Intoxication
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From Plato’s Symposium to Hegel’s truth as a “Bacchanalian revel,” from the Bacchae of Euripedes to Nietzsche, philosophy holds a deeply ambivalent relation to the pleasures of intoxication. At the same time, from Baudelaire to Lowry, from Proust to Dostoyevsky, literature and poetry are also haunted by scenes of intoxication, as if philosophy and literature share a theme that announces and navigates their proximities and differences.
For Nancy, intoxication constitutes an excess that both fascinates and questions philosophy’s sober ambitions for appropriate forms of philosophical behavior and conceptual lucidity. At the same time, intoxication displaces a number of established dualities—reason and passion, mind and body, rationality and desire, rigor and excess, clarity and confusion, logic and eros.
Taking its point of departure from Baudelaire’s categorical imperative to understand modernity—“be drunk always”—Nancy’s little book is composed in fragments, quotations, drunken asides, and inebriated repetitions. His contemporary “banquet” addresses a range of related themes, including the role of alcohol and intoxication in rituals, myths, divine sacrifice, and religious symbolism, all those toasts to the sacred “spirits” involving libations and different forms of speech and enunciation—to the gods, to modernity, to the Absolute. Affecting both mind and body, Nancy’s subject becomes intoxicated: Ego sum, ego existo ebrius—I am, I exist—drunk.
Jean-Luc Nancy
Jean-Luc Nancy (1940–2021) was Distinguished Professor of Philosophy at the Université de Strasbourg and one of the late twentieth and early twenty-first century’s foremost thinkers of politics, art, and the body. His wide-ranging thought runs through many books, including Being Singular Plural, The Ground of the Image, Corpus, The Disavowed Community, and Sexistence. His book The Intruder was adapted into an acclaimed film by Claire Denis.
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Intoxication - Jean-Luc Nancy
INTOXICATION
INTOXICATION
JEAN-LUC NANCY
Translated by PHILIP ARMSTRONG
Fordham University Press New York 2016
Copyright © 2016 Fordham University Press
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher.
This book was originally published in French as Jean-Luc Nancy, Ivresse © Éditions Payot & Rivages, 2013. The quotation from Malcolm Lowry’s Under the Volcano is reprinted by permission of SLL/Sterling Lord Literistic, Inc., © Peter Matson.
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Library of Congress Control Number: 2015935157
Printed in the United States of America
18 17 16 5 4 3 2 1
First edition
TRANSLATOR’S NOTE
The text that follows was originally read at a vineyard in Alsace in April 2008, in the town of Ribeauvillé, part of a discussion organized around the theme of intoxication.
I would like to thank Mark Bender, Jennifer Branlat, May Mergenthaler, Bert Harrill, and David Petrain, especially for help tracking down sources and quotations. I would also like to thank Tom Lay and Eric Newman for their care and help in bringing the text to publication.
In response to a number of questions, Jean-Luc Nancy offered unusually generous feedback and advice. While his suggestion to add inebriated asides to the translation was tempting, the translation seeks to remain faithful both to the spirit in which it was written and to its original layout in the edition published by Éditions Payot & Rivages. All footnotes are my own.
INTOXICATION
You must be drunk always. That is everything: the only question. Not to feel the horrible burden of Time that crushes your shoulders and bends you earthward, you must be drunk without respite.
But drunk on what? On wine, on poetry, on virtue—take your pick. But be drunk.¹
(Thus speaks Baudelaire—perhaps we know this only too well—because, in the end, why this commandment as an exergue to modernity? Why do we need this imperative regarding intoxication if