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The Pool of Fire
The Pool of Fire
The Pool of Fire
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The Pool of Fire

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Will must defeat the Tripods once and for all in this third book of a classic alien trilogy ideal for fans of Rick Yancey’s The 5th Wave and Margaret Peterson Haddix’s Shadow Children series.

After being held captive in the City of Gold and Lead—the capital, where the creatures that control the mechanical, monstrous Tripods live—Will believes that he’s learned everything he needs to know to destroy them. He has discovered the source of their power, and with this new knowledge, Will and his friends plan to return to the City of Gold and Lead to take down the Masters once and for all.

Although Will and his friends have planned everything down to the minute, the Masters still have surprises in store. And with the Masters’ plan to destroy Earth completely, Will may have just started the war that will end it all.
LanguageEnglish
PublisherAladdin
Release dateSep 10, 2013
ISBN9781481409148
The Pool of Fire
Author

John Christopher

John Christopher was the pseudonym of Samuel Youd, who was born in Lancashire, England, in 1922. He was the author of more than fifty novels and novellas, as well as numerous short stories. His most famous books include The Death of Grass, the Tripods trilogy, The Lotus Caves, and The Guardians.

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Rating: 3.857142857142857 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    The third and final book of the original Tripods trilogy was something of a disappointment to me in a variety of ways. Again, this is a boy's adventure story from the late 60's and it was probably aimed at 10-12 year olds. I won't dwell on this too much but I thought it the weakest of the three novels. The story here is interesting and carries on right from the second book, "The City of Gold and Lead." The angle here is to capture one of the "Masters" to supposedly learn more about how they can be stopped. They are under a deadline however as in the second story it was revealed that a massive ship from the Master's homeworld would arrive in 4 years to begin the process of transforming the earth into a planet suitable for habitation by the Masters and that will result in death to all current life on earth.So what really bugged me by the end of the story was how the earth survivors basically living at a middle ages subsistence level mount a challenge within this time frame. Secondly, I was really bothered by the lack in all three books of women characters in any position in this story - I guess that reinforces the "Middle ages" setting, but I can only remember vaguely, briefly, a boy's mother in the first novel as well as a young maiden at a tournament who could have developed as a significant character but instead had a rather unpleasant fate laid out for her, and at the beginning of the third book there is a brief mention of a woman who mothered one of the boy heroes here back to health after nearly dying of pneumonia. Otherwise one would not even know a woman existed on the planet anymore and they certainly don't exist in the resistance movement. Thirdly, the social and political framework of the earth survivors by the end of the story was a bit strange. Perhaps there is an allegory here lost on an American reader of this British science fiction adventure.Overall this series was an enjoyable read but it strikes me as very dated.
  • Rating: 4 out of 5 stars
    4/5
    Remember all those Science-fiction B-movies of the 1950's or so, where atomic radiation resulted in giant grasshoppers, or big-brained humans, or giant blobs, or we were always being invaded by evil aliens from Mars, who needed women, or Alpha Centauri? Now imagine a book about a mutant high-school boy with oily blue skin and a convoluted brain case that kind of looks like hair? And he's not the only mutant around, but he is the son of the one blamed for the first alien betrayal and invasion of Earth. Here, mutants are treated probably about the same as blacks, geeks and weak kids with glasses were treated. J!m is smart and sardonic, feels isolated and alienated (literally), with a couple of close friends. His high school career is one torturous day after another of abuse and torment, until the day comes when his own submerged angst and the simmering suspicions of the government against the mutants and aliens among us come to a collision. The writing is sharp, funny, sarcastic, with a strong feel for the ambience of those long-ago movies. It takes a while to get a feel for the world Doyle has created (not exactly our world; a lot of history has changed). But after a while it all sinks in and feels right, and the book really gets moving. Not as crisp and successful as "I Love You, Beth Cooper!" But a fun read nevertheless.
  • Rating: 3 out of 5 stars
    3/5
    When revisiting a memorable book from childhood, it's interesting to go back and see what age it was recommended for. Scholastic says this series is for 6-8th grade, which seems a bit late. The 'great man' theory permeates this (absolutely fine, engaging) series, and I think it does a disservice to the reader's intelligence if they are really reading this in 8th grade (I mean, they are 13-14 years old at that point!). You have the normal issue with most book protagonists - everything important happens to them or near them or with their help, and layered on top of this is a coda where humanity goes back to it's warring ways because they couldn't trust one great man to lead them. I think this series is a fine introduction to science fiction for a young reader, with the understanding that it may reinforce weird beliefs about 'great men of history.'I give books in a series, with a few exceptions, the same review.
  • Rating: 4 out of 5 stars
    4/5
    I came back to this book recently, probably about 25 years after reading it the first time as a kid. I remembered being disappointed in the ending. However, the years in between have made me realize that that ending was the only one possible. Excellent book, and I'm glad to have come back to it.
  • Rating: 3 out of 5 stars
    3/5
