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The Killing of the Tinkers: A Jack Taylor Novel
The Killing of the Tinkers: A Jack Taylor Novel
The Killing of the Tinkers: A Jack Taylor Novel
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The Killing of the Tinkers: A Jack Taylor Novel

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Journey back to the rain-soaked streets of Galway, Ireland, as we rejoin our profoundly flawed yet deeply relatable protagonist, Jack Taylor.

Taylor, an acclaimed private investigator, is back in town with dreams of a sober life already fading in the rearview mirror. Despite fresh promises, he soon succumbs to the lure of old habits–an affinity for alcohol and illicit substances pulling him back into a foggy haze.

The real world, with its stark reality and desolate truths, is something he would rather escape. This captivating tale of self-destruction and unflinching realism strikes a resonant chord that echoes the somber notes of noir fiction.

Just when you think Jack's downward spiral is irreversible, a chance encounter propels him back into the fray. Tasked with a seemingly insurmountable quest, Jack comes face-to-face with a mirror of his own life, filled with grief, determination, and inescapable rage.

A thrilling journey of suspense and intrigue, The Killing of the Tinkers will leave readers awash in the thrill of crime fiction, making them question the fine line between good and bad in a world devoid of sense.

LanguageEnglish
Release dateMar 1, 2005
ISBN9781429902342
The Killing of the Tinkers: A Jack Taylor Novel
Author

Ken Bruen

Ken Bruen is one of the most prominent Irish crime writers of the last two decades. He received a doctorate in metaphysics, taught English in South Africa, and then became a crime novelist. He is the recipient of two Barry Awards, two Shamus Awards and has twice been a finalist for the Edgar Award. He lives in Galway, Ireland.

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Reviews for The Killing of the Tinkers

Rating: 3.9285714285714284 out of 5 stars
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  • Rating: 2 out of 5 stars
    2/5
    Slightly less coherent than the first Jack Taylor with some genuinely bizarre choices. Bruen gives generous shout outs to other writers that he admires name-checking McBain and Lawrence Block and nodding to George Pelecanos at least 3 different times in the book. Oddly, though, every time he mentions Pelecanos, he spells it differently. This is not one of the characters spelling it badly, its the narrator. This may well be the worst edited book i have ever read. In many ways it feels completely unproofed and similar to a self-published manuscript. Weird.

