Writers Tricks of the Trade
3.5/5
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About this ebook
Writers' Tricks of the Trade is like the appetizer table at a writer's buffet! It is written in easy-to-read prose, seasoned with humor and anecdotes, and should be on every fiction author's bookshelf as a handy reference.The book was inspired by St. James advice column for writers in an online publication. She is the author of award-winning novels, short stories, and over 600 articles about the craft and business of writing.
Morgan St. James
Morgan St. James is an award-winning author with fifteen published books to her credit. In addition to books she has written on her own, Morgan’s funny crime capers in the comical Silver Sisters Mysteries series are co-authored with her real-life sister, Phyllice Bradner. More information about Morgan and all of her books, can be found on the My Books page on her website. St. James has written over 600 published articles related to writing and frequently presents workshops, appears on author’s panels and radio or TV shows. The columns inspired her book Writers Tricks of the Trade as well as a quarterly online magazine of the same name. She lives in Las Vegas NV with her husband and dog Dylan.
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Reviews for Writers Tricks of the Trade
13 ratings5 reviews
- Rating: 3 out of 5 stars3/5It seems to me that there are books for people who want to write books and books for people who want to sell books, and this is the latter. There is a lot in here about how you will want to promote your book when it is finished - book signings and blogs, and how much time you should devote to them. It all sounds very sensible in its own way. There is also a lot in here about writing. That is less sensible. In fact, St. James' remarks about writing are the sort that make me despair for us as a culture. Since I've never read one of her fiction books, I can't say whether or not she's found her own advice useful, whether she is a teller of tales as well as a seller of novels. But I did find a few statements that she made very, um, enlightening, for lack of a better word. Here is one, from page 470 of the ebook edition: "Back in the old days, authors could wax rhapsodically about anything that popped into their heads or resulted from putting quill pen to paper. So they would go on and on describing dank landscapes like the Scottish moors, every detail of a character's home, or lust and desire that seemed to last decades without having anything notable happen...Back then there were few alternatives to the novel, poorly written or not...Today we have distractions like cellphones, I-pods, email...That's lots of competition." So, what you mean to say then, Morgan, is that if the iPhone had been invented, poor Charles Dickens, Emily Bronte and Henry James would have gotten nowhere with their overly descriptive novels. It's a good thing for them that people had nothing better to do back then, right? It seems apparent from statements like this one that regardless of St. James' storytelling abilities, she has no great love of language, in contrast to, say, Ursula K. LeGuin or Stephen King, both of whom are also published authors who have written books about how to write - excellent and highly recommended books, if you're still looking for one.St. James would make a fine high school English teacher, perhaps. She does have the basics down, and her advice isn't exactly BAD, per se. It's just very serviceable, and seems oriented to future pulp writers, people who are just dying to see Their Name In Print. She describes reviewing a book with what she deems an overly slow opening and says, "My suggestion would have been to boil the opening down to a few paragraphs and get on with the gist of the story. Remember, as a writer you need to exercise your ability to pull the reader into your world." While I don't disagree with the need to pull the reader into your world, I'd like you, potential reader of how-to books, to now do me a favor. Get up from your computer, or fire up your iBooks or Kindle store, and find a copy of a Raymond Chandler novel. He is a very well-known author of detective novels, none of which were alleged to be boring. Read the first fifteen pages or so. Now read a Terry Pratchett novel. Pratchett, far from being a dusty old classic, consistently publishes bestselling fantasy novels, the kind that you have to read in private lest you burst out laughing on the bus and people give you strange looks. Now come back. Did either of those authors jump right into the action, or did they take their time to set a scene? Did you feel bored, or did you feel more drawn in because sometimes, the voice of the person telling you the tale does just as much, if not more, to hook you than the plot?St. James may be an excellent author in her own right. Judging from her descriptions of her own work, it sounds like she specializes in the cozy domestic murder novel. That can be fun. But I think she still has a few things to learn. Also, she could've used a good proofreader. Her ebook edition had a few very glaring mistakes in word choice - 'viola' when she meant 'voila', and 'two' when she meant 'too'. Ironically, that last came just before the chapter on being careful about your grammar. I am torn about mentioning this last note, as I hate to seem biased - my opinion of the work would've been the same regardless - but I also found it interesting that she advises you, as an author, to save your money by sending out ebooks to reviewers from websites like LibraryThing (which she mentions by name). Specifically, she advises that you should reserve your print editions for 'professional reviewers'. This may be sensible advice. As one of those 'unprofessional' LibraryThing reviewers, though, I hardly found it endearing.Putting the stories in your head onto paper and sharing them with the world is an exciting and worthwhile thing, however you accomplish it. And if these strategies have helped St. James to do that, I am glad. They might help you. The very act of reading any book about writing is a little helpful, in that it gets you in the right frame of mind to begin or continue. But if I were picking my favorite writing how-to's, this would not be one of them.
