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Some Danger Involved: A Novel
Some Danger Involved: A Novel
Some Danger Involved: A Novel
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Some Danger Involved: A Novel

Rating: 4 out of 5 stars

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An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his assistant, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar in London's Jewish ghetto.

When the eccentric and enigmatic Cyrus Barker takes on the recent murder case of a young scholar in London's Jewish ghetto, he realizes that he must hire an assistant, and out of all who answer an ad for a position with "some danger involved," he chooses downtrodden Llewelyn, a gutsy young man with a murky past.

As they inch ever closer to the shocking truth behind the murder, Llewelyn is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the heart of London's teeming underworld. Brimming with wit and unforgettable characters and steeped in authentic period detail, Some Danger Involved is a captivating page-turner that introduces an equally captivating duo.
LanguageEnglish
PublisherTouchstone
Release dateJun 3, 2004
ISBN9780743269148
Some Danger Involved: A Novel
Author

Will Thomas

WILL THOMAS is the author of the Cyrus Barker and Thomas Llewelyn series, including The Black Hand, The Hellfire Conspiracy, The Limehouse Text, To Kingdom Come, and the Shamus and Barry award-nominated Some Danger Involved. He lives with his family in Oklahoma.

Read more from Will Thomas

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Rating: 3.869565143812709 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    3.5 stars. After a stint in prison and having lost his wife to consumption, young Thomas Llewelyn has just about lost hope of finding a position in London. He answers an advertisement as an assistant to enquiry agent Cyrus Barker, planning to jump off a bridge later if this last effort proves unsuccessful. Luckily Barker sees Llewelyn's worth and hires him. Their first case involves the murder by crucifixion of a young Jewish scholar.

    The best thing about this book is the two lead characters. Their relationship grows very slowly and realistically throughout the novel. At the start Thomas is not sure what to make of his eccentric employer and is unsure if he should continue in his employ. But very slowly they learn more about each other and form a good working relationship, and eventually a friendship. Thomas is a very sympathetic character and you really feel his pain and depression. Cyrus is a very strange man yet you come to realize he sees far more than most people. I also liked that he seems very open minded and non-judgmental. There are obvious influences of Sherlock Holmes in this story, yet it stands on its own.

    I will definitely be trying the next in the series.
  • Rating: 3 out of 5 stars
    3/5
    While both the seasoned "enquiry agent" and his new assistant have fascinating back stories, and the setting is distinct, the murder and investigation are not compelling. Mysterious and exotic Cyrus Barker and desperate, young Thomas Llewelyn plod along by foot or carriage, interviewing potential suspects, while the only interesting revelations are Thomas's discoveries about Barker and the reader's insight into the likable narrator. Fans of historical fiction may enjoy information about the influx of Jews into Victorian London but I hope author Will Thomas finds more exciting cases for this potentially-entertaining duo in subsequent installmens.
  • Rating: 4 out of 5 stars
    4/5
    I found this to be a very good Victorian mystery, well written and always moving. I really liked The Reading Group Guide at the end. I hope the rest of the Barker & Llewelyn books are just as good.
  • Rating: 3 out of 5 stars
    3/5
    Set in Victorian London, a inquiry agent, Barker, hires a new assistant, Llewelyn. Llewelyn has been recently released from prison and is down on his luck. They are hired to investigate the crucifixion of a man in the Jewish ghetto by the Anti-Semite league. Much of the novel is to get us familiar with the main characters. They are both smart and quirky. There is a bit of a morality lesson in the story as well. I had high hopes, but it was just OK for me.
  • Rating: 5 out of 5 stars
    5/5
    Cyrus Barker and his new assistant Thomas Llewelyn are drawn to a case of the murder of a young Jewish man. After he was murdered, the victim was crucified. Was this a Jewish hate crime or something else entirely? The two inquiry agents must search the East East of London to find the answer. This is an excellent first mystery novel of Victorian England filled with a number of colorful characters. You can almost hear the clop of horses hooves on the cobble stone streets.
  • Rating: 5 out of 5 stars
    5/5
    Wonderful series, totally immersed in the characters and plot twists.
  • Rating: 3 out of 5 stars
    3/5
    This serviceable mystery set in Victorian London involves the gruesome death by crucifixion of a member of London's large Jewish population. Is the murder related to the victim's scholarly studies, his secretive romantic life, or perhaps a warning that rising tensions between the Jews and other ethnic minorities inhabiting the stews of London might be coming to a dangerous boil?The author, Will Thomas, is an avowed Sherlockian, so it's not surprising to see Sherlockian echoes throughout this novel - especially since this is Thomas's first novel and thus (we might infer) his first attempt at developing his own narrative voice. His detective, Barker, bears many similarities to Holmes, including an encyclopedic knowledge of London (readers familiar with the Doyle canon will recognize the metaphor in which Barker describes himself as a spider seated in the middle of a web, attuned to every movement and shudder of the strands) and cool oriental fighting skills. He also has his own Watson, a young Welshman named Llewelyn, to whom he can explain his investigative methods, lest we fail to appreciate them. At least in this outing, however, Barker demonstrates little of Holmes' wit or investigative prowess. The solution to the mystery depends more on dogged investigation and "hunches" rather than forensic evidence or clever observation; moreover, the murderers' ultimate methods and motives prove disappointingly uninspired.Having said that, I found this a satisfying read. Thomas's depiction of Victorian England feels authentic and accurate. His characters, while somewhat derivative, possess a certain depth and appeal. Most of all, I enjoyed his insights into the Jewish community during this period of time. All in all, Some Danger Involved is better written and more engaging than some other Victorian mystery serials I have sampled over the year.
  • Rating: 4 out of 5 stars
    4/5
    I love the characters in these books. Mr. Thoms has another in this series coming out in July. I can't wait. Anyone else reading these? This is fun reading, not great literature, but I still learn historical things about everyday life in this time period.
  • Rating: 4 out of 5 stars
    4/5

