Dynamic Animal Drawing
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About this ebook
A noted painter, sculptor, and teacher, Arthur Zaidenberg based his techniques on the notion that anyone who can write the alphabet can combine simple shapes and draw. With his coaching, aspiring artists learn to look past the confusion of superficial details and discover an animal’s distinguishing features. Preliminary and finished sketches accompany Zaidenberg's succinct, direct advice on recapturing the subtle strength of horses, the variety among canine breeds, the muscular grace of giraffes, the majesty of elephants, and other innate qualities of creatures from the animal kingdom.
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Dynamic Animal Drawing - Arthur Zaidenberg
compositions.
SEEING ANIMALS AND DRAWING THEM
DRAWING ANIMALS AND BIRDS presents the same problems involved in drawing human beings. The main problem, broadly stated, is learning to see. Once you have done that, you have acquired the essence of the artist’s craft. Having that essence, you need merely to acquire methods of putting down on paper what you have seen. For the artist, seeing is not just the process of looking at things, which is the normal function of the eye. For him, seeing means examining with emotion, taste, interest, discrimination, and above all with elimination of nonessential detail. In that sense, seeing combined with craftsmanship will produce good drawing, perhaps even art creation.
And craftsmanship is easily learned if the student wants to learn it. through study in class, from books, and with practice. Talent is not indispensable.
The average intelligent person who loves his pets or admires the movements and grace of animals and birds can learn to draw them. Toward that end this book is planned to help him in two respects: First, to see them in their simplest basic forms of structure. Second, to learn the approaches to drawing animals and birds so as to capture their essential character and at the same time eliminate superficial