- Rating: 3 out of 5 stars3/5I received a copy of this book as part of the Early Reviewers Program on Library Thing. I am an aspiring writer and it answered many of my questions about the nuts and bolts of writing and what happens after you finish. It helps with actually selling and promoting the book. The ABC format is a cute gimmick to sell the book but it jumped around too many subjects that way.
- Rating: 3 out of 5 stars3/5It seems to me that there are books for people who want to write books and books for people who want to sell books, and this is the latter. There is a lot in here about how you will want to promote your book when it is finished - book signings and blogs, and how much time you should devote to them. It all sounds very sensible in its own way. There is also a lot in here about writing. That is less sensible. In fact, St. James' remarks about writing are the sort that make me despair for us as a culture. Since I've never read one of her fiction books, I can't say whether or not she's found her own advice useful, whether she is a teller of tales as well as a seller of novels. But I did find a few statements that she made very, um, enlightening, for lack of a better word. Here is one, from page 470 of the ebook edition: "Back in the old days, authors could wax rhapsodically about anything that popped into their heads or resulted from putting quill pen to paper. So they would go on and on describing dank landscapes like the Scottish moors, every detail of a character's home, or lust and desire that seemed to last decades without having anything notable happen...Back then there were few alternatives to the novel, poorly written or not...Today we have distractions like cellphones, I-pods, email...That's lots of competition." So, what you mean to say then, Morgan, is that if the iPhone had been invented, poor Charles Dickens, Emily Bronte and Henry James would have gotten nowhere with their overly descriptive novels. It's a good thing for them that people had nothing better to do back then, right? It seems apparent from statements like this one that regardless of St. James' storytelling abilities, she has no great love of language, in contrast to, say, Ursula K. LeGuin or Stephen King, both of whom are also published authors who have written books about how to write - excellent and highly recommended books, if you're still looking for one.St. James would make a fine high school English teacher, perhaps. She does have the basics down, and her advice isn't exactly BAD, per se. It's just very serviceable, and seems oriented to future pulp writers, people who are just dying to see Their Name In Print. She describes reviewing a book with what she deems an overly slow opening and says, "My suggestion would have been to boil the opening down to a few paragraphs and get on with the gist of the story. Remember, as a writer you need to exercise your ability to pull the reader into your world." While I don't disagree with the need to pull the reader into your world, I'd like you, potential reader of how-to books, to now do me a favor. Get up from your computer, or fire up your iBooks or Kindle store, and find a copy of a Raymond Chandler novel. He is a very well-known author of detective novels, none of which were alleged to be boring. Read the first fifteen pages or so. Now read a Terry Pratchett novel. Pratchett, far from being a dusty old classic, consistently publishes bestselling fantasy novels, the kind that you have to read in private lest you burst out laughing on the bus and people give you strange looks. Now come back. Did either of those authors jump right into the action, or did they take their time to set a scene? Did you feel bored, or did you feel more drawn in because sometimes, the voice of the person telling you the tale does just as much, if not more, to hook you than the plot?St. James may be an excellent author in her own right. Judging from her descriptions of her own work, it sounds like she specializes in the cozy domestic murder novel. That can be fun. But I think she still has a few things to learn. Also, she could've used a good proofreader. Her ebook edition had a few very glaring mistakes in word choice - 'viola' when she meant 'voila', and 'two' when she meant 'too'. Ironically, that last came just before the chapter on being careful about your grammar. I am torn about mentioning this last note, as I hate to seem biased - my opinion of the work would've been the same regardless - but I also found it interesting that she advises you, as an author, to save your money by sending out ebooks to reviewers from websites like LibraryThing (which she mentions by name). Specifically, she advises that you should reserve your print editions for 'professional reviewers'. This may be sensible advice. As one of those 'unprofessional' LibraryThing reviewers, though, I hardly found it endearing.Putting the stories in your head onto paper and sharing them with the world is an exciting and worthwhile thing, however you accomplish it. And if these strategies have helped St. James to do that, I am glad. They might help you. The very act of reading any book about writing is a little helpful, in that it gets you in the right frame of mind to begin or continue. But if I were picking my favorite writing how-to's, this would not be one of them.