    It's been a while when a book had a twist that completely caught me off guard. Now, either I wasn't paying that much of attention or it's simply quite a good twist. I'm thinking the latter since I think I was paying attention. ASSISTANT to prominent enquiry agent. Typing and shorthand required. Some danger involved in performance of duties. Salary commensurate with ability. 7 Craig’s Court. A step away from suicide, a young Welshman Thomas Llewelyn finds this advertisement in the ‘Situations Vacant’ column of The Times and decides to give the life another chance. What follows is a well written story with great characters. His new employer, Cyrus Barker, is one of a kind. I've read that the author partly based his character on Sir Richard Francis Burton. Barker has an unusual group of people working for him ('Chinese gardeners. Jewish butlers. Lazy clerks. Temperamental French cooks, and last but not least, downtrodden Welsh assistants.') and a crazy little Pekingese.

    A young scholar is murdered then crucified and the prominent people from the Jewish community hire Barker to get to the bottom of this. The most important thing is to find out if this murder is an anti-Semitic act and a threat to the Jewish community as a whole or a crime towards one person. This happening in the middle of the refugee crisis (the Jews are arriving to England en masse running from the continent) doesn't help matters.

    I don't think I can do the themes in this book justice. The most pronounced one is anti-Semitism. Some of these people blame the Jews for anything that comes to their mind. But worse, if you can call it that, are those who honestly believe them inferior. One can only feel impotent rage after reading some of the opinions on the subject. When one of them is asked about Christ, Barker and Llewelyn get this answer: “But what of Jesus, sir?” I blurted out. “Wasn’t he a Jew?” The fellow smiled condescendingly. “Not really, Mr., er, Llewelyn, was it? He was the ‘New Man.’ Can you picture him as a hook-nosed, kinky-haired, furtive little fellow? Of course not! He was a big, bluff carpenter, a robust leader of men, a man’s man. He was the perfect specimen of manhood, and in all ways we should aspire to be like him.' Fortunately, Barker is not a fool ('He wants to make Christ over in his likeness, not the other way round.')

    It doesn't matter who the killer is (I must say that particular titbit caught me unprepared). The things young Llewelyn learns in the course of this investigation are well worth the reading. From eugenicists to the different types of rabbis to Ashkenazic and Sephardic Jews to new and wonderful friends and so much more, no wonder he was occasionally overwhelmed a bit. One of the most beautiful and heartbreaking (there is another one but I won't get into it because it would be a spoiler) moments in the book was the funeral of the young man ('I thought he had no family.” “The fact that he had no family is why the crowd is so large,” Barker explained patiently. “It means that the entire community becomes his family. Also, the Jews have great respect for the teachers of their children.')

    Even with this gloomy subject there is humour to be found ('The story goes that after Christ’s death, Joseph brought the holy relic, the rock upon which old Jacob lay his head, to England, where it now sits under the coronation chair. As proof of the transfer of grace, God sent King Arthur and his Round Table after the Holy Grail, the chalice Jesus drank from at the Last Supper.” “If so,” I said, with a smile, “then it never reached the English at all. Arthur was a Welshman at Tintagel. It’s the Welsh that are the chosen people, not this Anglo-Saxon lot.” “Ha!” I’d actually made Barker laugh.' or when they question the victim's colleague: 'We have close to four thousand students.” “Four thousand, you say?” I asked. “Yes, and sometimes, it feels as if they were all in my class.' and '...every one of these little monsters has a mother convinced he is the Messiah, and wouldn’t we please give him just a little bit more attention than that other boy, whom we all know is just a bit dull?' - for the record I know exactly how he feels).

    To be honest, this book is not that original (at one point Barker says this about himself: 'You see, I try to throw a web over London and sit like a spider in the midst of it all, my fingers on the strands, ready for any subtle vibration.') but the way it tells a story is wonderful.
  • Rating: 4 out of 5 stars
    4/5
    Down and out, Llewelyn is hired by London "Enquiry Agent" Barker. He's informed that there will be some danger involved, but he can't afford not to accept. Barker takes him in and begins to make a detective out of him.

    They become involved in a murder case in the Jewish community in London and what follows is an interesting Victorian mystery/thriller with plenty of action.

    Definitely worth the time to read!
  • Rating: 5 out of 5 stars
    5/5
    Historical Mystery at it's best! This book pulled me out of my mystery slump and reminded me why I love the genre.

    In the author's note, Will Thomas states that he noticed recent Victorian mysteries were predominantly written by women and classified as "cozies". He wanted to see what would happen if he created a dangerous detective and set him in "the world of Queen Victoria and Jack the Ripper". Out of this wish, Cyrus Barker, Enquiry Agent, was born. His Watson-like assistant and narrator of the novel, Thomas Llewelyn, is our eyes and ears as we learn some of Barker's mysterious past. This book is filled with characters that are unique and engaging.

    In this book, the Jewish community in 19th century London takes center stage. A young Jewish scholar has been murdered and it appears as if the murderer has a larger goal in mind of turning London society against the Jewish community. It's up to Barker and his assistant to avert disaster. I learned a lot reading this book, especially about the pogroms of eastern Europe. The historical aspects are strong but there is such a solid mystery weaving it all together, it never reads dry. It was the perfect blend of history and mystery.

    The writing is solid. This book was so easy to read and great to just fall back into after a break.

    I'm so happy this is a series.

