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Death Comes For the Archbishop: "Success is never so interesting as struggle."
Death Comes For the Archbishop: "Success is never so interesting as struggle."
Death Comes For the Archbishop: "Success is never so interesting as struggle."
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Death Comes For the Archbishop: "Success is never so interesting as struggle."

Rating: 4 out of 5 stars

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Willa Sibert Cather was born on 7th December, 1873 and although born in Virginia grew up and was educated in Nebraska, the eldest of seven children. Although she moved to Pittsburgh for a job on a woman’s journal and later to New York City for an editorial post, her successful novels were about frontier life and informed by her experience in Nebraska. The western state’s harsh weather and dramatic landscape coupled with the multi cultural immigrant communities and Native American families forging their lives amid such hardships provided a hugely rich seam that she skilfully and movingly expressed in her work. She was critically acclaimed for these books and awarded the Pulitzer Prize in 1922. Willa was a very private person and whilst she often dressed as a man, nicknamed herself as William and had significant relationships with women, most notably with the editor Edith Lewis who she lived the last 39 years of her life, her sexual identity is not really clear. Willa Cather died 24th April, 1947 having received the Gold Award for Fiction, a prestigious prize awarded once a decade by the National Institute of Arts and Letters for an author’s body of work. She was aged 73 and buried on a hillside in New Hampshire where her tombstone reads: The truth and charity of her great spirit will live on in the work which is her enduring gift to her country and all its people.

LanguageEnglish
Release dateJan 9, 2014
ISBN9781783947720
Death Comes For the Archbishop: "Success is never so interesting as struggle."

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Rating: 3.975661733561059 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    This novel is based on the lives of two historical figures, Jean-Baptiste Lamy and Joseph Projectus Machebeuf and rather than any one singular plot, is the stylized re-telling of their lives serving as Roman Catholic clergy in New Mexico. The narrative has frequent digressions, either in terms of stories related to the pair (including the story of the Our Lady of Guadeloupe and the murder of an oppressive Spanish priest at Acoma Pueblo) or through their recollections. The narrator is in the Third-Person Omniscient style. Interwoven in the narrative are fictionalized accounts of actual historical figures, including Kit Carson, Manuel Antonio Chaves and Pope Gregory XVI.In the prologue, Bishop Montferrand, a French bishop who works in the New World, is soliciting 3 cardinals at Rome to pick his candidate for the newly created diocese of New Mexico (which has recently passed into American hands). Bishop Montferrand is successful in getting his candidate, the Auvergnat Jean-Marie Latour, recommended by the cardinals. Cather describes the garden setting in great detail. It is carved into the mountains overlooking Rome. The setting is refined and cultivated, underscored by the cardinal's tastes for fine wine, gourmet food, and art. As the Catholic Church has become the predominant civilizing element of Europe, so too will it serve to civilize the American Southwest.The host cardinal admits that his knowledge of the North American continent derives primarily from the Leatherstocking novels of James Fenimore Cooper. But he is eager to champion Ferrand's nomination to the Vicarate if it means he can retrieve an El Greco painting of St. Francis of Assisi his great-grandfather had donated from his collection to a Franciscan missionary priest in the New World.The cardinals find Bishop Ferrand's single-mindedness annoying, and change the subject to current political and cultural events. Bishop Ferrand is unable to take part in the conversation and worries that he has been on the frontier so long that he can no longer engage in clever discussion. Sensing that Ferrand might have second-thoughts about appointing Latour to such a remote, uncivilized, and desolate post, Allande tells Ferrand that it is too late.Father Latour is described as a thirty-five-year-old French Jesuit missionary. The French Jesuits are believed by the cardinals to be great organizers. Ferrand predicts that the New Mexico territory will "drink up [Latour's] youth and strength as it does the rain." Latour also will be called upon to make great personal sacrifices, perhaps even becoming a martyr.Cather foreshadows the color themes she dedicates to the southwestern landscape by describing the dome of St. Peter's as bluish-gray with "a flash of copper light." Later, as the sun sets, Cather describes the sky as "waves of rose and gold." She will eventually use various shades of copper and gold to describe the terrain of New Mexico. In addition, her description of the "soft metallic surface" of St. Peter's contrasts with the hardness of the American frontier depicted by the bishop. Cather also describes the light as both intense and soft, revealing the relative easiness of European life in comparison to the lives of American missionaries.
  • Rating: 5 out of 5 stars
    5/5
    Wonderful!
  • Rating: 2 out of 5 stars
    2/5
    Kind of boring
  • Rating: 5 out of 5 stars
    5/5
    Just beautiful.
  • Rating: 4 out of 5 stars
    4/5
    To fully appreciate the textured canvas that is Willa Cather's Death Comes for the Archbishop, I highly recommend some historical pre-reading for context. An overview of New Mexico's history during the 19th century, with a specific focus on the Mexico Cession of 1848, should give the unfamiliar reader a basic foundation of what life was like. Other helpful areas of interest would be a history of Santa Fe, a comparative study of religions of the region, and a familiarity with the American Indian tribes of the southwest.
  • Rating: 3 out of 5 stars
    3/5
    I had trouble getting into this book, although I struggled through to the end - when death finally came for the archbishop. I will say that this novel does seem to fit its period and locale very well, depicting the remoteness and sparseness of the 19th-century American Southwest. The characters and their tales also depict the diversity of the era, with priests and murders rubbing shoulders together. I would recommend this book to those who enjoy Willa Cather's style or books written about the American West.
  • Rating: 5 out of 5 stars
    5/5
    Death Comes For The Archbishop is an American classic featuring two French Catholic missionaries in the extremely foreign territory of New Mexico in the 1870's. New Mexico has just been annexed by the United States and the Catholic Church in Rome decides that they must send priests to that remote area to shepherd the Indians and Hispanics that were now only nominal Catholics; their forefathers having been converted when the Franciscan missionaries of Spain had passed through that land in the 1500's. The church of Rome recognizes that the future of the Catholic faith in the New World is at stake. The faith of the people has mixed with ancient traditions of the Indian people and is now diluted by the worldly conduct of many of the existing priests.Father LaTour and his boyhood friend Father Vaillant are serving in Ohio when they receive the call from Rome. It takes a year or two for them to receive the instructions to go and about that long to traverse the United States to get to the destination, Santa Fe, New Mexico. But when they finally arrive, the Mexican priests refuse to acknowledge their authority. It takes a trip on horseback into Old Mexico to get the okay from the Bishop of Durango, whom the New Mexican priests recognize as authoritative in matters related to the church.LaTour and Vaillant patiently work and serve, traveling all over the huge territory to make friends, to baptize children and marry folks who have been living together without the benefit of matrimony, as many priests charge confiscatory prices for these sacraments. They meet and befriend all kinds of people including the great scout Kit Carson.The book is similar to a journal in that it is a more or less chronological listing of the events and interactions of these priests and the people they have come to serve. Their patience, wisdom and perseverance in the face of great adversity defines these men and endears them over time to the people of New Mexico. Ms. Cather's descriptions of the geography as the priests travel miles over mountains and desert land is so vivid that one can picture it's barren beauty vividly.Ms. Cather's descriptions of Father LaTour's thoughts and behavior over the years of his life in New Mexico is a picture of what a mature Christian's thoughts and behavior should be. Father Vaillant is a very different type of Christian...less intellectual; much more of a servant, but both are examples of what great faith in action looks like. And to think of all the years I spent seeing that title and assuming it was a murder mystery...thanks Book Club, and thanks Fay Guy, for leading a wonderful discussion about a very significant piece of literature!
  • Rating: 3 out of 5 stars
    3/5
    Having read Willa Cather's My Antonia before this one my expectations were probably too high. In My Antonia Cather was able to draw upon her experiences to paint a portrait of Nebraska that communicated that life vividly. That novel stuck with me, from small segments like the struggle and eventual suicide of Antonia's father to Jim Burden's final return trip to that hard land.