- Rating: 4 out of 5 stars4/5I like the style of writing for the book. It was very accessable. There were many interesting tidbits of information. Many of which would be very helpful, if I decided to pursue writing. Right now I'm just trying to get through chemo. I do agree with another poster that the convention of putting it in an A,B,C format wasn't the greatest. It ended up doubling and tripling up on some letters. It also forced the topics to jump back and forth without ryhme or reason.I particulary liked the section on research. Nothing is more off-putting than authoritative details that are wrong. I remember reading a well-known auther, who referred to a mink as a rodent. I got so mad I about threw the book across the room. Minks are not rodents, they aren't anywhere near the order Rodentia. Minks are Carnivores, members of the Mustelidae. All the author would have to do is change rodent to varmint, and the error would not have been so objectionable. I also remember reading a short story where the author had a leopard purring. Leopards can't purr. The best they can do is make a chuffing sound. Only the small cats have the capability of purring. All in all, interesting reading with good tips, the formating could have been better.
- Rating: 4 out of 5 stars4/5As an aspiring author I found this a very useful book for information on how to publish and self-promote, get an agent and some tips on how to actually write the thing.The book is very USA-centric, so some of the information may not be quite right for the UK market and its also heavily biased towards the genres mystery and crime writing (understandably as this is author's own genre), so those of us writing fantasy, sci-fi or romance may find large portions not quite as relevant.It is very easy to read, it took me just a couple of hours as I skimmed some of the parts that are not relevant to me. The layout is easy to navigate and the language is chatty and informal, summing up the information in a pithy sentence or paragraph.I'm very glad to own this book and I am sure it will come in useful in the future when I am ready to think about doing something with a finished manuscript. However if you are looking for a book to help you learn to write fiction, you should look elsewhere, this is more of a how to book.
Book preview
Writers Tricks of the Trade - Morgan St. James
What Authors, Teachers and Publishers Are Saying About Writers’ Tricks of the Trade:
39 Things You Need to Know About the
ABCs of Writing Fiction
Getting lost somewhere between the twists and turns, red herrings, and the
invisible said? Fiction writer Morgan St. James has been there, done that and she shares her best insider tips in Writers Tricks of the Trade. Every author needs a toolbox to help them get around corners, navigate tortured plots, and blast past the inevitable writer’s block. An alphabet soup-to-nuts compendium of useful advice with no belabored prose, her tips get right to the point, so you can get on with the writing.
~Carolyn Hayes Uber, Publisher, WorkingTitlez.com
Writers’ Tricks of the Trade is one of those rare books that you can read over and over. Read it through once, but keep it handy whenever you are blocked. You can open it to any page at random and find inspiration. The best part is that Ms. St. James gives us ways to deal with every aspect of the writing life, from creation to sales. A great book.
~John Brantingham, Professor of English, author of East of Los Angeles
Author Morgan St. James has managed to cover nearly everything about writing fiction in a breezy and easily understandable manner. My first thought upon taking a look at Writers Tricks of the Trade was,
Why wasn’t there something like this around when I began writing?"
~Marilyn Meredith, author of the Deputy Tempe Crabtree mystery series.
No one is born a writer. We all need a few tricks up our sleeves and St. James is the one to give us a few. And she gives them in a warm, readable style.