    Highly recommend.
  • Rating: 4 out of 5 stars
    4/5
    First in a series. Barker is a private enquiry agent who together with his newly hired assistant, Llewelyn, , prowls the streets and alleys of Victorian London in a search for a nascent anti-Semitic group which has crucified a young Jewish scholar. The book is competently written, and the investigation itself is well-presented. Thomas' version of Victorian London is sketched out well, and if the reality wasn't exactly as Thomas depicts it, his vision is certainly plausible. Worth a look if you are a fan of historical mysteries, and I shall keep an eye open for more by this author.
  • Rating: 4 out of 5 stars
    4/5
    Surprising at the end.
  • Rating: 4 out of 5 stars
    4/5
    This is the first I've read from this author & I really enjoyed it. Set in victorian London, it begins a series featuring an eccentric enquiry agent (don't call him a private detective) & his assistant, a down on his luck Welshman. Full of period details, real life characters & wry humour, it makes for a quick & entertaining read.
    Cyrus Barker is an enigmatic renaissance man who may well be the best enquiry agent in London. It begins with him interviewing for the recently vacated position of assistant. Unfortunately, his last side kick took a bullet between the eyes so it's important prospective applicants realize there will be "some danger involved". After three days, he meets Thomas Llewelyn. Thomas is a young man who has lost it all....his wife, his reputation & maybe his future. With three shillings in his pocket & few possessions, he has decided that if he doesn't get the job, his only option is a swan dive into the Thames.
    But Cyrus sees something in the small, dark man & before Thomas knows it, he has a job, a home, a wardrobe & three square meals a day.
    They catch a new case. A promising Jewish student has been murdered & left hanging from a light pole in a disturbing recreation of the crucifixion. Anti-semitism or something more personal? Sir Moses, a prominent & influential english Jew fears the possibility of a pogrom like those that have occurred in other European cities & wants this nipped in the bud. Cyrus & Thomas begin an investigation that will take them into neighbourhoods that are affluent & poor, Jewish & Christian.
    Cyrus is an interesting man who seems to know every hidden doorway, back alley & trapdoor in London. Raised in the far east, he has an appreciation & profound knowledge of all things Asian, reflected in his practice of Tai Chi, an ornamental garden & Harm, a cantankerous Pekinese who doesn't hesitate to go for the ankles of any intruder. He's surrounded himself with odd characters: Mac (the Jewish valet/housekeeper/bodyguard), Etienne (a temperamental French chef who knows how to hold a grudge) & John Racket (the ever present cab driver).
    Thomas is a sympathetic character who has known only poverty, hardship & heartbreak 'til now. Under Cyrus' employ, his world expands as he's exposed to people & places he never knew existed & he has to learn on his feet. It's not going too badly & it takes a full week before someone attempts to kill him. Huh, maybe he should have read the help wanted ads more carefully.
    There are lost of twists & turns in this smart & amusing who-done-it. I know other reviewers have made comparisons to Holmes & Watson & there are similarities but this is much more fun. Cyrus has his secrets but is much less arrogant than Holmes, not as cold & supercilious. The book is narrated by Thomas so we get his take on everything that happens plus his witty impressions of the colourful cast they encounter during the investigation. Through his eyes, we experience the simmering struggles between different ethnic groups set against the age old British class system. Dialogue is lean & smart & the tension slowly builds as we reach the action packed finale. Like a good Conan Doyle or Agatha Christie mystery, only with hindsight do you realize the significance of earlier comments that seemed inconsequential at the time.
    There is a huge variety of characters & the author's descriptions bring them to life ("Her hair was pulled back so severely, it would have won approval from the Spanish Inquisition as a method of torture."). And there is a compelling murder(s) mystery to be solved. But at its' heart is the budding relationship between the two main protagonists. Many of the passages I enjoyed the most took place under Cyrus' roof during conversation between the boss, Thomas, Etienne & Mac. And Harm, of course (I don't want to risk pissing off the tiny terror).
    Clever, witty & atmospheric, this is a book that keeps you chuckling as you follow the intrepid agents on their current case & I will definitely pick up the next one to see where it takes them.
  • Rating: 5 out of 5 stars
    5/5
    AUTHOR: Thomas, WillTITLE: Some Danger InvolvedDATE READ: 12/28/2015RATING: 5/AGENRE/PUB DATE/PUBLISHER/# OF PGS Historical Mystery/ 2004 /Touchstone / 288 pgs SERIES/STAND-ALONE #1 Cyrus BarkerCHARACTERS AUTHOR: Cyrus Barker/Enquiry Agent Thomas Llewelyn/ assistantTIME/PLACE Victorian LondonFIRST LINES Assistant to prominent enquiry agent. Typing and shorthand required. Some danger involved in performance of duties. Salary commensurate with ability, 7 Craig's Court. So ran the advertisement in the "situations vacant" column of THE TIMES for the 4th day straight. COMMENTS: Great debut and will read on. Love the time & setting and the characters are unique. Cyrus Barker is an odd looking fellow w/ a bit of a "gray" past. Thomas Llewelyn is a young man who had a benefactor paying for an Oxford education but circumstances …stopped his education when his young wife was ill. He was accused of stealing and sent away to prison. About to end it all he makes a last stop/stab applying for this job. Barker sees beyond the superficial and sees his potential. This 1st outing deals w/ the Jewish community, religious prejudice, eugenics and betrayal. Kept me interested.
  • Rating: 4 out of 5 stars
    4/5
    I liked this novel. While not as detailed as, for example, a Sherlock Holmes novel, the plot did hold my attention and I found that I enjoyed reading the novel from the "assistant", Llewelyn's point of view. Now off to read the next installment!
  • Rating: 4 out of 5 stars
    4/5
    Probably more of 3.5 stars, but it was better than average and it was well done.
    It a good sink you teeth into it classic mystery and detection story with plenty of red herrings all looking like smoked salmon!
    Interesting characterizations, realistic London locale, believable.