    Death Comes for the Archbishop does not reach the heights of My Antonia, despite being a competent novel. Cather has no similar depth of experience with New Mexico to draw from like she had for Nebraska, nor does she have the experiences of a priest like she had as a pioneer. Thus, the spiritual life of Latour and Vaillant is barely explored, likewise true for the priestly duties of the two characters. The friendship between these two is the strongest part of the novel, and I enjoyed Cather's exploration of what it means to fulfill your life's ambitions and have to go on living, but it seemed like there could have been a deeper exploration of what it means to have faith in such circumstances, and what the life of a missionary entails psychologically.

    Fine writing, with good imagery and realistic depictions of friendship and growing older, but this book didn't convey a depth of understanding like My Antonia did. For a more interesting exploration of the thoughts of a religious man and an aging man, check out Gilead by Marilynne Robinson.
  • Rating: 4 out of 5 stars
    4/5
    Willa Cather's novels bring the 19th century American Prairie and Southwest to life, with rich descriptions of both setting and character. Death Comes for the Archbishop opens in 1851, with New Mexico a recent addition to US territory. Father Jean Latour is a French missionary who is sent, along with his lifelong friend Father Joseph Vaillant, to bring New Mexico into the fold. Not surprisingly, this was not always well received. But through a series of vignettes set over many years, Cather shows how the two men built influence and respect with the native community. While Cather's descriptions of the landscape and the people are evocative; her development of the main characters was somewhat less effective, and the two missionaries always seemed somewhat distant to me. Despite this relatively minor flaw, I was moved as the novel -- and the careers of two men -- approached its end.
  • Rating: 4 out of 5 stars
    4/5
    Compelling story and writing! Two Catholic missionaries, a bishop and his vicar, friends from seminary days. are sent to New Mexico of the 1880s to reawake the morbid Catholicism of the Spaniards, Mexicans, and Indians living there. This novel consists of 10 vignettes tracing their lives in the mission field, from their arrival in that forbidding territory and their labors among the various classes of people. Then it ends with the deaths of the two men. Cather painted glowing descriptions of the American Southwest, with sympathy for its people. This novel was based on the writings of an actual missionary who lived there at that time. A "must-read."
  • Rating: 3 out of 5 stars
    3/5
    Sometimes the forms of piety held up as good examples in the story were a bit repellant to me, but I feel like it accurately describes the attitudes of people living at the time. Overall, I came to sympathize completely with Bishop Latour. It was particularly interesting because of the description of the land of New Mexico--it was very familiar and I could tell Cather had been to NM. I also liked getting a detailed, colorful picture of the mixture of people and cultures in the region at the time. In some ways, it was the same as New Mexico is today.
  • Rating: 4 out of 5 stars
    4/5
    The settling of the West was a privilege of discovery as well as a supreme test of character for all the pioneers - including men of faith devoted to their God and evangelical mission. With a brilliant sense of place, Cather has written a simple tale of unflinching faith and purpose. She embodies in her main characters a bold love and respect for a new, unknown world. The characters in this novel are beautifully and clearly drawn. They seem very real. Many lives are personally enhanced and spiritually impacted as they all become inextricably intertwined within an era of historical significance for the Mexicans, Indians and conquering Europeans.The descriptions of the landscapes are stunning. You become immersed in the natural wonder and beauty of an unspoiled environment. It's been a long time since I've read a book by Willa Cather and had forgotten her style. This was a reminder of her great ability to portray a lifestyle and a land at once severe and miraculous in their unique ways.
  • Rating: 4 out of 5 stars
    4/5
    A series of vignettes about the life of the Bishop Latour as he comes to the recently annexed territory of New Mexico and works to re-establish the Catholic church in the region.I have always been hesitant to pick up Willa Cather because I lived with the impression that she wrote boring prairie novels. However, Death Comes for the Archbishop does not fall into that category. While the core narrative itself is quiet and episodic, the beauty of the prose is what makes the read worthwhile. Cather paints a brilliant landscape of the wilds of New Mexico and brings to life a narrative voice that, while occasionally imperialist and condescending, reflects the strangeness of coming to an entirely different country. A decent read that proves that Willa Cather didn't write only boring prairie novels.
  • Rating: 4 out of 5 stars
    4/5
