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The Dark Wife
The Dark Wife
The Dark Wife
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The Dark Wife

Rating: 3.5 out of 5 stars

3.5/5

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Three thousand years ago, a god told a lie. Now, only a goddess can tell the truth.

Persephone has everything a daughter of Zeus could want--except for freedom. She lives on the green earth with her mother, Demeter, growing up beneath the ever-watchful eyes of the gods and goddesses on Mount Olympus. But when Persephone meets the enigmatic Hades, she experiences something new: choice.

Zeus calls Hades "lord" of the dead as a joke. In truth, Hades is the goddess of the underworld, and no friend of Zeus. She offers Persephone sanctuary in her land of the dead, so the young goddess may escape her Olympian destiny.

But Persephone finds more than freedom in the underworld. She finds love, and herself.

The Dark Wife is a YA novel, a lesbian revisionist retelling of the Persephone and Hades myth. It won the 2012 Golden Crown Literary Award for Speculative Fiction.

LanguageEnglish
Release dateMay 12, 2011
ISBN9781458009036
The Dark Wife
Author

S.E. Diemer

S.E. Diemer is an author and storyteller. She writes stories about courageous young ladies who love other ladies, makes jewelry out of words and wire and loves her wife more than anything in the universe.

Read more from S.E. Diemer

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Rating: 3.6991870178861785 out of 5 stars
3.5/5

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  • Rating: 2 out of 5 stars
    2/5
    while the concept was amazing, pretty much everything else sucked. the writing was pretty juvenile, the characters were as complex as the average fanfiction OC, and i felt that Diemer kinda ruined some of the gods, notably Demeter. really disappointing, since i was really looking forward to this book.
  • Rating: 4 out of 5 stars
    4/5
    Veronica speaks as Persephone as she tells the story before all has happened, and as it happened. Veronica does cracking voices full of emotion when the book notes it. She feels to speak with such love and emotion that draws my heart into the story. A stunning vocal performance from Veronica as she relates all the emotions through her voice, and draws me into them.The story is told from Persephone's view, after it's all happened. We learn this in the beginning of the story.Sarah's writing feels as though it's poetic with emotions strong in her words. The cadence of the telling, along with Veronica's vocals, felt to fit the old sway of words with the Greek gods and goddesses. The details and emotions invested into this story feel to be strong. There is such love written here. And in the voice! Veronica relates the strength of all the emotions present.Persephone grows fonder and fonder of Hades. In their small connections it seems that Hades is healing, along with Persephone in heart and mind. They have both suffered some loses or torment from others that starts to heal with each other's presence.We get a feel of the flip of good and evil where we would think to see it. Zeus and Hades, evil and good. Which is the one that has more compassion for people and souls? We see things from a different angle that opens possible thoughts of it all.This story is told as Hades as a female, as is Persephone. They fall in love and it's beautiful. This book is all emotion. I didn't get a feel of strong prejudice from everyone present. It's natural to love and it doesn't matter who that love is directed to. Love is an amazing emotion and all should feel it. Though, there is one that's not thrilled with it as it's not him receiving the love as he feels he should. He is also one that seems to look down on a relationship between two woman, but that is only briefly mentioned. The story is mainly a gorgeous telling of Persephone finding her way in the world and finding love.The story is very drawing with the words and Veronica's voice. But the one scene that touched my heart the deepest was when the dead villagers met others. You'll know the moment and who the others are when it happens. Beautiful.If you thrive on lush descriptions of all around you and feelings, this is a great read for you.
  • Rating: 5 out of 5 stars
    5/5
    The traditional myth of Hades and Persephone is a story, this is a story. I think that I prefer this one, and since they're both simply stories, yep, I think I'm going to pick this one as my Hades & Persephone myth.As I said, it's the story of Hades and Persephone, except, it's not quite the story that we learned in the section on myths. For one thing, Hades isn't a god, but a goddess. And this Hades isn't who the world has learned about either.We don't start the story with Hades though, but with Persephone. It starts much as the myth does, although there is much more anger that Persephone has for Zeus. And then she meets Hades, more than once. It may not be quite love at first sight, but it's definitely interest at first sight.From there Zeus summons Persephone and not for good reasons, and so she escapes to the Underworld. From there it's one of the most interesting love stories I've ever read. And even though I knew how it probably had to end (like the more generally known Hades/Persephone myth does), I liked how Diemer ended it. Using the original myth with a twist of her own as well.I had only a little niggling problem with the Athena/Pallas story, I wish that we'd had a tiny bit more on that story, it sorta felt unfinished. But, overall, reading the novel really did sorta feel like a spell was being woven around me. It was awesome.
  • Rating: 2 out of 5 stars
    2/5
    This myth is one of my favourites, so I was really excited to read this book. And the idea is a good one, having Hades be a woman and giving the story a break from the heteronormative tale we all know.

