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Paradise
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Paradise
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Paradise
Audiobook (abridged)6 hours

Paradise

Rating: 4 out of 5 stars

4/5

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About this audiobook

"Rumors had been whispered for more than a year. Outrages that had been accumulating all along took shape as evidence. A mother was knocked down the stairs by her cold-eyed daughter. Four damaged infants were born in one family. Daughters refused to get out of bed. Brides disappeared on their honeymoons. Two brothers shot each other on New Year's Day. Trips to Demby for VD shots common. And what went on at the Oven these days was not to be believed . . . The proof they had been collecting since the terrible discovery in the spring could not be denied: the one thing that connected all these catastrophes was in the Convent. And in the Convent were those women."

In Paradise--her first novel since she was awarded the Nobel Prize for Literature--Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain," assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void "Out There . . . where random and organized evil erupted when and where it chose." Richly imagined and elegantly composed, Paradise weaves a powerful mystery.
LanguageEnglish
Release dateMar 24, 2009
ISBN9780307577870
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Paradise

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Rating: 3.769105749593496 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5
    The writing is sort of gauzy and diaphanous to cover some really ugly and difficult subjects.
    There are the people in the town of Ruby, especially the men. And then there are the women in the convent, none of whom are nuns at the time the men from the town come to kill them.
    The story comes out in bits and pieces; what happened to each of the women and also the history of the town. But just what actually happened at the convent is not really quite clear.

  • Rating: 5 out of 5 stars
    5/5
    Torturously wonderful to read. Unflinching reality shrouded in the darkness of being Black in a small part of Black America. There is light, brilliant, funny, passionate, and wonderful. The clarity of the lives lived in this book are sharp as a razor and recorded as only Toni Morrison could do. Pour a glass of wine, sit back and relax. Let the book take you.
  • Rating: 5 out of 5 stars
    5/5
    A difficult subject, or couple of subjects really, to write about in alcoholism and adultery, and especially to write in a way that is both realistic and sympathetic, and without resorting to "bad things happened in childhood" as an excuse. I was holding my breath through the final chapters, hoping that everything would not be patly explained, and I was so happy that it was not.

    And some beautiful and harsh words too..

    "Because I've done the married man stuff before: the serious married man stuff with the calls at odd hours and the lunch-break fucks and him making you meet his wife socially (so that you'll know her, so that you can feel bad, too - except that you don't, because you're not married, that's his problem) and the not going out much in daylight and the wanting to have more of him, the hunger that almost wrecks you when you finally do touch - the whole, huge, locked-in crucifying, paranoid fantasy.!