    I will read the next in this series.
  • Rating: 3 out of 5 stars
    3/5
    A bit slow going at times. I enjoyed it for it's atmosphere (Victorian England).
  • Rating: 4 out of 5 stars
    4/5
    A fun mystery, well-researched, featuring a kind of Victorian man of mystery. There are sequels, and I plan to read them. Great fun!
  • Rating: 3 out of 5 stars
    3/5
    The first book in a promising series of Victorian England detective novels finds the somewhat superhuman but attractively eccentric sleuth Cyrus Barker and his green but plucky assistant, Thomas Llewellyn, on the trail of the vicious Anti-Semite League. The book provides interesting insights into Jewish life in 1884 England and features cameos from historical Jewish figures such as the centenarian Sir Moses Montefiore and the 21-year-old Israel Zangwill (future author of "The Melting Pot"). I loved the vividness with which London was portrayed, especially the neighborhood of Elephant and Castle, (which I visited exactly 100 years later), and the dialog and plot are soundly constructed. However, the book suffered from what I take to be first-novel flaws, most notably a rather over-explicated solution to the mystery, in which the villain delivers a monologue over a page long explaining in great detail how he dunnit as one of the heroes is in mortal peril. Also, very strangely, the novel is written in American English despite being set entirely in London. Finally, the novel was apparently edited via spell-check: a character filed down the "site" of his pistol and commented on the "yoke" of his eggs. I hope both the writing and the editing improve in future entries in the series—which I intend to read.
  • Rating: 5 out of 5 stars
    5/5
    SOME DANGER INVOLVED by Will Thomas (Mystery Fiction, Victorian England) 4.5 star ratingIn 2010 I won, and read, The Limehouse Text, the third in this series by Will Thomas, featuring Cyrus Barker and Thomas Llewelyn. I knew then I’d found a series worth following up. Set in 1884 London, the characters are clearly modeled on Holmes and Watson, but are still original enough (and much more likeable!) to be entertaining.In this first of the series, Thomas laments:If I could change any aspect of work as an enquiry agent, it would be the danger, but then, Barker warned me on that very first day, right there in the advertisement. ASSISTANT to prominent enquiry agent.Typing and shorthand required. Some dan-ger involved in performance of duties. Sal-ary commensurate with ability. 7 Craig’sCourt.Some Danger Involved contains a solid mystery, an adventure in the Jewish section of Victorian London, and some danger for the reader: that of becoming hooked on this series.Read this if: you enjoy Sherlock Holmes pastiches – this is a particularly good one. 4½ stars
  • Rating: 4 out of 5 stars
    4/5
    A young man, penniless, hopeless and ready to just give it all up, reads an ad in a London paper saying an enquiry agent is looking for an assistant. "Some danger involved." He skips on the rent he can't pay, takes his meager belongings and shows up to apply. Thus begins a new life filled with danger, but also with a bed, food and more importantly, feeling useful and worthwhile.The mystery was pretty good, the characters drawn well and complex, Victorian London displayed in all its grimness, grime and growing pains. I'll be reading more of the series to see where it goes.
  • Rating: 4 out of 5 stars
    4/5
    I was lent this book by Brenda (Bashford Methodist), which she recommeded. I really enjoyed this and suggested to my book club. The tow main characters are very similar to Holmes and Watson, but enough significant differences to not make me think I was reading Arthur Connan Doyle. I will be looking for some time to read his next installment.
  • Rating: 5 out of 5 stars
    5/5
    Thomas Llewelyn is a man facing what may be his last day. A recent Oxford student, Oxford ex-convict and by his own calculations 'unemployable', Llewelyn has decided that if he doesn't obtain employment that day, he will swan dive into the Thames and end it all. The live or die job that he is applying for is assistant to a prominent enquiry agent, a.k.a detective. As per the advertisement, some typing and shorthand required and some danger involved in the performance of duties. Luckily for both Llewelyn and readers alike, he passes the rather unusual interview process and secures the job as assistant to Cyrus Barker.With 'on the job training' provided, Barker quickly involves his new assistant to help solve a murder - by crucifixion - of a Jewish immigrant and scholar, Louis Pokrzywa, in the Jewish ghetto of London. Told from the point of view of Llewelyn, the reader follows Llewelyn's educational learning curve - understandably steep at times - in his new work environment as assistant to a 19th century P.I., as well as the case at hand. As part of his employment package, Llewelyn is provided with room and board in the home of his employer where we get to meet a unique cast of characters - Barker's dry sarcastic Jewish butler Mac, the temperamental French chef Dummolard, a Chinese gardener and the ankle-biting territorial Pekinese watch dog Harm.Racing through the streets of London with an enigma of a boss - there is more to Barker than meets the eye - to try and solve the murder and hopefully stop a potential pogrom in its tracks, this story was a great mix of Victorian England flavor, religious and historical background, excellent characters and unexpected twists and turns to the case to keep the reader, or at least kept me, guessing right to the very end. A great Victorian murder mystery to curl up with.
  • Rating: 3 out of 5 stars
    3/5
    This book pleasantly surprised me - I was worried it would be another bad Sherlock Holmes knockoff, but it was quite enjoyable.
  • Rating: 4 out of 5 stars
    4/5
    Historical english mystery with wonderful characters. A bit slow in places but overall a good read. Looking forward to the rest of the series.
  • Rating: 4 out of 5 stars
    4/5
    I'm home miserable with a cold and possible strep throat, feeling sorry for myself and wishing I had something to think about besides trying to breathe. Then I look next to my bed, and here is this book, just waiting for such a chance.Thomas Llewellyn is fresh out of Oxford Prison and down to his last penny. He spots an ad for a job in the paper "Assistant to prominent enquiry agent. Some danger involved in performance of duty." Thomas is just desperate enough to answer such an ad. After a rather unexpected interview, he get the job. Almost immediately he is thrown into the investigation of a murder. A Jew has been found in crucified in the ghetto, a scripture scrawled next to the body, and the slogan "Anti-Jewish League." Could this be the beginning of a pogrom against the Jews of England?It's funny how sometimes, everything you read seems to tie together. I'm not sure if that's because it really is all related, or because your mind just starts looking for connections. But this one seemed to tie in neatly with The Chosen especially well. It is set much later than the mystery and in New York, not London, but the strong setting of the Jewish community is well done in both book.Full of adventure, fast paced, good characters. This is the first in the series, and I will definitely look for the next one. I'm not sure if this counts as a teen book, as I've seen it shelved there in the library, but it would be good for either teens or adults. 4 stars
  • Rating: 5 out of 5 stars
    5/5
    *Sherlock with a Twist*I can't remember the last time I enjoyed a Victorian mystery as much as I did this one. What talent the author has to evoke the reader's feelings of being right there with the characters of the time and landscape of London's turn-of-the-century era. This first installment's plot has a Jewish theme to it and I can honestly say that I found it all very interesting. I learned a lot about Jewish culture and customs that I had not known before. I believe that the author's true talent lies in character development. Great detail and slow build up of information has the reader absolutely loving the two key players of Cyrus Barker the investigator, and his new assistant Llewelyn. Barker is sort of a Sherlock-like character only not so serious, and is a man with an interesting background and unique hobbies and penchants. His love for zen gardening, gourmet food, weapons, books and an adorable Pekinese dog will have the reader spellbound of his character alone. To accompany this investigating duet is a colorful menagerie of background players that we will see in future installments as regulars. We have a Jewish Butler with an attitude, a Chinese gardener, a persnickety French chef, restaurant owners, snitches, Scotland Yard's finest and that cute little attack dog named Harm. This array of characters and blend of superior murder mystery plot, combined with action, romance, and humor, leaves this book ready to be unwrapped like a gift to enjoy from start to finish. I read this in one day and can't wait to pick up book two. This is a very promising series in the making. Hats off to the author for an outstanding performance!
  • Rating: 4 out of 5 stars
    4/5
    "Some Danger Involved" is the debut novel in Will Thomas' Cyrus Barker/Thomas Llewelyn Victorian mystery series. Set in the gritty streets of London, the story is told from the perspective of Thomas, who at the story's onset is contemplating suicide. Twenty-two, unemployed, recently released from prison, and mourning the recent death of his young wife, Thomas on first glance isn't the stuff of which heroes are made. However, he is an absolutely charming character - his basic honesty and integrity, his naivete, his modesty and unassuming style, and even his very Welshness - make him a delightful foil for the sophisticated and confident Barker. Barker hires Thomas as his assistant and the two set out to prevent a pogrom in the Jewish Quarter. Will Thomas knows his period, and Victorian London comes alive. The mystery element is carefully plotted and entirely satisfactory, but it is the characters that keep this novel alive. I'm looking forward to the next book in the series.
  • Rating: 4 out of 5 stars
    4/5
    When Thomas Llewelyn, penniless and nearing the very end of his rope, answered the advertisement in "The Times" for "assistant to prominent enquiry agent. Some danger involved," he had already made up his mind that if he didn't get the position, his next step would be jumping off the Waterloo Bridge into the Thames and putting an end to his sad, wretched life. He was, quite literally, a man with nothing to lose. His interview with Cyrus Barker was odd, but at the end, he found himself with a new position. The first case he would work on came their way the next morning, with the gruesome discovery of a crucified young Jewish rabbinical student in the center of the Jewish ghetto. Cyrus Barker is hired to determine if the spectacular murder was a forerunner to another anti-Semitic raid against the Jewish community, or just a personal score that got settled the hard way. Llewelyn learns just what his job as "assistant" to an unorthodox vigilante detective entails the hard way as he and his employer inch closer and closer to the truth, and he finds himself literally drug through London's teeming underworld.This is a really good debut of a series, set in Victorian England, with plenty of character development that whets the appetite for the next installment. I really enjoyed this and will give it a strong 4.