    CONTAINS SPOILERSThe last book in John Christopher's Tripods trilogy and in my opinion the weakest. It suffers from two tendencies which I've found unfortunately aren't uncommon, and which I always find particularly annoying. Firstly, despite humans being in a pre-industrial state at the start of the trilogy, several hundred years of human technological progress are condensed into about six years, so that by the end they have electricity, radio, television, engines, airplanes and powerful explosives. And it's all been reinvented as far as I can see, as books have been destroyed by the tripods. And secondly, the means by which the tripods are attacked and defeated seem implausible in the extreme given that they were not able to be defeated by the weapons of the twentieth century.Will, Henry, Beanpole and Fritz continue their efforts to defeat the tripod menace. Despite Will and Fritz's escape from the city of the tripods, the resistance still have insufficient information to mount a meaningful attack, so a living 'master' must be captured alive to provide more information. This leads once more to a desperate undercover operation in the city of the tripods itself in an attempt to destroy them once and for all. And as the resistance attempts to take the struggle to the two other tripod cities as well, dissension grows within its own ranks..
  • Rating: 4 out of 5 stars
    4/5
    While there is a satisfying resolution to the struggle, this novel isn't as adventurous as the previous two, and it ends a bit pessimistically (though definitely realistically). Also, given the results of various countries in modern history who have come out from under the oppression of totalitarianism, Mr. Christopher's scant treatment of how people deal with their new found freedom feels like a lack. Overall, though, the series is a great exploration of the value of freedom.
  • Rating: 4 out of 5 stars
    4/5
    The third book in the tripod series, I was having a hard time remembering how it all ended, I really enjoyed re-reading this. Stirling and I just finished the TV series that only has the first two books represented which I really enjoyed as well. I guess they lost funding as that is as far as they got. While re-reading this book I had forgotten how few girls/women are in the books, this is really clear as the TV series uses women quite a lot as characters, unlike the books which were clearly written for boys. These books which I read to my boys when they were little are excellent books to lead to discussions and also encourages them to read more SciFi. 8 - 2010
  • Rating: 3 out of 5 stars
    3/5
    The Pool of Fire is the final book in a science fiction trilogy where a group work to free a people from a society where everything is controlled and freedom is complety removed. By the end of this book, the team is successful. However, the cost for freeing everyone from the Master is great. Henry, one of their own, must die.Science fiction readers will find the storyline interesting, although some of the upper level readers may find the story line drags a little.This entire collection of books lends itself to an indepth class discussion, possibly even a debate over freedom. Students can discuss the importance of freedom, if there are some costs that are too great to pay for freedom, and if all freedoms should be equally protected.
  • Rating: 2 out of 5 stars
    2/5
    John Christopher's final entry in the core tripods trilogy stands out as an excellent example of the series' flaws. This is a scattershot tale of military missions, of man's drawn-out and plodding victory over the ruthless aliens who have ruled over the Earth for more than a century. Each mission is dryly recalled and poorly developed; the action does not build in any particular way, and because we've already encountered each of the settings in this third book before, even Christopher's usually lush descriptions of scenery are absent. The human characters, again, are flat--and as in the second book, one of the most sympathetic personalities is that of an alien villain. Meanwhile, the men here--and there are only men; not a single female character has been present since the first novel--are terrifically bland, occasionally violent, and overall unsavory. We are meant to sympathize with them wholly because they are human and seek freedom, but it's largely unconvincing, particularly when the most sympathetic human character (nerdy scientist Beanpole, whose presence is refreshing in the cast of militaristic characters) starts to reiterate arguments against humanity's freedom which were raised earlier by one of the alien overlords.But most disappointing of all is the novel's ending; the men win a very clean victory, totally exterminating the Masters. Deeper, more satisfying possibilities--learning to live in harmony with the aliens, some of whom have shown themselves to be moderate in the attitudes towards humans--are rendered totally impossible. Instead, we're left with a bunch of violent men squabbling amongst themselves for leadership. For me, this felt like a very shallow victory.Oh, and at one point, our hero refers to Asians as "little yellow men." Maybe this sort of dialog is meant to help emphasize how the series hearkens back to nineteenth century boys' adventure stories, but to me it really only underscored how horribly backwards all of the human characters seemed to be.
  • Rating: 4 out of 5 stars
    4/5
    This is the final book in the Tripods trilogy by John Christopher. It does a great job of wrapping up the story and explaining how the free men take on the Tripods in their golden cities.In this book the rebel faction of free humans works to recruit others to their cause; they also spend time learning some of the technologies of the ancient people. A plan is put together to infiltrate the Tripod cities and destroys the Masters.Fast paced and intriguing, this book is a great conclusion to the series. Will still struggles with his brashness and lack of foresight; Beanpole is as clever as ever. A quick read and a great series conclusion; this book really stands the test of time.
  • Rating: 2 out of 5 stars
    2/5
    A rather disappointing finale to the Tripods trilogy. The story had to be stretched beyond the limits of suspension of disbelief, with a number of particularly glaring flaws.

