Aperture

Backstory Mo Yi

Mo Yi is known by everyone in the Chinese photography world but by few outside of it. Born in 1958, in Tibet, to Chinese parents assigned there as Communist Party functionaries, Mo grew up wearing the red scarf of the Young Pioneers (the party youth organization) and diligently carrying the Little) everywhere. As a young man, Mo earned his living as a professional soccer player; after retiring from sports, in 1985, he took a job as a hospital photographer in Tianjin, a coastal city about ninety miles from Beijing, and began to explore that bleak industrial port with his camera. When his early, documentary-style images of street scenes and city dwellers were criticized as too gloomy, Mo devised a number of unorthodox techniques meant to purge his own taste and psychology from his photographs. By the 1990s, a host of quirky photographic series won him a place within the burgeoning field of Chinese experimental photography.

You’re reading a preview, subscribe to read more.

More from Aperture

Aperture10 min read
Studio Visit
“My dream was to get out of New Haven,” writes Jim Goldberg in his 2017 photobook, Candy, a coming-of-age story that tracks his 1973 move west and the beginnings of his life as an artist, a seeker, and a man in near-constant motion. Goldberg’s eye wa
Aperture3 min read
Curriculum
The Razor’s Edge, directed by Edmund Goulding and released in 1946, is a movie I repeatedly return to for solace and respite from contemporary life. Based on W. Somerset Maugham’s 1944 novel of the same name, it tracks the odyssey of a World War I fi
Aperture7 min read
We See It All
As a high school student in Puerto Rico, around 2005, Christopher Gregory-Rivera grew active in student movements that fought university tuition hikes. His mother wasn’t happy about it. “She would say, ‘Cuidado, te van a carpetear,’ which meant that

Related Books & Audiobooks