Steal Away: Selected and New Poems
By C.D. Wright
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Steal Away - C.D. Wright
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Thank you. We hope you enjoy these poems.
This e-book edition was created through a special grant provided by the Paul G. Allen Family Foundation. Copper Canyon Press would like to thank Constellation Digital Services for their partnership in making this e-book possible.
For enduring friends from the Memphis years:
Steve Allen, Barbara Barg, Chris Ellis, George Caldwell III, Toni Caldwell Hall, Stephen Kaplan, Steve Stern, and Margaret Vittitow
In memory of
Michael Phillip Maxwell, October 5, 1949–May 9, 1998.
Contents
Title Page
Note to Reader
THE ROSESUCKER RETABLOS
Rosesucker Retablo #1
Rosesucker Retablo #2
Rosesucker Retablo #3
from TRANSLATIONS OF THE GOSPEL BACK INTO TONGUES (1982)
Alla Breve Loving
The Secret Life of Musical Instruments
Bent Tones
Tours
Blazes
Libretto
Clockmaker with Bad Eyes
Obedience of the Corpse
The night before the sentence is carried out
Vanish
Wanderer in His Thirtieth Year
THE HANDFISHING RETABLOS
Handfishing Retablo #1
Handfishing Retablo #2
Handfishing Retablo #3
Handfishing Retablo #4
from FURTHER ADVENTURES WITH YOU (1986)
Wages of Love
Provinces
Treatment
The Cinematographer’s Fårö Island Log
Hotels
Elements of Night
Lapse
Scratch Music
Illuminations
This Couple
Petition for Replenishment
Two Hearts in a Forest
Further Adventures with You
THE FLOATING LADY RETABLOS
Floating Lady Retablo #1
Floating Lady Retablo #2
Floating Lady Retablo #3
from STRING LIGHT (1991)
King’s Daughters, Home for Unwed Mothers, 1948
More Blues and the Abstract Truth
Remarks on Color
The Night I Met Little Floyd
Why Ralph Refuses to Dance
Our Dust
Humidity
The Body’s Temperature at Rest
Personals
Planks
Utopia
Toward the Woods
What No One Could Have Told Them
Detail from What No One Could Have Told Them
Old Man with a Dog
Living
Weekend in the Country
The Next to Last Draft
Self Portrait on a Rocky Mount
The Ozark Odes
JUST WHISTLE
a valentine (1993)
TREMBLE (1996)
Floating Trees
Approximately Forever
So Far Off and Yet Here
Like Peaches
With Grass as Their Witness
Because Fulfillment Awaits
Autographs
And It Came to Pass
Girl Friend
Sonic Relations
Various Positions
The Shepherd of Resumed Desire
Oneness
Gift of the Book
Girl Friend Poem #2
A Series of Actions
Song of the Gourd
Lake Echo, Dear
On the Beach
What Keeps
Key Episodes from an Earthly Life
Girl Friend Poem #3
In a Piercing and Sucking Species
Crescent
Everything Good between Men and Women
Girl Friend Poem #4
The Iris Admits the Light the Iris Will Allow
Like Someone Driving to Texas by Herself
Morning Star
Like Rocks
Privacy
Girl Friend Poem #5
Ponds, in Love
Like Horses
Flame
Girl Friend Poem #6
Girl Friends #7-10
from DEEPSTEP COME SHINING (1998)
from ONE BIG SELF
Prisoners of Louisiana (2002)
Index
About the Author
Books by C.D. Wright
Links
Acknowledgments
Copyright
Special Thanks
THE ROSESUCKER RETABLOS
ROSESUCKER RETABLO #1
Though it be the season of falling men
Presaged by crop circles
And compact moving masses
Long dresses made all the more dolorous by dark umbrellas
From these very fingers emerge pistols of love
Lilies of forgiveness
And as you enter the eye in this palm
Chuparosa bind me to your secrecy
Open your munificent purse hoard me
RETABLO DEL CHUPAROSA #1
Aunque sea la estación de los hombres caídos
Presagiada por los círculos del grano
Y las masas compactas en movimiento
Los vestidos largos aún más dolorosos por los paraguas negros
De estos mismos dedos surgen pistolas de amor
Lirios de perdón
