Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Bitter Seeds
Bitter Seeds
Bitter Seeds
Ebook436 pages6 hours

Bitter Seeds

Rating: 3.5 out of 5 stars

3.5/5

()

Read preview

About this ebook

It's 1939. The Nazis have supermen, the British have demons, and one perfectly normal man gets caught in between

Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him.

When the Nazis start running missions with people who have unnatural abilities—a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present—Marsh is the man who has to face them. He rallies the secret warlocks of Britain to hold the impending invasion at bay. But magic always exacts a price. Eventually, the sacrifice necessary to defeat the enemy will be as terrible as outright loss would be.

Alan Furst meets Alan Moore in the opening of an epic of supernatural alternate history, the tale of a twentieth century like ours and also profoundly different.


At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateApr 13, 2010
ISBN9781429937917
Bitter Seeds
Author

Ian Tregillis

IAN TREGILLIS lives near Santa Fe, New Mexico, where he works as a physicist at Los Alamos National Laboratory. He is a member of the George R.R. Martin Wild Cards writing collective and the author of The Milkweed Triptych Bitter Seeds, The Coldest War and Necessary Evil.

Read more from Ian Tregillis

Related to Bitter Seeds

Titles in the series (3)

View More

Related ebooks

Occult & Supernatural For You

View More

Related articles

Reviews for Bitter Seeds

Rating: 3.7073171679442507 out of 5 stars
3.5/5

287 ratings28 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 5 out of 5 stars
    5/5
    One of my favorite alternate history novels of all time. The 2nd book in the series is suppose to be even better. I look forward to finding out.
  • Rating: 5 out of 5 stars
    5/5
    Bitter Seeds was "different" enough to warrant a slow & savory reading. The characterization was very engaging, I can believe in these folks, picturing them so as to cast my own moving pictures version....
    Set in WW2, we're brought into the story with post-WW1 prologue. There is an inkling of mad-scientist Germans and equally mad British magicians.
    Magic, in this story, is more what I fear it could be - there is no pixie dust, and the price demanded is so harsh.
    Germany doesn't get much of a change-over in this Alt History, still so many atrocities against humanity all for the betterment of the Reich, the Germanic Ideal.
    Honestly, Britain doesn't seem that different either, except for the tossing in of the warlocks. (In an aside - there seems to be only male magic wielders... probably some tradition that believed women too weak or some such)
    We follow the war efforts of Raybould Marsh, a British agent who saw something ... odd... at the end of the Spanish Civil War. Part of MI6, the project is named Milkweed, and into it Marsh brings his friend Will, younger son of an ~old~ brit family and a reluctant warlock.
    Magic ain't pretty in these pages, has a tendency to drive one mad.

    I won't go on & on here, no use for spoilers, and there are some splendid reviews out there - go surf.

    Something I've heard but Do Not agree with: this book has been likened to Susanna Clarke's Jonathan Strange & Mr Norrell.... no way. I'll say no more (except I'm looking forward to the next book)
  • Rating: 5 out of 5 stars
    5/5
    This was a cracking good read. A story set in an "alternate" timeline where a Nazi scientist is developing a new breed of super-men with psychic powers as weapons for the Reich. To counter this threat the British MI-6 recruits warlocks who bargain with nether-worldly powers in order to defend England against invasion.The story outline sounds enjoyably grotesque and I went in to this expecting nothing more than some macabre entertainment. At first I thought that was all it would be - the writing was serviceable with one or two interesting turns of phrase. The characters all seemed painted in broad strokes and fit the usual molds. But as the story proceeds things began to take a darker and darker turn - Germany faces defeat with the help of eldritch powers but as time goes on the British warlocks have had to pay a heavier and heavier "blood price" and the end of the book does not bring with it a sense of victory but a deep foreboding about what is to follow. (its worth noting this book is the first in a trilogy). I'm looking forward to see where the story goes from here.
  • Rating: 5 out of 5 stars
    5/5
    I love World War II fantastical history, but it turns out I am not very good at reading it because I don't know much about World War II and can never quite remember when it starts diverging from history. I can usually figure it out from context clues, but I am by no means an expert. But. This book has it all! Nazi mad scientists! English warlocks! Ubermenchen who are basically X-Men! Horrible, horrible sacrifices! Plus really compelling, interesting characters all around, even the psychopaths. I am sorry I waited so long to read it.
  • Rating: 5 out of 5 stars
    5/5
    I'm not just saying this because I like the author - I loved the book.

    It's not often I read something that stays with me the way Bitter Seeds has, or something that captures such a variety of characters in a compelling and believable way.

    I'm very much looking forward to the rest of this series.
  • Rating: 4 out of 5 stars
    4/5
    I read this because of a friend's recommendation, and while I'm not sorry I read it, I will not be reading more in the series or by the author.This was just too dark for me. Relentlessly dark. The Nazis create "supermen" by torturing children. The Brits counter this by dealing with what are essentially Lovecraftian Dark Gods, and kill random people to keep them happy. Everyone is compromised past the point of sympathy.It doesn't help that there are exactly 2 females that figure at all; one's the wife of one of the Brits and is more a plot device than a person, and the other is a "superman" seer who is a psychopath.But- most of the characters are more plot devices than actual characters.The plotting is adequate, but relies a lot on coincidence.Not really recommended.
  • Rating: 4 out of 5 stars
    4/5
    In this alternate history of World War II, the Nazis have turned regular humans into battery-powered superhumans, capable of feats such as invisibility, prophecy, and dematerialization. The English, to counter this, use Warlocks to change the weather and the course of history. Both sides stoop to horrible, unconscionable acts to make these supernatural acts possible, all of course justified by the needs of the war. Other than the magic, this basically reads like a WWII spy novel, with both sides trying to outwit the other. It isn't a cheerful book, and the characters aren't terribly interesting, but it is engaging and suspenseful. It's decent beach reading, if you don't mind something a little grim - there is nothing profound or challenging, but it's a good story.I listened to the audiobook, and the narrator does a decent job.
  • Rating: 4 out of 5 stars
    4/5
    In a remote part of Germany a doctor has been hard at work, he has had plenty of test subjects, the Great War left many orphans and foundlings, and he paid good money for them. Not many survive. An outbreak of influenza, or so he claims. The reality is very different. He has been experimenting on the children, torturing them and surgically altering them. Turning them into supersoldiers. Out of all those who ended up in his home few now remain; but they can do great things. Walk through walls, immolate buildings and people, turn invisible, and see the future.

    English intelligent is set on their trail almost by accident, but they don’t know what they are up against. So they turn to England’s old magics and the warlocks.

    Okay, if that hasn’t hooked you already then I’m not sure what will. Super-soldier Nazis and warlocks. Come on, that’s intriguing, is it not?

    However, if that description has you in mind of an adventure story well, I don’t think you’ll get quite what you expect. Yes, technically there are adventure scenes, battles and spies, heroes and villains. But I think that in this book Tregillis has set out to show that war is a dirty business and everyone involved gets their hands dirty, very dirty in some cases. His characters are not neatly divisible into good and evil.