    "The sky was as full of motion and change as the desert beneath it was monotonous and still, - and there was so much sky, more than at sea, more than anywhere else in the world. The plain was there, under one's feet, but what one saw when one looked about was that brilliant blue world of stinging air and moving cloud. Even the mountains were mere ant-hills under it. Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky. The landscape one longed for when one was far away, the thing all about one, the world one actually lived in, was the sky, the sky!"I had not read Cather before, and I must say that this was a lovely introduction to her. The writing is descriptive and beautiful, the characters fully fleshed, and the pacing slow and languid, but not boring. It reads almost like a collection of linked stories - brief dips in and out of the life of two priests in the newly acquired territory of New Mexico. Cather's writing brings the setting to life, making it a main character in the book. Bishop Jean Latour and his vicar, Joseph Vaillant have been friends for years, beginning in France where they took their vows and continuing into the New World where they serve first in Ohio before being sent to New Mexico. This is an historic time for New Mexico, and Latour has been chosen to take charge of the diocese in this harsh terrain. He must battle more than the landscape in his travels - just getting there is not easy, taking him almost a year, but when he finally arrives, the priests already there refuse to recognize his authority. Once he is established, he still has his hands full as he must deal with priests who place greed above goodwill, serving themselves above others and refusing to follow the tenets of the faith. And he must bridge the gap between cultures as this new territory holds Mexicans, white settlers, and different Native American tribes. Luckily, he has brought along Vaillant as his vicar, and Vaillant is like a mirror image of Latour - they both have good hearts and a love for serving God, but they bring different gifts to the table. Vaillant is outgoing and easy to know where Latour is is quieter and more reserved. Together they make a formidable team.Cather's writing spoke to me. She made the landscape a living, breathing entity, and made quiet observations that held truth. I liked how she gave us something to think about when reflecting on the fact that the Native Americans became a part of their landscape, working tirelessly not to mark it or change it in any permanent way, while the settlers from other cultures worked to make the landscape a part of them, purposefully setting out to change or adapt it and to leave a permanent mark of themselves upon it. As I was reading I kept thinking what a good job Cather was doing, how true to life her story felt - there is a reason for that. Cather based her story on the real life of French missionary Jean-Baptiste Lamy. And the cathedral that Latour built? Yep. It's real - it's the Cathedral Basilica of Saint Francis of Assisi.
  • Rating: 4 out of 5 stars
    4/5
    While my diary entries while I was reading this book all concern the elections in 1946, I remember that I felt this book was a most worthwhile book. It is the first Willa Cather book I read and the only one I read while she was still alive.
  • Rating: 4 out of 5 stars
    4/5
    While presented as fiction, this is actually the story of Jean-Baptiste Lamy (here named Jean Marie Latour), a missionary from France who was sent first to Cincinnati and then to Santa Fe, New Mexico as bishop of the new diocese. Cather is wonderful in her descriptions of the land and the hardships of the indigenous people and the travelers, but her work here is too episodic and hagiographic for my taste.Curiously, many of the significant events in Bishop Latour's life happen off-stage: his decision to become a missionary, his appointment as Bishop, the death of his life-long friend and vicar in Colorado (he does attend the funeral). The Navaho struggle to keep their land is discussed after the fact at the end of the book, although it would have been hugely important at the time. More time is spent on his decision to build a cathedral out of a particular stone he found in the area, and his decision to send for a French architect who could build it in the Romanesque style.3 1/2 stars mainly for the descriptive power of the writing, and the mention, toward the end of the story, of the Navaho and their culture, which reminded me of Tony Hillerman's books set in the same area.
  • Rating: 5 out of 5 stars
    5/5
    I had to increase my rating, I had forgotten how good this was.
  • Rating: 4 out of 5 stars
    4/5
    If you are looking for a plot-driven dramatic book, this will not be that. Yet, it is lovely, historically-informative, and many have said it is powerful. It has made several lists as on an important piece of literature. I would suggest entering it like a painting. I liked discovering the story of Our Lady of Guadalaupe beginning on page 46. Over a few pages, Cather tells this story simply...and in a few sentences, indicates its deep meaning to the poor of this area.This book was deeply satisfying. The friendship between the priests that was precious yet could not be forever in the same place, the priests as immigrants far from home, the New Mexico land and the changing times, thoughts as he died...relationships and place and death, as the result of living.
  • Rating: 4 out of 5 stars
    4/5
    Beginning in the 1850's, Father Latour and his friend Father Vaillant serve as missionaries in the unspoiled but unforgiving Southwest. This is a beautifully-written book, short on plot and action (as another reviewer said, it is really a series of episodes or vignettes, rather than a novel) but long on descriptions of places and people.
  • Rating: 5 out of 5 stars
    5/5
    A pair of French priests, one having been in Ohio and the other in Michigan, are assigned to work in New Mexico in the early 1850s. Father Latour becomes the bishop; Father Vaillant is his right-hand man as they attempt to reestablish proper church practices in a land which had been allowed to lapse under Mexican clergy. Latour eventually becomes the Archbishop. This is a well-written historical novel that has held up well over the years since it was first written. The reader is drawn into the setting by the vivid descriptions. One is also able to see the changes that took place over time as roads and railroads came into place. The reader appreciates the dedication to God that Latour and Vaillant demonstrated in their lives. This is truly a masterpiece that I wish I had read years ago.
  • Rating: 4 out of 5 stars
    4/5
    Death Comes for the Archbishop doesn't have the traditional story arc, but instead is a collection of vignettes. Cather, with her quiet style, paints stunning pictures of the southwestern landscape and way of life in the 19th century. Not a page turner, but well worth the effort.

