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Minna and Myself
Minna and Myself
Minna and Myself
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Minna and Myself

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"Minna and Myself" by Maxwell Bodenheim. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
LanguageEnglish
PublisherGood Press
Release dateNov 27, 2019
ISBN4057664604729
Minna and Myself

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    Book preview

    Minna and Myself - Maxwell Bodenheim

    Maxwell Bodenheim

    Minna and Myself

    Published by Good Press, 2022

    goodpress@okpublishing.info

    EAN 4057664604729

    Table of Contents

    A FOREWORD

    MINNA

    I

    II

    III

    IV

    V

    VI

    VII

    VIII

    IX

    X

    XI

    XII

    XIII

    XIV

    XV

    XVI

    XVII

    XVIII

    XIX

    XX

    XXI

    XXII

    XXIII

    XXIV

    XXV

    XXVI

    XXVII

    MYSELF

    POET TO HIS LOVE

    DEATH

    TO GEORGIE MAY

    POET-VAGABOND GROWN OLD

    BLIND

    LOVE

    HILL-SIDE TREE

    INTRUSION

    CHANGE

    PORTRAITS

    I

    II

    MEETING

    COTTON-PICKER

    FRIENDSHIP

    FACTORY GIRL

    DEATH

    I

    II

    INTERLUDE

    CHORUS GIRL

    OLD AGE

    TO ONE DEAD

    TO A DISCARDED STEEL RAIL

    TO AN ENEMY

    SOLDIERS

    FORGETFULNESS

    THE INTERNE

    REAR PORCHES OF AN APARTMENT BUILDING

    TO ONE DEAD

    THE MASTER-POISONER Maxwell Bodenheim and Ben Hecht

    POET’S HEART

    A FOREWORD

    Table of Contents

    It is hard for me to realize that this is a first volume of verse. Most of the initial ventures that have passed under my jaundiced eye have been precisely what such early collections are expected to be. They were, as Wilde expressed it somewhere, promissory notes—that are never met.... But though it is hard for me to believe that this is a first book, it is still harder for me to believe that this is Maxwell Bodenheim’s first book. In these days of the much advertised poetic renaissance, when the Dial out-radicals the Little Review, and even the New York Tribune prints vers-libre on its editorial page, I expected to see nothing less than Bodenheim’s Collected works.... This pleasure will evidently have to be deferred.... Meanwhile, here is an indication, and no slight one, of how distinguished and decorative that collection will be. Without Kreymborg’s caustic and acerb irony, or Johns’ fluent lyricism, Bodenheim has something that neither they nor, for that matter, any of his colleagues in "Others" possess. I refer to his extreme sensitivity to words. Words, under his hands, have unexpected growths; placid nouns and sober adjectives bear fantastic fruit. It is a strange and often magic potion he brews from them; dark and fiery liquids that he pours into curiously designed cups. Sometimes he gets drunk with his own distillation, and reels between preciosity and incoherence. Sometimes the mixture is so strong that even his metaphors, crowding about each other, become inextricably mixed. But as a rule, Bodenheim is as clear-headed as he

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