    I suppose there are a few who we can say with are the bad guys. The doctor. Gretel. But they don’t have their “good” counterparts. We have the allies, the guys we are supposed to be rooting for, but they do their share of evil deeds. Perhaps in the name of the innocent, but really? we have all heard what the road to hell is paved with.

    It is a very well told story, even if I didn’t really like any of the characters. But I did understand them, and empathise with some of them to varying degrees, and that is the important thing I think.
  • Rating: 2 out of 5 stars
    2/5
    I wanted to like this so much more than I did. In fact, to be completely honest, I didn't like it very much at all and had to force myself to finish it. It is fundamentally boring. The author spends a lot of time building the world/reality while trying to "hide" the actual details in order to dole it out throughout the story.Tregillis could have just stated in a prologue that it's a take on WW2, as it might have turned out if there were advanced technical know-how and supernatural beings involved. Then chopped out the page after page after page of Will or Marsh or whoever... (it was extremely difficult to tell who was who)... going here, or going there, then returning home. And spent this extra time and effort in distinguishing the characters.Seriously... I think the blurring between Will and Marsh was the main problem... sometimes they were referred to by their first name, sometimes by their last name, and sometimes by a nickname, I think... (actually, even as I write this, I recall numerous scenes where I wasn't clear if Will really was Marsh, or if it was about another guy completely). There are no women in this story. Well, of course there is a wife, and a female bad-guy, but they feel exactly the same as the male characters... who in turn all feel like the same person, even though some had different accents (which was often the only way to tell the characters apart).I, unfortunately, already own the rest of the series, but unless I get stuck in an airport with absolutely nothing else to read - including menus and advertising pamphlets - I'm not going to be reading any more of this.There is no gore or graphic details, no swearing, no sex, no action, no ... oopsy...there was kinda a plot... if you can wade through Will and Marsh's super-boring conversations to get to it.
  • Rating: 3 out of 5 stars
    3/5
    I have a love/hate relationship with Bitter Seeds. I love that it is alternate history, because I have never read anything like that. I love the idea of superhuman soldiers, and history mixed with sci-fi; different points of view, putting me into a position where I do not feel a distinction between good guys and bad guys, because they are all both. I also love that the story was crazy and very, very, very disturbing at times - dark and twisty.And my favourite character is probably Gretel - a sociopath with perfect precognition.That said, I was bored out of my mind a lot. And still I picked up the second book in the series, because I just cannot handle not knowing what will happen next.
  • Rating: 1 out of 5 stars
    1/5
    I “won” this book on Twitter – a friend did a giveaway and… I can now understand why he gave it away. Bitter Seeds is a reworking of World War II – although it opens during the Spanish Civil War – in which the Germans have half a dozen super-powered teenagers, who need electricity wired directly into their brains to manifest their powers. The British are forced to make deals with the Eidolons, enigmatic and omnipotent demon-like creatures, who exact a blood price each time they deign to help. It’s an interesting idea, a mishmash of Nazi occult science mythology and the sort of potboilers Dennis Wheatley used to churn out. Unfortunately, it reads like a novel that’s been through far too many writing workshops, where the writer has tried to follow every “rule” and address every critique levelled at the manuscript. So when it’s not overwritten, it’s trying too hard do everything it thinks prose should do. And then there’s the research… Although much of the story is set in Britain, it’s not in the least bit convincing. Everyone carries billfolds. The book’s hero marries his wife in the garden of his boss’s house. The second son of a duke wears a bowler all the time (and the ducal estate is in Bestwood, which is actually a colliery village but never mind). There’s a pub which resembles no British pub ever. And the dialogue sounds like it was based on that spoken in 1970s and 1980s UK television series. There are apparently two sequels to this book. I won’t be reading them. But I might well be doing a giveaway on Twitter for Bitter Seeds…
  • Rating: 4 out of 5 stars
    4/5
    A while back, I heard an urban legend that during WWII, all the adepts of England gathered together to conduct a ritual to stop the Nazis from invading England. The ritual cost the witches their lives, robbing the future of direct knowledge of the Old Ways, but England prevailed and the Nazis lost the war. I think Ian Tregillis heard the same legend and thought, "Ah, but what if that happened for real, and WWII was a battle between British warlocks and Nazis with superhero-style abilities powered by lithium ion batteries?" If that sounds like a good book, you are absolutely right. Give this a try if you like Lovecraft, Fullmetal Alchemist, WWII stories, or alternate history.
  • Rating: 3 out of 5 stars
    3/5
    I didn't intend to read/listen to yet another alternate WWII fantasy novel this spring… (I didn't know there were that many alternate WWII fantasy novels out there…) But there it was in my Audible library, and as I've been using earphones defensively against the onslaught of noise in the office (why do people have to yell at the top of their lungs? And have multiple radios going?) I've been going through a good many audiobooks this year. It took quite a bit of getting used to, this alternate timeline. After other books I've read this year, between Connie Willis and Erik Larsen, I've become a bit familiar with the ebb and flow of WWII. So this was odd, with so little context for the warlockly doings. It made it difficult to tell how or if the course of the war was altered – the grafting on of what Richard (Richard Reviles Censorship Always in All Ways) has called Magicque. The fleet of private ships that evacuated Dunkirk failed in this reality – or not? It isn't clear – but the evacuation ship City of Benares was sunk, just as it was in the current reality. (Though the latter was almost made to sound like something resulting from the Eidolon and the OKW.) It was interesting to see the Red Orchestra show up. Even something like the "heil Hitler" salute – it came as a surprise when someone used it, which made me realize that was the first one of the book, as far as I noticed. Which, considering some half the book is set in Germany or amongst the Nazis, is odd. I don't think as much was really done with the branching of events as could have been; apparently the war ended in 1940, and there was little exploration of what that meant in the world at large. I came to very much dislike Jo Walton's Small Change series (which featured a non-magicque alternate timeline), but in some ways exposition of what that world was like was done rather better than in this book. With half the characters being from London and its surrounds, I wish the narrator had been British. Or perhaps I just wish he had better at accents; main character Raybould Marsh starts out as a street urchin, and faces disdain among politicians because of his origins – but the accent the narrator gives him isn't far off the others' with had much posher backgrounds. Will's was nice, and Lorimer's, but the German accents reminded me alternately of Arnold Schwarzeneggar and Hogan's Heroes. Also, it was distracting and sometimes confusing that characters' internal monologues were in, basically, the narrator's own accent, not at all the characters'. I keep trying to put my finger on the quality that makes one book perfect for me and another anathema; in a synesthetic sort of way I can almost associate a color with an author's writing. Bitter Seeds felt like a sort of ochre, a little heavy, a little resistant. But there were moments that I loved; one I made a note of was: " The flint in his gaze had been knapped into arrowheads, all aimed at Marsh." That's quite nice, I thought. Then of course there was the moment it made me smile and think of Firefly: "'Dangerous? That's your question? If you're seeking a new hobby, Pip, you're better off juggling rabid badgers on a street corner. You might even make a few quid.'" Some people juggle geese… Another flash of amusement came from "Klaus wondered if many great men shuffled around in their dressing gowns and obsessed over their bowel movements." It struck me, based in part on the weird variety of books I've been reading, that … yes, actually, a fair number of great men probably do and have done exactly that. (And not so great men, too.) All of the senses are attended to in the storytelling. The falling of a syringe makes a distinct sound. Cigarette smoke; the flight of birds; the grip of a handshake; the flavor of chocolate – taste and touch and smell and sight and sound permeate the book, to the point that it stops being a good thing and simply becomes repetitive. Part of the disconnect I felt with the book was in the fact that despite the attention to detail in description, more information would have been useful in other places, or more specific information. As mentioned above, the alternate WWII timeline could have been made more clear. (Warning: this gets a bit squicky…) One character sacrifices what is specifically described as a fingertip… but the shears "crunched together at the center of [his] finger", and thenceforth he suffers "phantom limb" pain, and there is mention of a "missing finger". In my world, the fingertip is the fleshy bit at the, er, tip of the finger, the bit that will make contact if you bring your finger straight down onto your desk. The end of it. Small area. Tip. Not even necessarily including any nail. My father lost the tip of one finger in an accident long ago, and you'd never have known it. So … Er? For Will's story alone, this nearly went up to 4 stars, and he would be the only reason I would pursue the series. I became impatient with Marsh, and never could scrape up much interest in the almost dimensionlessly Evil Nazis, but Will was a fantastic character with a compelling arc (though his path might have been too determinedly downhill to form an actual arc). Unfortunately, I don't think he's enough reason to go and seek out Book 2.