Book preview

Some Danger Involved - Will Thomas

Prologue

IF SOMEONE HAD TOLD ME, THOSE MANY years ago, that I would spend the bulk of my life as assistant and eventual partner to one of the most eminent detectives in London, I would have thought him a raving lunatic. It was my intention from an early age to aspire to a quiet life of letters, an Oxford donship, if possible, with the occasional slim volume privately printed every couple of years. The last thing I expected was to live with permanently barked knuckles, bruises and contusions over most of my body, and the compulsion to scan every room I entered for the exits. Life doesn’t always turn out as we plan. Perhaps for some of us that is a good thing.

I find myself at a loss when trying to describe my employer, Cyrus Barker, to someone who has never met him. He is, in turns, wise and stubborn, thoughtful and oblivious, gentle and terrifyingly lethal. I have seen him agonize over the pruning of a Pen-jing tree and grapple a man to the ground, both in the same day. For all that, I can state without hesitation that he is one of the most noble men I have ever known. He is also the most exasperating fellow in the world to work for, but he is a detective, not a saint.

Barker took me in off the streets in March of 1884 in circumstances I will relate presently. He clothed me, fed me, and provided a roof over my head. More importantly, he taught me skills that were only his to teach. So, while at first I thought myself ill-used, and thoroughly unequal to the duties Barker had asked of me, eventually I found the work stimulating and rewarding, with some reservations. Actually, with several reservations, but some things cannot be helped.

I’m going to relate the first case that Barker and I worked on together, the one that changed my life completely and that began what I’ve come to think of as my second education, in the School of the World. It took me into the very bowels of London and introduced me to people and places I would never have met otherwise. It also very nearly killed me. If I could change any aspect of work as an enquiry agent, it would be the danger, but then, Barker warned me on that very first day, right there in the advertisement.

1

ASSISTANT to prominent enquiry agent. Typing and shorthand required. Some danger involved in performance of duties. Salary commensurate with ability. 7 Craig’s Court.

