Lettering From A to Z: 12 Styles & Awesome Projects for a Creative Life (Calligraphy, Printmaking, Hand Lettering)
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About this ebook
- Phawnda's limited edition release for the National Calligraphers Guild was selected as a 2019 winner by Next Generation Indie Book Awards, in gift / specialty / novelty books, one of 70 categories.
- This book will appeal to an audience of women (and some men) over 40, often retired professionals, who now have more time for personal creativity.
- The book could be featured in retail displays for new books, art products, stationery, holiday gifts, home design, and crafting.
- It could be a resource for teachers (including home schooling), retirement home activities, libraries, gift shops and bookstores.
- Community group leaders will find projects that are helpful in recognizing volunteers or planning events.
- Wedding vendors will be able to offer unique personalization for their events.
- Small business owners can easily learn professional skills to promote their products
Phawnda Moore
Phawnda Moore has been creating with words and images since the mid-1980s. Her first lettering book was selected as a winner in the 2019 Next Generation Indie Book Awards. She was a contributing writer on Empty Easel for 3 years and has written, edited, and designed more than 100 published books, blogs, and articles including for Bound & Lettered, Letter Arts Review, Paper & Ink Arts, Mendocino Arts and TombowUSA. She’s a member of the online calligraphy group Scribbled Lives and several U.S. calligraphy guilds. Phawnda received national awards for her creative work at county and state offices of education, including a Clarion Award from The Association for Women in Communications and two from the National School Public Relations Association. Her original alphabet, Letters by Phawnda, was licensed by Chameleon Art Products in the U.K. Formally trained as a graphic designer, Phawnda’s organic lettering art has been printed on apparel, home decor, wedding invitation suites and canvas banners for fundraisers. She has taught calligraphy in-person for 25 years, where students from 9 to 90 inspire each other as they mix and mingle letters, colors and shapes. Phawnda lives in beautiful Northern California with her husband, Ron.
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Reviews for Lettering From A to Z
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Book preview
Lettering From A to Z - Phawnda Moore
Copyright © 2020 by Phawnda Moore.
Published by Mango Publishing Group, a division of Mango Media Inc.
Cover Design: Elina Diaz
Cover Photo/illustration: Phawnda Moore
Layout & Design: Elina Diaz
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Lettering from A to Z: 12 Styles & Awesome Projects for a Creative Life
Library of Congress Cataloging-in-Publication number: Has been requested
ISBN: (print) 978-1-64250-382-1, (ebook) 978-1-64250-383-8
BISAC category code: ART003000, ART / Techniques / Calligraphy
Printed in the United States of America
Table of Contents
Part I: Greetings
Part II: Getting Started in a Creative Life
Chapter 1: In the Beginning…
Chapter 2: Inspiration and Motivation
Chapter 3: Dive into Learning
Chapter 4: Lettering 101
Chapter 5: Two Guiding Words
Chapter 6: Mindful Practice
Part III: Models for 12 Styles, Layout & Design, and Color
Chapter 7: Handwriting
Chapter 8: Faux Calligraphy
Chapter 9: Mail Art Design
Chapter 10: Rainbow Lettering
Chapter 11: Monoline Casual
Chapter 12: Uncial Calligraphy
Chapter 13: Italic Calligraphy
Chapter 14: Pointed Pen Script
Chapter 15: Brush Lettering
Chapter 16: Lively Versals
Chapter 17: Nature Walk Lettering
Chapter 18: Drawn Lettering
Chapter 19: Letters by Phawnda
Chapter 20: Letterspacing and Page Design
Chapter 21: Design Elements and Principles
Chapter 22: Understanding Color
Part IV: Tutorials for Projects and Interesting Stuff A to Z
Chapter 23: Alphabet History
Chapter 24: Barcode Art Books
Chapter 25: Comfy Writing Tools
Chapter 26: Dotted Drawing
Chapter 27: Erasers
Chapter 28: Flourishing
Chapter 29: Gifts
Chapter 30: Holiday Cards
Chapter 31: Illustrating with Calligraphy Tools
Chapter 32: Journal Pages
Chapter 33: Kitchen Projects
Chapter 34: Layout Basics
Chapter 35: Monograms
Chapter 36: Name Techniques
Chapter 37: Organizing Your Studio
Chapter 38: Proportional Scale
Chapter 39: Quotes
Chapter 40: Rubber Stamps
Chapter 41: Space (Negative)
Chapter 42: Tea for Background Papers
Chapter 43: Unusual Surfaces
Chapter 44: Volunteering
Chapter 45: Washi Tape
Chapter 46: Xercise
Chapter 47: Yard Art
Chapter 48: Z Quilt
Part V: Thank You
Part VI: Resources, Books, and Lettering in Community
About the Author
Part I
Greetings
It is said that life is more meaningful—and that we live longer—if we find something we’re keenly interested in and connect to it. I hope that’s true for all of us!
