It Wasn't Supposed to Be Like This: Poems
By Greg Masters
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About this ebook
The title poem is an attempt at a sort of "Howl 2". Written in a wayward trochaic octameter (eight beats a line) it is a grand kvetch to pierce veneer, call out government miscreants and establish truths attesting to perspectives chronically pushed to the margins and excluded from corporate boardrooms and TV fantasies.
The bulk of the book is taken up by "My East Village," another epic poem (in trochaic octameter) that chronicles the downtown neighborhood Masters has lived in for the past 45 years, celebrating its cultural riches while bemoaning its blandification.
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It Wasn't Supposed to Be Like This - Greg Masters
Author
At 20 minutes, 37 seconds
At 20 minutes, 37 seconds
into track one of a box-set
reissue of the Miles Davis Quintet
recording Freedom Jazz Dance,
a previously unissued rehearsal take,
the raspy-voiced bandleader instructs
drummer Tony Williams to play triplets.
Up to this point in the ensemble’s
working out of the tune, he’d,
uncharacteristically,
been lagging, playing as if he were
still with Jackie McLean,
accompanying with a ring-a-ding-ding
on the ride cymbal.
But after first working out a bass part for
Ron Carter and a few run-throughs –
Wayne Shorter certainly had the head down
and Herbie Hancock seemed assured
with splashes of chords –
Miles instructs his teenaged drummer
to lay down a triplet pattern and, after a
few attempts, he hits on the pulsating
underlying momentum that, still,
50-plus years after recording,
transforms the seven-minute
master track into a miracle.
Decades Later
If someone had taken
20 seconds to explain
to me that learning a
new language could
prove valuable later on,
perhaps my resentment
at having to attend
Hebrew school three
times a week for four
years during prime
baseball-playing years
would have been supplanted
by eager knowledge-seeking
and curiosity satiated by
independent and thorough
scholarship. How satisfying
that might have proved.
A simple explanation
instead of dropping me
into a foreign environment
where I had to try and fit,
be sociable, not give offense.
What a pain, I know now,
though too anxious then
to do anything more than
color between the lines,
so to speak.
Alphaville Revisited
Wrong World
I’ve been working on a
unified theory
to make sense of my
uncertain perspective
in a universe 14.8 billion
years old, to concatenate
the vectors.
You know: Alonso hits
a ball to the right side,
the grinding of stone
down in the air shaft,
the moment of this pen
on paper making
thoughts tangible.
*
Fishing Line
Fishing line.
Amazing, right?
*
Tomorrow’s headlines today
Poet Topples Trump
Earth Renamed Rolling Stones
*
For those with intention but little talent
Who am I to judge?
Get up on that stage.
Leave me out of it.
*
I used to recant
now I decant
*
If I were
to think of you
it wouldn’t be
because I
wanted to
*
Madras
I had madras
*
Us at Our Best
I heard a
NASA scientist
comment
that the Cassini
space mission
was us at our best.
I’d add the pyramids,
the music of Bach, Miles Davis
and John Coltrane,
the choreography of
George Balanchine,
the 12 two-reelers
Charlie Chaplin made
for the Mutual Film Corp.
in 1916-17,
and a video clip
shown on TV today of
a man shielding his
fallen partner with
his body amid a
crowd scrambling
as a domestic terrorist
opens fire.
What would you add?
[audience input]
*
Before There Was You
I stared at the ceiling
people crowded me
my blood pressure was high
my expectations low
now I shop for fish
and watch the skies
by your side
*
Dream with commercial
I had a dream
with a commercial.
Who do I have to pay
to get my premium
dream channel back?
*
Every glimpse
worth capture
in the Catskills
*
2 a.m.?
5 m.g.
*
Mild Verdict
Brünnhilde defied her old man, it’s true
Doing what she wasn’t supposed to do
*
Not Ready to Die
There are still some
Terje Rypdal albums
I haven’t heard
*
The swallows
build nests in the barn,
Keith the farmer is
saying at a dinner party.
Before flying south,
the new flock, could be
dozens, all line up
on the barn roof.
Harry James
An untamed girl
is standing on a desk.
I think we’re between
classes when this
episode of fury unfolds.
An adult appears and
attempts to restore order.
What’s your name?
he demands of my classmate,
Lincoln Junior High School #4.
Harry James,
she responds,
exacerbating the challenge
to all decency and propriety.
I remember her long, dark hair
(Italian? Downtown?)
and wanting to know more
about her as I stood back
admiring her stance.
She and I both know who
Harry James is, I’m thinking,
some big-band leader
our parents used to listen to.
I’m envying her feral grace
that likely landed her in
detention, but for that
moment, at least, reminds
us more timid of the
natural state we all once
inhabited, from which
we all were forcibly weaned.
Just one more display
of resistance I somehow
recall 50-plus years later –
and salute.
Salve for Bewilderment
I approached Eric Clapton
at a garden party and
started speaking:
"I first heard your playing
on that John Mayall
Blues Breaker album
when I was in high school," I said.
How did you get that sound?
My buddy James Hale,
a fine music journalist,
strolled by and with a flick
of his wrist tapped my back
to ratify the high quality
of my question.
I was forming the thoughts
to tell the musician
how much his music meant
to me. How the current
from his electric guitar
not only sliced through the
matter-of-factness of
my New Jersey suburb
but steered me and my buddies
to the sources from which
it emanated, all a pleasure,
all a revelation through
those hours of teenage wonder,
a salve for the bewilderment
among the sidewalk segments
displaced by the expanding roots
of the thick-trunked
street-border trees or
calling me isolate
in upstairs bedroom
connecting me to the
molten core of
a stranger reality.
Clapton was effusive
in his response and at ease.
Unfortunately, I can’t
recall his answer
to