Y conforme entras en el ojo en esta palma
Chuparosa átame a lo que guardas en secreto
Abre tu bolso munífico abárcame
ROSESUCKER RETABLO #2
And though my birds be torn to rags of smoke
And I into a nexus of feather and ash
You must move ahead unencumbered
By melancholy or defects
Behold the woman Chuparosa
May you never endure a week
Without letters from an inmate
Never the day without apples or bread
Come in from distant penetralia blasted immaculacy
RETABLO DEL CHUPAROSA #2
Y a pesar de que mis pájaros se vuelvan jirones de humo
Y yo el nexo entre la pluma y la ceniza
Debes proseguir sin el peso de
La melancolía o los defectos
Observa a la mujer Chuparosa
Que nunca sobrevivas una semana
Sin las cartas de un encarcelado
Nunca el día en que no haya ni manzanas ni pan
Entra de distantes santuarios pureza maculada
ROSESUCKER RETABLO #3
With a drink of lasting rain I may be clean gone
Hasta luego I troth thee and thine only ease in childbirth
Only comfort in the dying only thorns to whip the legs
Of the insolent daughters
But because they are only roses
There will be so very little pain
For your part Chuparosa you must leave
Everything exactly as it is in order to remain
Unpossessed and unforsaken all the way to the end
RETABLO DEL CHUPAROSA #3
Con un trago de lluvia perdurable tal vez me haya esfumado sin mengua
Hasta luego os doy mi palabra nada más que sosiego en el parto
Sólo comodidad en la muerte sólo espinas para fustigar las piernas
De las hijas insolentes
Pero sólo porque son rosas
Habrá un ínfimo dolor
En cuanto a ti Chuparosa debes dejar
Todo exactamente como es para quedar
Unánime y probo de aquí hasta el final
traducción de Gabriel Bernal Granados
from TRANSLATIONS OF THE GOSPEL
BACK INTO TONGUES (1982)
ALLA BREVE LOVING
Three people drinking out of the bottle
in the living room.
A cold rain. Quiet as a mirror.
One of the men
stuffs his handkerchief in his coat,
climbs the stairs with the girl.
The other man is left sitting
at the desk with the wine and the headache,
turning an old Ellington side
over in his mind. And over.
He held her like a saxophone
when she was his girl.
Her tongue trembling at the reed.
The man lying next to her now
thinks of another woman.
Her white breath idling
before he drove off.
He said something about a spell,
watching the snow fall on her shoulders.
The musician
crawls back into his horn,
ancient terrapin
at the approach of the wheel.
THE SECRET LIFE OF MUSICAL INSTRUMENTS
Between midnight and Reno
the world borders on a dune.
The bus does not stop.
The boys in the band have their heads on the rest.
They dream like so-and-sos.
The woman smokes
one after another.
She is humming Strange Fruit.
There is smoke in her clothes, her voice,
but her hair never smells.
She blows white petals off her lapel,
tastes salt.
It is a copacetic moon.
The instruments do not sleep in their dark cribs.
They keep cool, meditate.
They have speech with strangers:
Come all ye faithless
young and crazy victims of love.
Come the lowlife and the highborn
all ye upside-down shitasses.
Bring your own light.
Come in. Be lost. Be still.
If you miss us at home
we’ll be on our way to the reckoning.
for Claudia Burson
BENT TONES
There was a dance at the black school.
In the shot houses people were busy.
A woman washed her boy in a basin, sucking
a cube of ice to get the cool.
The sun drove a man in the ground like a stake.
Before his short breath climbed the kitchen’s steps
she skipped down the walk in a clean dress.
Bad meat on the counter. In the sky, broken glass.
When the local hit the trestle everything trembled—
the trees she blew out of, the shiver owl,
lights next door. With her