    May 2007 COTC Book Club selection.
  • Rating: 4 out of 5 stars
    4/5
    I do not see you as you really are, Joseph; I see you through my affection for you.This is not a novel of plot - which one finds out along the dusty way - it's more a chronicle of various events of two french catholic missionaries - which Willa Cather have based on two real life characters.The story covers several decades beginning in 1851 when Father Latour reaches Santa Fe to become Vicar Apostolic of New Mexico. The task is daunting - trying to recover and rebuild their french version of the Catholic Church in the midst of superstitious Indians, pioneer Americans and worldly Spaniards. There's several setbacks and incredible long travels on mule in their "jurisdiction" - one has to admire their devotion and sacrifice (still while maintaining the french love for good food and wine, music and art)I found it historically very interesting - the conflict of cultures and religions - I loved the sense of place, Cather's dreamlike poetic prose, the descriptions of the barren, desolate landscape - so, ok it's a western of sorts - and really at it's center a story about a long-lasting beautiful friendship (although they are quite different), about loneliness being far from home - but finding a new home and a new sense of belonging. Specially the last part of the book is a very simple, yet emotional conclusion of two lives - lived well and faithfully for the God they loved. The old man smiled. "I shall not die of a cold, my son. I shall die of having lived".
  • Rating: 4 out of 5 stars
    4/5
    Really interesting story and so very different from the other Cather novels. Father Latour, a French priest, is sent to carry the gospel to the Native Americans and Mexicans who live in the territory recently acquired by the United States. Cather weaves a very visual novel for her readers, using lots of sensory details which evoke a dreamy feeling. It is evident Cather had compassion on the native peoples who were abused by the United States government. Her feelings are brought to life in Latour and Father Joseph, as they develop relationships with the people they serve. A very luscious read.
  • Rating: 5 out of 5 stars
    5/5
    The story of a French priest who goes to New Mexico and with another priest and "wins" the Southwest for the Catholic Church. After forty years, he dies -- the Archbishop of Santa Fe. I found this book very contemporary even though it was written in 1927. Issues that we continue to deal with today, the environment, diverse cultures, issues of power, the Church both good and bad all find their way into this wonderful book. A definite 5 out of 5.
  • Rating: 4 out of 5 stars
    4/5
    Death Comes For The Archbishop is a small novel, with an almost apocryphal bent. If you're looking for a "Great American Novel"; you may come away disappointed, but those with the right frame of mind, the book offers considerable charms. Fathers Latour and Vaillant are two Auvergnac priest charged with managing the newly-American diocese of New Mexico. Criss-crossing this massive new territory exposes the priests to all manner of heroes and villains; whether it be the generous Indians or venal priests. The years pass, and the only constant is their faith. Cather has said she was going for almost a legendary tone with Death Comes To The Archbishop, and it's true there is a fable-like quality to the small stories that are spun into a novel. The two priests are practically saintly - though not in the sense it strains credulity - and the other characters are so well-rendered there is no obfuscation to any aspect of their natures. In this sense; this quiet, romantic West is the precursor to a type of Great American Novel that we see from people like Larry McMurty, and even in a way I think the gentle affections of Garrison Keillor and the like (though tonally this book is quite different to Keillor). The flip side to this, is that Death Comes For The Archbishop is definitely a product of its time - and the narrative itself is a product of an even earlier time. This is not a political novel; critics may find its noble savages and simple - if not simplistic - take on race and other relations at best somewhat corny and at worst ahistorical whitewashing. But, I can't be too hard on it, myself. Death Comes For The Archbishop isn't trying to be that kind of novel, and what it trying to be, it achieves with a spare, almost elegant perfection. The human, warm characters are easy to like, and their decades-long journey is told with clean, economical, finely-polished prose. This book isn't for everyone, but those with an open mind, an affection for the wide vistas and twisted arroyos of the West, and an appreciation of fine, thoughtful prose will find much in this slim volume to reward them.
  • Rating: 4 out of 5 stars
    4/5
    The settling of the West was a privilege of discovery as well as a supreme test of character for all the pioneers - including men of faith devoted to their God and evangelical mission. With a brilliant sense of place, Cather has written a simple tale of unflinching faith and purpose. She embodies in her main characters a bold love and respect for a new, unknown world. The characters in this novel are beautifully and clearly drawn. They seem very real. Many lives are personally enhanced and spiritually impacted as they all become inextricably intertwined within an era of historical significance for the Mexicans, Indians and conquering Europeans.The descriptions of the landscapes are stunning. You become immersed in the natural wonder and beauty of an unspoiled environment. It's been a long time since I've read a book by Willa Cather and had forgotten her style. This was a reminder of her great ability to portray a lifestyle and a land at once severe and miraculous in their unique ways.
