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It Wasn't Supposed to Be Like This: Poems
It Wasn't Supposed to Be Like This: Poems
It Wasn't Supposed to Be Like This: Poems
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It Wasn't Supposed to Be Like This: Poems

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In this new book of poems, his ninth from Crony Books, Masters cuts through the lies perpetrated as the American Dream pitched to us like soap detergent over the past 50 years.

The title poem is an attempt at a sort of "Howl 2". Written in a wayward trochaic octameter (eight beats a line) it is a grand kvetch to pierce veneer, call out government miscreants and establish truths attesting to perspectives chronically pushed to the margins and excluded from corporate boardrooms and TV fantasies.

The bulk of the book is taken up by "My East Village," another epic poem (in trochaic octameter) that chronicles the downtown neighborhood Masters has lived in for the past 45 years, celebrating its cultural riches while bemoaning its blandification.
LanguageEnglish
PublisherBookBaby
Release dateNov 16, 2020
ISBN9781098341732
It Wasn't Supposed to Be Like This: Poems

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    Book preview

    It Wasn't Supposed to Be Like This - Greg Masters

    Author

    At 20 minutes, 37 seconds

    At 20 minutes, 37 seconds

    into track one of a box-set

    reissue of the Miles Davis Quintet

    recording Freedom Jazz Dance,

    a previously unissued rehearsal take,

    the raspy-voiced bandleader instructs

    drummer Tony Williams to play triplets.

    Up to this point in the ensemble’s

    working out of the tune, he’d,

    uncharacteristically,

    been lagging, playing as if he were

    still with Jackie McLean,

    accompanying with a ring-a-ding-ding

    on the ride cymbal.

    But after first working out a bass part for

    Ron Carter and a few run-throughs –

    Wayne Shorter certainly had the head down

    and Herbie Hancock seemed assured

    with splashes of chords –

    Miles instructs his teenaged drummer

    to lay down a triplet pattern and, after a

    few attempts, he hits on the pulsating

    underlying momentum that, still,

    50-plus years after recording,

    transforms the seven-minute

    master track into a miracle.

    Decades Later

    If someone had taken

    20 seconds to explain

    to me that learning a

    new language could

    prove valuable later on,

    perhaps my resentment

    at having to attend

    Hebrew school three

    times a week for four

    years during prime

    baseball-playing years

    would have been supplanted

    by eager knowledge-seeking

    and curiosity satiated by

    independent and thorough

    scholarship. How satisfying

    that might have proved.

    A simple explanation

    instead of dropping me

    into a foreign environment

    where I had to try and fit,

    be sociable, not give offense.

    What a pain, I know now,

    though too anxious then

    to do anything more than

    color between the lines,

    so to speak.

    Alphaville Revisited

    Wrong World

    I’ve been working on a

    unified theory

    to make sense of my

    uncertain perspective

    in a universe 14.8 billion

    years old, to concatenate

    the vectors.

    You know: Alonso hits

    a ball to the right side,

    the grinding of stone

    down in the air shaft,

    the moment of this pen

    on paper making

    thoughts tangible.

    *

    Fishing Line

    Fishing line.

    Amazing, right?

    *

    Tomorrow’s headlines today

    Poet Topples Trump

    Earth Renamed Rolling Stones

    *

    For those with intention but little talent

    Who am I to judge?

    Get up on that stage.

    Leave me out of it.

    *

    I used to recant

    now I decant

    *

    If I were

    to think of you

    it wouldn’t be

    because I

    wanted to

    *

    Madras

    I had madras

    *

    Us at Our Best

    I heard a

    NASA scientist

    comment

    that the Cassini

    space mission

    was us at our best.

    I’d add the pyramids,

    the music of Bach, Miles Davis

    and John Coltrane,

    the choreography of

    George Balanchine,

    the 12 two-reelers

    Charlie Chaplin made

    for the Mutual Film Corp.

    in 1916-17,

    and a video clip

    shown on TV today of

    a man shielding his

    fallen partner with

    his body amid a

    crowd scrambling

    as a domestic terrorist

    opens fire.

    What would you add?

    [audience input]

    *

    Before There Was You

    I stared at the ceiling

    people crowded me

    my blood pressure was high

    my expectations low

    now I shop for fish

    and watch the skies

    by your side

    *

    Dream with commercial

    I had a dream

    with a commercial.

    Who do I have to pay

    to get my premium

    dream channel back?

    *

    Every glimpse

    worth capture

    in the Catskills

    *

    2 a.m.?

    5 m.g.

    *

    Mild Verdict

    Brünnhilde defied her old man, it’s true

    Doing what she wasn’t supposed to do

    *

    Not Ready to Die

    There are still some

    Terje Rypdal albums

    I haven’t heard

    *

    The swallows

    build nests in the barn,

    Keith the farmer is

    saying at a dinner party.

    Before flying south,

    the new flock, could be

    dozens, all line up

    on the barn roof.

    Harry James

    An untamed girl

    is standing on a desk.

    I think we’re between

    classes when this

    episode of fury unfolds.

    An adult appears and

    attempts to restore order.

    What’s your name?

    he demands of my classmate,

    Lincoln Junior High School #4.

    Harry James, she responds,

    exacerbating the challenge

    to all decency and propriety.

    I remember her long, dark hair

    (Italian? Downtown?)

    and wanting to know more

    about her as I stood back

    admiring her stance.

    She and I both know who

    Harry James is, I’m thinking,

    some big-band leader

    our parents used to listen to.

    I’m envying her feral grace

    that likely landed her in

    detention, but for that

    moment, at least, reminds

    us more timid of the

    natural state we all once

    inhabited, from which

    we all were forcibly weaned.

    Just one more display

    of resistance I somehow

    recall 50-plus years later –

    and salute.

    Salve for Bewilderment

    I approached Eric Clapton

    at a garden party and

    started speaking:

    "I first heard your playing

    on that John Mayall

    Blues Breaker album

    when I was in high school," I said.

    How did you get that sound?

    My buddy James Hale,

    a fine music journalist,

    strolled by and with a flick

    of his wrist tapped my back

    to ratify the high quality

    of my question.

    I was forming the thoughts

    to tell the musician

    how much his music meant

    to me. How the current

    from his electric guitar

    not only sliced through the

    matter-of-factness of

    my New Jersey suburb

    but steered me and my buddies

    to the sources from which

    it emanated, all a pleasure,

    all a revelation through

    those hours of teenage wonder,

    a salve for the bewilderment

    among the sidewalk segments

    displaced by the expanding roots

    of the thick-trunked

    street-border trees or

    calling me isolate

    in upstairs bedroom

    connecting me to the

    molten core of

    a stranger reality.

    Clapton was effusive

    in his response and at ease.

    Unfortunately, I can’t

    recall his answer

    to

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