    There are huge inconsistencies and leaps of logic and an ending that is supposed to be nihilistic, but is just bonkers. I can almost forgive the whole affair for giving me suggestions for other books to read and for quoting chunks out of things like Chandler's Simple Act of Murder, but this one has me worried. I'll give Bruen another chance, but if that's as poorly presented as this, I'm done.
  • Rating: 4 out of 5 stars
    4/5
    Ken Bruen is an author of few words. His Jack Taylor books are short, succinct and directly to the point, and let me tell you, a lot happens in between the covers of his books. Jack Taylor is my new favourite anti-hero. He's a hard drinking, hard-scrabble and surprisingly literary PI who lives in Galway, Ireland. This is the second book in the series and Jack is coming back to Galway after a year in London. He left because his life was in a real mess and he had many people after his blood. He comes back to Galway still a raging alcoholic but he's also a cocaine addict. His life is a mess and he can't seem to get out of his downward spiral. As he sits in one of his favourite watering holes shortly after returning, a big gypsy walks into the bar and asks Jack for his help. Someone is killing young gypsy men in his clan. Jack comes out of his alcoholic haze and recognizes a man who seems just like himself and he agrees to help. The pace of this book will blow you away and even though it's short we get more than enough characterization and plot to keep a reader wildly turning pages. Jack is a train wreck and he'd be the first to admit it, but he is the most insightful, quick-witted PI you're ever likely to meet. It makes me wonder how spectacular he'd be if he was sober.
  • Rating: 5 out of 5 stars
    5/5
    Jack Taylor might be a train-wreck, but somehow remains appealing - evident even after a thrashing. As expected in a story involving an alcoholic - and now he's on cocaine too - it can be irreverent, brutal, revolting. But this is Jack Taylor and we can forgive him. The character-driven series is enhanced by Bruen's spare style of writing giving it a poetic quality. It would be a good idea to keep pencil and paper handy to make notes about Taylor's reading and music choices. I enjoyed this a lot and look forward to following the series.
  • Rating: 2 out of 5 stars
    2/5
    I did not particularly enjoy this book. The plot was rather unremarkable and the whole thing played out like paint-by-numbers noir.
  • Rating: 4 out of 5 stars
    4/5
    Hard boiled and poetic.
  • Rating: 5 out of 5 stars
    5/5
    [Killing of the Tinkers] and [The Magdalen Martyrs] were books two and three in the Jack Taylor series by Ken Bruen. These books are gritty and dark. Jack Taylor is an ex Guarda (the Irish police) who now works as a private detective. He is carrying around a lot of excess baggage - a difficult mother that he hates, a serious addiction to alcohol and now cocaine, self-destructive tendencies, and anger management issues. He is a walking time bomb that can explode at any minute, injuring himself and anyone near him, friends and enemies alike. And yet there is something about Jack that is admirable; his heart is in the right place even if he seems to have very little control over it. He is haunted and wounded and broken, and yet he stands ready to fight. In fact, he insists on it! What intrigues me, I think, is that his character is so complicated - he has a deep love and appreciation for literature, he is clever and yet refuses to take the time to make good decisions. He learns from his mistakes and yet refuses to apply what he has learned. His biggest asset is that he somehow manages to just keep going. His biggest weakness is that he rushes head first into almost every situation. The mystery in these books is not the focus, rather it is imbedded into a story full of crisp, snappy dialogue, flawed characters, and wonderful quotes and reminiscences from various literature sources. Certainly not for everybody, but for me a captivating experience - I will read on even though I know Jack will just screw up everything all over again."Try smoking at Dublin Airport or at any airport. Good luck. Talk about segregation. Small pockets of isolation where the shamed smokers congregate. Like lepers of the modern wasteland. You'd nod guiltily at each other, crank the lighter and suck the poison in. You'd need your head examined to bring drugs through Dublin Airpot. These guys are lethal. Boy, do they see you coming. Get you and you are going down. I chanced it.""My mother is a walking b*tch, then and now. I hadn't heard light nor hair of her in over a year. Maybe she was dead. She adored my one outstanding credential: my failure. With such a son, she could be seen to endure. The woman was born to martyrdom, but only with an audience. Pay per view: My expulsion from the guards, my drinking, my non-starter life: she couldn't have wished for more."
  • Rating: 3 out of 5 stars
    3/5
    This is the second book in the Jack Taylor series and the second I've read. Like the first, the atmosphere is great, the characters become known with a bare minimum of words, there are some gem sentences sprinkled here and there ("She's far too fond of you to be your wife"). But, there are some things in this series that are beginning to grate. Jack is forever quoting lines from philosophers, social critics, etc. and it's too much - feels like Bruen is showing off his senior year reading list. Jack, in the first book, is yet another lovable alcoholic cop/ex-cop hero, but now he's on coke and there's nothing lovable about a coke addict. Finally, Jack is dispensing (again) his own vigilante justice. Think I'll give the series a rest for a while and hope that Book #3 is not more of the same.
  • Rating: 5 out of 5 stars
    5/5
    Tinkers, also known as travellers, are a traditionally nomadic people. In Galway Ireland, someone is targeting and brutally murdering these "celtic gypsies". Enter Jack Taylor, freshly returned from an extended visit in London, bringing back a "leather coat and a coke habit". He is hired by a tinker to investigate these vicious killings, since the police despise the "clans" and refuse to get involved. This is crime fiction at it's finest. Jack Taylor, wrestling with drug addiction and alcoholism, is a wonderfully drawn character, who also has a deep passion for books. This is the second book in the series and here is a brief passage:"In London, I tended to hang with the fallen. My aura of eroding decay was a beacon to those travellers of the road less survived. The drunks, dopers, cons, losers, dead angels. Come to me, all ye who are lost, and I'll give you identification."
  • Rating: 4 out of 5 stars
    4/5
    This was an interesting read. Bruen has some serious talent, producing a very tight, evocative murder mystery. He writes in a highly compressed, dialog-driven style that's the product of a good ear and hard writing. Bruen's protagonist is memorable, but not entirely for the right reasons. He's too self-consciously the apotheosis of the hard-boiled antihero, reading suicide poetry and drinking and coking himself to death. Oh, and breaking dames' hearts, too, of course. This over-the-top characterization detracts from the story; this one really should be called 'The Killing of Jack Taylor (With the Occasional Diversion into Solving the Mystery at Hand)'. Recommended, but I think I need to read more Bruen to really get a feel for what he's trying to do.
  • Rating: 4 out of 5 stars
    4/5
    "Killing of the Tinkers" starts with the return of Jack Taylor from London. If you've read The Guards (the first novel in the series), then you're aware that at the end of that book, Taylor had sworn off drinking and had gone to London for a change. Well, now he's back, and has fallen off the wagon. He is commissioned by the head of the clans (the tinkers), a guy named Sweeper, to find out who is killing off other tinkers, then mutilating the bodies. As in the case of The Guards, the mystery is not the central focus here ... it is definitely the hard-drinking, now coke-snorting Jack. He is a very paradoxical individual; self-destructive yet erudite and extremely literate, even as he's knocking back shot after shot of Jameson to chase down his Guiness. Basically, he's a human train wreck waiting to happen, and I think Bruen's a master at getting into Taylor's soul and psyche. His characterizations of the other people that surround Jack are also realistic. In Taylor's novels there seem to be no tidy endings, so if that's what you want, then don't read this series. I'm fascinated with and can't get enough of the character of Jack Taylor, or of Bruen's writing. There were a couple of spots in this book that were laugh out loud funny, which seems incongruous given the dark and gloomy atmosphere of Jack Taylor's life. I would definitely recommend this one to anyone looking for something good in the way of Irish crime fiction, and to anyone who started with Bruen's The Guards and is wondering whether or not to continue the series. Highly recommended.

