Talking to the Dead
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About this ebook
Elaine Feinstein
Elaine Feinstein read English at Cambridge, and lived there for a quarter of a century with her husband and three children, supervising undergraduates and writing poems, novels and plays, as well as reviews for London newspapers. She has appeared at major festivals across the world and has been translated into most European languages. In 1981 Feinstein was made a Fellow of the Royal Society of Literature and later served on its Council. In 1990 she received a Cholmondeley Award for Poetry, and was given an Honorary D.Litt from the University of Leicester. Her novel Mother’s Girl was shortlisted for the Los Angeles Times Fiction Prize in the same year. Her first novel, The Circle (1970) was longlisted for the ‘lost’ Man Booker prize in 2010. Her five biographies include Ted Hughes: The Life of a Poet (2001; 2016), shortlisted for the Marsh Biography Prize; and Anna of all the Russias: The Life of Anna Akhmatova (2005), which has been translated into twelve languages, including Russian. She has served as a judge for all the major literary awards, and was Chair of the Judges for the T. S. Eliot Prize in 1995. She received an Arts Council Award for her work on The Russian Jerusalem (2004).
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Talking to the Dead - Elaine Feinstein
Winter
The clock’s gone back. The shop lights spill
over the wet street, these broken streaks
of traffic signals and white headlights fill
the afternoon. My thoughts are bleak.
I drive imagining you still at my side,
wanting to share the film I saw last night,
– of wartime separations, and the end
when an old married couple reunite –
You never did learn to talk and find the way
at the same time, your voice teases me.
Well, you’re right, I‘ve missed my turning,
and smile a moment at the memory,
always knowing you lie peaceful and curled
like an embryo under the squelchy ground,
without a birth to wait for, whirled
into that darkness where nothing is found.
Bremerhaven
Christmas in Bremerhaven. Every twig sheathed
in transparent ice like tubes of glass, each breath
steam as it left our lips.
I did not want to go to the fair.
You would have liked to poke through toys
even in freezing rain, and relished the stalls
of rich cakes, bought some German games,
but I did not want to be there.
Then, in a wooden booth where we took shelter,
my son and I drank glühwein and spoke of you.
He was still angry about childhood memories,
and, as he spoke, suddenly, you were there,
– one-off, sardonic and obstreperous –
as if we had conjured your hot presence
to stand for a moment solidly between us,
before you dissolved back into the air.
Home
When was it you took up that second stick,
and began to walk like a cross country skier?
Your glide developed its own politics.
Last July, you were able to stretch over
like an acrobat, to oil the garden table.
The patio faced south. It was high summer.
Coffee and grapefruit was the breakfast ritual,
or boiled eggs eaten from blue terracotta.
Our paradise, you called it, like a gîte
we might have chosen somewhere in Provence.
Neither of us understood you were in danger.
Not even