchpad
Example: When you look for something in your crowded locker, and can picture in your mind exactly where it is, you are using your visuo-spatial sketchpad.
Going straight to that outfit you need for a party, even though your cupboard is a mess
Phonological Loop
Another component of Baddeley and Hitchs model Also called verbal working memory Temporarily stores a limited amount of verbal, speech-like information Verbal information is held in a sound-based or phonological form You hold the information through sub-vocal maintenance rehearsal; without it, you could only hold about 2 seconds worth of information
This PET scan uses the rate of oxygen consumption in the brain to reveal which areas are most strongly involved in which mental activities. This brain scan suggests that two areas are strongly activated by phonological short-term memory, one involved in storing the memory (A) and the other with rehearsal (B). (Paulesu et. al. 1993)
Phonological Loop
Research evidence suggests that the phonological loop is important to language learning, both in acquiring ones native language as a child and in learning the vocabulary of a foreign language as an adult.
A Word on Multi-Tasking
The phonological loop and visuo-spatial sketchpad both have limited storage capacity, but the capacities of each component are assumed to be independent of each other. Reaching the limits of one component does not affect the capacity of the other component. Dual-task experiments have shown that people can do two tasks at once, maintaining information in one sub-system whilst carrying out a task requiring the other.
For instance, last year I found that I could paint a portrait of my daughter while listening to German podcasts, but I couldnt listen to German and type an email in English. What are some tasks you can do simultaneously that dont interfere with others? What are some tasks you cannot do at the same time?
Central Executive
Another component of the Working Memory model Monitors information and selects which information to pay most attention to Shows the dynamic nature of working memory, as opposed to the Short-Term Store in the Atkinson-Shiffrin model Though limited in storage capacity, the central executive is an active cognitive mechanism
Central executive
Integrates information from other components and from LTM Involved in all our thoughts, feelings and decisions in normal waking consciousness
Central Executive
A final summary
According to Baddeley, the central executive controls the phonological loop and the visuospatial sketchpad, which he refers to as slave systems. It relates them to long-term memory. Your text: In everyday life, the central executive is involved in planning and goalsetting, helping you decide what to do next, or what not to do. When you change your mind about what to do, it will coordinate task switching, enabling you to change tasks smoothly while it controls the flow of information within and between the working memory and LTM systems. (p.318)
Episodic Buffer
A late entry to the model
Baddeley thought that his model did not explain how working memory links with LTM. Consequently, he added a fourth component in 2000, the episodic buffer.
Episodic Buffer
A sub-system of working memory that enables the different components of working memory to interact with LTM. Assumed to be a limited-capacity storage system that holds about 4 chunks of information.
The episodic buffer is a bit like a mental workbench for cognitive activities
Episodic Buffer
Baddeley called it this because he believed that this component can pull together separate streams of information from elsewhere in working memory and LTM and then combine them into scenes or episodes, like memories of a story or movie scene.
Episodic Buer
Baddeley called it a buer because it provides a temporary working space where information can be edited, reordered or reorganised in a meaningful way. See the example of how the four components of the working memory model might work in everyday life (p.319).
How do all these components work together to allow you to manage a complex, muli-faceted task?
You are cooking dinner. Your daughter or little sister spills her milk on the oor. The phone rings. It is your best friend, wanting to tell you urgently how she/he hates her boyfriend/girlfriend. What is your working memory doing? How are all the components involved?
The model ts with our experience of everyday life. For instance, counting the number of windows in your house requires the visuo-spatial sketchpad; the sub-vocal counting requires the phonological loop; this would be coordinated by the central executive.
A considerable amount of research evidence, including experimental evidence and even brain scans showing dierent parts of the brain at work, supports the components Baddeley and Hitch suggested. For instance, experiments in which participants successfully did dual tasks suggest that there is indeed a component focused on visual tasks and another focused on sound-based tasks.
It is dicult to test and verify the role of the central executive. It is dicult to quantify what is meant by limited capacity. The episodic buer still requires more research and explanation.
Attention is vital to the encoding of memories, but not all attention is created equal. You can pay attention in dierent ways or focus on dierent aspects of the stimulus input. According to Craik and Lockhart, dierent rates of forgetting occur because some methods of encoding create more durable mermory codes than others.
The shallow, intermediate and deep processing student... (not a serious page)
Harrison and Richard are naturally in the deep category (despite the crocheted blanket)
Shallow processing student: Notices what the teacher is wearing. Knows where friends are sitting. Complains if teacher doesnt write neatly. Intermediate processing student: Copies notes. Reads textbook. Writes denitions.
Deep processing student: Uses own wording when possible for notes. Reads beyond textbook. Thinks up analogies and examples, designs diagrams, draws concept maps, asks probing questions (teacher struggles to answer), makes up questions and tries to answer them, encodes meaningfully; neural connections abound in his/her subtle brain...