  • Rating: 4 out of 5 stars
    4/5
    Cather's people need landscapes, preferably wide and spacious and newly opened to settlement. Having mined her Nebraska childhood in what I think are her three best works (O Pioneers!, My Antonia, and The Song of the Lark), Cather tries what she can do with New Mexico.The point of view is entirely that of the Archbishop, a French missionary priest who becomes the first Archbishop of Santa Fe. His Catholicism is presupposed and entirely in the background. The issues he faces are administrative and organizational: how to secure obedience from the existing Indian and Mexican congregations and their priests, how to combine these elements with newly arriving American Catholics, how to run the household and feed visitors, how to fund the new Cathedral. More interesting than any plot details are the immense journeys the priests have to make.The book is a series of widely separated episodes, each of which could almost be a short story in its own right. I thought the Prologue, set in Rome, contained the promise of a long-term plot device, when the cardinals discuss a painting by El Greco that has gone missing somewhere in the territory to which they are sending the promising young French missionary. But no: the missing painting is never mentioned again.
  • Rating: 4 out of 5 stars
    4/5
    his is the story of Father Latour, a French priest sent by Rome in the mid-nineteenth century to be the first Bishop of the Diocese of New Mexico...a vast expanse of scattered mission churches led by priests who have had very little accountability and are often more concerned with their own material well-being than with the spiritual lives of their flock. Father Latour and his vicar, Father Vaillant, find the local culture and Catholicism to be quite different from those they left behind in Europe; yet unlike most missionaries, they treat the native people they serve with the utmost respect and admiration. Cather's descriptive prose is elegant and understated, her story elements subtle and often moving, despite this reader's total lack of affinity for the religious life. I grew impatient a time or two with tales of miracles that the author clearly meant us to accept, not just as her characters would accept them, but as factual historical accounts. And one instance of profound irony may have been totally unintended. But the book is affirmative in a way that has nothing to do with organized religion, Catholic or otherwise. It left me with a rather benevolent feeling toward a couple of missionary priests, and that's no small accomplishment.
  • Rating: 3 out of 5 stars
    3/5
    I enjoyed this story of a French Catholic Bishop and his friend and Vicar as they establish a diocese in mid-19th century New Mexico, although I'm not really sure how it earned its way into the Time, Newsweek and Modern Library's top 100 book lists. It's an episodic tale, and quite interesting, but there are no major plot points to speak of. It is a tale of friendship and faith, the old southwest, Hopi and Navajo exile and redemption, and of course, Catholicism. Cather knows how to make the lives and passions of Fathers Latour and Vaillant and their bond of friendship real and meaningful to the reader. The two meet many colorful characters during their time in the Southwest and Kit Carson even makes an appearance or two. Overall a good read, especially for those interested in American history or the Southwest.
  • Rating: 5 out of 5 stars
    5/5
    "Death Comes for the Archbishop" is a book to be savored. It's one of those books that begs the reader to slow down. Other LT reviewers have mentioned the pace of the book and the vivid description of landscapes and people of the Southwest. I flagged the same passages in my copy of the book! In the edition that I read A.S. Byatt quotes Cather as saying that she wanted to write about the Southwest and came to believe that the story of the Catholic Church in the region was the most interesting way to approach the topic. The whole impact of religions -- native religions and Christianity -- is a fascinating aspect of the book. But I was most intrigued by the contrast between the two main characters, Bishop Latour and Vicar Vaillant. Despite their differences in personality and temperament, they are life-long friends. The reader sees Vaillant through the eyes of Latour, which led me to wonder about Vaillant's feelings about Latour. Vaillant left France to become a missionary with Latour, although it meant an anguished separation from his family, but his feelings for Latour are never revealed. Toward the end of the book the reader receives one small hint; a teardrop falling on a letter. It's probably obvious by now that I loved this book. I was drawn in and held by it. It's only 300 pages and I wanted it to go on forever. I haven't read Cather since I was 14 years old. I'm afraid to read other works because I don't want this one pushed from my mind.