  • Rating: 3 out of 5 stars
    3/5
    A very uneven debut. The Brits and the Nazis are heavily stereotyped and this hampers the book. The character motivations seem at times random and the pacing is as uneven as the plotting. Some of the characters are interesting and along with the setting and the ideas, it is not a horrible debut.
  • Rating: 4 out of 5 stars
    4/5
    This book could have been a story arc in a comic book, and I mean that in a good way. In fact, I'm thinking that could be why I liked this book so much. You have British warlocks versus Nazi Germany's engineered super soldiers in an alternate history of World War II.At this point in the story, the U.S. is still out of the picture and the Soviet Union only gets involved later in the book. The British have discovered that Nazi scientists have been developed a technology to create a group of "supermen" -- there's a guy who can manipulate fire, a woman who can turn invisible, another dude who can walk through solid matter, etc. The British know they're screwed unless they come up with something fast, so they end up recruiting a bunch of their warlocks to counter the enemy.But the story is a lot darker than it sounds, or at least that's how I felt. There are parts that were really emotionally disturbing and/or upsetting to me; the whole book just has this heavy, gloomy vibe surrounding it, which isn't uncommon for books that explore the theme of whether the ends justify the means -- because there's a catch to the warlocks' power. Apparently, it comes only from a group of omnipotent extra-planar beings called the Eidolons, the who demand a "blood price" for their services.Not to mention that the book's main antagonist, the Nazi's super-soldier pre-cog named Gretel is one crazy scary bitch. She's even crazier and scarier than the mad Nazi scientist. The people on her own side are afraid of her. Heck, her own brother thinks she's nutters. And yet, her personality is handled just subtly enough so the reader doesn't simply brush her off as just another cookie-cutter supervillain. Personally, I found her fascinating in a creepy, discomforting kind of way. What could this psycho with the perfect ability to see the future and manipulate events possibly have planned for the world? It hurts my head just to work out any paradoxes, and quite frankly I don't really want to think about it.Like I said, there were parts of this book that really disturbed and upset me, but it's not the kind that would make me want to put it down. Most of the time, it was the penetrating feeling of dread that hit me as I was reading, the anticipation of impending disaster or of waiting for the other shoe to drop. It's a good, suspenseful fear, and I suppose it speaks well of the author that he was able to make me feel this way, because it doesn't normally happen unless I get emotionally invested in the story or the characters. I don't want to make this book sound all doom and gloom, though. It's beautifully written and Ian Tregillis has clearly done his homework on the historical period. Despite the occult paranormal and science fiction elements, you get a highly realistic sense of the war setting. The main characters are also very well done; we see the story play out through three main narratives -- Marsh the British agent, Will the warlock, and Klaus the Nazi super soldier -- and between them I got a pretty clear picture of what's happening on all sides.It's probably true that the ideas in this novel aren't completely original; you can probably recognize elements of them from other works, but the way Tregillis has mashed them together and the context he uses made this a really intriguing read. I'm really looking forward to picking up the rest of the series if it means I'll be getting more of that good stuff.Science fiction fans with an inclination towards alternate history should definitely check this out, especially if you have an interest in the WWII era.
  • Rating: 2 out of 5 stars
    2/5
    Poorly plotted, poorly paced and not nearly as innovative as the author seems to imagine it to be.
  • Rating: 5 out of 5 stars
    5/5
    There was a great quote by China Mieville when Kraken came out. It went something like“Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they're not absurd.”and Bitter Seeds by Ian Tregillis is one of those which is based on the completely absurd notion about what would happen if Germany had X Men and Britain had Warlocks during the World War.It is an absurd notion brought to life because Ian Tregillis treats it very seriously and fleshes out the novel with a great deal of though. I know I made the reference to X Men earlier but this is a war novel more than anything else and its a cracking good read. I found it hard to believe that this is Tregillis's first novel. I particularly enjoyed the Ravens in the interludes and the way they were weaved through the story. I was hooked from start to finish.The characters are well written and their arcs are structured so that everyone seems to be doing the right thing which is usually hard to do. What also surprised me was how Tregillis added a lot of verve to each place where the novel took place. I think I probably learned more about the World War from this novel than from a history book, which is a credit to Tregillis.All in all a fine debut. I will definitely be wrapping up the trilogy. I think everyone will enjoy this because at the end of the day Ian Tregillis has managed to create a great cast of characters and put them in a great story and once you wrap your head around the premise Bitter Seeds is a great beginning to what should hopefully be a fine trilogy.
  • Rating: 2 out of 5 stars
    2/5
    Bitter Seeds is a frustating book. Its many strengths are offset by some fairly fundamental weaknesses and an infuriating finish which put a real dampener on my enthusiasm to read more of the series. The story can be summed up quickly: WWII with literal ubermenschen (for the Germans) and Lovecraftian horrors (for the British). It's a catchy hook, and Tregillis does a wonderfully spooky job in setting it up. The eldritch, cosmic horrors, and the broken, destructive children used by the Germans. The plot also rips along quite quickly - the novel encompasses the whole of WWII, so there's plenty of action. Sometimes, even a little too much as a few quieter moments or leavening could have gone a long way. Nonetheless, the setting succeeds, in large part because Tregillis is committed to his alt-history in a way too many writers aren't. The implications of these 'catchy' ideas, so far as they pertain to warfare, are horrific - and Tregillis follows through with those implications. It indicates a level of familiarity with real WWII atrocities. At the same time, this strength also becomes a weakness when coupled with some other mis-steps. So much death and human misery does not make for very happy reading. There's no levity in bitter seeds, nor even some light and shade. It leaves the reader feeling empathy for - but also much like - people in wartime: exhausted, depressed, fearful, gray. Perhaps this wouldn't have been so noticeable, if Tregillis characterisation was both stronger and more varied. Unfortunately, for a book spanning an entire world war, it only has about four major characters. Worse, with one exception, they are all quite similar. Bitter Seeds is a book almost wholly devoid of women, and certainly devoid of women in any meaningful roles (bar one). The men the novel follows for its bulk are quite similar, their lines and reactions, in part because of the action orientated plot, could well be interchangeable, and their moral/mental/physical declines are predictable, and depressing. But I could forgive all this for the strengths of the book, barring one unconscionable thing: the ending. Reader be warned - Bitter Seeds has no ending. The book doesn't end, nothing is resolved, no arcs are completed, nothing. This isn't a novel, it's the first third of a novel, and realising that on the last page was infuriating. I am not against a series, but you need to have smaller narratives within a greater one - and Bitter Seeds absolutely does not. Nothing set up in this book is finished by its conclusion, and after putting up with so much misery and turmoil, the lack of catharsis is frustrating. I paid for a book, not a chapter. I don't know if I can be bothered with the sequel; the promise of more of the same is not very alluring to me.
  • Rating: 4 out of 5 stars
    4/5
    I really enjoyed Tregillis' style of writing. While the major factions of characters seemed to interact far too little, the characters themselves were engaging. As a pet peeve of mine, I do wish he would have made the female characters a little less "enigmatic" and more...action-oriented. Even the female lead seemed a little tame for what her psychology was supposed to be. I'm hoping their roles will pick up a bit more in the 2nd and 3rd book, which I'll definitely pick up.
  • Rating: 4 out of 5 stars
    4/5
    (Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com]. I am the original author of this review, as well as the owner of CCLaP; it is not being reprinted illegally.)The reason I put this older (2010) urban-fantasy alt-history novel on reserve at my local library is because its sequel The Coldest War just came out, and the premise sounded interesting enough to warrant going back to the first book and catching up; set within a Johnathan Carroll like alt-reality where magic is real (via evil, ephemeral cosmic aliens who we barely understand but who some can take advantage of), it tells the story of a World War Two where the Nazis have literally invented supermen and crusty upper-class "magic scholars" in the UK are made MI6 operatives to stop them. But alas, although the idea itself is just really quite amazing, the execution of the idea is only subpar; the plot itself is quite clunky at times, the level of characterization uneven, the dialogue sometimes flat, and perhaps worst of all (or at least a big personal pet peeve of mine), a paper-thin wife is invented for one of the main characters exclusively to serve as a flimsy deux-ex-machina for the story's climax, otherwise servicing as a disposable distraction for the other couple of hundred pages we have to deal with her. I can see why the book's gotten so much attention, because it really is a captivating story idea, unique and historical and yet another great modern take on the Nazi's real-life obsession with the occult; and while it's sure to satisfy hardcore urban-fantasy fans, I doubt that I myself will be reading volume two of the series, and do not recommend it except to the most diehard Joss Whedon fans out there.Out of 10: 8.4