~Carolyn Howard-Johnson, author of the multi award-winning series of How To Do It Frugally books for writers, www.HowToDoItFrugally.com
Whether you are a novice or an experienced author, you’ll find this book so full of vital information, you’ll want to explore every page. Best of all, it’s written in clear, lively prose.
~Maralys Wills, author of Higher Than Eagles and Damn the Rejections—Full Steam Ahead
"Having watched Ms. St. James progress as a writer into an author, I applaud her effort in guiding new writers into this, at times, frustrating industry. Writers’ Tricks of the Trade is a no nonsense approach to the basics all new writers must know to become well-known authors. After all, as the old adage says, ‘You have to know the rules before you can break them."
~Jo A. Wilkins, Author, President, Henderson Writers’ Group
Regardless of genre, writing can be a mystery. In these ‘Thirty-nine Steps’ for aspiring scribes, Morgan St. James makes the conundrum far less daunting. Great, real-world, career-tested tips within these pages!
~Megan Edwards, author of Roads from the Ashes: An Odyssey in Real Life on the Virtual Frontier
"Comprehensive and accessible, Writers’ Tricks of the Trade goes far beyond the standard guides. The author shares real-life lessons and provides the foundation for success in an increasingly crowded market. An essential resource for writers at any stage in the publication process!"
~ Linda Lou, author of Bastard Husband: A Love Story
A tale of starting over Vegas Style
Writers Tricks of the Trade is cleverly presented in alphabetical order for easy access, and you can also use it for inspiration as well as reference. Randomly pick a chapter to read before you begin your writing day. You’ll refer to this handy, user-friendly book on the ins and outs of writing and marketing often.
~Jackie Houchin, Reviewer, www.jackiehouchin.com
Morgan St. James has written a terrific book that every writer should own. This is a modern, street-smart, working handbook from an author after my own heart. Get smart. Get inspired. Get this book.
~Tony N. Todaro, Author of True Light
, Nexus of Swords
, Eyes of God
, and What Comes Around
.
President and Cofounder of the Greater Los Angeles Writers Society.
Writers’ Tricks
of the Trade
39 Things You Need to Know About the
ABCs of Writing Fiction
MORGAN ST. JAMES
MARINA PUBLISHING GROUP
Marina Del Rey CA 90295
Writers’ Tricks of the Trade—39 Things You Need to Know About the ABCs of Writing Fiction, copyright © 2011 by Morgan St. James. Printed and bound in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review or brief quotations in critical articles with attribution to the this author. Published by Marina Publishing Group, P.O. Box 9657, Marina Del Rey CA 90295 Visit our website: www.marina-publishing-group.com
ISBN#978-0-9837790-1-8
Cover Design Scott Garrett
www.garrettworld.co.uk
Ebook creation by Dellaster Design
First Printing
Listing of any organization, publication, product or service does not imply an endorsement or absolute recommendation by the author. Readers are urged to conduct their own research relative to suitability for their needs.
Library of Congress Control Number: 2011911644
Attention colleges, universities and professional organizations: Quantity discounts are available on bulk purchases of this book for educational or fund-raising purposes. For information contact:
marinapublishing@gmail.com
DEDICATION
This book is dedicated to all of the people who helped me in my journey from novice to novelist, and later to speaker, presenter and columnist. I learned from every one of you. To my husband Hubert Kottlove, who supported me every step of the way and to my mother Rosetta. Although she left us in 2007 as she approached her 97th birthday, her spirit is always in my corner urging me on. You can do it, honey.
OTHER BOOKS BY MORGAN ST. JAMES
Silver Sisters Mysteries co-authored with Phyllice Bradner
A Corpse in the Soup
Seven Deadly Samovars
Vanishing Act in Vegas
Women on the Edge
Writing as Arliss Adams:
Devil’s Dance
The Devil’s Due
Stories in these Anthologies:
Chicken Soup for the Shopper’s Soul
Chicken Soup for the Soul: Celebrating People Who Make a Difference
The Mystery of the Green Mist and Other Stories
Dreamspell Nightmares
Dreamspell Revenge
The World Outside the Window
Writers’ Bloc II
ACKNOWLEDGMENTS
Writers’ groups like Henderson Writers Group, Greater Los Angeles Writers Society and Sisters in Crime. To organizers of the conferences where I attended great additional workshops like the Public Safety Writers Conference, Las Vegas Writers Conference, Left Coast Crime and the many workshops and presentations I attended as I traveled the path.
