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A Practical Guide to Photography

A Practical Guide to Photography

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A Practical Guide to Photography

valutazioni:
5/5 (1 valutazione)
Lunghezza:
235 pagine
56 minuti
Pubblicato:
Aug 11, 2017
ISBN:
9781370329571
Formato:
Libro

Descrizione

Download for free now -
Everything you wanted to know about photography but were afraid to ask
Learn how to take your camera off auto and take control.
In this free downloadable ebook, I have put together everything I have learned about the fundamental basics of photography.
When I started learning photography back in 1997, I picked up an old book which taught me everything I needed to know in order to fully understand how a camera and photography works. While we have moved on to digital and cameras have become more complex and, in some ways, easier to use, these basics are just as important today as they ever were.
Laid out in a simple, visual and easy to read format that is devoid of technical jargon, the book helps you understand all the essentials such as: light, exposure, shutter speed, aperture, ISO, white balance, focussing and exposure compensation.
Using illustrations and example photographs, you can more easily see how all these work and how each effect is applied.
A simple, practical way to learn all the skills you need to take great photos like the pros

Pubblicato:
Aug 11, 2017
ISBN:
9781370329571
Formato:
Libro

Informazioni sull'autore

I am a travel writer and photographer, among other things. I also teach photography and English, and run workshops and courses in both England and Slovenia. Over the past years I have travelled through Australia, Mexico, North America, Spain, Ireland, South America, Cuba, New Zealand and Slovenia. In 1997 I started working on a series of travel books charting my adventures in these countries. They tell of my experiences and of the colourful characters I met along the way. The reason I started writing these books was to show people just how much fun and adventurous travelling can be, and how it is not as dangerous as many might perceive. I also wanted to show that travelling alone need not be as lonely as you might think. These books are a perfect example of that. Besides, I have a terrible memory, and so at least this way when I’m old and grey, sitting in my rocking chair with my pipe, slippers and incontinence pants, I’ll be able to read my books and think, blimey did I do that? To the End of the World and Back was the first of these books to be published. In the summer of 2003 I hiked solo for 280 miles across Ireland, from Wexford to Donegal, in aid asthma research. Visit the walk for asthma link for more info and an article I wrote about it. In keeping with the emerging interest in ebooks, My third title is an e-book story of my second ever long solo journey. It tells of how, as a novice traveller, I set off on an amazingly profound and comical four-month journey around the whole of Mexico. My two paperbacks, To the End of the World and Back and Hot Footing Around the Emerald Isle have also been released as e-books complete with over a hundred full colour photographs from each journey, and Hot Footing now also contains 18 new articles from return journeys to the Emerald Isle. I have also collaborated with Douglas Elwell on a book called Mysterious World: Ireland, a lavishly illustrated history book/travel guide focusing on the history and ancient mysteries of Ireland. Learn about the fairies, giants, leprechauns, ancient kings and the many Celtic deities that have all left their indelible mark upon Ireland’s culture and traditions. Find out where many of the country’s ancient megalithic structures, fairy trees, raths and other sacred places lie, and read what the archeologists and tour guides won’t tell you, the legends and folklore behind them. For example, if you take the tour of Newgrange, the guide will not tell you that according to Celtic mythology this, the greatest of all the burial mounds of Ireland, was once the fairy palace of the Dagda, the father god of the Tuatha de Danann, a magical race who once inhabited Ireland and were defeated by the Celts and driven from the land into the underworld to become known as the Sidhe (fairy folk) of Ireland.


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  • The light is our magic tool. It determines from the very start how our image will look. You could never turn the image on the left into the image on the right using software and make it look natural.

Anteprima del libro

A Practical Guide to Photography - Ian Middleton

it.

Part 1: Introduction to light & direction of light

Photography

From the Greek word which literally means:

Drawing with light

Light travels in straight lines and without it we cannot see.

Most objects do not give off their own light, so what we see is the light that is reflected off the subject into our eyes, and this in turn determines how the object or scene appears to us.

When light is low we don’t see things so clearly. When there is zero light we see absolutely nothing, even if objects are right there in front of our eyes. So, in the same way that our eyes need light to see, the camera needs light to capture a picture.

Light is everything when it comes to photography, and it not only determines what we see, but also how we see it. All of us are aware that the world around us appears differently depending on the day, the weather, and time of day or year.

So, just as the light determines how we see things, it also dictates, to some degree, how our photo will look. Therefore, not only do we have to consider how much light is available, but also:

The quality of the light

The colour of the light

The direction of the light

The source of the light

How the light is falling upon our subject and what effect it has

Light can come from a variety of sources:

Natural light from the sun (best)

Artificial light (bulbs etc.)

Camera flash

Candles

There are various types of light:

Direct light (hard light from a small source) (sun, flash, street lights, candles) This produces high contrast images with lots of shadows and definition, along with bright, vivid colours

Diffused light (soft light from a large source) (cloudy day, big windows, large studio softboxes) This gives soft, low contrast images with little or no shadow, along with softer more subtle colours

Indirect light (Reflected light) (water, bounced flash, large surfaces). Softens and diffuses light. Can also help to fill in unwanted shadows.

Search for the light

It’s all about the light and not about photoshop... While many believe that photoshop is some kind of magic tool for photographers, it isn’t. The light is our magic tool. It determines from the very start how our image will look. You could never turn the image on the left into the image on the right using software and make it look natural.

On the left image cloud has thrown the tree and foreground into shade, so both are devoid of colour and texture. However, light is still falling on the mountains and the two people in the lower right corner. The patch of white brightly lit cloud behind has also helped make the people stand out.

On the right photo, the cloud cleared and sunlight fell on the foreground and tree, bringing out the colour and texture of the tree.

The different type of light here has created two entirely different scenes. On the next pages we will see just how the different types of light affect our scene.

Direct light effects

Direct light comes from one direction and therefore produces bright and dark sides to the subject it illuminates. The result, as you can see by the illustration, is a high contrast scene with hard light, hard shadows and hard edges with lots of definition.

The picture of the snowboarder was taken on a bright, clear sunny day, so here direct light from the sun was illuminating the subject. Notice how bright the colours are, and how much detail, definition and sharpness there is on the subject. As the subject was in the air with nothing but the sky behind, then shadows were avoided. This was also taken in winter, when the air was clear and free of moisture. So take note of light quality. It’s not enough that it’s sunny. While the sun may be out, there could still be a lot of haze and moisture in the air, which affects the clarity of a scene. This is especially true in the summer months when it’s hot. Time of year and the time of day are also important. When the sun is higher in the sky, around midday or during the summer months, then the light is harsh and hazy. Because this was taken on a mountaintop ski resort in winter, the air was crystal clear which has also resulted in a crystal clear image. During winter the sun is lower in the sky so the light is less harsh. And finally, snow is reflective, so the underside of the boarder and snowboard is also lit. So not only does this image have direct light, but also reflected light.

Unwanted shadow

When photographing in direct light, shadows can be a major problem. So you must look carefully when photographing under these conditions.

As you can see on the photo of the

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