  • Rating: 1 out of 5 stars
    1/5
    Rating: one annoyed star of five (p58)I am on record around these parts as disliking books containing Majgicqk. I have caused a slight coolness to come between myself and certain of my friends around here with my barely restrained snorts of derision at Alan Moore and Neil Gaiman and their comic-book-superhero storytelling ilk. What I've said about actual comic books...oh, do pardon, graphic novels...would have led to all-out breach were the advocates of same not bound to my soul with hoops of steel. (Google it, it's a reference.) So what on this goddesses' green earth convinced me to try a book that the publisher markets as "Alan Furst meets Alan Moore?" Alternative history, that's what. A different WWII.Well, that'll learn me. Never again. While I found Mr. Tregillis's writing to be quite deft and pleasant on the eyes, the story he's chosen to tell is just about 180 degrees away from my happy place. This story and I are badly suited, and that makes me feel sad. Superheroes and superpowers and Nazi-fighting...oh nay nay nay, not for this old man.However, and this is important, the storytelling voice here is ripping good stuff, and those without my allergy to stupid supernatural crapola are strongly urged to give Mr. Tregillis's well-written novel a test drive.
  • Rating: 4 out of 5 stars
    4/5
    Ian Tregillis takes the notion of an alternate history of World War II to new heights in his first novel, Bitter Seeds. Germany and England combat one another not just on the ground and in weaponry, but also in arcane forces that shape their strategy. Germany has developed psychic powers in certain individuals, power by batteries wired into their brains; the powers vary from individual to individual, but include the ability to become invisible and impervious to weapons; the ability to see the future; and the ability to make external objects explode. On the other hand, the English have an ancient route to the inexplicable: a sort of magic that is really access to an alien race that will perform services in exchange for blood. Neither country really understands the forces with which it is reckoning, but neither cares in their desperate effort to win this all-out war.There is much that is different about this war, and plenty that is the same. Churchill is still England’s prime minister. France is still invaded and conquered in virtually no time. England still suffers from the Blitz. But there doesn’t appear to be a preoccupation with a Final Solution in Germany; Dunkirk is a disaster for the English; and German bombing is not confined to London. The unraveling of the war is sudden and even shocking.Bitter Seeds is apparently merely the opening of an epic of a supernatural alternate history. And it is clear that this story is incomplete in many ways. There is a threat in England from the Eidolons – the alien race – that is unresolved in one specific as well as in the genuine overall threat posed by these creatures that are omnipresent but on a different plane, creatures who despise us but agree to help the English only to advance their own ends. The lengths to which England will go to develop this dangerous power is only hinted at in the conclusion to the book, but the way it chooses to use the aliens during the war does not bode well. The German scientific approach to psychic powers also seems open to further development, but again, the cost may be more than anyone is willing to pay. In many ways, this may be one of the most anti-war science fiction novels written since Joe Haldeman’s The Forever War.The writing is more assured that one would expect of a first-time novelist. The plotting is skeletal, given the complexity of the tale, but it is sufficient; I expect that it will be fleshed out in further novels in the series. My only substantial problem with this book was that the characters seemed more like types than full-fledged people. There is the rich dilettante who proves to be the key to a certain strategy, and bravely comes through, surprising all who know him; the dedicated soldier who will do anything for King and Country; the evil German doctor who experiments on children and cavalierly discards those who do not perform to his satisfaction, a Mengele for the psychic set; and an angelic wife who stands by her husband regardless of his ill-treatment of her, understanding his grief and his commitment to his duty without a thought for herself. I’d like to see more depth in each of these characters, perhaps something unexpected from one of them now and then. That, too, might come in future novels as Tregillis finds his way through his story.This is a promising first novel, a dark story of a dark time in human history, told with a substantial twist that does not change the basic fact that the twentieth century was a bloody one. I’m curious about what Tregillis will do to history next, and how – and if – his characters will survive.
  • Rating: 4 out of 5 stars
    4/5
    This is the tale of an alternate Second World War in which the real fight takes place between a pack of damaged children with super powers produced by Nazi mad science versus a cadre of British warlocks capable of invoking the power of aetheric beings; beings that loath Humanity and can only be repaid in blood. The story is less about the course of the war and more about the price exacted by invoking abilities indistinguishable from magic; very bleak reading indeed. It makes the "Laundry" series of Charlie Stross look like a picnic.
  • Rating: 3 out of 5 stars
    3/5
    This first volume in the new series features a Nazi experimental program that surgically alters children so that, upon adulthood, they have psionic abilities. These German horrors are opposed by a handful of British horrors in the form of aristocrats whose ancestors have passed down the lore for summoning powerful spirits…provided enough human sacrifices are made. I moderately enjoyed the story, and I'm curious enough that I will pick up the second. However, it could have been a fair bit better.First, the pacing of the book is rather uneven. The beginning is quite well done. There's enough back-story to explain the alternate history and introduce the characters. The conflict is set up nicely. However, it slides downhill from about the midpoint. The action scenes where the German super-soldiers are actively engaged were definitely disappointing in their brevity. Most of all, the ending bothered me. It's clear that Tregillis is setting up for a sequel—and there's nothing wrong with that—but absolutely nothing is resolved is this volume, despite the clear pause in the story line with the ending of World War II.The characterizations were also uneven, with the German side much better realized than the British. Klaus, Gretel and the others are individual characters, full of strengths and weaknesses and a whole lot of psychological problems. The British warlocks are largely faceless blurs. Even Will, the one with the best claim to being a main character, never really steps off the flat paper of the book.Still, Tregillis makes the underlying plot concept interesting, and the conflict between Marsh and Gretel is quite intriguing. I think the reviews that use words like stunning and fabulous are way overboard, but I'll try the next volume. Recommended for fans of the genre but not outside that.
  • Rating: 4 out of 5 stars
    4/5
    I picked this book up off John Scalzi's 'Big Idea' feature almost entirely because the 'big idea' behind this book - exploring a true, unlimited precognitive and what sort of power that /really/ means - absolutely enthralled me.I'm happy to say that the execution is solid. Tregillis is an excellent writer with a good sense of voice and place and time, all helpful when setting this alternate history full of magic and mad science down in WWII.Germany has a house full of orphans with superhuman powers - invisibility, intangibility, telekinesis, pyrokinesis, and, of course, precognition. Our precog, Gretel, is a bit of a loose cannon - she doesn't do what her good doctor wants, and while her intel is invaluable when it's right, many of her suggestions seem mystifying, and her motives are unclear.Britain, catching wind of some of these abilities but not what they are or how they work, forms a secret project, code-named Milkweed, to counteract them. Milkweed turns to warlocks who work their magic and pay terrible blood-prices to keep Britain safe.What's engaging in this book is also what makes it feel a little disappointing - because I was primed for it to be Gretel's story, it felt a bit odd that she's not the front-and-center character (it alternates between two British agents and Gretel's brother, Klaus). Gretel herself seem to perhaps be a bit of a sociopath, or at the very least someone who keeps herself above and apart from the rest of her colleagues (one of the effects of her abilities), which makes her both hard to relate to and hard to read.The largest frustration here is that we never really know Gretel, so we can never really place her loyalties or goals. Which means that while we can suspect,it's difficult to recognize for certain what events in the long chain are a direct result of her long-ranging plan. I suspect that at the end of this series, we may all sit back with our minds blown at the intricacy of it, but in the middle, it's a bit difficult to really grasp.That said, I /do/ recommend this book. It's an engaging read, and it has a wonderful sense of atmosphere. I'll most certainly be watching for the sequel as soon as it comes out, even with my suspicions about when the real payoff will come.
  • Rating: 4 out of 5 stars
    4/5
    The Nazis have a mad scientist who created younsters with psychic abilities. To fight them, the British recruit warlocks to raise demons. But there is a terrible price.A disquieting picture of an alternate World War II.
  • Rating: 4 out of 5 stars
    4/5
    Nazi mutants vs british wizards during WWII seems goofy - but it works. It's a good story with actual characters and actual costs and character development and internal struggle.Easy to make fun of - hard to believe it's so good. I will be looking for the rest of the series.
  • Rating: 4 out of 5 stars
    4/5
    I'm usually not a fan of alternate histories, especially WWII alternate histories. However, the sci-fi/magic way in which this book starts to nudge history out of whack is entertaining and creepy. Fits in nicely beside both Jonathan Strange & Mr Norrell and Naomi Novik's Temeraire series.