To my family who supported my ambitions and my sister Phyllice Bradner who co-authors the Silver Sisters Mysteries. We learned from each other. To Scott Garrett for his brilliant cover, and good friend and author Mike Dennis who shared so many of his resources to make this book possible.
To all those who read or have read my columns in Examiner.com and take the time to comment and to the people who attend my workshops and talks—this book is for all of you.
CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
Chapter 1 – A is for AGENT
Things to consider before you sign a contract
Chapter 2 – B is for BALANCE
Balance writing and promotion time
Chapter 3 – C is for CLUES
Twists and clues are found in every genre
Chapter 4 – C is for CREATIVITY
Don’t let that creativity ebb away
Chapter 5 – D is for DIALOGUE
The art of putting words in their mouths
Chapter 6 – D is for DISTRIBUTION
What to check out and why it’s important
Chapter 7 – E is for EDITING
You may have to cut parts you love
Chapter 8 – E is for EXPERIENCES & EMOTIONS
Tap into your own experiences and emotions
Chapter 9 – F is for FACT FINDING
Don’t be lazy—Always check facts
Chapter 10 – F is for FITTING PROFESSIONS TO A THEME
Professions don’t have to define the theme of the story
Chapter 11 – G is for GETTING UNSTUCK
Habit can be your worst enemy
Chapter 12 – G is for GROUPS
Belong to one or more writers’ groups
Chapter 13 – H is for HEART
How nineteen authors followed a dream
Chapter 14 – I is for IDEAL READERS
Who is your ideal first reader?
Chapter 15 – I is for INTERVIEWS
How to give interesting interviews
Chapter 16 – J is for JIGSAW PUZZLE
Making all the pieces fit
Chapter 17 – J is for JUGGLING
Writers juggle many balls. Don’t get hit on the head
Chapter 18 – K is for KEEP WRITING
Some of the ways to keep writing
Chapter 19 – L is for LOCATION, LOCATION
Location is as important in fiction as in real estate
Chapter 20 – M is for MAKE SCENES SPRING TO LIFE
Don’t settle for cardboard scenes. Give them oomph.
Chapter 21 – M is for MISTAKES
Typical mistakes writers make
Chapter 22 – N is for NETWORKING
Get connections rolling even before you book is published
Chapter 23 – O is for ONLINE RESOURCES
A wealth of information is at your fingertips
Chapter 24 – O is for OPTIONS
A wealth of ways to tell the same story
Chapter 25 – P is for PACING
Speed it up or slow it down
Chapter 26 – P is for POINT OF VIEW
Making sense of what it all means
Chapter 27 – P is for PUBLICITY AND PROMOTION
How do writers find out about your book?
Chapter 28 – Q is for QUESTIONS
Don’t be afraid to ask agents and publisher these questions
Chapter 29 – R is for REWRITE
Good writers revise their work
Chapter 30 – R is for RIVET YOUR READERS
Create can’t put down
books
Chapter 31 – S is for SELF-PUBLISHING
Pros and cons of self publishing. Is it for you?
Chapter 32 – S is for SHORT STORY COLLECTIONS
Short story collections that add up
Chapter 33 – T is for TAKE YOUR TIME
Why you shouldn’t rush to submit
Chapter 34 – U is for UNDERSTANDING
A bad review doesn’t have to equal disaster
Chapter 35 – V is for VISUALIZATION
Try Your Hand at Word Pictures
Chapter 36 – W is for WRITING REVIEWS
How to write compelling book reviews
Chapter 37 – X is for XERIC WRITING
Xeric writing is a dry as a desert landscape. Spice it up
Chapter 38 – Y is for YOU DON’T SAY
If it is a real word, don’t depend on spellcheck
Chapter 39 – Z is for ZOMBIE vs. ZEST
Zap it! Don’t become a writing zombie
FINAL MESSAGE
A FEW RECOMMENDED REFERENCE BOOKS
ABOUT THE AUTHOR
INTRODUCTION
I’ve had many careers in my life, but never thought writing would be one of them. However, in the late 1970s I became a writer somewhat by accident. This book offers a quick reference for many of the daily challenges a fiction writer faces. Picture it as a platter of hors d’oeuvres seasoned with suggestions.