As a calligrapher, writer, editor, and instructor, my life paths lead to connections with kindred spirits. I’m grateful for the many experiences of working together as we’ve created art in words and images. Writing Lettering from A to Z: 12 Styles & Awesome Projects for a Creative Life has allowed me to revisit those memories and include some of them for you.
My instructors taught me patience because good lettering takes time. The most important thing is to slow down, get comfortable, and just begin. In quiet solitude, focus, wonder, experiment, seek your own path, and enjoy the process! There’s a kind of magic in this: we grow, learn new things, and discover who we are.
I have observed these benefits for many years as I’ve had the pleasure to teach mostly retired professionals. Their questions and ideas are reflected in my workshops and in this book. Once a commercial graphic designer for printed projects, I now have the privilege to share some of that experience and work on a personal level with the nicest people I’ve ever met.
Perhaps you have a stack of blank cards or have saved a loved one’s handwriting—and now you want to send keepsakes of your own. This book is written for you, beginning to intermediate creatives, who seek traditional influence and practical instruction to make everyday things beautiful and memorable. Hand lettering can heal, celebrate, send love, recognize, mourn, and let be. In the big picture, these are all opportunities that matter in the gift of life.
I hope Lettering from A to Z: 12 Styles & Awesome Projects for a Creative Life enlightens, educates, and encourages you. Think of it as a journey; start and stop with me along the way… Let’s begin!
Part II
Getting Started in a Creative Life
Chapter 1
In the Beginning…
You and I (and everyone) have a beginning, and—here’s the best part—98 percent of us were born creative.
This topic was researched in 1968 by Dr. George Land, who led a five-year observation of 1,600 children. He tested the same group of children at ages five, ten, and fifteen—and as adults. At age five, a mighty 98 percent were creative.
But at age ten, it dropped to 30 percent; at age fifteen, down to 12 percent; and as adults, just 2 percent. Some resources give a slightly higher percentage for adults’ creativity than Dr. Land’s study, with a high of 8 percent.
Creative adults, compared to the general population, are known to have unique traits. One of these is curiosity. If you find that you’re more curious than others, you may wonder why. In school, you might have been the one to ask why
while your classmates silently looked on. I remember asking a friend in kindergarten why her mother pinned a spotless lace handkerchief, folded in quarters, on her jacket every day!
We can learn much from children. I’ve had the opportunity to teach both gifted students (grades four and five) and incarcerated young adults (age sixteen and older) in a collaborative lettering design for a holiday card. The goal was for each student to make a single stroke of a letter with one tool and color, and then it was the next student’s turn.
Although both groups had the same assignment, the results were wildly different. The incarcerated students were excited to do art,
but lacked the focus and trust to collaborate. I felt very sad when I collected their projects. The art indicated their natural creativity was quite low, most likely because of their difficult lives.
In contrast, the younger students’ instinctive participation far exceeded my expectations.
Here’s what the fourth and fifth graders made:
My experience supports Dr. Land’s theory that many adults lose their natural creativity because they’ve learned noncreative behavior. Sometimes folks sigh, I’m just not creative.
But