Book preview

Bitter Seeds - Ian Tregillis

prologue

23 October 1920

11 kilometers southwest of Weimar, Germany

Murder on the wind: crows and ravens wheeled beneath a heavy sky, like spots of ink splashed across a leaden canvas. They soared over leafless forests, crumbling villages, abandoned fields of barleycorn and wheat. The fields had gone to seed; village chimneys stood dormant and cold. There would be no waste here, no food free for the taking.

And so the ravens moved on.

For years they had watched armies surge across the continent with the ebb and flow of war, waltzing to the music of empire. They had dined on the detritus of warfare, feasted on the warriors themselves. But now the dance was over, the trenches empty, the bones picked clean.

And so the ravens moved on.

They rode a wind redolent of wet leaves and the promise of a cleansing frost. There had been a time when the winds had smelled of bitter almonds and other scents engineered for a different kind of cleansing. Like an illness, the taint of war extended far from the battlefields where those toxic winds had blown.

And so the ravens moved on.

Far below, a spot of motion and color became a beacon on the still and muted landscape. A strawberry roan strained at the harness of a hay wagon. Hay meant farmers; farmers meant food. The ravens spiraled down for a closer look at this wagon and its driver.

*   *   *

The driver tapped the mare with the tip of his whip. She snorted, exhaling great gouts of steam as the wagon wheels squelched through the butterscotch mud of a rutted farm track. The driver’s breath steamed, too, in the late afternoon chill as he rubbed his hands together. He shivered. So did the children nestled in the hay behind him. Autumn had descended upon Europe with coldhearted glee in this first full year after the Great War, threatening still leaner times ahead.

He craned his neck to glance at the children. It would do nobody any good if they succumbed to the cold before he delivered them to the orphanage.

Every bump in the road set the smallest child to coughing. The towheaded boy of five or six years had dull eyes and sunken cheeks that spoke of hunger in the belly, and a wheeze that spoke of dampness in the lungs. He shivered, hacking himself raw each time the wagon thumped over a root or stone. Tufts of hay fluttered down from where he had stuffed his threadbare woolen shirt and trousers for warmth.

The other two children clung to each other under a pile of hay, their bones distinct under hunger-taut skin. But the gypsy blood of some distant relation had infused the siblings with a hint of olive coloring that fended off the pallor that had claimed the sickly boy. The older of the pair, a gangly boy of six or seven, wrapped his arms around his sister, trying vainly to protect her from the chill. The sloe-eyed girl hardly noticed, her dark gaze never wavering from the coughing boy.

The driver turned his attention back to the road. He’d made this journey several times, and the orphans he ferried were much the same from one trip to the next. Quiet. Frightened. Sometimes they wept. But there was something different about the gypsy girl. He shivered again.