SO RAN THE ADVERTISEMENT IN THE Situations vacant column of The Times for the fourth day straight. On the first day, a Monday, I had arrived early, but not early enough. A long queue of hopeful clerks was already spilling out into Whitehall Street. So many applicants were ahead of me, and so eminently more suitable did some of them appear, that after a quarter hour’s turn I abandoned my place and went in search of more realistic prospects. The Tuesday advertisement was, I assumed, mere thoroughness on the part of the employer; at a shilling a line, he could afford to advertise for two days, though the position might be filled on the first. On Wednesday, I was intrigued, but my attention was drawn to a situation in Hammersmith for which I believed I might be better suited, one that didn’t offer some danger involved in performance of duties. But when the request appeared the fourth day, I exclaimed over the newspaper in the Reading Room of the British Museum and vowed to try my luck again. Like young Arthur standing before the Sword in the Stone, I assumed I couldn’t fail worse than anyone else.

I set down my pasteboard suitcase on the pavement at the end of the queue and looked at the line of applicants. They seemed identical to the gentlemen from the first day. I am sure that many of them were better qualified than I, but none was as desperate. The cheap suitcase at my feet contained all that I owned in the world, all that was left that could not be pawned. That morning, I had abandoned the garret I occupied, several days in arrears of my rent, with but threepence to my name, which I squandered on a tin cup full of chalky coffee and one of the thick slices of bread and butter they call doorsteps, at a stall in Covent Garden. This was to be my final day of hunting for a situation. If I was not gainfully employed by seven o’clock that evening, I planned to take one last look from atop Waterloo Bridge at the premier city in Christendom, then snuff this guttering candle with a long jump into the Thames. Truth be told, I almost wished for the release, for my shattered faith still clung to the belief that I might be reunited with my wife, dead now almost a year. It was a trade I would only too gladly make.

Although I did stand in line, pushing my suitcase forward every minute or two, my hopes were not sanguine. There is a look which comes into a prospective employer’s eye when he glances through your references and comes across the words Oxford Prison. It’s not a happy look, but an interesting one: first the eyes pop open with astonishment; then the brows knit together in a solid scowl; finally one brow raises sardonically, as if wondering how you have the brass to go on breathing after such a disaster. There may be further ocular calisthenics, but I was usually out the door by that time, one step ahead of the boot. At first I had agonized over these dismissals, but lately I’d just grown bored with them. One can only go through so much eye popping before it begins to pall.

There was a high brick wall beside us, and unlike the other applicants, I took the opportunity to shelter myself from the cold March wind. Somewhere on the other side, I heard a sound, the soft, rhythmic slap of rubber on brick. Someone was practicing tennis, or a child was playing ball. I thought it bitterly ironic that not five feet away someone was enjoying his life, while I was so close to forfeiting my own. I was beyond the stage of anger, however, and merely prodded my suitcase forward another few inches, with the toe of my boot. As I reached the steps of the building, I noticed a dustbin off to the side. I felt it was an omen and tossed the suitcase into it. What need had I now for a few threadbare collars and some moldy books of poetry?

Finally, I squeezed my thin frame through the door, into a kind of waiting room. Inside, the applicants were seated in a row, across from a bored-looking fellow behind a desk, his face buried in the Police Gazette. He took my name and asked me to be seated, as if the request were a complaint. I had never been in the offices of a prominent enquiry agent before, but the room looked much like several antechambers of bureaucrats and barristers that I had visited in the area, during my long search for work. When I entered I felt a tension in the room beyond the mere suspense of waiting for an interview.

This is a rum one, no mistake, an older applicant said to me in a low voice, as soon as I sat down in a newly vacated chair.

Rum? I asked. How so?

His nibs here announces each candidate, who goes in through that yellow door there. Then they come out madder than a wet hornet. Some come out right away, some in five minutes, some ten, but each one acts like he’s been horse-whipped. This fellow must be a regular tartar. It’s no wonder he can’t find someone to fill the post. If you can’t stomach the interview, however will you get on with the situation itself?

It was just as my neighbor had foretold. Each applicant went through the yellow door behind the desk with the fatalism of French noblemen going to the guillotine. Some were ejected immediately, indignant at being dismissed with a cursory glance. Others returned after a few minutes, with a scowl on their faces, and after a longer wait, one fellow stormed through the office amid a volley of curses and slammed the outer door, making us all jump. When it was my neighbor’s turn, he tipped me a sly wink and sauntered in. After a few minutes he returned, favored us all with a bow, placed his silk hat atop his head, and walked out with a droll smile on his face.

Llewelyn, the bored man behind the desk announced, consulting his list. It was my turn in the lion’s den. I wiped my hands on my trousers, swallowed, and walked through the door.

The chamber I entered was well furnished and dominated by a large desk and chair. Bookshelves lined most of the walls, but the heavy tomes shared the space with vases, statues, and objets d’art, most of them oriental in style. As I came in, the tall chair swiveled around to face me, and its occupant stood and pointed to a place on the Persian carpet in front of the desk. I moved to the spot and stood.

My prospective employer came from behind the desk, without bothering to offer his hand, and began to walk in a slow, clockwise circle around me, as one does when considering a horse. The light streaming in from the bow window behind me served to illuminate any patches, repairs, or weaknesses in my apparel and boots. He came about in front of me, having completed his circuit, and I was prepared for my immediate dismissal. Instead, still silent, he began a second revolution, counterclockwise this time. I had a different sensation now, as if we were two boxers in a prize ring. I would not have been surprised if he had shied a blow at my head.

You’re a black little fellow, he said at last, in a deep, raspy voice. Welsh, I take it?

It was true, but I took offense anyway. I am not tall (the fellow was a head taller than I), and I do have the black hair and swarthy skin of my once great race, the true Celts of Britain, but I didn’t care for the way he phrased it. I could see only too easily what had put so many of my competitors in a lather. I was desperate, however, and inured to hardship, and so I merely nodded.

He held out a hand, palm upward, and I gave him my entire history laid bare in print. I waited for the eye popping. Here it goes, I thought. I shall be out in the dustbin with my suitcase in ten seconds.