    So why 2 stars? Well, first of all, I need to point out that it's not badly written, the prose is easy to read and, at times, even quite pretty.
    But the characters have no depth... I felt absolutely nothing reading about their struggles, it was all very simplistic.
  • Rating: 3 out of 5 stars
    3/5
    Pretty squarely mediocre, with a few more points for subject matter.
  • Rating: 4 out of 5 stars
    4/5
    I wish this book were 500 pages long. I love the setting, the writing, the characters, the conflict-- everything was just pushed too closely together and I would have loved to see this more drawn out. Hades is SUCH an interesting and well-developed character, both personality-wise and in her appearance and mannerisms. But in contrast, Persephone just felt very... childish? I can't locate the exact word to use to describe her, but she was very quick to upset and her naivety was often irritating. Although the palace in the underworld was easy to picture, I think the world building overall could use some expansion. Also in need of some expansion was the plot and the conflict; most of this book had very low stakes, and it was a lot of sitting around and waiting for Zeus. If some action and problem-solving scenes between the characters was inserted, it would also probably make this feel slightly less insta-lovey, because although I loved the dynamic between Persephone and Hades, their declaration of feelings for each other really only seems to derive from aesthetic attraction without any substantial interaction between the two.

    Although that's quite a hefty list of things I would improve about this book, I really did enjoy the reading experience. This book has some of the best writing I've picked up in a while, and I highlighted so many swoon-worthy lines. It makes me sad that this book seems to be one-of-a-kind, because I would love to read more f/f mythology retellings in the future.
  • Rating: 5 out of 5 stars
    5/5
    This is a novel I come back to time and time again. The characters are wonderful, the setting awesome, there is nothing not to like about this novel.
  • Rating: 5 out of 5 stars
    5/5
    This was absolutely amazing - I am going to get a physical copy as soon as I can. Just...wow.
  • Rating: 5 out of 5 stars
    5/5
    Loved it. I am no YA, but I love re-tellings of storries, with lesbians. I had a great time reading it, nicely woven, engaging, reflecting on patriarchal religions. Overall time well spent, definitely will read more from this author.
  • Rating: 4 out of 5 stars
    4/5
    This was seriously awesome. A great retelling of the Hades and Persephone story. I read this in one sitting. I couldn't put it down. I wish the way Zeus was handled was longer, it felt sort of easy. Other than that, it was a great read and I'd definitely recommend. I'll be reading more of Sarah's work if its as great as this.
  • Rating: 5 out of 5 stars
    5/5
    I'm moving this one to presently reading as a sneak peak of the Prologue and the First Chapter came out earlier this week as a wonderful, amazing gift from herself. I'm so intrigued and curious to see where this goes. All the girls, and different characters, how people interact, and the gorgeous, silky flow of the words.

    And how soon it will be when I will have the whole of it in my hands to devour whole!


    ----

    Finished it and I love it so, so, so, much. My favorite quote is "I'm not afraid of being afraid" between Persephone and Hermes, which remind me so much of September and Ly's conversation in The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making ("Be careful with me, I'm fragile," Ly Said, and September, Replied, "It's alrught. I'm not.")

    I devoured this book so quickly once it was finally in my hands. I smiled at how simple and right it felt all the choice Persephone made that changed everything, and cried at her scene/choice in the Elysian Fields. I can't wait to see everything else Sarah writes.

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The Dark Wife - S.E. Diemer

The Dark Wife

by S.E. Diemer

Book Description:

Three thousand years ago, a god told a lie. Now, only a goddess can tell the truth.

Persephone has everything a daughter of Zeus could want--except for freedom. She lives on the green earth with her mother, Demeter, growing up beneath the ever-watchful eyes of the gods and goddesses on Mount Olympus. But when Persephone meets the enigmatic Hades, she experiences something new: choice.

Zeus calls Hades lord of the dead as a joke. In truth, Hades is the goddess of the underworld, and no friend of Zeus. She offers Persephone sanctuary in her land of the dead, so the young goddess may escape her Olympian destiny.

But Persephone finds more than freedom in the underworld. She finds love, and herself.