Book preview

The Killing of the Tinkers - Ken Bruen

You Can’t Go Home Again

Thomas Wolfe

The boy is back in town. As the coach pulled into Galway, Thin Lizzie was loud in my head. One of the great solo blasts from Gary Moore. I saw them at their last gig in Dublin. I had pulled crowd duty for the biggest concert of the year. Phil Lynott, head to toe in black leather, coked to the gills. He stalked that stage like Rilke’s panther. He’d never stalk a stage again. Me neither. His premature death coincided with my own career crash. I’d been booted out of the guards for slapping a TD in the mouth. I’d never regretted that. Only wish I’d hit him harder. My dismissal led into a spiral of slow descent towards alcoholic hell. Settling in Galway, I’d become a half-assed private investigator, causing more havoc than the crimes I’d been investigating. Now I was bringing back from London a leather coat and a coke habit.

I would have come home sooner, but for the old Irish imperative of having to stay gone. At least look like you tried. I don’t know whom I was trying to impress. It had been a long time since I’d impressed a living soul, least of all myself. A near miracle had happened. My departure from Galway had been a sober one. It was such a revelation. To be clear in my mind and free from the habitual sickness was amazing. I could think without the need to swill booze at every opportunity. Reading books returned to being the pleasure it had once been. I truly believed I was about to start anew.

Now I was back to being what they call a conscious drinker. When I was conscious, I was drinking. A fellah I met on the Kilburn High Road had asked me if I was a social drinker. I’d said,

No, what about yourself?

I’m a social security drinker.