Book preview

Death Comes For the Archbishop - Willa Cather

Death Comes for the Archbishop by Willa Cather

Willa Sibert Cather was born on 7th December, 1873 and although born in Virginia grew up and was educated in Nebraska, the eldest of seven children.  Although she moved to Pittsburgh for a job on a woman’s journal and later to New York City for an editorial post, her successful novels were about frontier life and informed by her experience in Nebraska.  The western state’s harsh weather and dramatic landscape coupled with the multi cultural immigrant communities and Native American families forging their lives amid such hardships provided a hugely rich seam that she skilfully and movingly expressed in her work.   She was critically acclaimed for these books and awarded the Pulitzer Prize in 1922.  Willa was a very private person and whilst she often dressed as a man, nicknamed herself as William and had significant relationships with women, most notably with the editor Edith Lewis who she lived the last 39 years of her life, her sexual identity is not really clear. Willa Cather died 24th April, 1947 having received the Gold Award for Fiction, a prestigious prize awarded once a decade by the National Institute of Arts and Letters for an author’s body of work.  She was aged 73 and buried on a hillside in New Hampshire where her tombstone reads: The truth and charity of her great spirit will live on in the work which is her enduring gift to her country and all its people.

CONTENTS

PROLOGUE.  AT ROME

1.  THE VICAR APOSTOLIC

2.  MISSIONARY JOURNEYS

3.  THE MASS AT ÁCOMA

4.  SNAKE ROOT

5.  PADRE MARTÍNEZ

6.  DOÑA ISABELLA

7.  THE GREAT DIOCESE

8.  GOLD UNDER PIKE'S PEAK

9.  DEATH COMES FOR THE ARCHBISHOP

Auspice Maria!

FATHER VAILLANT'S SIGNET-RING

PROLOGUE: AT ROME

 One summer evening in the year 1848, three Cardinals and a missionary Bishop from America were dining together in the gardens of a villa in the Sabine hills, overlooking Rome.  The villa was famous for the fine view from its terrace.  The hidden garden in which the four men sat at table lay some twenty feet below the south end of this terrace, and was a mere shelf of rock, overhanging a steep declivity planted with vineyards.  A flight of stone steps connected it with the promenade above.  The table stood in a sanded square, among potted orange and oleander trees, shaded by spreading ilex oaks that grew out of the rocks overhead.  Beyond the balustrade was the drop into the air, and far below the landscape stretched soft and undulating; there was nothing to arrest the eye until it reached Rome itself.

It was early when the Spanish Cardinal and his guests sat down to dinner.  The sun was still good for an hour of supreme splendour, and across the shining folds of country the low profile of the city barely fretted the skyline, indistinct except for the dome of St. Peter's, bluish grey like the flattened top of a great balloon, just a flash of copper light on its soft metallic surface.  The Cardinal had an eccentric preference for beginning his dinner at this time in the late afternoon, when the vehemence of the sun suggested motion.  The light was full of action and had a peculiar quality of climax of splendid finish.  It was both intense and soft, with a ruddiness as of much-multiplied candlelight, an aura of red in its flames.  It bored into the ilex trees, illuminating their mahogany trunks and blurring their dark foliage; it warmed the bright green of the orange trees and the rose of the oleander blooms to gold; sent congested spiral patterns quivering over the damask and plate and crystal.  The churchmen kept their rectangular clerical caps on their heads to protect them from the sun.  The three Cardinals wore black cassocks with crimson pipings and crimson buttons, the Bishop a long black coat over his violet vest.

They were talking business; had met, indeed, to discuss an anticipated appeal from the Provincial Council at Baltimore for the founding of an Apostolic Vicarate in New Mexico, a part of North America recently annexed to the United States.  This new territory was vague to all of them, even to the missionary Bishop.  The Italian and French Cardinals spoke of it as Le Mexique, and the Spanish host referred to it as New Spain.  Their interest in the projected Vicarate was tepid, and had to be continually revived by the missionary, Father Ferrand; Irish by birth, French by ancestry,  a man of wide wanderings and notable achievement in the New World, an Odysseus of the Church.  The language spoken was French, the time had already gone by when Cardinals could conveniently discuss contemporary matters in Latin.

The French and Italian Cardinals were men in vigorous middle life, the Norman full-belted and ruddy, the Venetian spare and sallow and hook-nosed.  Their host, García María de Allande, was still a young man.  He was dark in colouring, but the long Spanish face, that looked out from so many canvases in his ancestral portrait gallery, was in the young Cardinal much modified through his English mother. With his caffè oscuro eyes, he had a fresh, pleasant English mouth, and an open manner.

During the latter years of the reign of Gregory XVI, de Allande had been the most influential man at the Vatican; but since the death of Gregory, two years ago, he had retired to his country estate. He believed the reforms of the new Pontiff impractical and dangerous, and had withdrawn from politics, confining his activities to work for the Society for the Propagation of the Faith, that organization which had been so fostered by Gregory.  In his leisure the Cardinal played tennis.  As a boy, in England, he had been passionately fond of this sport.  Lawn tennis had not yet come into fashion; it was a formidable game of indoor tennis the Cardinal played.  Amateurs of that violent sport came from Spain and France to try their skill against him.

The missionary, Bishop Ferrand, looked much older than any of them, old and rough except for his clear, intensely blue eyes.  His diocese lay within the icy arms of the Great Lakes, and on his long, lonely horseback rides among his missions the sharp winds had bitten him well.  The missionary was here for a purpose, and he pressed his point.  He ate more rapidly than the others and had plenty of time to plead his cause, finished each course with such dispatch that the Frenchman remarked he would have been an ideal dinner companion for Napoleon.

The Bishop laughed and threw out his brown hands in apology. Likely enough I have forgot my manners.  I am preoccupied.  Here you can scarcely understand what it means that the United States has annexed that enormous territory which was the cradle of the Faith in the New World.  The Vicarate of New Mexico will be in a few years raised to an Episcopal See, with jurisdiction over a country larger than Central and Western Europe, barring Russia. The Bishop of that See will direct the beginning of momentous things.

Beginnings, murmured the Venetian, there have been so many.  But nothing ever comes from over there but trouble and appeals for money.