Talented authors have devoted whole books to some of the individual topics I’ve touched upon between these covers, but this isn’t that intensive type of book. I personally have shelves filled with books I refer to constantly when I need in-depth information. You will find some of them listed in the back. This is more of a guide—a potpourri of tips and tricks that cast a wide net over the art of writing fiction. The majority of the topics are suitable for both published and aspiring writers. A few of them are followed with hands-on exercises.
• • •
Back in the 1970s my partner and I owned an interior design firm in Studio City, California. Through a mixture of talent and luck, we designed some very interesting projects. A few of our clients were sports figures or people in the movie business.
Designers West, a prestigious West Coast design magazine, approached us about writing an article for them. Of course, we said yes. What incredible exposure for only the price of writing an article. But there was a hitch. We were designers, not writers. The photographers took photos to accompany our article, and the deadline for submitting the copy inched closer and closer. Then the deadline date picked up momentum, speeding toward us like a train roaring into the station. The day before the submission was due, we had nothing—nada, not even a word.
Even though the wastebasket overflowed with crumpled papers, we rejected each stab at writing the how-to article about a beautiful wood floor my partner created from packing crates. The remaining hours ebbed away as the sun descended in the summer sky—a reminder of how little time we had left. So we sipped wine and commiserated. We had failed and would look like fools. Fortunately, desperation sometimes spawns genius. The idea of writing our article like a noir mystery instead of a serious techie piece penetrated our air of defeat. The editor might hate it, but anything was better than coming up empty-handed.
There were no computers back then, just trusty typewriters. We brainstormed, and the words literally flew from my fingers to paper. The Case of the Disappearing Crates, or Things Are Not Always What They Appear To Be
took shape.
The detectives on TV are not the only ones constantly solving seemingly unsolvable problems. In fact, the head of Burton Advertising jokingly calls us the Starsky and Hutch of the design field.
This day started like any other day. We were sitting there in our Ventura Boulevard Studio reviewing blueprints and drinking tea when the telephone rang.
By midnight, we had the equivalent of a one-page pulp fiction mystery. Our design sleuths searched waterfront docks, freight depots and industrial area warehouses, hunting for crates. The piece wrapped up with the phrase case closed.
The editor loved it. That story ran in the August 1978 issue of Designers West Magazine.
When I went to the supermarket and saw the magazine on the stand, a wonderful feeling invaded my soul. I was hooked. I was a writer. I still have a copy of that magazine, and if you would like a copy of the story, just email me at stjameswriter@gmail.com.
Still working as an interior designer, I wrote many more articles for Designers West and also wrote for other magazines and newspapers, covering a variety of topics as far afield as dementia to barter.
In the late 1990s my sister Phyllice Bradner and I decided to write our own funny mystery series. We both had lots of publication under our belts and figured it would be a snap. After all, she won Alaska Press Club awards for her journalism, produced the copy for political campaign pieces for the Governor of Alaska and a U.S. Senator. Her tour book and cookbook are still listed on Amazon. As for me, I had many published articles and feature stories. How hard could it be? Looking back, we had absolutely no idea what we were getting into.
Rejection notices piled up for our first Silver Sisters Mystery. The discouraging lesson we learned was credentials in one segment of the writing world do not mean you know the Tricks of the Trade
of another. In our case, despite our publication credits, we were ill-prepared to write fiction. Our writing was professional, but contained many faux pas. It turned out that techniques that screamed yes-yes in our body of work were complete no-no’s in fiction.
Unlike many unpublished authors, we actually received quite a few personal responses from agents. Although they rejected our submission, the notes said they could see we were polished writers and mentioned areas where we were missing the