I’d gone to London with a plan. There are few things more lethal than an alcoholic with a plan. Here was mine. Go to London and get a flat in Bayswater. As near to the park as it gets. Preferably with a bay window. Watch those grey squirrels along the Serpentine. In the plan, the woman I’d loved would come to her senses and realise how much she missed me. She’d fly to London and, somehow or other, she’d find me. Just one fine day, it would have to be a fine day, she’d miraculously find me, and happiness would be sealed. All I had to do was wait and she’d show. Or if I stayed away long enough, a letter would arrive from her, telling me how much she missed me and would I please take her back?

What I got was a bedsitter in Ladbroke Grove. Consoled myself with delusion. I’d been weaned on Van Morrison’s Astral Weeks. Among a richness of great songs, Astral Weeks stood out. Told myself I was living it. The reality was as close to nightmare as you get. The grove is now a long stretch of urban decay. The human wreckage vies for space with the garbage. A mix of aromas hits you as soon as you begin to venture along it. From the inevitable curry through urine to that pervasive stench of abandonment.

Leaving Galway, I’d left behind a string of deaths. My case had involved the apparent suicide of a teenage girl. The investigation had led to—

Witness this:

Three murders.

Four, if you count my best friend.

My heart being hammered.

Tons of cash.

Exile.

Imagine if I’d been competent.

Oh yeah, and there’s the possibility that my involvement caused the death of a teenage girl. I had to bite down and swallow hard lest I add my own name to the list of fatalities. I could trot out the sickest defence line of the decade:

I meant well.

I didn’t.

I was too drunk most of the time to mean anything.

As the coach approached the outskirts of the city, I’d mouthed a mantra:

Attempting to give back to the world a portion of its lost heart.

The quotation by Louise Brogan, it gave me a sense of longing I couldn’t ever expect to realise.

Getting off the coach at Fair Green, the first thing I saw was the headline:

MORE GARDAÍ FOR GALWAY’S VIOLENT STREETS

Next I noticed the hotels. Four more in Forster Street. This used to be the arse end of town. Nothing grew here ever. Of course, Sammon’s was long gone. The pub of my youth. Liam Sammon had played on the team that won three All Irelands.

Count them and weep. At least when the pub went, we’d still had the carpet showroom A sign in the window said Moved to the Tuam Road.

Jesus.

You could no longer say,

Everything’s gone to hell.

Hell and everything else had moved to the Tuam Road.

Before my departure, I’d found a new pub. No mean achievement in a city that had barred me from every worthwhile establishment. I knew it was my kind of pub from the sign in the window.

WE DO NOT STOCK BUD LIGHT.

Jeff, the owner, had been part of a heavy metal band. Big in the eighties, in Germany. He wrote the lyrics. You go … what lyrics?

Exactly.

He’d hooked up with a punk rocker who odd times helped me. Cathy Bellingham, a Londoner ex-junkie, she’d washed up in Galway. I’d introduced them and withdrawn. They’d be my first port of call.

I’d flown from Heathrow to Dublin, caught the noon coach west. The driver said,

Howyah?

I knew I was home.

A reformed smoker, I’d started again. It’s a bastard. The new world is designed for non-smokers. It’s near impossible to do coke and not smoke. It blends so fine. When that first rush hits, you want to wallop it with nicotine. As if you’re not bad enough. I don’t know is it when that ice numbness jells or later, but you’re reaching for that soft red pack. Try smoking at Dublin Airport or any airport. Good luck. Talk about segregation. Small pockets of isolation where the shamed smokers congregate. Like lepers of the modern wasteland. You’d nod guiltily at each other, crank the lighter and suck the poison in. You’d need your head examined to bring drugs through Dublin Airport. These guys are lethal. Boy, do they see you coming. Get you and you are going down.

I chanced it.

My need was greater than my fear. I could envision the headline:

EX-GARDA BUSTED AT AIRPORT

Wouldn’t that launch a homecoming?

Phew-oh.

On Forster Street the urge to snort was massive, but I held it off. Outside Nestor’s a guy in a filthy white suit was singing,

You’re such a good-looking woman.

A battered cap was at his feet. It had collected all of 50p. I checked my pockets, put a few coins down. He said,

Spit on me, Dickie.

From Joe Dolan to Dickie Rock, without missing a beat. I laughed and he added,

That’s sterling.