    I borrowed this book, and I will try to hang on to it for a while longer, to reread soon.
  • Rating: 4 out of 5 stars
    4/5
    This story about race is told by the women of a town that began as a settlement of freed slaves who moved their society to a place they built out of devotion to their beliefs and the signs created from said devotion. The story is short, but is retold from each woman's point of view. Some of the women have always lived there, some have come only recently, all have a connection to the strange house located well outside of the city.The story isn't always linear and there were times when I thought something was purposefully meant to be so confusing that you just couldn't follow it. Some of the poetic writing is just a little too cryptic to understand without some pause to think about the situation a little. Books should be that way at times, when the balance is right, and this book has almost perfect balance. In a way there is a great mystery to this book, because even though the story starts with what is obviously the end of the story, you find yourself wondering how it all came about. You find yourself reading for the writing style just as much as the mystery though. It is simply that good.
  • Rating: 3 out of 5 stars
    3/5
    Paradise by Toni MorrisonNon-linear and filled with many characters, some of those having multiple names, don't expect Paradise to be a casual Sunday stroll in the park. About a third of the way through I stopped struggling & let myself simply experience the novel. I stopped trying to make sense of it and just read it. That did make it easier to read though I NEVER find Toni Morrison's books easy to read. If one enjoyed the book I would think it would require more than one reading. I didn't & so I won't be reading this one again.Although emotionally and beautifully rich in Morrison prose as always, her novels require patience & thought, an open mind & a willingness to just let her lead you where she will without having attempting to understand how or why.I must say however, that the more of Morrison I read the less I enjoy/appreciate her work other than for the lovely prose.
  • Rating: 4 out of 5 stars
    4/5
    Such a compelling read that kept me immersed in its pages and world that it was hard to come up for breath. A tough book to review as I just feel like gushing over it enthusiastically! I haven't read a book by Morrison that I didn't like but I did find this one quite different. It wasn't so raw nor did it deal with such uncomfortable subjects as the other books I've read by her so far that it did make a unexpected, but pleasant, change for me. Each chapter tells the story from a different woman's point of view (though always from the third person) and this is one of my personal favourite devices in storytelling. It is a story of race, as it tells the story of a black town founded on the principles that many original black towns, after slavery, were themselves colour conscience and this specific group of ex-slaves and free men (and their family's) were very dark black, searching to settle down but refused entry to a light-skinned black town. So they found Ruby, a place that disregards "white" ways but has a special grudge against the "light-skinned" of their own race. They find their nemesis in a convent house located outside of their town which is inhabited by a rag-tag of abandoned, forlorn but independent women of varying races which the reader is never made aware of except that one is white. The book starts off with a group of the townsmen descending upon the convent women and shooting the "white one" first. Then we go back in time and the whole story of both the town's founding and present state along with how the various women came and ended up staying at the old convent came to such an ominous state suvh as where we first find them. A totally gripping read of strong female characters who escape their dysfunctional lives and become independent and bond with each other while only miles away a secluded patriarchal society grows deeper and deeper into believing its own righteousness and thinking itself above the "whitemen's" law. A stunning read. Not my favourite of Morrison's but very close and appealing to see her write something a little different from her usual themes.
  • Rating: 4 out of 5 stars
    4/5
    Paradise opens with a scapegoat massacre. "They shoot the white girl first. With the rest they can take their time." Who that white girl is, is left for the reader to decide. I suppose the mystery is meant to be compelling.In spite of some great writing, if I have one main complaint it's that too many of the characters seem a little too superficial, a bit too symbolic or perhaps even cliché. For this reason the book drags somewhat in the middle, or maybe even the entire first half except for the opening chapter.
  • Rating: 3 out of 5 stars
    3/5
    When Paradise was released in 1997, it was the first new Toni Morrison novel since I had learned about her and started reading all of her books.  I got it early on and struggled with it and had to return it to the library after only reading a small part.  I checked it out again but enough time had passed that I had to start over again and I ended up still not being able to finish it.  To my shame, I've finally read all of Paradise.  It's still a book I struggle with, featuring a lot of characters and overlapping plots.The story takes place in Ruby, and all-Black town in Oklahoma where the prominent men of town take up arms against the women in an abandoned convent on the outskirts of town.  The men treat the convent as if it were a brothel or a coven corrupting the morals in town.  In fact, it is a safe place for women who are escaping abuse, exclusion, and personal tragedies, mainly brought on by the patriarchy of the town and discrimination against light-skin Black people The narrative interweaves the personal stories of women who lived and died at the convent with the history of the town.  As I've noted, I found this to be a complex book.  It is also violent and disturbing which makes it hard for me to read.  It's nonetheless a poetic work with Morrison's typical honesty and compassion toward her characters.  But it is not going to be a favorite of mine among her novels.