Copyright 2011 by S.E. Diemer

All rights reserved

Edited by Jennifer Diemer

Cover art by Laura Diemer

Smashwords Edition

Smashwords License Statement

This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each reader. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author.

For Jenn--always.

BEFORE

I am not my mother’s daughter.

I have forfeited my inheritance, my birthright. I do not possess the privilege of truth. The stories told by fires, the myth of my kidnap and my rape, are all that remain of me. Forever I will be known as the girl who was stolen away to be the wife of Hades, lord of all the dead. And none of it is true, or is so fragmented that the truth is nothing more than a shadow, malformed. The stories are wrong. I am not who they say I am.

I am Persephone, and my story must begin with the truth. Here it is, or as close as I can tell it.

*

O, Demeter, they crooned, tossing flowers at her statue in the temples and sacred groves, anointing her beloved forehead with honey and milk, stretching at her marble feet in the throes of worshipful bliss.

In the Greece of long ago, gods rose and fell in prominence according to the whims of the people. Hestia was beloved, and then Hermes, and then Ares, and then the next god or goddess in a long history of mortal fickleness. One never remained at the peak of popularity for long, but my mother didn’t worry. She was adored. To be fair, she loved the people as much as they loved her.

She loved me most of all.

You will be queen of all the gods, she would whisper in my ear as we rested beneath her fragrant green bower. We listened to the hum of mortal prayers spoken through flowers blossoming upon the vines. She would simply clap her hands, and together we laughed as the wheat ripened and the grapes sprung forth along the long, low lines of arbor. Everything my mother touched turned golden, came to life, and I was in awe of her.

You will be queen, she said, over and over, and I almost believed it, but I did not want it. Each time she spoke the words, my heart panged, and I changed the subject, showed her a hive of particularly fat bees, or the lining of a gull’s nest, made perfect by its silver feathers. Her face closed up, and she made me say it, too, that I would be queen of all the gods, far surpassing my competitors in beauty and influence and charm. I was a new evolution, part of a generation of young gods and goddesses created not from foam or other mysterious means but through the power of their immortal mothers. Hera’s daughter was Hebe, Aphrodite’s daughter was Harmonia, and Demeter’s daughter was Persephone. Persephone. Me. We repeated the litany while she combed and oiled my hair: it was in my stars that I would be greater than all of the others. And then, of course, Demeter would be greater, too.

I dreaded this with all of my heart.

I didn’t want to be greater than the other goddesses—I mostly wanted to be left alone. I was a quiet child. I wandered the woods with my mother’s nymphs. I could play with the pups of wolves or the cubs of tigers, could climb the tallest trees, could eat any poisonous fruit I touched, and nothing would ever harm me. In this, in the beginning, I was my mother’s daughter, and the earth cradled me as its own child.

I grew slowly, wild and tall, my reflection in the riverbanks that of a beautiful, sun-kissed creature. I was, after all, the offspring of Demeter, a goddess, perfection in flesh. I lived in the untamed green, lying for hours in sunbeams or cavorting with rabbits in meadows. These were my pastoral days, when I was free and not yet a woman. My life was simple and idyllic, though astonishingly empty, before.

Even now, sometimes, I dream of her.

Her name was Charis, and she was one of the nymphs in my mother’s wood. For the most part, the nymphs were gentle creatures; they frequented the festivals of Pan, sought out other earthy creatures for pleasure. They were always happy in my mother’s perfect gardens and among the trees, what was known, then, as the Immortals Forest.

Charis was not like them. She was a nymph, yes, but she carried the deep regret more common to mortals. She fascinated me, endlessly. Why are you so sad? I asked her, over and over, but Charis said nothing, wove flowers into my long, tangled mane. Her fingers were gentle, her eyes filled with tears.

She never spoke to anyone.

It was close to the anniversary of my birth. Most gods did not count their years—what would be the point in counting forever?—but my mother had jealously kept track of mine. Soon, it would be time for my introduction to Olympus, time for me to meet all of the gods, particularly the goddesses I had always been measured against. I had never been outside of the forest, my home, and the thought of leaving that beloved sanctuary woke within me a deep anxiety.

But I tried not to think about it. I made flower crowns, and the sun rose and set, marking off another day nearer the dreaded beginning of my future. Moments flitted by too fast, now that they were more precious, and it was three months away, my trip to Olympus, when everything changed.