Sorry.

Ary, you meant well.

He launched into The House with the Whitewashed Gable.

A lone sentry at the bar. He exclaimed,

Jaysus, look who’s back.

Irish people across the board will greet a returnee with exactly the same expression,

You’re back.

Jeff was behind the bar, nodded, asked,

What’ll it be?

A pint.

The question was large in his eyes:

You’re drinking again?

Fair fuck to him, he didn’t ask it. A song was playing, something I didn’t recognise. I asked,

What’s the tune?

He smiled, said,

You’re not going to believe this.

Jeff, it’s Ireland; I’ll believe anything.

It’s ‘I Saw a Stranger’ by Tommy Fleming.

Leaving the Guinness to settle, he came round and said,

Gimme a hug.

I did.

Not easily or with much flexibility. Us Irish guys don’t do hugs. Not without a lingering mortification. He looked good. His trademark black 501s were spotless. A granddad shirt, cowboy boots and a black suede waistcoat. A ponytail tied tight. Like me, Jeff was knocking on fifty. He didn’t look like an aging rocker. An ease in his movements gave class to whatever he wore. I said,

You look great.

In Ireland this is usually the preamble to Lend us some money.

I meant it.

He stepped back, scrutinised me. I was wearing my one Oxfam suit. It had died. I’d let my hair grow and hadn’t trimmed my beard. He said,

You look fucked.

Thanks.

He went to cream the pint. I sat at what used to be my spot. In the corner, hard chair, harder table. Hadn’t changed. I had. I said to the sentry,

Can I get you a pint?

He didn’t answer for a moment. I wasn’t sure he’d heard. Then he spun on the stool, asked,

Will I have to buy you one back?

No.

OK then.

I rummaged in my holdall, took out some essentials. Left a package on the table, slipped the rest in my pocket, said,

Jeff, I’m just going for a pee.

Whatever.

I locked a stall, kneeled over the toilet, pulled down the lid, took out the Silverwrap. I laid five lines, rolled an English tenner and snorted fast. The burn was instant. Rocked me against the door, could feel the freeze lash my brain, muttered,

Christ.

After ten minutes, I was electric; straightened up, went to the wash basin. A mirror above had the logo,

SWEET AFTON.

My nose was bleeding. I said,

Sweet Jesus.

Cleansed it with a tissue. Doused my face in cold water. A grey tint showed beneath my beard. My cheeks were sunken. I hitched my pants, tightened the belt a notch. Two stone had gone. In my hurling days, I was built. Spuds and sport pack on that bulk.

Back in the bar, Cathy was sitting at my table. Transformed. I’d known a twenty-two-year-old punk with track marks on her arms. She jumped up, said,

You’re back.

Alongside the Irish greeting, she’d acquired a soft lilt. I preferred her Kim Carnes intonation.

More hugging.

She gave me the look, said,

Coke.

Hey.

You can’t fool an old doper.

Why would I try?

Because it’s what addicts do … hide.

I sat, took a hefty swig of my drink. God, it was good. Cathy leant over, wiped the foam of my upper lip, said,

We have your room ready.

What?

Your first night, you have to be with friends.

I was going back to Bailey’s.

Go tomorrow.

Well, OK.

She’d filled out. Her face was well-fed, shining even. I said,

You look radiant.

She went shy; I’d swear she blushed, though I think that’s a lost art. She said,

I’m pregnant.

After I did the congratulations bit, I said,

I bought ye something.

Her face lit, she asked,

Show me.

I gave her the first package. Like a child, she tore it open. A gold Claddagh ring bounced on the table. I said,

I got ye both one.

Oh, Jack.

I’d got them off a guy in a pub.

Cathy tried the ring. It fit. She called,

Hon, come see what Jack bought?

He approached the table cautiously. Cathy showed him the gold ring, said,

Go on, try it.

Didn’t fit so hot. He pulled a chain from beneath his shirt. I spotted a miraculous medal. He opened the clasp, slid the ring along the links,

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