Thomas Llewelyn. Read at Magdalen College, Oxford, in Classics, and at Oxford Castle, picking oakum, the man rumbled. Or was that a chuckle?

He walked around behind the desk again and, turning his chair away from me, he sat. That was it. I was dismissed. At least his eyes hadn’t popped, or perhaps they had. I couldn’t see them. I gathered the papers, which he had tossed on the desk, thinking the Thames must be cold this time of year.

Describe me, Mr. Llewelyn. This came from the depths of the chair.

Sir?

I’m still speaking English, am I not? I haven’t switched to Mandarin or Javanese, have I? I said, ‘Describe me!’

I marshaled my thoughts. Yes, sir. You are about forty years of age, I believe, stand six foot two inches tall, and weigh about fifteen stone. You have a large mustache which extends down to your jawline and are wearing a pair of round, smoky spectacles with sidepieces. There is a scar dividing your right eyebrow. Your hair is black and combed to one side, the right side, I believe. Your face is pitted and seamed by what I assume was smallpox.

Boils. Do not theorize. Continue.

You are dressed in a dark gray morning coat, as I recall. Your trousers are striped in shades of gray, and your black pumps are highly polished. Oh, and your accent is Scottish, but it is not very thick. Lowland, perhaps.

I thought I had acquitted myself rather well, but the man turned his chair back to me without expression or remark. He reached into a desk drawer and slid a small notebook and pencil toward me.

"Take a letter, Mr. Llewelyn:

Cyrus Barker

7 Craig’s Court

Whitehall, London

13 March 1884

Mr. Wilhelm Koehler

The Albany

Dear Mr. Koehler:

Have received your letter of the eleventh. My client has met with me regarding the conditions therein. I have encouraged him to publish the document in your possession, which he has reconstructed with my aid, and it shall appear in this evening’s edition of the Standard. Any further attempts at blackmail shall be similarly declined. Should you feel it necessary to meet with my client in person, please be advised that he is now accompanied by Mr. James ‘Bully Boy’ Briggs, and that your face would no longer be your entrée into society’s drawing rooms after such an encounter.

Your humble servant,

Cyrus Barker, etc."

Mr. Barker reached down behind the desk, and came up with a small typewriting machine in his hands, and placed it on the blotter. It was a Hammond and just new. He pulled back his large leather chair and offered me a seat in front of the machine. Typing and shorthand required, indeed.

Paper? I asked, as I sat down on the edge of the chair.

First drawer left.

I put a piece of paper into the machine and began to type the letter he had dictated. I am not fast, but I am competent and careful. I made no mistakes. As I was typing his name at the bottom, Barker took an envelope from the drawer and placed it beside the machine. I pulled the freshly typed letter from the roller, returned the machine to its former place on the floor, and reached for the inkstand. He was testing my penmanship as well as getting some business done, not a bad trick with dozens of applicants. I set down the addresses in my best hand, then pulled open the middle drawer and retrieved a stamp, which, I admit it was luck, happened to be there. I licked the stamp and affixed it, then waited for my next instruction. Barker’s brows disappeared in a frown beneath the disks, then he opened another drawer and removed a small sponge, which sat in a shallow dish of water there. He sealed the envelope and placed it on the right-hand corner of the desk. I noted that it was exactly half an inch from the front edge and the same distance from the side. Coupled with his scrupulously neat appearance, his fastidiousness made me think that he would make someone a most exacting employer.

Again, Barker made no comment but turned and opened a door on the opposite side of the chamber from the entrance, beckoning for me to follow. We walked down a rather featureless corridor of yellow doors until we came to the end. Barker opened the last and led me into a small, bare outdoor courtyard, surrounded by brick walls and covered in ancient paving stones. The icy March wind toyed with the dead leaves in the corners of the little square. He directed me to a bare wall, while he himself walked in the opposite direction, to where an open wicker basket stood against the brick. As I neared the wall, I recognized it as the other side of the one I had sheltered against while waiting to get in. I ducked just in time, as the first ball struck the wall an inch from my head.

He hadn’t given me any instructions, but I assumed the object of Barker’s little game was not to be struck by the ball. The basket was full of them, small, black spheres of hard India rubber, and I was determined not only that would I not be struck, but also that none would get by me. Barker proved himself a wicked hurler. I had been a competent goaltender on the football team in my village in Wales, and I caught or batted away every ball that came in my direction. Barker went through the entire basket. As I slapped what I assumed was the last one back at him, I saw one more missile coming my way. I was reaching for it when I realized it was not a ball at all. By the telltale glint of silver, it was a knife heading straight for my breast. I barely dodged out of the way as it flew past and struck the wall with a loud smack. It, too, was made of India rubber, cunningly painted.

We stood and looked at each other. I was breathing heavily, creating clouds of vapor in the cold spring air. Barker did not appear to be taxed in any way by his exertions and stood immobile, contemplating me. For a moment, I thought of repeating the words of the angry applicant who had slammed the door, with a few choice ones of my own thrown in. I mastered myself, however, and said, I presume you shall inform me when the situation is filled. Good morning, sir. Then, with as much dignity as my five-foot-four-inch frame could muster, I bowed and marched from the courtyard.

I stalked through the empty corridor, past the blind doors, through Barker’s chambers, and into the waiting room. All the applicants stared at me apprehensively. I opened the outer door and was considering a hearty slam that would rattle the door frame, when I heard a voice over my shoulder. Barker’s voice.

The situation is filled. You gentlemen may go. Jenkins, mind the office until I return. With a nudge in the small of my back, he pushed me forward, out onto the step.

You look like you could do with some lunch, he said, conversationally.

I have the position? I asked, astounded.

Never any doubt. He leaned out over the balustrade and retrieved my case from the dustbin. Don’t forget your belongings. Come, we’ll take a hansom cab.