  • Rating: 4 out of 5 stars
    4/5
    This is a dense read that does not give up its secrets quickly. On the surface it’s the story of a group of nine former slave families, freed at the end of the Civil War, searched for a place to settle. When they attempted to join one community of former slaves, they were told they were too black and too poor. They traveled onward and settled in Oklahoma. This is the story of the town they founded and the people who lived there.They settled near a bootlegger/racketeer’s pleasure palace. Eventually, the pleasure palace was taken over by an order of Catholic nuns as a school for Indian girls. But the Indian school fades out, as does the order of nuns. It becomes home to a few wayward girls who have found their way there by accident, or perhaps as if they were drawn there.It’s a story of racism, classism, colorism, and religion – of men and women in conflict; of supernatural haunting of the old Convent as well as an elderly Brazilian woman who can enter people’s souls and prolong life. It’s a story of old conflicts and hurts bubbling forth and a community founded on the freedom of a newly freed people becoming a very unfree community.Even after reading several online commentaries on this novel, I was often at a loss. One professor who has taught it several times, said he always starts out by making a crib sheet of names and relationships. When I read it again, I will do so.Because,having finished reading I feel that I need to read it again -probably multiple times. But for now, I will set it aside and let it soak.
  • Rating: 5 out of 5 stars
    5/5
    from the group read comments in 75 Book Challenge for 2021:Great discussion. Sorry I wasn't able to start the book sooner, and add my two cents as the thread went on. I finished about an hour ago, and I'm relieved that others found it confusing, not just me!I found the writing quite powerful, the characters as well, although I wish I had Pat's genealogy to guide me! Next time I read it, I will at least keep track of who married whom and which children belonged to which family.As for the reality of the women at the Convent, I never doubted it. How their bodies disappeared is certainly a mystery, as is (to me) that door or window that Richard and Anna sense in the garden. I think Mavis might be alive at the end - when her daughter embraces her she winces - but maybe not. I think Pallas is certainly dead, as is her baby, because she doesn't answer or look at her mother later when she comes back for her shoes, carrying the baby. I don't know if Lone was able to employ her power to restore any of them, but it's a possibility.The story of exclusive communities is very old, of course, and we still carry that in some parts of our society today. It's meant as a bulwark against change and contamination, but without change thoughts and habits ossify. The nine families recoil from the hurt of exclusion (no room at the inn for them) into themselves. I was a little surprised that the young men of the latter generation went off to war - so little mention was made of the government I thought the town was itself invisible. But of course, once the boys see the realities of the outside world, it's harder to keep new ideas out. And then the very personal damage that can be caused by exclusion becomes overt. Much more to be said, if I can think of it. This book certainly bears careful rereading, but I don't expect that to explain things.I'll go check other's posts on their own threads now. I've been passing them by until I'd finished my own read.
  • Rating: 4 out of 5 stars
    4/5
    A difficult and disturbing novel about human nature. While I sense its power, and found certain passages absolutely wonderful, I didn't fall in love with the book. Nearly 200 pages into it, I was still trying to sort out the characters and their relationships. I don't object to complexity and often embrace it, but I found parts of the first half of this book were just too obtuse. It may have been partly that I never sat down and immersed myself in the reading for long enough to get caught up in it, but that's sort of a "chicken or egg" situation. A book can MAKE me do that and this one didn't. Having said all that, I expect that I'll re-read Paradise at some point. I'm not ready to devote any more of my limited reading time to this book immediately, but I really wish our library had the audiobook on CD so I could listen to it in the car right away. I think that would probably increase my rating from 3 1/2 to 4 at least. I know that I have not got everything there is to get from this book, and I'm not through with it. Some books simply require a second go.Reviewed in 2011
  • Rating: 5 out of 5 stars
    5/5
