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The Absolute, Relatively Inaccessible
The Absolute, Relatively Inaccessible
The Absolute, Relatively Inaccessible
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The Absolute, Relatively Inaccessible

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The Absolute, Relatively Inaccessible is a volume of poems divided into three parts. The three parts are bound together by a brace of persistent and developing themes, as well as by the repetition (and the development) of language, metaphor, and imagery.
Part 1 presents various characters (mostly African American) confronting death.
The poems in part 2 are spoken by an unnamed narrator about his cancer. My cancer, actually, and my experiences.
Parts 2 and 3 both descend into silence.
Part 3 is a radical reworking of the ancient Mesopotamian epic loosely known as The Songs of Heaven and Hell. The poems are not a translation, though each derives from a separate song, and each uses the characters, the events, the worldview, and the stark imagery of Babylon in the third century BCE. In many respects, these poems have the prosody of the biblical psalms.
LanguageEnglish
PublisherCascade Books
Release dateMay 31, 2017
ISBN9781498240611
The Absolute, Relatively Inaccessible
Author

Walter Wangerin Jr.

Walter Wangerin Jr. is widely recognized as one of the most gifted writers writing today on the issues of faith and spirituality. Known for his bestselling The Book of the Dun Cow, Wangerin’s writing voice is immediately recognizable, and his fans number in the millions. The author of over forty books including The Book of God, Wangerin has won the National Book Award and the New York Times Best Children’s Book of the Year Award. He lives in Valparaiso, Indiana, where he is Senior Research Professor at Valparaiso University.

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    Book preview

    The Absolute, Relatively Inaccessible - Walter Wangerin Jr.

    9781532616693.kindle.jpg

    The Absolute, Relatively Inaccessible

    Walter Wangerin Jr.

    Foreword by Scott Cairns
    8454.png

    The Absolute, Relatively Inaccessible

    Copyright © 2017 Walter Wangerin Jr. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions, Wipf and Stock Publishers, 199 W. 8th Ave., Suite 3, Eugene, OR 97401.

    Cascade Books

    An Imprint of Wipf and Stock Publishers

    199 W. 8th Ave., Suite 3

    Eugene, OR 97401

    www.wipfandstock.com

    paperback isbn: 978-1-5326-1669-3

    hardcover isbn: x978-1-4982-4062-8

    ebook isbn: 978-1-4982-4061-1

    Cataloguing-in-Publication data:

    Names: Wangerin, Walter, author | Cairns, Scott, foreword.

    Title: The absolute, relatively inaccessible / Walter Wangerin Jr. ; foreword by Scott Cairns.

    Description: Eugene, OR: Cascade Books, 2017.

    Identifiers: isbn 978-1-5326-1669-3 (paperback) | isbn 978-1-4982-4062-8 (hardcover) | isbn 978-1-4982-4061-1 (ebook)

    Subjects: LCSH: Poetry.

    Classification: ps3573 a477. 2017 (paperback) | ps3573 (ebook).

    Manufactured in the U.S.A. 08/15/17

    Table of Contents

    Title Page

    Foreword

    Adams’ Photograph of Stieglitz

    Part 1: Snow

    Cones of Snow

    Milk and Snow in Three Declensions

    A Torque of Time

    Gertrude’s Letter, Midwinter

    Miz Lillian’s Memorial Stones

    Et in Pacem

    Part 2: Cancer

    I. On an Age-Old Anvil, Wince and Sing

    II. Pain

    III. November

    IV. The Wanderer

    V. The better metaphor

    VI. Advice

    VII. Endnote

    VIII. Zero at the Bone

    IX. Slow time

    X. Time’s Gyre

    XI. Necrophagia: The Mastery of the Thing

    XII. The Effects of Radiation

    XIII. To Those I Haven’t Time to Write

    XIV.

    XV.

    Part 3: O Babylon!

    From the Mesopotamian Poems of Heaven and Hell

    II. From The Hymn of the Names of Marduk

    III. From A Prayer to the Gods of Night

    IV. From Childbirth

    V. From Inanna’s Journey into Hell

    VI. From Dumuzi Mourned

    VII. From The Son’s Reply

    VIII.

    Foreword

    When Mystery Matters Most

    Over the years, I have received a good many poems from a good many clergy folk who were keen to offer their wisdom in verse form. Most often—nearly always—what they have offered is but a curiously unsatisfying species of sermon. Their slender texts generally manifest little sense of why they were not simply presented in prose, or simply offered from the pulpit of a Sunday morning.

    Genuine poems,

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