The missionary turned to him patiently.  Your Eminence, I beg you to follow me.  This country was evangelized in fifteen hundred, by the Franciscan Fathers.  It has been allowed to drift for nearly three hundred years and is not yet dead.  It still pitifully calls itself a Catholic country, and tries to keep the forms of religion without instruction.  The old mission churches are in ruins.  The few priests are without guidance or discipline.  They are lax in religious observance, and some of them live in open concubinage. If this Augean stable is not cleansed, now that the territory has been taken over by a progressive government, it will prejudice the interests of the Church in the whole of North America.

But these missions are still under the jurisdiction of Mexico, are they not? inquired the Frenchman.

In the See of the Bishop of Durango? added María de Allande.

The missionary sighed.  Your Eminence, the Bishop of Durango is an old man; and from his seat to Santa Fé is a distance of fifteen hundred English miles.  There are no wagon roads, no canals, no navigable rivers.  Trade is carried on by means of pack-mules, over treacherous trails.  The desert down there has a peculiar horror; I do not mean thirst, nor Indian massacres, which are frequent.  The very floor of the world is cracked open into countless canyons and arroyos, fissures in the earth which are sometimes ten feet deep, sometimes a thousand.  Up and down these stony chasms the traveller and his mules clamber as best they can.  It is impossible to go far in any direction without crossing them.  If the Bishop of Durango should summon a disobedient priest by letter, who shall bring the Padre to him?  Who can prove that he ever received the summons? The post is carried by hunters, fur trappers, gold seekers, whoever happens to be moving on the trails.

The Norman Cardinal emptied his glass and wiped his lips.

And the inhabitants, Father Ferrand?  If these are the travellers, who stays at home?

Some thirty Indian nations, Monsignor, each with its own customs and language, many of them fiercely hostile to each other.  And the Mexicans, a naturally devout people.  Untaught and unshepherded, they cling to the faith of their fathers.

I have a letter from the Bishop of Durango, recommending his Vicar for this new post, remarked María de Allande.

Your Eminence, it would be a great misfortune if a native priest were appointed; they have never done well in that field.  Besides, this Vicar is old.  The new Vicar must be a young man, of strong constitution, full of zeal, and above all, intelligent.  He will have to deal with savagery and ignorance, with dissolute priests and political intrigue.  He must be a man to whom order is necessary, as dear as life.

The Spaniard's coffee-coloured eyes showed a glint of yellow as he glanced sidewise at his guest.  I suspect, from your exordium, that you have a candidate and that he is a French priest, perhaps?

You guess rightly, Monsignor.  I am glad to see that we have the same opinion of French missionaries.

Yes, said the Cardinal lightly, they are the best missionaries. Our Spanish fathers made good martyrs, but the French Jesuits accomplish more.  They are the great organizers.

Better than the Germans? asked the Venetian, who had Austrian sympathies.

Oh, the Germans classify, but the French arrange!  The French missionaries have a sense of proportion and rational adjustment. They are always trying to discover the logical relation of things. It is a passion with them.  Here the host turned to the old Bishop again.  But your Grace, why do you neglect this Burgundy?  I had this wine brought up from my cellar especially to warm away the chill of your twenty Canadian winters.  Surely, you do not gather vintages like this on the shores of the Great Lake Huron?

The missionary smiled as he took up his untouched glass.  It is superb, your Eminence, but I fear I have lost my palate for vintages.  Out there, a little whisky, or Hudson Bay Company rum, does better for us.  I must confess I enjoyed the champagne in Paris.  We had been forty days at sea, and I am a poor sailor.

Then we must have some for you.  He made a sign to his major- domo.  You like it very cold?  And your new Vicar Apostolic, what will he drink in the country of bison and serpents à sonnettes? And what will he eat?

He will eat dried buffalo meat and frijoles with chili, and he will be glad to drink water when he can get it.  He will have no easy life, your Eminence.  That country will drink up his youth and strength as it does the rain.  He will be called upon for every sacrifice, quite possibly for martyrdom.  Only last year the Indian pueblo of San Fernandez de Taos murdered and scalped the American Governor and some dozen other whites.  The reason they did not scalp their Padre, was that their Padre was one of the leaders of the rebellion and himself planned the massacre.  That is how things stand in New Mexico!

Where is your candidate at present, Father?

He is a parish priest, on the shores of Lake Ontario, in my diocese.  I have watched his work for nine years.  He is but thirty-five now.  He came to us directly from the Seminary.

And his name is?

Jean Marie Latour.

María de Allande, leaning back in his chair, put the tips of his long fingers together and regarded them thoughtfully.

Of course, Father Ferrand, the Propaganda will almost certainly appoint to this Vicarate the man whom the Council at Baltimore recommends.

Ah yes, your Eminence; but a word from you to the Provincial Council, an inquiry, a suggestion

Would have some weight, I admit, replied the Cardinal smiling. And this Latour is intelligent, you say?  What a fate you are drawing upon him!  But I suppose it is no worse than a life among the Hurons.  My knowledge of your country is chiefly drawn from the romances of Fenimore Cooper, which I read in English with great pleasure.  But has your priest a versatile intelligence?  Any intelligence in matters of art, for example?

And what need would he have for that, Monsignor?  Besides, he is from Auvergne.

The three Cardinals broke into laughter and refilled their glasses. They were all becoming restive under the monotonous persistence of the missionary.

