David Dominique Unmasked

n an age when music from practically every generation in recorded history is at your fingertips, you’d think that bold cross-genre blending would be much more common among musicians than it is. David Dominique’s second album, , is a rare instance of just such a multistylistic mashup. It seemingly combines everything from Middle Eastern folk and Steve Reich-ian minimalism to Charles Mingus’ holy-roller church meetings and metal guitar stabs, all performed by an