    The town of Ruby, Oklahoma was formed by some residents of Haven, a town founded by their ancestors, former slaves. Several miles away lies the Convent, a former school for native girls now inhabited only by the mother superior and her protégée, Connie. Toni Morrison uses these two settings to explore a set of issues more focused on gender than race. And, as with most of Morrison’s novels, things are much more complicated than they first appear.The book opens with a group of men from Ruby staging a violent raid on the Convent. What would lead them to such an horrific act? Morrison takes her time shedding light on this question. Each chapter focuses on the life of a different woman, usually one who came to stay at the Convent. But the narrative also provides a history of Ruby and its people, albeit in a non-linear way. It can be difficult to keep track of all the characters and their relationships to one another. It’s not until the final chapters that the reader begins to understand why and how the raid happened. This later, more detailed description of the raid was gripping and tragic.The raid is just one example of violence against women in this novel. All of the women who arrive at the Convent have experienced tragic circumstances, often at the hands of men. There’s a lot of imagery and symbolism, which I cannot claim to have fully unpacked. And I think there’s something supernatural going on as well, in ways reminiscent of Morrison’s Beloved. This was a challenging novel to read and understand, but rather than being confused or turned off by that, I loved it.
  • Rating: 3 out of 5 stars
    3/5
    I bought this book in June of 1999 when it was first in bookstores — I don’t know why — perhaps I felt Toni Morrison was an author I should read in order to be better-read. I didn’t realise it was the third in a trilogy (not that it really matters?); nor did I realise that I was going to find the first few chapters so harrowing that I would put the book down until 2014, when after shipping it round with me throughout my nomadic years, I thought I’d better read the darn thing and get my thirty dollars’ worth.I’d read Beloved in the meantime, found it hard going, and this one is even more so. I’ve developed a thicker skin regards violence in fiction (have we all?) and what I found difficult this time was the following the story itself. I need to make another Goodreads list called something like ‘Can’t Really Understand But Admire Anyhow’. I’d have to read this at least twice or three times to get how all the characters intertwine, that’s for sure, though I’m in no mind to right now. Once is enough.
  • Rating: 2 out of 5 stars
    2/5
    Paradise weaves a powerful mystery says the blurb on the inside front cover, but I found no mystery, just a muddle, that was alternatively heavy handed mumbo-jumbo and portentous parody. Published in 1998 this was Morrison’s first novel after receiving a noble prize for literature and so would have been an obvious choice for the book-of-the-Month main selection: perhaps someone should have read it first. It is unfortunate because the premise is an interesting one: the book focuses on one of the all black towns of Oklahoma that existed in the previous century and tells of the families that founded the town after suffering persecution from other towns.The novel starts with a powerful opening sentence “they shoot the white girl first’ and goes downhill from there. A group of nine men from a nearby town have come out to a makeshift refuge for women armed to the teeth and intent on running them off the land or worse. They have come from the all black town of Ruby the title of the first chapter and Morrison fills in a little of the history of the town, while leaving the reader in suspense concerning the attack on the refuge. Subsequent chapters are titled from the names of the women who have lived in the refuge and their stories are told together with their connection to Ruby. The women’s stories are interlaced with the folklore of the town and their names are thinly disguised to keep the reader guessing as to who they are and where their story fits into the larger picture. The time shifts and fragmentary nature of some of the story telling makes it difficult to get a clear idea of events and this would have been interesting if the novel had not at the end of the day been so intent on ramming the themes of the book down the readers throat, backed up with some religious hokum and a desperate attempt to keep the mystery going after we learn of the events of the raid. Pride, race, religion, misogyny and the dangers of a closed community are lumped in with mysticism, folklore and a revenge tale that struggles to make itself believable and ends up seemingly like some sort of parody. This reader felt little connection with the characters, so many of whom are little more than stock characters. Everything seems to be thrown into the mix and basically we have seen it all before and some fine passages of writing cannot save this unlikely fable. 2 stars.
  • Rating: 3 out of 5 stars
    3/5
    Beautiful writing but a bit of a struggle, due mainly to the huge cast of characters. Worth looking at if you're able to read for long stretches at a time, would definitely benefit from a re-read.
  • Rating: 2 out of 5 stars
    2/5
    Of the three Morrison novels I've read this summer, Paradise is the one I enjoyed least. The most perplexing aspect of the book is the ambiguous internal conflict; the narrative always seems to convey some angst, but it is never clear to me what exactly is the source of this angst. The genealogy is almost biblical and too complicated to keep up with: Zechariah begat Big Daddy begat Josiah AKA Big Pappy, the Fleetwoods, the Morgans, the Du Pres, the twins that died, the twins that lived, the four fathers, the forefathers, the fathers of Haven who begat the fathers of Ruby. At certain points, all of the dubious angst and the seemingly endless trails of names became boring. Of course, it will be getting a second read as I prepare to write my thesis.
  • Rating: 5 out of 5 stars
    5/5