Listen, said the host, "and I will relate a little story, while the Bishop does me the compliment to drink my champagne.  I have a reason for asking this question which you have answered so finally. In my family house in Valencia I have a number of pictures by the great Spanish painters, collected chiefly by my great-grandfather, who was a man of perception in these things and, for his time, rich.  His collection of El Greco is, I believe, quite the best in Spain.  When my progenitor was an old man, along came one of these missionary priests from New Spain, begging.  All missionaries from the Americas were inveterate beggars, then as now, Bishop Ferrand. This Franciscan had considerable success, with his tales of pious Indian converts and struggling missions.  He came to visit at my great-grandfather's house and conducted devotions in the absence of the Chaplain.  He wheedled a good sum of money out of the old man, as well as vestments and linen and chalices, he would take anything, and he implored my grandfather to give him a painting from his great collection, for the ornamentation of his mission church among the Indians.  My grandfather told him to choose from the gallery, believing the priest would covet most what he himself could best afford to spare.  But not at all; the hairy Franciscan pounced upon one of the best in the collection; a young St. Francis in meditation, by El Greco, and the model for the saint was one of the very handsome Dukes of Albuquerque.  My grandfather protested; tried to persuade the fellow that some picture of the Crucifixion, or a martyrdom, would appeal more strongly to his redskins.  What would a St. Francis, of almost feminine beauty, mean to the scalp- takers?

"All in vain.  The missionary turned upon his host with a reply which has become a saying in our family:  'You refuse me this picture because it is a good picture.  It is too good for God, but it is not too good for you.'

"He carried off the painting.  In my grandfather's manuscript catalogue, under the number and title of the St. Francis, is written:  Given to Fray Teodocio, for the glory of God, to enrich his mission church at Pueblo de Cia, among the savages of New Spain.

It is because of this lost treasure, Father Ferrand, that I happened to have had some personal correspondence with the Bishop of Durango.  I once wrote the facts to him fully.  He replied to me that the mission at Cia was long ago destroyed and its furnishings scattered.  Of course the painting may have been ruined in a pillage or massacre.  On the other hand, it may still be hidden away in some crumbling sacristy or smoky wigwam.  If your French priest had a discerning eye, now, and were sent to this Vicarate, he might keep my El Greco in mind.

The Bishop shook his head.  No, I can't promise you, I do not know.  I have noticed that he is a man of severe and refined tastes, but he is very reserved.  Down there the Indians do not dwell in wigwams, your Eminence, he added gently.

No matter, Father.  I see your redskins through Fenimore Cooper, and I like them so.  Now let us go to the terrace for our coffee and watch the evening come on.

The Cardinal led his guests up the narrow stairway.  The long gravelled terrace and its balustrade were blue as a lake in the dusky air.  Both sun and shadows were gone.  The folds of russet country were now violet.  Waves of rose and gold throbbed up the sky from behind the dome of the Basilica.

As the churchmen walked up and down the promenade, watching the stars come out, their talk touched upon many matters, but they avoided politics, as men are apt to do in dangerous times.  Not a word was spoken of the Lombard war, in which the Pope's position was so anomalous.  They talked instead of a new opera by young Verdi, which was being sung in Venice; of the case of a Spanish dancing-girl who had lately become a religious and was said to be working miracles in Andalusia.  In this conversation the missionary took no part, nor could he even follow it with much interest.  He asked himself whether he had been on the frontier so long that he had quite lost his taste for the talk of clever men.  But before they separated for the night María de Allande spoke a word in his ear, in English.

You are distrait, Father Ferrand.  Are you wishing to unmake your new Bishop already?  It is too late.  Jean Marie Latour, am I right?

BOOK ONE

THE VICAR APOSTOLIC

1

THE CRUCIFORM TREE

One afternoon in the autumn of 1851 a solitary horseman, followed by a pack-mule, was pushing through an arid stretch of country somewhere in central New Mexico.  He had lost his way, and was trying to get back to the trail, with only his compass and his sense of direction for guides.  The difficulty was that the country in which he found himself was so featureless, or rather, that it was crowded with features, all exactly alike.  As far as he could see, on every side, the landscape was heaped up into monotonous red sand-hills, not much larger than haycocks, and very much the shape of haycocks.  One could not have believed that in the number of square miles a man is able to sweep with the eye there could be so many uniform red hills.  He had been riding among them since early morning, and the look of the country had no more changed than if he had stood still.  He must have travelled through thirty miles of these conical red hills, winding his way in the narrow cracks between them, and he had begun to think that he would never see anything else.  They were so exactly like one another that he seemed to be wandering in some geometrical nightmare; flattened cones, they were, more the shape of Mexican ovens than haycocks, yes, exactly the shape of Mexican ovens, red as brick-dust, and naked of vegetation except for small juniper trees.  And the junipers, too, were the shape of Mexican ovens.  Every conical hill was spotted with smaller cones of juniper, a uniform yellowish green, as the hills were a uniform red.  The hills thrust out of the ground so thickly that they seemed to be pushing each other, elbowing each other aside, tipping each other over.

The blunted pyramid, repeated so many hundred times upon his retina and crowding down upon him in the heat, had confused the traveller, who was sensitive to the shape of things.

Mais, c'est fantastique! he muttered, closing his eyes to rest them from the intrusive omnipresence of the triangle.

When he opened his eyes again, his glance immediately fell upon one juniper which differed in shape from the others.  It was not a thick-growing cone, but a naked, twisted trunk, perhaps ten feet high, and at the top it parted into two lateral, flat-lying branches, with a little crest of green in the centre, just above the cleavage.  Living

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