Book preview

The Pool of Fire - John Christopher

Preface to the Anniversary Edition

What is the greatest gift any human being can possess?

It is not intelligence, strength, health, courage, good looks. These are all good to have, but without something else, something much deeper and more important, they are worthless.

Think of Helen Keller. Blind and deaf from infancy, she was trapped in a terrifying and hopeless isolation until someone found her, cared for her, and taught her how to communicate. She learned to speak, to read and write, and did all three things with great skill. She was eighty-eight when she died, after a life largely spent working to help others who were blind and deaf. Indeed we are all born into isolation and need others—usually our parents, fundamentally our mothers—to teach us that skill without which every other human gift is pointless: the skill of communication.

Now think about Will, and his Master in the City of Gold and Lead. The Masters, Will learns, lead much more separate lives than humans. In their world, for instance, there is no such thing as marriage, or children. They perpetuate their species through parthenogenesis, a kind of budding. To Will’s Master the notion of such a thing as friendship is bizarre, and consequently, fascinating. In fact, he’s so intrigued by it that he makes an attempt to establish such a relationship with Will. But friendship requires equality between the friends, and that’s beyond him. Instead, he treats Will as a kind of pet.

But this defect (as we would see it) in the Masters has a positive side. Human beings communicate, but when their communication fails or is inadequate, they get angry with one another. The world which the Masters found and conquered was one that was perpetually at war. This was something else they found baffling. They could never destroy themselves through warfare, as we have sometimes seemed to threaten to do.

Will thinks about this:

I had wondered at one time why the Masters had taken the trouble to learn our languages rather than make the slaves learn theirs. . . . My Master spoke German to me, but to other slaves from other lands he could speak in their language. It was a thing which amused him: the division of men into different races who could not understand each other. The Masters had always been part of one race, it seemed, solitary in themselves but yet part of a unity which men, even before they came, had shown small signs of achieving.

The world into which Will is born, and in which he grows up, is not at first sight an unhappy one. Life goes on in tune with the changing seasons, peacefully and harmoniously. The Capped adults who surround him—his parents, their friends, even his cousin and best friend Jack—live lives which seem good to them. They are content with their loss of liberty because they do not understand what they have lost. Even the occasional sight of a Tripod stalking the horizon does not trouble them, because their minds have been conditioned to see the Tripods not as enslaving monsters, but as kind and protective gods.