The nymphs strummed their lyres at the edges of mirror pools, chatting on heroes and Olympus gossip. I sat at the edge of the water and their world, watching the clouds float over us all. Charis was beside me, and we shared no words; her presence was company enough. The day was new and warm—the days were always warm—and the air smelled of sprouts and ripe peaches.

Charis took me by the hand and led me to a tree.

I did not know what love was. I had heard the songs, had watched the nymphs grow besotted with satyrs and foolish mortals (foolish enough to tempt the gods’ anger by venturing into the Immortals Forest), and I had witnessed heartbreak when lovers lost interest or, worse, were turned into trees or constellations because they had provoked the wrath of some god or other. If that was love, I wanted no part of it. It seemed so fickle, destructive, pointless.

That was before she kissed me, of course.

I am afraid, I told her. We were sky-gazing together, seated in the arms of the broad oak. I was curled next to the trunk, and she was farther out along the lowest branch, close enough that I felt her warmth, smelled her green, mossy scent. My stomach was fluttering, though I didn’t understand why—nerves, perhaps. Dread over the journey to Olympus. The days were blurring by, and I felt that I was about to lose all I had ever known.

Afraid? she asked me, uttering the first word I had heard her speak. My eyes grew wide as she leaned closer, shaking her head, the ever-present tears beneath her lashes unshed. You should not fear, Demeter’s daughter. You have nothing to be afraid of.

Charis, I whispered. Your voice… It was the sound of rocks grating against one another, rough, deep, a bear’s growl.

I have been cursed for my past indiscretions, she smiled at me sadly. I thought that, if you heard my voice, you would find a better companion.

We stared at one another for a long moment, feeling raging through me—pain that she had hidden her secret from me for so long, untrusting, assuming that I would, that I could, throw her away. I didn’t know how to respond, but I forced out a whisper: You’re not a plaything to discard. I would never do that to you.

Others have. And her tears began to fall. They streaked down her face, silver lines like the tails of comets. I touched her, just as we had done a hundred, a thousand times before: a finger to the cheek, a comfortable, comforting thing. She sat still, eyes closed, and permitted me to wipe away her tears, and when I was done, as simple and smooth as a prayer, she wrapped her arms about my waist, pulled me near her, so that she could kiss me.

I had seen nymphs do this amongst themselves, and I had caught a hero and one of the tree girls trysting in the briar hedge. I knew what a kiss was, but not what it was for.

Now, there was softness against my lips. In my nose, her scent of wild green things, leaves and grass. And as she drew me closer, pressed me hard against her chest, I felt a fire catch within me. It was so hot, this new heartbeat that burned through my body, my skin, coursed down to my fingers and toes and back up again, and she tasted warm and good. I was drinking her in, and she kissed me deeper, and there was so much emotion in me, in every part of me, a pure, unbridled and impassioned joy.

This, then—this was love. I finally understood.

We met, that night, beneath the brilliant silver moon, Artemis’s crescent hanging low in the eastern sky. We, too, found ourselves at the briar hedge, and there the moonlight patterned the lines and curves of her body.

You are so beautiful, she said, moving her fingers over my skin until it prickled, then ached. She moved the linen away from my legs, my hips, as we lay down side-by-side and murmured together. In her arms, I felt things I had never felt, and she touched those places I had not yet understood. Perhaps I was naive, nearly a woman before I came to know all I could know about myself, about the solace to be found in another’s embrace—but I don’t regret it. That night, beneath the stars, beneath her, I knew love. It all came down to this: this moment, this touch, this kiss. It was easy and perfect, and I would never forget it in all of my immortality. I loved Charis in that hedge, under that moon, with all that I was.

We’ll leave, I told her later, when we lay twined together like grapevine. She nuzzled my cheek with her nose and kissed me softly, and I felt like I knew everything, that I could run away from my vile destiny and be happy: truly, forever happy. We’ll leave before my mother takes me to Olympus, I whispered, and she agreed, and that was that. The plan was made, and my heart sang. We would, both of us, be free.

Each day, we came together, beat new paths through the forest together, and each night I left my mother’s bower to be with Charis beneath the stars. The days passed as we formed our plans. One month before Olympus, on the night of the full moon, we would leave in a little coracle of the nymphs’ making. We would slip down the river and out of my mother’s blessed garden, and we would find our way to the caverns in the northern mountains. Together, there, we would live and love.

