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Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
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Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno—affiliated through friendship, professional ties, and argument—developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin’s artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.
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Walter Benjamin: An Aesthetic of Redemption Rating: 4 out of 5 stars4/5Hollywood in Berlin: American Cinema and Weimar Germany Rating: 4 out of 5 stars4/5The Rule of Law Under Siege: Selected Essays of Franz L. Neumann and Otto Kirchheimer Rating: 0 out of 5 stars0 ratingsIn the Shadow of Catastrophe: German Intellectuals Between Apocalypse and Enlightenment Rating: 5 out of 5 stars5/5Women in the Metropolis: Gender and Modernity in Weimar Culture Rating: 4 out of 5 stars4/5A Dubious Past: Ernst Jünger and the Politics of Literature after Nazism Rating: 4 out of 5 stars4/5Munich and Memory: Architecture, Monuments, and the Legacy of the Third Reich Rating: 4 out of 5 stars4/5Siegfried Kracauer's American Writings: Essays on Film and Popular Culture Rating: 4 out of 5 stars4/5Berlin Psychoanalytic: Psychoanalysis and Culture in Weimar Republic Germany and Beyond Rating: 0 out of 5 stars0 ratingsThe 1972 Munich Olympics and the Making of Modern Germany Rating: 0 out of 5 stars0 ratingsEdgar G. Ulmer: A Filmmaker at the Margins Rating: 0 out of 5 stars0 ratingsThe Third Reich Sourcebook Rating: 0 out of 5 stars0 ratingsMetropolis Berlin: 1880–1940 Rating: 0 out of 5 stars0 ratingsThe Promise of Cinema: German Film Theory, 1907–1933 Rating: 0 out of 5 stars0 ratings
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