    [Paradise] by [[Toni Morrison]]Toni Morrison's recent death prompted me to pick up this book, which had been lingering too long on my shelves. I'm a little (more than a little) in awe of Morrison's talent and this book was no exception. Paradise revolves around a small town of Ruby, Oklahoma, that was founded by 15 black families fleeing from persecution and racism. These families were freed slaves who were successful during Reconstruction, achieving political roles and higher education, and then squashed back down when whites regained control. They were even discounted and run out of towns by fellow blacks for being "too black". So they take that as a matter of pride and found their town that they try to keep pure to the original families. The conflict comes with an enormous home 17 miles outside of their town that used to be a Convent. The remaining Mother and her "daughter" Connie end up taking in several misfit women who all have had traumatic roads to finding them. The men of Ruby are tempted by these women and of course end up blaming them for their problems, including the most recent generation of Ruby not valuing the same insular society. When they start to lose control of their dearly held beliefs, the blame falls to the women at the Convent and tragedy happens. There's so much more to this book that can't be described in a brief description. It's complex and beautiful writing but it also draws you in. I read it quickly and was completely wrapped up in it. I love that Morrison can write with such complexity but still in a way that is so readable. I would rank this novel right up with my other favorites, [Song of Solomon] and [Beloved].
  • Rating: 5 out of 5 stars
    5/5
    This was masterfully written! A true gem for anyone that enjoys depth in their plots! The characters come to life, they jump off the page. The entire story sucks you in and you feel as though you are struggling with these characters as they face the torments that haunt them in life, the gut-wrenching suffering will grip your soul, and leave you feeling thankful for everything that you have in your own life. It was a wonderful and thought-provoking read, written by an extraordinary author. This is what literature is supposed to be. This author bravely pioneers her own style, while at the same time maintaining all the necessary elements of a desirable book.
  • Rating: 5 out of 5 stars
    5/5
    Another wonderfully told story by one of my favorites. In a town named Ruby, Ohio, a community of Black families, lead by twin brothers settle into their own segregated paradise, hopefully never to be ruined by the outside world. As time progresses the younger generation of teenagers start to want to change things and the status quo is being questioned. At the same time there is an abandoned convent that once was used by nuns looking to educate the locals. Now it is home to a collection of women in need or desperation. Each chapter title is the name of one of the women. The novel begins with the murder of one of these women and then circulates back to provide the back story to why this carnage is happening. It is an amazing intertwined saga, one that does take some concentration or in my case book notes. However the journey is well worth the effort. Morrison is masterful with her language and her depiction of characters. I have read most of her book and look forward to her newest: Home.
  • Rating: 4 out of 5 stars
    4/5
    "They shoot the white girl first. With the rest they can take their time." These powerful first lines set up this beautifully written and complex novel that explores what utopia means and the cost required to maintain it. Ruby is a small town, founded by black families who persevered through the roughest of times to make a home for themselves away from the threat of whites and the shame of being rejected by other blacks. Built 90 miles from anywhere, Ruby has been able to preserve and protect itself from the influence of the outside world, in addition to creating a complex mythology around its founding that sustains it. The families live in peace without threat of violence, drugs, television, or the miscreant behavior of mistreated children. Meanwhile, far on the outskirts of this small town is the Convent, once the home of nuns aiming to plant a seed of culture in young native girls, is now a last refuge for lost women, who have been shattered by their lives. Each reach the Convent, one way or another, by accident, and intending to stay only a few days, end up staying years. The novel interweaves the history of Ruby and its founding families and the lives of these women, and true to Morrison's style, nothing is simple, not people, or towns, or history, or stories. One of the things I remember from when I first read it in class was the question of who the "white girl" was. Race is an important question in the book, or I should say, it's an important question and focus for the townsfolk of Ruby, who pride themselves on being dark-skinned blacks, as opposed to the light skinned blacks who rejected them, not to mention the whites they were trying to escape and avoid. However, among the women who live at the Convent, the story is different. Race is less of an issue, and Morisson never makes it clear who the "white girl" is, and though we spent a lot of time in class trying to debating it, in the end, I think perhaps it doesn't matter, because these women (after a long false start), began to create a kind of paradise for themselves that was not at all built on race, but on something else entirely. Paradise is a rich, complex book with rich, complex write that you could pick up 50 times and come away with something new each time. It requires a certain amount of focus, of paying attention to get through, but it is absolutely worth the effort, and is a beautiful read.