Will himself is swayed by this vision during his stay at the Château de la Tour Rouge. Even after he discovers that the beautiful Eloise has been Capped—is fundamentally committed to the Tripods—he is tempted by the prospects that Eloise’s mother, the Comtesse, sets before him. She tells him: You are not noble, but nobility can be granted. It lies in the gift of the King, and the King is my cousin. Will’s head spins with thoughts of what seems to lie ahead. I could have servants of my own, and horses, and armor made for me so that I could ride in the tournaments, and a place in the family of the Comte de la Tour Rouge. . . .

So when Henry and Beanpole are ready to move on, to continue their journey to the White Mountains where people are still free, Will holds back. Would it be so terrible to be Capped, if it meant enjoying such a good life, with the promise of marriage to Eloise to make it perfect? He tells his friends he will follow them later, but they do not believe him, and in his heart he doesn’t believe it himself. Only after Eloise is crowned Queen of the Games and tells him—gladly—that, as a result, she is to go to the City of the Tripods to serve them, is he shocked into realizing what he was on the point of doing, and into renewing his determination to fight for freedom.

But if humanity does succeed, against overwhelming odds, in winning the struggle—in defeating the Tripods and regaining freedom—what follows?

The wonderful capacity we have of relating to one another, however doubtfully and uncertainly, is also the root of our enmities. Love and hate are opposite sides of a coin, which has been endlessly tossed throughout human history without producing any final result. So there are two challenges which Will and his friends have to face. The most urgent one is to throw off the tyranny of the Masters—to regain freedom for mankind. But even if they achieve that, they are left with the problems that were there before the Tripods came: the problems of disunity and the horrors of war.

The second challenge is even bigger than the first, and more daunting. Can we be free, and still live together in peace? At the end of their adventures, it is understandable that Will and his companions should take an optimistic view.

We must all wish them well.

One

A Plan of Action

Everywhere there was the sound of water. In places it was no more than a faint whisper, heard only because of the great stillness all around; in others, an eerie distant rumbling, like the voice of a giant talking to himself in the bowels of the earth. But there were places also where its rushing was clear and loud, and the actual torrent was visible by the light of oil lamps, flinging itself down dark rocky water-courses or spilling in a fall over a sheer edge of stone. And places where the water lay calm in long black reaches, its sound muted to a monotonous drip . . . drip . . . drip . . . which had continued for centuries and would continue for as many more.

I was relieved from guard to go to the conference, and so went through the dimly lit tunnels late and alone. The work of nature here mingled with the work of man. The earth’s convulsions, and the action of long-dead rivers, had hollowed out these caverns and channels in the limestone hills, but there were marks of the ancients, too. Men had been here in the past, smoothing uneven floors, widening narrow gaps, sinking handrails into an artificial stone to aid and guide the traveler. There were also long ropelike cables, which had once carried the power called electricity to light bulbs of glass along the way. Our wise men, Beanpole had told me, had learned the means of doing this again, but needed resources that were not available to them here—nor would be, perhaps, while men were forced to skulk like rats in the dark corners of a world governed by the Tripods, those huge metal monsters who strode on three giant legs across the face of the earth.

I have told already how I left my native village, at the urging of a strange man who called himself Ozymandias. This happened during the summer which was to have been my last before I was presented for the Capping ceremony. In that, boys and girls in their fourteenth year were taken up into one of the Tripods and returned later wearing Caps—a metal mesh that fitted close to the skull and made the wearer utterly obedient to our alien rulers. There were always a few whose minds broke under the strain of Capping, and these became Vagrants, men who could not think properly and who wandered aimlessly from place to place. Ozymandias had posed as one of them. In fact, his mission was to recruit people who would fight against the Tripods.