The road wove through a dark forest of oak and ash. Acorns crunched beneath the wagon wheels. Gnarled trees grasped at the sky. The boughs creaked in the wind, as though commenting upon the passage of the wagon in some ancient, inhuman language.

The driver nudged his mare into a sharp turn at a crossroads. Soon the trees thinned out and the road skirted the edge of a wide clearing. A whitewashed three-story house and a cluster of smaller buildings on the far side of the clearing suggested the country estate of a wealthy family, or perhaps a prosperous farm untouched by war. Once upon a time, the scions of a moneyed clan had indeed taken their holidays here, but times had changed, and now this place was neither estate nor farm.

A sign suspended on two tall flagpoles arced over the crushed-gravel lane that veered for the house. In precise Gothic lettering painted upon rough-hewn birch wood, it declared that these were the grounds of the Children’s Home for Human Enlightenment.

The sign neither mentioned hope nor counseled its abandonment. But in the driver’s opinion, it should have.

Months had passed since the farm was given a new life, but the purpose of this place was unclear. Tales told of a flickering electric-blue glow in the windows at night, the pervasive whiff of ozone, muffled screams, and always—always—the loamy shit-smell of freshly turned soil. But the countless rumors did agree on one thing: Herr Doktor von Westarp paid well for healthy children.

And that was enough for the driver in these lean gray years that came tumbling from the Armistice. He had children of his own to feed at home, but the war had produced a bounty of parentless ragamuffins willing to trust anybody who promised a warm meal.

A field came into view behind the house. Row upon row of earthen mounds dotted it, tiny piles of black dirt not much larger than a sack of grain. Off in the distance a tall man in overalls heaped soil upon a new mound. Influenza, it was claimed, had ravaged the foundling home.

Ravens lined the eaves of every building, watching the workman, with inky black eyes. A few settled on the ground nearby. They picked at a mound, tugging at something under the dirt, until the workman chased them off.

The wagon creaked to a halt not far from the house. The mare snorted. The driver climbed down. He lifted the children and set them on their feet as a short balding man emerged from the house. He wore a gentleman’s tweeds under the long white coat of a tradesman, wire-rimmed spectacles, and a precisely groomed mustache.

Herr Doktor, said the driver.

Ja, said the well-dressed man. He pulled a cream-colored handkerchief from a coat pocket. It turned the color of rust as he wiped his hands clean. He nodded at the children. What have you brought me this time?

You’re still paying, yes?

The doctor said nothing. He pulled the girl’s arms, testing her muscle tone and the resilience of her skin tissues. Unceremoniously and without warning he yanked up her dirt-crusted frock to cup his hand between her legs. Her brother he grabbed roughly by the jaw, pulling his mouth open to peer inside. The youngsters’ heads received the closest scrutiny. The doctor traced every contour of their skulls, muttering to himself as he did so.

Finally he looked up at the driver, still prodding and pulling at the new arrivals. They look thin. Hungry.

Of course they’re hungry. But they’re healthy. That’s what you want, isn’t it?

The adults haggled. The driver saw the girl step behind the doctor to give the towheaded boy a quick shove. He stumbled in the mud. The impact unleashed another volley of coughs and spasms. He rested on all fours, spittle trailing from his lips.

The doctor broke off in midsentence, his head snapping around to watch the boy. What is this? That boy is ill. Look! He’s weak.

It’s the weather, the driver mumbled. Makes everyone cough.

I’ll pay you for the other two, but not this one, said the doctor. I’m not wasting my time on him. He waved the workman over from the field. The tall man joined the adults and children with long loping strides.

This one is too ill, said the doctor. Take him.

The workman put his hand on the sickly child’s shoulder and led him away. They disappeared behind a shed.

Money changed hands. The driver checked his horse and wagon for the return trip, eager to be away, but he kept one eye on the girl.

Come, said the doctor, beckoning once to the siblings with a hooked finger. He turned for the house. The older boy followed. His sister stayed behind, her eyes fixed on where the workman and sick boy had disappeared.

Clang. A sharp noise rang out from behind the shed, like the blade of a shovel hitting something hard, followed by the softer bump-slump as of a grain sack dropping into soft earth. A storm of black wings slapped the air as a flock of ravens took for the sky.

The gypsy girl hurried to regain her brother. The corner of her mouth twisted up in a private little smile as she took his hand.

The driver thought about that smile all the way home.

Fewer mouths meant more food to go around.

23 October 1920

St. Pancras, London, England

The promise of a cleansing frost extended west, across the Channel, where the ravens of Albion felt it keenly. They knew, with the craftiness of their kind, that the easiest path to food was to steal it from others. So they circled over the city, content to leave the hard work to the scavengers below, animal and human alike.

A group of children moved through the shadows and alleys with direction and purpose, led by a boy in a blue mackintosh. The ravens followed. From their high perches along the eaves of the surrounding houses, they watched the boy in blue lead his companions to the low brick wall around a winter garden. They watched the children shimmy over the wall. And they watched the gardener watching the children through the drapes of a second-story window.

*   *   *

His name was John Stephenson, and as a captain in the nascent Royal Flying Corps, he had spent the first several years of the Great War flying over enemy territory with a camera mounted beneath his Bristol F2A. That ended with a burst of Austrian antiaircraft fire. He crashed in No-Man’s Land. After a long, agonizing ride in a horse-drawn ambulance, he awoke in a Red Cross field hospital, mostly intact but minus his left arm.

He’d disregarded the injury and served the Crown by staying with the Corps. Analyzing photographs required eyes and brains, not arms. By war’s end, he’d been coordinating the surveillance balloons and reconnaissance flights.

He’d spent years poring over blurry photographs with a jeweler’s loupe, studying bird’s-eye views of trenches, troop movements, and gun emplacements. But now he watched from above while a half dozen hooligans uprooted the winter rye. He would have flown downstairs and knocked their skulls together, but for the boy in the blue mackintosh. He couldn’t have been more than ten years old, but there he was, excoriating the others to respect Stephenson’s property even as they ransacked his garden.

Odd little duckling, that one.

This wasn’t vandalism at work. It was hunger. But the rye was little more than a ground cover for keeping out winter-hardy weeds. And the beets and carrots hadn’t been in the ground long. The scavenging turned ugly.

A girl rooting through the deepest corner of the garden discovered a tomato excluded from the autumn crop because it had fallen and bruised. She beamed at the shriveled half-white mass. The largest boy in the group, a little monster with beady pig-eyes, grabbed her arm with both hands.

Give it, he said, wrenching her skin as though wringing out a towel.

She cried out, but didn’t let go of her treasure. The other children watched, transfixed in the midst of looting.

Give it, repeated the bully. The girl whimpered.

The boy in blue stepped forward. Sod off, he said. Let her go.

Make me.

The boy wasn’t small, per se, but the bully was much larger. If they tussled, the outcome was inevitable.

The others watched with silent anticipation. The girl cried. Ravens called for blood.

Fine. The boy rummaged in the soil along the wall behind a row of winter rye. Several moments passed. Here, he said, regaining his feet. One hand he kept behind his back, but with the other he offered another tomato left over from the autumn crop. It was little more than a bag of mush inside a tough papery skin. Probably a worthy find by the standards of these children. You can have this one if you let her alone.