In those lazy, golden afternoons, with Charis’s black mane pillowed in my lap, listening to her heartbeat, winding my fingers with her own, the arrangement seemed flawless—perfect, like her skin and her scent and her laugh. I did not worry over the small detail that every place on this earth belonged to my mother, that there was, in reality, no place we could hide where Demeter would not find us and steal me back. I did not think about food—gods do not need to eat, but nymphs must—or shelter. Charis and I believed that the world would provide for us, as it always had, here in the Immortals Forest—here, where I was a goddess, and all creatures and green life must curtsy to me. I did not believe I would ever know anything less than that sweet privilege I had been born into.

The last morning was like any other. I rose and greeted the sun, sat impatiently while my mother combed out my curls and made me recite her favorite words: I will be the greatest of all the gods, greater than Hebe and Harmonia. I will be the queen of Olympus. I muttered half-heartedly as she braided vines in my hair, spread my skin with nectar and flower oils. I sidestepped her embraces, pecked her cheek and walked out into the woods to find my beloved.

Everything was golden. It always was. The birds sang, and the animals lay, cooled by the springs and pools, as nymphs trilled songs of everlasting love and fed each other grapes from purpled fingers. Have you seen Charis? I asked them as I passed, and they said they had not, so I ran, deeper into the woods.

It was not like Charis to be absent from our favorite meeting place, the arms of that old oak where all of this, where we, had begun. But she was not there. She was not at the mirror pool. She was not further down the stream, and she was not in the willow grove, another of our favorite haunts. My heart thundered in my chest as I made ever-widening circles around the Immortals Forest, calling out her name. I stood in the center of a meadow, hands balled into fists, fear—for the first time—lodging itself deep in my belly, unfamiliar butterflies twisting and turning and beating against my bones. Charis was nowhere to be found.

I was trudging back to my mother’s bower, heart pained, when I heard it. If I had not been on edge, my every breath an ache, I never would have heard so small, so soft a sound. I stood very still and listened harder—there it was again. A whimper. It was close, and though my heart skipped, I stood and listened until I heard it, placed it. There, there… It was there.

I had not yet looked for Charis amongst the briars, and the sound was coming from beyond the hedge. I slipped closer and peered through thorns and red flowers, expecting to spy a nymph and a satyr, expecting anything else, anything but what was there.

Charis lay on the ground, on our sacred ground, stomach pressed against the earth, mouth ensnared by vines that wrapped themselves about her body, twining and twisting, even as I watched. Behind her, over her, in her, was a man—a golden man who shimmered and flashed like lightning as he grunted and pushed. Over and over, he pushed. Tears fell and the vines tightened, cut into perfect ankles, wrists. My Charis was held captive as he did what he wanted with her.

Anger rose in me before I could think or make sense of what I was seeing, and I was shouting, shouting loud enough, I was sure, to be heard on Olympus, half a world away. I was moving through the hedge one moment, prepared to scratch and tear, when the man turned and looked at me, and I crumpled to my knees.

He was smiling, teeth dazzling white in a leering, dripping mouth, when he pulled out of her, stood, grew. He was taller than the tallest trees in my mother’s forest, and then, with a great laugh, he fragmented, splintered into a thousand rays of light too bright—a thousand times brighter than the sun itself. I screamed, covered my face with my hands, and when I could see again, he was gone.

Charis, too.

I fell, dumbstruck. Where she had been, where that violent blasphemy had taken place, stood a small rosebush. The roses were white, dewy, and, as I watched, they moved in an unfelt wind.

I had heard tales of Zeus’ conquests. He would zap down to earth, lustful, in need of something his wife, Hera, could not provide—or, perhaps she could, and she simply found him despicable. He had his way with whatever creature struck his fancy, and if they were not obliging, he punished them. Hundreds of times he had done this, perhaps thousands. I knew of these stories—the nymphs whispered them to one another—but, shamefully, they had never concerned me. They had never applied to me. But now, here—here was a nightmare come to life. The girl I loved had been raped before my eyes, and she was no more.

In that simple, ordinary space of time, I had lost everything.

I ran until the air burned in my lungs like fire, until I reached my mother’s bower. Persephone, what’s happened? she asked, holding out her arms to me so openly. My mother, my mother who could grow a forest from a seed, who could breathe a world to life. How I wished, hoped, that she could undo what had already been done. I wept and I told the story, and she listened, paling.

When I was done, she held me close, patted my shoulder stiffly. Persephone…I’m so sorry. So…sorry. Zeus—he gets what he wants, and the poor creature cannot be changed back.

She’s gone? I whispered. But…

All my life, I’d

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