So I went, with my cousin Henry who also lived in my village, and later with Beanpole, a long journey to the south. (His real name was Jean-Paul, but we nicknamed him Beanpole because he was so tall and thin.) We arrived at last at the White Mountains, where we found the colony of free men Ozymandias had spoken of. From there, the following year, three of us were sent as a spearhead to penetrate into the City from which the Tripods came and learn what we could of them. Not quite the same three, however. Henry was left behind, and in his place we had Fritz, a native of the land of the Germans in which the City stood. He and I had got into the City, served as slaves of the Masters—monstrous three-legged, three-eyed reptilian creatures who came from a distant star—and learned something of their nature and their plans. But only I had escaped, plunging through the drain of the City into a river, and from there being rescued by Beanpole. We had waited, hoping Fritz might do the same, until, with snow falling and winter coming on, we had been forced to return, heavy-hearted, to the White Mountains.

We had reached them to find that the colony had moved. This had been the result of a prudent decision by Julius, our leader. He had foreseen the possibility of our being unmasked by the enemy, and of our minds being ransacked once we were helpless in their grasp. So, without telling us of it, the plan had been formed to evacuate the Tunnel in the White Mountains, leaving only a few scouts to await our hoped-for return. The scouts had discovered Beanpole and myself, as we stared miserably around the deserted fortress, and had led us to the new headquarters.

This lay a long way to the east, in hilly rather than mountainous country. It was a land of narrow valleys, flanked by barren, mostly pine-wooded hills. The Capped kept to the valley floors, we to the ridges. We lived in a series of caves that ran, tortuously, for miles through the heights. Fortunately there were several entrances. We had guards on them all, and a plan for evacuation in case of attack. But so far all had been quiet. We raided the Capped for food, but were careful to have our raiding parties travel a long way from home before they pounced.

Now Julius had called a conference and I, as the only person who had seen the inside of the City—seen a Master face to face—was summoned from guard duty to attend it.

•  •  •

In the cave where the conference was held, the roof arched up into a darkness that our weak lamps could not penetrate: we sat beneath a cone of night in which no star would ever shine. Lamps flickered from the walls, and there were more on the table, behind which Julius sat with his advisers on roughly carved wooden stools. He rose to greet me as I approached, although any physical action caused him discomfort, if not pain. He had been crippled in a fall as a child, and was an old man now, white-haired, but red-cheeked from the long years he had spent in the thin bright air of the White Mountains.

Come and sit by me, Will, he said. We are just starting. It was a month since Beanpole and I had come here. At the outset I had told all I knew to Julius and others of the Council and handed over the things—samples of the Masters’ poisonous green air, and water from the City—which I had managed to bring with me. I had expected some kind of swift action, though I did not know what. Swift, I thought, it had to be. One thing I had been able to tell them was that a great ship was on its way, across space, from the home world of the Masters, carrying machines that would turn our earth’s atmosphere into air which they could breathe naturally, so that they would not have to stay inside the protective domes of the Cities. Men, and all other creatures native to the planet, would perish as the choking green fog thickened. In four years, my own Master had said, it would arrive, and the machines would be set up. There was so little time.

Julius might have been speaking to me, answering my doubts. He said, "Many of you are impatient, I know. It is right that you should be. We all know how tremendous a task we face, and its urgency. There can be no excuse for action unnecessarily delayed, time wasted. Every day, hour, minute counts.

"But something else counts as much or more; and that is forethought. It is because events press so hard on us that we must think and think again before we act. We cannot afford many false moves—perhaps we cannot afford any. Therefore your Council has deliberated long and anxiously before coming to you with its plans. I will give you them in broad detail now, but each one of you has an individual part to play, and that will be told you later."

He stopped, and I saw that someone in the semicircle in front of the table had risen to his feet. Julius said, Do you wish to speak, Pierre? There will be opportunity later, you know.

Pierre had been on the Council when we first came to the White Mountains. He was a dark, difficult man. Few men opposed Julius, but he had done so. He had, I had learned, been against the expedition to the City of Gold and Lead, and against the decision to move from the White Mountains. In the end, he had left the Council, or been expelled from it; it was difficult to be sure which. He came from the south of France, from the mountains which border on Spanish land. He said, What I have to say, Julius, is better said first than last.

Julius nodded. Say it, then.

"You talk of the Council coming to us with its plans. You talk of parts to play, of men being told what they must do. I would remind you, Julius; it is not Capped men you are talking to, but free. You should rather come to us asking than ordering. It is not only you and your Councillors who can plan how

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