The bully held out one hand, but didn’t release the sniffling girl. A reddish wheal circled her forearm where he’d twisted the flesh. He wiggled his fingers. Give it.

All right, said the smaller boy. Then he lobbed the food high overhead.

The bully pushed the girl away and craned his head back, intent on catching his prize.

The first stone caught him in the throat. The second thunked against his ear as he sprawled backwards. He was down and crying before the tomato splattered in the dirt.

The smaller boy had excellent aim. He’d ended the fight before it began.

Bloody hell.

Stephenson expected the thrower to jump the bully, to press the advantage. He’d seen it in the war, the way months of hard living could alloy hunger with fear and anger, making natural the most beastly behavior. But instead the boy turned his back on the bully to check on the girl. The matter, in his mind, was settled.

Not so for the bully. Lying in the dirt, face streaked with tears and snot, he watched the thrower with something shapeless and dark churning in his eyes.

Stephenson had seen this before, too. Rage looked the same in any soul, old or young. He left the window and ran downstairs before his garden became an exhibition hall. The bully had gained his feet when Stephenson opened the door.

One of the children yelled, Leg it!

The children swarmed the low brick wall where they’d entered. Some needed a boost to get over it, including the girl. The boy who had felled the bully stayed behind, pushing the stragglers atop the wall.

Seeing this reinforced Stephenson’s initial reaction. There was something special about this boy. He was shrewd, with a profound sense of honor, and a vicious fighter, too. With proper tutelage …

Stephenson called out. Wait! Not so fast.

The boy turned. He watched Stephenson approach with an air of bored disinterest. He’d been caught and didn’t pretend otherwise.

What’s your name, lad?

The boy’s gaze flickered between Stephenson’s eyes and the empty sleeve pinned to his shoulder.

I’m Stephenson. Captain, in point of fact. The wind tossed Stephenson’s sleeve, waving it like a flag.

The boy considered this. He stuck his chin out, saying, Raybould Marsh, sir.

You’re quite a clever lad, aren’t you, Master Marsh?

That’s what my mum says, sir.

Stephenson didn’t bother to ask after the father. Another casualty of Britain’s lost generation, he gauged.

And why aren’t you in school right now?

Many children had abandoned school during the war, and after, to help support families bereft of fathers and older brothers. The boy wasn’t working, yet he wasn’t exactly a hooligan, either. And he had a home, by the sound of it, which was likely more than some of his cohorts had.

The boy shrugged. His body language said, Don’t much care for school. His mouth said, What will you do to me?

Are you hungry? Getting enough to eat at home?

The boy shook his head, then nodded.

What’s your mum do?

Seamstress.

She works hard, I gather.

The boy nodded again.

To address your question: Your friends have visited extensive damage upon my plantings, so I’m pressing you into service. Know anything about gardening?

No.

Might have known not to expect much from my winter garden if you had, eh?

The boy said nothing.

Very well, then. Starting tomorrow, you’ll get a bob for each day spent replanting. Which you will take home to your hardworking mother.

Yes, sir. The boy sounded glum, but his eyes gleamed.

We’ll have to do something about your attitude toward education, as well.

That’s what my mum says, sir.

Stephenson shooed away the ravens picking at the spilled food. They screeched to each other as they rode a cold wind, shadows upon a blackening sky.

23 October 1920

Bestwood-on-Trent, Nottinghamshire, England

Rooks, crows, jackdaws, and ravens scoured the island from south to north on their search for food. And, in the manner of their continental cousins, they were ever-present.

Except for one glade deep in the Midlands, at the heart of the ancestral holdings of the jarls of Æthelred. In some distant epoch, the skin of the world here had peeled back to reveal the great granite bones of the earth, from which spat forth a hot spring: water touched with fire and stone. No ravens had ventured there since before the Norsemen had arrived to cleave the island with their Danelaw.

Time passed. Generations of men came and went, lived and died around the spring. The jarls became earls, then dukes. The Norsemen became Normen, then Britons. They fought Saxons; they fought Saracens; they fought the Kaiser. But the land outlived them all with elemental constancy.

Throughout the centuries, blackbirds shunned the glade and its phantoms. But the great manor downstream of the spring evoked no such reservations. And so they perched on the spires of Bestwood, watching and listening.

*   *   *

Hell and damnation! Where is that boy?

Malcolm, the steward of Bestwood, hurried to catch up to the twelfth Duke of Aelred as he banged through the house. Servants fled the stomp of the duke’s boots like starlings fleeing a falcon’s cry.

The kitchen staff jumped to attention when the duke entered with his majordomo.

Has William been here?

Heads shook all around.

Are you certain? My grandson hasn’t been here?

Mrs. Toomre, Bestwood’s head cook, was a whip-thin woman with ashen hair. She stepped forward and curtsied.

Yes, Your Grace.

The duke’s gaze made a slow tour of the kitchen. A heavy silence fell over the room while veins throbbed at the corners of his jaw, the high-water mark of his anger. He turned on his heels and marched out. Malcolm released the breath he’d been holding. He was determined to prevent madness from claiming another Beauclerk.

Well? Off you go. Help His Grace. Mrs. Toomre waved off the rest of her staff. Scoot.

When the room had cleared and the others were out of earshot, she hoisted up the dumbwaiter. She worked slowly so that the pulleys didn’t creak. When William’s dome of coppery-red hair dawned over the transom, she leaned over and hefted him out with arms made strong by decades of manual labor. The boy was tall for an eight-year-old, taller even than his older brother.

There you are. None the worse for wear, I hope. She pulled a peppermint stick from a pocket in her apron. He snatched it.

Malcolm bowed ever so slightly. Master William. Still enjoying our game, I trust?

The boy nodded, smiling around his treat. He smelled like parsnips and old beef tallow from hiding in the dumbwaiter all afternoon.

Mrs. Toomre pulled the steward into a corner. We can’t keep this up forever, she whispered. She wrung her hands on her apron, adding, What if the duke caught us?

We needn’t do so forever. Just until dark. His Grace will have to postpone then.

But what do we do tomorrow?

Tomorrow we prepare a poultice of hobnailed liver for His Grace’s hangover, and begin again.

Mrs. Toomre frowned. But just then the stomping resumed, and with renewed vigor. She pushed William toward Mr. Malcolm. Quick!

He took the boy’s hand and pulled him through the larder. Gravel crunched underfoot as they scooted out of the house through the deliverymen’s door, headed for the stable, trailing white clouds of breath in the cool air. Malcolm had pressed most of the household staff into aiding the search for William, so the stable was empty. The duke kept his horses here as well as his motorcar. The converted stable reeked of petrol and manure.

Mr. Malcolm opened a cabinet. In here, young master.

William, giggling, stepped inside the cabinet as Mr. Malcolm held it open. He wrapped himself in the leather overcoat his grandfather wore when motoring.

Quiet as a mouse, the older man whispered, as the duke creeps around the house. Isn’t that right?

The child nodded, still giggling. Malcolm felt relieved to see him still enjoying the game. Hiding the boy would become much harder if he were frightened.

Remember how we play this game?