  • Rating: 5 out of 5 stars
    5/5
    I liked this very much. Possibly the Morrison book I liked best. There are probably a lot of biblical metaphors I'm still not getting, just like Toni Morrison's other books, but I think I could understand this book better. This is very good. Morrison won the Nobel Prize for a reason. This is the story of an ex-slave town that had to relocate (but some of them were also ex-lieutenant governors, they were not just ex-slaves, which is very bizarre to me. Ex-slaves were allowed to be lieutenant governors but that went downhill yet again when even more racism fired up. They weren't given so much power again for a long time. ) On their way, they tried to stay at a town with people that were not '8-rock' (a way for one character to describe how pure black the town is) and were rejected. They realized that not only were whites racist, but so were other black folk to shades of skin different than their own. When they eventually found their new home, the town of Ruby is unaccepting of anyone, until inevitable tragedy. Also near the town is an old convent, a house of women, that are trying to escape the brutality of the world, just like Ruby.There is much brutality, like any Toni Morrison book, but how can that be avoidable with such subject matter? There is just something in the way of the little details that make the story (ie: the words "Furrow of His Brow" on a community oven and how people in the town interpret what it means, and the many meanings that only Morrison could show it has). Everything ties together amazingly well. I also liked that at least one woman at the convent is white, which we learn on the first page, but we are never told which woman it is. It is so important to the characters, but Morrison is saying it shouldn't be for the reader, I think. It isn't shoved in your face : "This woman is black. This woman is white." The women's problems are universal and deserve sympathy that the town of Ruby never gives them. What happened to the town of Ruby wasn't right, but neither was their unacceptance of anyone else. They did the same and worse and ultimately became what they were trying to avoid.
  • Rating: 1 out of 5 stars
    1/5
    I didn't like this book at all. I couldn't follow the storyline and couldn't follow what the sequence of events were. The story jumps around so much that I couldn't keep track of the relationships and connections between people and places and times. Perhaps if I had ever spent some time in America and the American culture I might have understood the attitudes and motivations of the characters. However I could see little or inadequate reason or motivation for the terrible crime around which the novel is based. Perhaps Toni Morrison's other books will explain her high prizes but this one I had to force myself to finish.
  • Rating: 4 out of 5 stars
    4/5
    I love Morrison's prose; pure Americana, ironically. But as for her observations into African-American culture (with a cutting, sharp eye permitted only to an insider) she is unsurpassable!
  • Rating: 4 out of 5 stars
    4/5
    why i loved this book:some of the most beautiful poetic language ever used in fiction, and always intrinsic to the development of the novel, particularly in the creation of atmosphere. well-plotted out and interspersed with the legends and history of a people. a wealth of genuine and varied characters, many of whom you grow to care about despite their flaws.a lovely and perfectly rendered open ending.
  • Rating: 2 out of 5 stars
    2/5
    Although I found the premise of the story interesting, I found the writing of it boring and difficult to get into. I almost quit reading it numerous times, but then I would come to a part that held some interest and I would fool myself into thinking that this was where the story would live up to its potential and the book would get good. In the end I really couldn't say that I enjoyed the book at all, or that the effort of struggling through it was worth it. Obvously many other readers have enjoyed this book so maybe it just was not my thing...my advice would be that if you find that you are forcing yourself to read it, don't bother. Just put it down and get on to better things.
  • Rating: 4 out of 5 stars
    4/5
    This story's setting is in the fictitious town of Ruby, Oklahoma, the only all-black town in the state. Nearby, four women have come together and live in the "convent" not far from town. When the town suffers internal strife, the people look for a cause, and come to the conclusion that it must be the four women in the convent that are the cause of the tumult.
  • Rating: 5 out of 5 stars
    5/5
    A stirring novel. One of America's best authors at the top of her game!
  • Rating: 5 out of 5 stars
    5/5
    This is one of my favorite Toni Morrison novels. It's eerie, and at once both realistic and fabulous.
  • Rating: 5 out of 5 stars
    5/5
    Morrison requires you to work with her novels. And this is one where she really requires you to work with it. If you don't want to engage with a novel, then don't read Morrison. All in all, this was a unique, haunting story of prejudice, hatred, passion, love. As well as an often-downplayed critique of Christianity and patriarchy (if you're into that kind of stuff). What's funny is that Morrison will swear up and down that she's not a feminist, but so much of her work says otherwise. Not in that she 'dogs' men, but in her overwhelming concern for women. Many of her novels provide a critique of racist, patriarchal systems; and this novel is made richer for it. I also call Paradise, as well as Beloved, Morrison's "horror" novels. They're both pretty disturbing, creepy, and haunting.