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WE DID INDEED TAKE A HANSOM CAB. IT was my first. It was awkward climbing the small steps and twisting around the leather doors, into the seats. It was even more so sharing such intimate quarters with a perfect stranger. Barker sat just inches away, facing forward, and did not speak once during the entire journey. He might have been a wax figure from Madame Tussaud’s for all his animation. We crossed Waterloo Bridge and rode for miles. Stamford Street was followed by Southwark; Saint Thomas turned into Druid Street. There were dozens of public houses and restaurants along the way, but we passed them all. Tower Bridge took us back across the Thames again, and then we were in the East End. The cab glided through a maze of shabby streets until I became hopelessly lost. Were we in Whitechapel? Stepney? Bethnal Green? Finally, the cab turned toward an alleyway so narrow that the horse shied, and the cab would have scraped axles on both sides. It was a villainous alley, with ancient stone arches overhead and litter at our feet, but Barker alighted and headed down it, as if it were his home. Perhaps it was. Maybe all his money went into the upkeep of his office, and he lived in some hovel alongside the sailors and asiatics of Limehouse. Barker came to an unmarked, peeling door at the end and opened it, ushering me in with the nod of his head.

It was black as pitch inside. I heard metallic scraping in the darkness, then a match sputtered into life. My new employer lit a naphtha lamp and held it high. We stood in a confined space, with concrete walls on both sides. Barker pointed down a flight of long steps into Stygian blackness. He was playing Virgil to my Dante. Abandon hope, all ye who enter here. Very well, I motioned, lead on.

I followed him down the dark stone steps, our footfalls echoing and multiplying until the sound filled my ears. There was a pressure in my ears as well, and I reasoned that we might be under the Thames. After a couple of dozen steps we found ourselves in a long stone corridor, just barely wide enough for two men to walk abreast. Twenty-five or thirty paces later we reached another staircase and began to ascend, not soon enough for me. The light winked out, there was a scraping of the lamp on concrete, and a door opened before my eyes.

We entered a long, low-ceilinged room full of people eating and talking. The room was dark and smoky, and full of a strange aroma. My stomach recognized food when it was close; it constricted to the size of a cricket ball. I won’t go into how little I had eaten over the past few weeks, or what I had lived upon, except to say that I was now in no way particular. Whatever they were serving, I would gladly eat.

A shadowy figure shuffled forward and led us to a table, lit by a flickering penny candle. I squinted and tried to see my neighbors, then wished I hadn’t. The first had a bristling beard and a disreputable hat on his head. The second looked like he’d arrived straight from the steppes of Mongolia, and the third was a stage version of an anarchist from a Russian play. I glanced at my employer. With the scar on his brow and his fierce mustache, he seemed as sinister as his fellows.

What are we— I began, but Barker raised a hand. A man stepped into the nimbus of light cast by our candle and looked intently at us. He was Chinese, but far from the normal everyday Chinaman one sees in the area. He was shaved bald on top, had a long rope of hair in a plait hanging down his chest, and his earlobes were an insignificant distance from his shoulders thanks to the heavy steel rings in them. He wore a splattered apron over an undershirt and trousers, and rope soled shoes. His arms were a riot of tattoos, and his stomach preceded him to the table. He reminded me of statues of Buddha I had seen in photographs or stereopticons, save that he wasn’t jolly or serene. This was a Buddha that would as soon have your liver out as look at you.

The man spoke to us in Chinese, and you can imagine my surprise when Barker replied in kind. My new employer rattled off Mandarin as if it were his native tongue. The Chinaman nodded once and left.

That was Ho, the owner, Barker said. I ordered for both of us, presuming you’ve never been in an Asian restaurant before. Don’t overeat; in your condition it will only make you ill. Understand also that one of the terms of your employment is that you do not gain back your former weight. I want you thin as a lath and wiry as a terrier. It is your best chance of survival.

My stomach was trying to tie itself into knots by now. The pain was so intense I could barely sit in the chair. In a few moments, an Asian waiter appeared and slapped down two bowls of a colorless broth, with all the grace of a Spitalfields barmaid. I waited for a spoon, but none was forthcoming. Barker raised the porcelain bowl to his mouth and strained the soup through his big mustache. I hazarded a sip. It was not bad, not bad at all, really. There were spices and vegetables and some sort of noodles at the bottom. Definitely edible, even without a spoon.

The bowl was whisked away, and a plate of small sweetbreads put in its place. Barker reached forward and speared a piece between two thin sticks of wood. Chopsticks. I’d seen them before in pictures of China.

So, how do you use these things? I asked. Barker showed me. It takes some knack. No one exactly stood and applauded my performance, but I managed to get a few pieces of fried pork in my mouth before the plate disappeared and the next arrived. It was a good thing, too, for I was just about to set my chopsticks down on my plate.

By the heavens, man! Barker cried, making me jump. Never set your chopsticks across your plate like that. It announces that you are finished with your meal. We’d have had to pack up and leave before the main course. It is a definite insult to the cook, and believe me, it is not wise to insult Mr. Ho.

Yes, sir!

The main course proved to be steamed duck in a white wine sauce. If the soup was subtle and the sweetbreads delicious, the duck cemented my opinion that the Chinaman was a genius in the kitchen.

Barker hoisted a watch at the end of a long chain from the well that was his pocket and consulted it. His hand went down, decisively, and placed his chopsticks across a corner of his plate. Then he removed a sealskin pouch from his coat pocket. I watched him with some interest. At this point, there was nothing I could discount that he would do. If he suddenly pulled a wavy sword from under the table, lit it afire from the penny candle, and swallowed it down to the hilt, I would probably just nod my head and say, That Barker, anything to put you off guard. As it was, he reached into the pouch and pulled out a pipe, one of those white meerschaums, with a stem made of amber. It was carved in his own image, from the bowler hat to the spectacles and mustache, and still further to an effigy of the pipe itself, stuck

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