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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro
Azioni libro
Inizia a leggere- Editore:
- Workman eBooks
- Pubblicato:
- Jun 2, 2011
- ISBN:
- 9780761165293
- Formato:
- Libro
Descrizione
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of video production: framing, lighting, sound (use an external mic), editing, special effects (turn them off!), and gives advice on shooting a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you’ve learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Steve’s website (stevestockman.com) provides video examples to illustrate different production ideas, techniques, and situations, and his latest thoughts on all things video.
Informazioni sul libro
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro
Descrizione
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of video production: framing, lighting, sound (use an external mic), editing, special effects (turn them off!), and gives advice on shooting a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you’ve learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Steve’s website (stevestockman.com) provides video examples to illustrate different production ideas, techniques, and situations, and his latest thoughts on all things video.
- Editore:
- Workman eBooks
- Pubblicato:
- Jun 2, 2011
- ISBN:
- 9780761165293
- Formato:
- Libro
Informazioni sull'autore
Correlati a How to Shoot Video That Doesn't Suck
Anteprima del libro
How to Shoot Video That Doesn't Suck - Steve Stockman
entertain.
QUICK-START GUIDE
12 Easy Ways to Make Your Video Better Now
If you’re pulling out your video camera now and don’t have time to read the whole book before you shoot, here are 12 tips that will instantly improve your video. For more detail, flip to the complete chapter for each topic. More quick tips for special kinds of videos (like vacation and business videos) start on page 157.
1. Think in shots.
There was a man sitting near me at my kids’ cello recital last month. He had his camera on a tripod in front of him. At the start of the recital, he pressed record. For the next 45 minutes, he swung his camera back and forth, back and forth across the assembled cellists. Back and forth as they played their various solo and ensemble pieces, as they changed chairs, as the audience applauded. There are problems with this approach to video, not least of which is motion sickness for viewers.
When you’re physically present at a concert, you can look anywhere you want. You can look at audience members. You can look up at the carvings on the ceiling. You can read the program or the Sports Illustrated you snuck in or, if it’s not too dark and your wife won’t notice, your iPhone. In short, there’s an entire world of visual excitement to be sought out.
Watching a video, you can look only where the camera looks. If the camera looks at the same thing for too long or doesn’t look where you’d want to, you’re bored. That’s why they cover the Super Bowl with 27 different cameras—every few seconds, BANG, a different shot. And each shot focuses on a new piece of information: Here’s the snap, here’s who has the ball now, here’s a defender coming in from the right, here’s the quarterback pulling back to throw, and CUT to a wide receiver catching it on the first-down line. Each shot has a point, and cutting between them gives you a lot of information without boring you.
From now on, think in shots. Shoot deliberately. Every time you point the camera, who are you pointing it at? What are they doing? Is it interesting? When it’s not, cut and find something else to shoot. Don’t run the camera nonstop. Even if you’re going to edit later, it’s a bad habit that will only cost you time when you have to watch tons of thoughtless, unusable footage.
For more on this, see Think in Shots,
page 41.
2. Don’t shoot until you see the whites of their
Recensioni
- think in shots, each shot is a story
- shots are like sentences, they need to have a noun and a verb. "Sarah" is not a shot, "Sarah pours coffee" is a shot
- when the action is over CUT: "Sarah sips coffee from a mug, then puts the mug on the table" is not a shot, it's two shots. Cut immediately after "Sarah sips coffee from a mug"
- each shot needs to be less than 10 seconds
Also watch the trailer for this book and pay close attention to the concepts you'll recognize from the book.
I read this book because I'm filming a course I wrote. So I'm especially interested in how to make better talking head videos. Before reading it, I was uncomfortable cutting after only 10 seconds. I thought that I'll get a jumpy feel. But now I see even in the book trailer that it's actually making the video even more interesting. Mix that talking head from different angles with some b-roll and it all just looks amazing.
I can see the author put a lot of work and thought into writing this book and the world is a better place for it. Thank you Steve!