Quiet and still, all the same, said the boy.

Good lad. Malcolm tweaked William’s nose with the pad of his thumb and shut the cabinet. A sliver of light shone on the boy’s face. The cabinet doors didn’t join together properly. I’ll return to fetch you soon.

The duke, William’s grandfather, had gone on many long expeditions about the grounds with his own son over the years. Grouse hunting, he’d claimed, though he seldom took a gun. The only thing Mr. Malcolm knew for certain was that they’d spent much time in the glade upstream from the house. The same glade where the staff refused to venture, citing visions and noises. Years after the duke’s heir—William’s father—had produced two sons of his own, he’d taken to spending time in the glade alone. He returned to the manor at all hours, wild-eyed and unkempt, mumbling hoarsely of blood and prices unpaid. This lasted until he went to France and died fighting the Hun.

The duke’s grandsons moved to Bestwood soon after. They were too young to remember their father very well, so the move was uneventful. Aubrey, the older son and heir apparent, received the grooming expected of a Peer of the Realm. The duke showed little interest in his younger grandson. And it had stayed that way for several years.

Until two days previously, when he had asked Malcolm to find hunting clothes that might fit William. Malcolm didn’t know what happened in the glade, or what the duke did there. But he felt honor-bound to protect William from it.

Malcolm left William standing in the cabinet only to find the duke standing in the far doorway, blocking his egress. His Grace had seen everything.

He glared at Malcolm. The majordomo resisted the urge to squirm under the force of that gaze. The silence stretched between them. The duke approached until the two men stood nearly nose to nose.

Mr. Malcolm, he said. Tell the staff to return to their duties. Then fetch a coat for the boy and retrieve the carpetbag from my study. His breath, sour with juniper berries, brushed across Malcolm’s face. It stung the eyes, made him squint.

Malcolm had no recourse but to do as he was told. The duke had flushed out his grandson by the time he returned bearing a thick dun-colored pullover for William and the duke’s paisley carpetbag. Malcolm made brief eye contact with William before taking his leave of the duke.

I’m sorry, he mouthed.

*   *   *

William’s grandfather took him by the hand. The ridges of the fine white scars arrayed across his palm tickled the soft skin on the back of William’s hand.

Come, he said. It’s time you saw the estate.

I’ve already seen the grounds, Papa.

The old man cuffed the boy on the ear hard enough to make his eyes water. No, you haven’t.

They walked around the house, to the brook that gurgled through the gardens. They followed it upstream, crashing through the occasional thicket. Eventually the crenellations and spires of Bestwood disappeared behind a row of hillocks crowned with proud stands of yew and English oak. They traced the brook to a cleft within a lichen-scarred boulder in a small clearing.

Though hemmed about by trees on every side, the glade was quiet and free of birdsong. The screeches and caws of the large black birds that crisscrossed the sky over the estate barely echoed in the distance. William hadn’t paid the birds any heed, but now their absence felt strange.

Several bundles of kindling had been piled alongside the boulder. From within the carpetbag the duke produced a canister of matches and a folding pocketknife with a handle fashioned from a segment of deer antler. He built a fire and motioned William to his side.

Show me your hand, boy.

William did. His grandfather took it in a solid grip, pulled the boy’s arm straight, and sliced William’s palm with his pocketknife. William screamed and tried to pull away, but his grandfather didn’t release him until the blood trickled down William’s wrist to stain the cuff of his pullover. The old man nodded in satisfaction as the hot tickle pulsed along William’s hand and dripped to the earth.

William scooted backwards, afraid of what his grandfather might do next. He wanted to go home, back to Mr. Malcolm and Mrs. Toomre, but he was lost and couldn’t see through his tears.

His grandfather spoke again. But now he spoke a language that William couldn’t understand, more wails and gurgles than words. Inhuman noises from a human vessel.

It lulled the boy into an uneasy stupor, like a fever dream. The fire’s warmth dried the tears on his face. A shadow fell across the glade; the world tipped sideways.

And then the fire spoke.

one

2 February 1939

Tarragona, Spain

Lieutenant-Commander Raybould Marsh, formerly of His Majesty’s Royal Navy and currently of the Secret Intelligence Service, rode a flatbed truck through ruined olive groves while a civil war raged not many miles away. He secretly carried two fake passports, two train tickets to Lisbon, vouchers for berths on a steamer bound for Ireland, and one thousand pounds sterling. And he was bored.

He’d been riding all morning. The truck passed yet another of the derelict farmhouses dotting the Catalonian landscape. Some had burned to the ground. Others stared back at him with empty windows for eyes, half-naked where the plaster had sloughed to the ground under erratic rows of bullet holes. Wind sighed through open doorways.

Sometimes the farmers and their families had been buried in the very fields they tended, as evidenced by the mounds. And sometimes they had been left to rot, as evidenced by the birds. Marsh envied the farmers their families, but not their ends.

The land had fared no better than the farmers at the hands of armed factions. Artillery had pocked the fields and rained shrapnel upon centuries-old olive groves. In places, near the largest craters, the tang of cordite still wafted from broken earth.

At one point, the truck had to swerve around the charred hulk of a Soviet-issue T-38 tank straddling the road. It looked like an inverted soup tureen on treads but was based, Marsh noted with pride and amusement, upon the Vickers. It was a common sight. Abandoned Republican matériel littered the countryside. Most of Spain had long since fallen to the Nationalists; now they mounted their final offensive, grinding north through Catalonia to strangle the final Republican strongholds.

Officially, Britain had chosen to stay on the sidelines of the Spanish conflict. But the imminent victory of Franco’s Nationalists and their Fascist allies was raising eyebrows back home. Marsh’s section within the SIS, or MI6 as some people preferred to call it, was tasked with gathering information about Germany’s feverish rearmament over the past few years. So when a defector had contacted the British consulate claiming to have information about something new the Nazis were field-testing in Spain, Marsh got tapped for an Iberian holiday, as the old man put it.

Holiday, Marsh repeated to himself. Stephenson had a wry sense of humor.

The truck labored out of the valley into Tarragona, briefly passing through the shadow of a Roman aqueduct that straddled the foothills. A coastal plain spread out before Marsh as they topped the final rise. Orange and pomegranate groves, untended by virtue of winter and war, dotted the seaward slopes of the hills overlooking the city. At the right time of year, the groves might have perfumed the wind with their blossoms. Today the wind smelled of petrol, dust, and the distant sea.

Below the groves sprawled the city: a jumble of bright stucco, wide plazas, and even the occasional gingko-lined avenue left behind by long-dead Romans. One could see where medieval Spanish city planning had collided with and absorbed the remnants of an older empire. On the whole, Tarragona was well-preserved, having fallen to the Nationalists three weeks earlier after token resistance.

Somewhere in that mess waited Marsh’s informant.

Between the city and the horizon stretched the great blue-green expanse of the Mediterranean Sea. It sparkled under the winter sun. Most years enjoyed frequent winter rains that tamped down the dust. This season had been too sporadic, and today the winds blew inland, so the breeze coming off the sea spread an ocher haze across the bowl of the

Enjoying the preview?
Page 1 of 1